scholarly journals The woman body in review: the imperative of beauty

2014 ◽  
Vol 23 (1) ◽  
pp. 101-108 ◽  
Author(s):  
Rúbia Guimarães Ribeiro ◽  
Maria Henriqueta Luce Kruse

The media challenges us, creating ways of life and showing us how to behave in various situations. Therefore, we propose to understand the investments on beauty conveyed on Para Ti magazine, in 1940, reflecting on the possible conditions of such messages and the way they circulated producing a subjective mindset and teaching their readers how to be beautiful. We understand that the media provides material with which people forge their identity. This is a qualitative study based on post-structuralist cultural studies. The research corpus consists of issues of the Argentinean magazine Para Ti, from 1940. A cultural analysis was carried out based on concepts suggested by philosopher Michel Foucault, such as power and discipline. These analyses were organized under the marker named "the imperative of beauty". Considering the content presented by the magazine, it is possible to understand the relationship we have with today's image of a beautiful body, associating it with thinness, a balanced diet, exercise, normality, and health.

2020 ◽  
Vol 24 (1) ◽  
pp. 7-8
Author(s):  
Leszek Zinkow

2018 was marked by a variety of celebrations of the 100th anniversary of Poland’s independence. Therefore, it was impossible to ignore this great event also in terms of scientific reflection. We decided to include into this and the next issue a few interesting cultural studies on various aspects of the regained independence. The first mini cycle is comprised of three ar­ticles is dominated by research on the prefiguration of what happened in 1918. Włodzimierz Toruń (KUL) analyzes a few sketches, or rather, liter­ary essays by Cyprian Norwid, written after the fall of the January Upris­ing (1864), expressing the poet’s critical views on the Polish roads to na­tional sovereignty. The Poles “know how combat” but they “do not know how to fight,” Norwid writes, at the same time pointing to the importance of spiritual independence, which in his opinion is more meaningful than the political one. Wilhelm Coindre (UKSW) turns toward interesting in­dependence themes in the works of Maria Dąbrowska. The school strike in Kalisz in 1905 became an inspiration for that writer to undertake deep reflection about what the coming independence is to be like. The triptych is closed by the article by Karol Samsel (UW) on a little-known “post-ro­manticistally entangled” intellectual independence journalism of Joseph Conrad, providing a very interesting analysis from the perspective of the intertextual method, as a precise deconstruction of a highly sophisticated, elegant “literary game.” The second part of the issue consists of a number of highly diverse, but in any case interesting essays. The team of five authors (a setting to which we are not accustomed to in the humanities): Aleksandra Smołka- Majchrzak, Jakub Lickiewicz, Thomas Nag, Conrad Ravnanger, and Marta Makara-Studzińska present the results of their research combining clinical medicine and cultural studies, analyzing the effectiveness of tools to evaluate training geared to prevent aggressive behavior towards medi­cal staff from an intercultural perspective. Further, we include a cross-sec­tional, historical-cultural analysis of the significance of church music in the history of the Church by Fr. Robert Tyrała (UPJPII). An interesting proposal for interpretation of contemporary marketing strategies of book promotion, and more broadly, the “celebritization” of authors, was stud­ied by Edyta Żyrek-Horodyska (Jagiellonian University) on the example of a journalist and writer-reporter Mariusz Szczygieł, who perfectly illus­trates these transformations in the space of media activity (especially so­cial media), where the writer becomes not only an author but also a pro­tagonist of their work. The media study by Olga Białek-Szwed (KUL), in which the author aims to present correlations between contemporary civi­lization and cultural transformations and the situation of the human be­ing as a consumer of the mass media in the 21st century, shows the speci­ficity of some mechanisms governing contemporary media, such as media voyeurism, the so-called online living, or the metaphor of the synopticon. The issue closes with a text by Paweł Krokosz (UPJPII), under the in­triguing title Od przedawcy pierożków do generalissimusa [From pie seller to the generalissimo], bringing closer the little-known figure of Alexander Mienshykov, a man from the social lowlands, who made friends with Tsar Peter I and managed to achieve considerable wealth, prominent state posi­tions and the highest ranks of command in the Russian army and war fleet. He even tried unsuccessfully, after the tsar’s death, to take over the leader­ship of all state affairs. In 1727, he was arrested and convicted to exile in Berezovo, Siberia, with his family. As always, we wish you a pleasant and useful scientific reading!


2020 ◽  
Vol 16 (36) ◽  
pp. 01-20
Author(s):  
Adriana Hoffmann Fernandes ◽  
Helenice Mirabelli Cassino

This article combines thoughts about childhood, visual culture and education. It is known that we live among multiple images that shape the way we see our reality, and researchers in the visual culture field investigate how this role is played out in our culture. The goal is to make some applications those ideas, to think about the relationship between the images and education. This article tries to grasp what visual culture is and in what ways presumptions about childhood generate and are generated by this association. It also discusses the genesis of these presumptions and the images they generate through a philosophical approach, questioning the role of education in a culture tied to the media, and about how children, who are familiar with multiple screens, presage a new visual literacy. We see how images play a fundamental role in the way children give meaning to the world around them and to themselves, in the context of their local culture. Given this context, it is necessary to consider how visual culture is tied to the elementary school, and what challenges confront the generation of wider and more creative ways to approach visual framing in children’s education.


2005 ◽  
Vol 87 (860) ◽  
pp. 649-659
Author(s):  
Arnaud Mercier

AbstractTo consider the relationship between war and the media is to look at the way in which the media are involved in conflict, either as targets (war on the media) or as an auxiliary (war thanks to the media). On the basis of this distinction, four major developments may be cited that today combine to make war above all a media spectacle: photography, which opened the door to manipulation through stage-management; live technologies, which raise the question of journalists' critical distance vis-à-vis the material they broadcast and which can facilitate the process of using them; pressure on the media and media globalization, which have led to a change in the way the political and military authorities go about making propaganda; and, finally, the fact that censorship has increasingly come into disrepute, which has prompted the authorities to think of novel ways of controlling journalists.


