scholarly journals Una rappresentazione diplomatica e di parte: il ritratto (geo)letterario della Tunisi di Guglielmo Collotti (1876)

Author(s):  
Giannantonio Scaglione

The paper aims to retrace the (geo)-literary portrait of the city of Tunis by analysing the work Tunisi e il suo popolo. Studi impressioni e ricordi (Tunis and its people. Studies, impressions and memories), written by Guglielmo Collotti and published in Catania in 1876. This work is a travel report of a journey planned by Collotti with the excuse of presenting a “philanthropic” award to the sovereign of the Regency of Tunis. In fact, it gave the Sicilian nobleman the opportunity to visit the places inhabited by a large Italian community. The epistemological approach being adopted in the study, which is a geographical one, takes into consideration the historical and cultural context in which the author’s political beliefs developed: his interpretation of the landscape and the places he describes mirrors his choice of sometimes favouring colonial propaganda “Occidental” over the narration of events.

2019 ◽  
Author(s):  
Gabriela Czarnek ◽  
Małgorzata Kossowska

In this study, we investigate the relationship between values and political beliefs and how it varies as a function of cultural context and time. In particular, we analyzed the effects of Conservation vs. Openness to change and Self-transcendence vs. Self-enhancement for cultural and economic political beliefs using data from nationally representative samples of citizens from 34 European countries from eight rounds of the European Social Survey (data spans the 2002–2016 period). We found that the effects of values on political beliefs are moderated by the Western vs. Eastern cultural context and that there is a modest round-to-round variation in the effects of values on beliefs. The relationship between Openness and cultural beliefs was negative and largely consistent across the Western and Eastern countries. Similarly, the effects of Self-enhancement were positive across these Western and Eastern countries. In contrast, the effects of Openness on economic beliefs were positive for the Eastern countries but largely weak and inconsistent for the Western countries. Finally, the effects of Self-enhancement on cultural beliefs are weak for both cultural contexts.


2020 ◽  
Vol 9 (3) ◽  
pp. 87-100
Author(s):  
M.A. KOMOVA ◽  
Keyword(s):  

The purpose of the article is to present the history and the analysis of the Russian wooden sculpture “Nikola Мtsenskiy” results of the examination from Peter and Paul Cathedral in Mtsensk. For the first time, the author conducted a historical and cultural examination of this object for religious purposes. The article defines the historical and cultural context of this object existence, its veneration as a relic, the problem of comparing the “The Legend of the appearance of the miraculous icon of St. Nicholas Wonderworker in the city of Mtsensk” and the preserved sculpture. The author also examines the historical and artistic sources of origin of similar items in the culture of the medieval Moscow state. The author dates the preserved fragment of the sculpture from Mtsensk Peter and Paul Cathedral to the late 1600s.


2014 ◽  
Vol 651-653 ◽  
pp. 1236-1239
Author(s):  
Dong Chu

China has been westernized in the process of the urbanization. Because of the rapid removal and reconstruction, many strange buildings are being built and our cities are becoming the testing field, which bring a permanent scar for the context of the city. Western forms are introduced and buildings are copying blindly. The westernized Chinese landscape has no cultural foundation as it is in the west. Chinese Garden City is a kind of Chinese ecological concept expression. It is not an attempt to searching for a universal design mode or a superficial copy of nature. This is a profound consideration about the urbanization of China. It is not a reflection of the traditional style, but an inevitable result of the city development. The concept of the Chinese Garden City establishes a new humanistic platform conforming to the Chinese cultural context and promotes design to return to the roots of the national culture.


2021 ◽  
Vol 15 (4) ◽  
pp. 475-482
Author(s):  
Parvin Partovi ◽  
Kebria Sedaghat Rostami ◽  
Amir Shakibamanesh

In the crowded cities of the present age, public spaces can provide a quiet area away from the hustle and bustle of the city that citizens can interact with by incorporating utility features and meeting human needs and Relax there. Small urban spaces are among the most important and effective urban spaces to achieve this goal. Because these spaces due to their small size and lower costs (compared to larger spaces) for construction can be created in large numbers and distributed throughout the city. In this way, citizens will be able to reach a public urban space on foot in a short time. If these spaces are well designed, they can encourage people to stay in and interact with each other. It is not difficult to identify and experience high-quality successful places, but identifying the reasons for their success is difficult and even more difficult, understanding if similar spaces in other places can be considered successful. This question is important because public space with deep social content is considered a cultural product. Public space is the product of the historical and socio-cultural forces of society. Therefore, one of the most important issues that should be considered in the study of public spaces and the reasons for their success is the cultural context. In Iranian cities that have been influenced by the values and principles of Islam,recognizing Islamic principles and their role in shaping public spaces can lead us to desirable results. The purpose of this article is to develop a conceptual model of successful small urban spaces with an emphasis on cultural issues, especially in Iranian-Islamic cities. In this regard, the effective criteria for the success of urban spaces in general and small urban spaces in particular in the two categories of Western countries and Iranian Islamic cities were examined and then, taking into account the criteria derived from cultural theorists, the conceptual model of research with 38 subcriteria is provided.


