BOOK CULTURE AND ART IN YAKUTIA

2021 ◽  
Vol 1 (1) ◽  
pp. 164-171
Author(s):  
S. I. Boitunova ◽  
◽  
S. V. Maksimova ◽  
O. V. Shlykova ◽  
◽  
...  
Keyword(s):  
Cultural Practices ◽  
Publishing House ◽  
Scientific Research ◽  
Research Society ◽  
The Arctic ◽  
Book Art ◽  
Graphic Art ◽  
Book Illustrations ◽  
German School ◽  
Publishing Houses

The work reveals the specific features of book art, which integrates the achievements of artistic means and forms, as well as scientific research. The authors focus on the regional Arctic locus of book art. The article traces the origin of Yakut book illustrations from the first attempts of amateur artists on the pages of the periodical press in the 1920s to the activities of various institutions: the scientific research society "Sakha kehskileh" (1925–1930), the cultural and educational societies "Manchaary" and "Sakha omuk" (1920–1930) and The Union of Soviet Artists of Yakutia (since 1940s), that pioneered the accumulation of cultural practices and development of art trends in the region. The characteristics of the first Yakut artists-illustrators are presented: P. P. Romanov, who created illustrations to the image of the heroic Olonkho epos "Byudyuryubet Myuldzu Bege" and G. M. Turalysov, who illustrated the collection of poems and songs by Ilya Chagylgan "The Rise", thus initiating the development of professional graphic art in Yakutia. The creation of the art school in Yakutsk in 1945, the emergence of publishing houses became a new page in the development of the book graphics in the works of the first graduates of the school — E. Shaposhnikov, E. Shestakov, M. Lukin, O. Kovalevsky, V. Petrov and others. Special attention is paid to creativity of E. S. Sivtsev, the founder of Yakut prints. The First (1958) and The Second (1963) All-Union Exhibitions of prints opened to the public the names of Yakut illustrators. Later A. P. Munkhalov exhibited his series of engravings "My North" at the International Exhibition "Intergraphy — 67" in Berlin, and his engraving "Listening to the World" was included in the German school textbooks. The article also reveals the modern stage in the development of book art, from the activities of "Bichik" publishing house to graduate projects of The Arctic Institute of Culture and Arts and The Yakutsk School of Art.

scholarly journals Ukrainian book art: ways of formation and development

2021 ◽  
Author(s):  
Veronika Zaitseva
Keyword(s):  
Intersection Point ◽  
Book Art ◽  
Graphic Art ◽  
Art Deco ◽  
Analysis And Synthesis ◽  
Book Illustrations ◽  
History Of ◽  
Image Creation ◽  
Literature History ◽  
Object Of Study

The purpose of the article is to study the development of the directions of Ukrainian book art, the formation of new creative features in the European cultural space. The research methodology consists in the application of general scientific methods (analysis and synthesis, induction and deduction) and methods of art history (comparative, typological, descriptive). The scientific novelty lies in the study of book art, which has always been important in Ukrainian art. Conclusions. Today, we have a large amount of fine works in the genre of book illustrations. These works reflected both the history of the Ukrainian literature, history of the national graphic art, as well as the history of cultural progress of Ukraine in general. Thus, book art is an extremely fruitful object of study, an intersection point, where the complicated process of interaction of socio-political, spiritual, cultural and artistic and aesthetic factors is underway. Thus, Ukrainian book graphics in different periods reflected all European trends – modernism, symbolism, neo-primitive art, futurism, cubism, expressionism, constructivism, realism, surrealism, Art Deco, neoclassicism. The originality of the artistic language emerged through the use of traditional motifs and vanguard image creation tools. Keywords: research, culture, illustration, book, art, national traditions.  

scholarly journals PRESERVATION, STUDY AND POPULARIZATION OF BOOK HERITAGE IN IRKUTSK ("ACADEMIA" PUBLISHING HOUSE COLLECTION)

2020 ◽  
pp. 26-34
Author(s):  
I. P. Bedulina
Keyword(s):  
Capital Punishment ◽  
Publishing House ◽  
Art Museum ◽  
Cultural Value ◽  
Book Art ◽  
Graphic Art ◽  
History Of ◽  
The Government ◽  
Professional Artists ◽  
Almost All