Author(s):  
José Antonio Mateos Castro

This article intends to establish the relationship between history and philosophy by performing an historical review that starts with the greeks until the appearance of philosophy of history, specifically in Emmanuel Kant. Afterwards, I relate and show the difference between the kantian meditation of the XVIII century and the one Michel Foucault fulfilled two hundred years later. The objective is to rebound the tasks of philosophy of history and the way that the mentioned authors assume a compromise with the present.


2013 ◽  
Vol 11 (12) ◽  
pp. 1433
Author(s):  
Rahmiati Lita ◽  
Yoon C. Cho

Culture affects every part of our lives, every day, from birth to death, and everything in between (Cateora, Gilly, and Graham 2011). This study discusses the way in which customers acceptance of cultures and products has been greatly affected by the media. This study also investigates how customers acceptance leads to attitudinal and behavioral changes. In particular, this study measures the impact of a cultural wave to examine the attitudinal and behavioral changes it causes. This study explores the causes that affect the willingness of people to change their behavior after exposure to the media. In particular, this study investigates 1) how a cultural wave influences product and cultural awareness, 2) the relationship between perceptions of a cultural wave and peoples attitudes and behavior, and 3) the relationship between the strength of peoples attitudes toward acculturation and changes in attitude and behavior. By applying various statistical analyses, this study identifies managerial and theoretical implications.


2010 ◽  
Vol 48 (1) ◽  
pp. 101-128
Author(s):  
Lukman Hakim

This paper offers a film and cultural studies analysis of the Indonesian religious film Ayat-ayat Cinta. It examines the way in which the film represents Islam in the context of the globalisation of the media industry, the wider cultural transformation and religious context in Indonesia. This paper argues that the film Ayat-ayat Cinta represents “popular Islam”, which resulted from the interaction between the santri religious variants and the film industry, capitalism, market forces and popular culture in Indonesia. Santri religious variants in this film are rooted in traditionalist, fundamentalist, modernist, and liberal Islam in Indonesia, and those Islamic groups which have undergone a process of conformity with capitalism and popular culture. As a result, the representation of Islam in this film is pluralist, tolerant, and fashionable.


2021 ◽  
Vol 11 (2) ◽  
pp. 181
Author(s):  
Desti Yuwastina ◽  
Kyrychenko Volodymyr

<p><em>Ondel-ondel</em>, initially believed to have fearsome characteristics and magical ability to ward evil spirits off, is still performed in various areas in Jakarta on particular occasions. <em>Ondel-ondel</em> was originally an ancient artwork named <em>barongan</em>. This research aims to seek a theoretical explanation of the <em>ondel</em>-<em>ondel</em> phenomenon by examining the relationship between the media and local culture. Several defining features of postmodernism are incorporated to reframe <em>ondel-ondel</em> as a form of entertainment, along with the interplay between the tradition and technology-assisted media. This paper seeks to reveal the actual meaning of <em>ondel-ondel</em> for locals and non-locals during their encounters with <em>ondel-ondel</em>. The research found (1) that<em> ondel-ondel</em> is an attempt to reinvent the way people seek entertainment in the face of changes brought about by modernity and (2) that the presence of<em> ondel-ondel</em> communicated in the virtual space generates digital traces in the form of messages contributing to the creation and the re-creation of <em>ondel-ondel</em> itself. </p>


Modern Italy ◽  
2013 ◽  
Vol 18 (1) ◽  
pp. 19-39 ◽  
Author(s):  
Natalie Fullwood

This article seeks to reposition the popular cinematic genrecommedia all'italianawithin the context of the rapid expansion of the media industries which accompanied Italy's postwar economic miracle. The article looks at three distinct aspects of the relationship betweencommedia all'italianaand other media. First, it outlines the important role played by the media during the boom in disseminating images of consumer lifestyles, and highlights the way in whichcommedia all'italianaparticipated in this process. Second, through a discussion of media appearances by Vittorio Gassman and Nino Manfredi, the article emphasises the extent to which theircommedia all'italianastar personas were constructed and circulated in a multimedia context. Finally, it examines how the genre represented other media, focusing in particular on the representation of gender in advertising scenes. Through close readings ofcommedia all'italianaadvertising scenes, the article notes points of continuity with and difference from advertising imagery that was circulating at the time. The article argues that in order to further our understanding ofcommedia all'italianaand its relationship to Italian society, it is essential to understand the genre's relationship to other media production of the period, which both influenced the comedies' representations and was influenced by them in turn.


2005 ◽  
Vol 27 (5) ◽  
pp. 39-40
Author(s):  
Claire Bithell
Keyword(s):  

Science and the media do not always mix in the way that scientists may want. Where scientists want the media to educate and inform, the media want scientists to entertain and amaze. At best the relationship between these two different disciplines is fraught.


Author(s):  
Austin Sarat

This chapter argues that the charismatic period of law and literature scholarship and the days when some turned to literature as a template for legal thinking are long gone. It identifies three possible futures for law and literature. One would see the field emphasizing its distinctiveness and resisting incorporation into broader interdisciplinary explorations of law. The second would see the field embedded in broader analysis of the relationship of law and cultural production. The third involves pushing the boundaries of law and literary study beyond the humanities and culture. This law as performance perspective brings literary and cultural analysis together with social studies of the way law performs in a variety of domains. The chapter concludes that the brightest future for the field is one in which the distinctiveness of law and literature scholarship fades so that its contribution to broader understandings of law can be enhanced.


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