2020 ◽  
Vol 14 (4) ◽  
pp. 659-674
Author(s):  
Patrik Šenkár

Slovaks living abroad form an integral part of the Slovak national cultural context. They create values that need to be preserved, enhanced and point out their versatility and use for contemporary forms of cultural identification. Slovaks in Hungary, who have been living in the vicinity of Békéscsaba for more than three hundred years, are also an important component of the Slovak minority of Hungarian Lowland. From this “Slovak Palestine”, as Ján Kollár named it, in the 18th and 19th century a historical-religious-cultural center of Slovaks (and also Hungarians) was created, which can still be rightfully proud of its heritage. Being a part of it, as a kind of pioneer, even as a historical basis, is also the personality of Lajos Haan (1818-1891), who performed his versatile activity in the chronotope of “Hungarian and Slovak” Békéscsaba. In this spirit, the article interprets his letters, his diary, “Pamätnosti” (Memoirs) and “Dejiny” (History), while presenting material and immaterial sources, monuments, inspirations that have been, are and will certainly be useful in artistic, cultural and literary “communication”. It is based on the attributes of cultural and literary science, which is thus an integrative model of literature research: a set of approaches that focus on cultural topics, theories and methods. The region of Békéscsaba ( pars pro toto: contemporary Hungary) is its focus. In selected texts of his material writings, Lajos Haan reflects his closer understanding of cooperation with the environment, from a broader point of view the intra- and interculturality of Hungarians and Slovaks: their coexistence, cooperation and diverse creative efforts. It points out the importance of Haanʼs personal contacts within the contemporary social environment, which is also specified in his personal letters. Memoirs are a testimony of an intellectual from the second half of the 19 century; to today's reader they will reveal the “strange, interesting, Hungarian” atmosphere of the time - in the background of social, political, historical, cultural and literary attributes. The description of the characteristic features of the city is a symbol of the peaceful coexistence of nations and nationalities in the Lowlands. In fact, the article presents the complex activity of an unusual personality: a Hungarian historian and a Slovak priest in one person, Lajos Haan, whose texts are interesting and current for today.


Author(s):  
Elena V. Tyulina ◽  

Following is a review оf the monograph published in 2019 by Yevgeniy G. Vyrshchikov ‘City — Village — Forest: The World of the Creators of the Pali Canon and Their Contemporaries’, which was published in 2019 by the Institute of Oriental Studies of the Russian Academy of Sciences, Moscow (editors: V. V. Vertogradova and V. P. Androsov). This work is a cultural study of the so called Pali Canon, or Tipitaka — the early Buddhist Canon of the Theravada school. It is mainly devoted to ideas about space and related views on the structure of the world and society. To understand the cultural context of the existence of early Buddhist ideas about the world, other sources are also involved — Buddhist, Brahmanic and Hindu texts: Ceylon’s mahavamsa, Arthashastra, Ramayana, Chitrasutra, other Sanskrit texts and Ashoka’s epigraphic inscriptions. In addition, ancient sources are used, such as Strabo’s “Geography”, as well as medieval English ballads about Robin Hood. According to the author, the world of the Pali Canon is divided into three main units of space: The most sacred and pure is the forest — the place where shramans and other ascetics live. Its opposite is the city, which embodies all that is worldly, contrary to asceticism and opposed to it. They are separated by an intermediate area — the countryside (janapada). The monograph explores all three components of this world, analyzes the necessary terminology and conceptual apparatus. The review provides an overview of the main provisions of the monograph and makes some critical comments on its text.


2011 ◽  
Vol 368-373 ◽  
pp. 3435-3439
Author(s):  
Ming Hui Ye ◽  
Xiang Wu Meng ◽  
Han Zhang

City square, as a major public urban space. By a sense of spiritual civilization, it should be a window of the city and essential building space to daily life of local residents; it also bears an important heritage city in cultural context responsibility. Based on the Yellow River in Lanzhou City, Barry style line design concept of the study, analyzed and summarized, presented the concept of square designs to create a historical and cultural context of urban culture, the importance of heritage and modern artistic expression should be on urban history and culture diversity to interpretation, to make people re-establish the cultural identity for the city to gain ownership of the spirit.


2013 ◽  
Vol 838-841 ◽  
pp. 2901-2904 ◽  
Author(s):  
Chang Rui Zhang ◽  
Yong Tian ◽  
Chun Mei Zhao

Industrial heritage or problems in modern city construction has been the focus of concern and controversy, Tianjin as an important port city of China in modern, the previous light and heavy industrial production activities in the city left numbers of traces. There is no longer have traditional industry vitality in these industry base, we should be how to locate it? We have make great errors in "construction" and got the demolitions in our city, but also we accumulated a lot of experience too. Through careful investigation we found both not indulging in idle space in the old city has become a knot, also not be reckless of the cultural context in which the demolition and reconstruction, After all we are in decision-making mistakes in a short moment lost the "Tianjin ancient fossils -- old Chengxiang". To achieve sustainable city construction, we should respect the continuity of development of things, equilibrium and the public. Based on the transformation of "Tractor factory of Nankai District in Tianjin as example, we hope to explore and find some strategy in economy, balanced and sustainable development of industrial building heritages.


2012 ◽  
Vol 36 (1) ◽  
pp. 38-53 ◽  
Author(s):  
Liutauras Nekrošius

Within the whole town scale, the heritage objects of Vilnius contemporary architecture represent a relatively small (40 out of more then 2,500), but rather significant – due to their typological composition (most important public objects and districts of the city) and geographical location (centers and sub-centers) - group of buildings highly influencing the image of the capital city. The group encompasses the town-planning objects (two residential districts, students’ campus in Saulėtekis Ave, the New Town Center and complex of the Parliament buildings), architecture objects (15 public use buildings, 3 public interiors and 6 apartment houses), as well as historical objects (1 bridge, 1 public use and 1 residential buildings). The group of protected heritage objects was mostly developed during the occupation period, in the 1980-ies, according to the legislation of the time, prevalent political and artistic trends, as well as conditions of the planned economy and state (public) ownership. Following the essential transformations in the socio-cultural context, this group has been failed to reevaluate in a systemic way, without any new structure and conservation concept being formed in compliance with the new conditions. This has inflicted some damage to expression of the public image of the city and understanding of its values, needless to say that highly valuable buildings have been just left to fade away. Considering that it is highly relevant to maintain the most valuable architectural objects of the second half of the 20th century for future generations, it is essential to perform a physical status and use monitoring of heritage objects of contemporary architecture, update the data of heritage stocktaking, identify the boundaries of authorship rights (copyright) and real estate cultural heritage protection, estimate values of the protected objects, reconsider the ways of management and coordinate the processes of document revision and building renovation/ transformation. Santrauka Šiandieninėje Lietuvoje vykstantis sovietinių metų modernizmo architektūros paveldo objektų apsaugos procesas ir taikomos priemonės straipsnyje nagrinėjami remiantis Vilniaus miesto pavyzdžiu. Analizuojami po 1961 m., t. y. formalaus amžiaus cenzo neatitinkantys, Vilniuje įgyvendinti architektūrinio ir urbanistinio vertingųjų savybių pobūdžio nekilnojamojo kultūros paveldo objektai ir vietovės. Tokių kūrinių Kultūros vertybių registre įvairiais skaičiavimais yra apie 40. Ši grupė XX a. II-ojoje pusėje formuota kaip raiškiai atspindinti laikotarpio architektūrinės kūrybos tendencijas bei tuometes politines nuostatas, tačiau po 1990 m. iš esmės nerevizuota, šiandien dėl pakitusių sociokultūrinių ir ekonominių sąlygų praranda turėtą artikuliaciją. Tai lėmė ir skirtingą objektų fizinę būklę. Straipsnyje siekiama atskleisti aktualiausias problemas, susijusias su kūrinių saugojimu, su įvykusiais objektų ir vietovių pakitimais. Svarstomos galimos tolesnės saugojimo kryptys, būdai. Bandoma formuluoti svarbius konceptualiuosius ir vertybinius klausimus, autoriaus manymu, būtinus kelti platesnių profesinių ir mokslinių diskusijų lygmeniu.


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