"Academia" Publishing House (1922–1937) books are an example of high publishing culture.For many years, the products of the publishing house have been the subject of close attention on the part of bibliophiles and collectors in many countries of the world. The reason for this interest is literary impeccability and excellent decoration. To reach unprecedented artistic heights became possible thanks to the work of the best Soviet professional artists. All the existing printing methods, the best printing houses, and graphic art techniques were used while creating these books. The history of the publishing house, covered in rare publications, alongside with triumphal events, victories at international book competitions, is full of dramatic and even tragic pages. It can be called the publishing house of repressed editors, authors, and books.Almost all the managers of Academia, many employees were subjected to repressions, were sentenced to capital punishment. Their names were extorted from the output of the entire book circulation; introductory articles were cut out, publications were discontinued, sometimes, entire print runs of books were destroyed. In modern libraries, copies of such "repressed" books have been miraculously preserved. That is why it is difficult to overestimate their historical and cultural value – genuine documentary witnesses of historical events of almost a century remoteness.The history of the Academia Publishing House is intertwined with Irkutsk, since the stuff included people whose fate related to the city on the Angara: the last head of the “Academia”, Yakov Davidovich Yanson, after the October revolution held leadership positions in the government in Irkutsk; the founder of the Soviet school of folklore and anthrax studies, Irkutsk professor Mark Konstantinovich Azadovsky also collaborated with the publishing house “Academia”.The article is the first to observe the questions of valuable collections formation and preservation in the Irkutsk Regional Universal Scientific Library named after I. I. Molchanov-Sibirsky (IRSUSL), the former library of the Irkutsk Pedagogical Institute and the library of the Irkutsk Regional Art Museum named after V. P. Sukatchev (IRAM). Collecting bit-by-bit book masterpieces, librarians study, popularize them at exhibitions, presentations, lectures, showing the authentic Russian book art culture.

scholarly journals The Illustrations of the Balzer and Rybička Families in Books Published Outside of Prague

2019 ◽  
Vol 63 (3-4) ◽  
pp. 90-95
Author(s):  
Jan T. Štefan
Keyword(s):  
19Th Century ◽  
International Business ◽  
Graphic Arts ◽  
Graphic Art ◽  
Book Illustration ◽  
Book Illustrations ◽  
Publishing Houses ◽  
The 19Th Century

The article provides information on two families of engravers that were involved in book illustrations in Bohemia over a hundred years beginning in the 1760s. Jan Jiří Balzer and his brothers (František, Matyáš and Řehoř) and sons (Jan Karel and Antonín Karel) significantly contributed to the development of engraving craft and graphic art in Bohemia. His international business activities in the area of graphic arts are known. After the death of Jan Balzer, the engraving and printing workshop was managed by his wife Kateřina and the mentioned brother Řehoř. At the beginning of the 19th century, Balzer’s daughter married an engraver in Balzer’s workshop, Karel Rybička. Their son Josef, thus a grandson of Jan Balzer, subsequently became a significant steel engraver. Both families, of Balzer and Rybička, were engaged in book illustration. This work discusses their illustrations, realised fully by or in cooperation with publishing houses in various towns of the Austrian monarchy other than Prague as well as outside the monarchy. The graphs in the article show the frequency of these illustration activities in dependence on time for the families of both Balzer and Rybička (whose father could have been involved in the steel-engraving illustrations as well).

Scientific and Informational Almanac about Libraries, Publishing Houses and Higher Educational Institutions

2010 ◽  
pp. 122-124
Author(s):  
Valerii P. Leonov ◽  
Mariya G. Bokan ◽  
Nina V. Ponomareva
Keyword(s):  
Higher Education ◽  
Publishing House ◽  
Educational Institutions ◽  
State University ◽  
Higher Educational Institutions ◽  
Eastern State ◽  
Publishing Houses ◽  
Higher Educational ◽  
Far Eastern

On the publishing of scientific and informational almanac «Power of a Book: Library. Publishing House. Institute of Higher Education» by Far Eastern State University.

Educational Book and Book Publishing of Moscow Student Community at the Beginning of XX century: Libraries, Publishers, Book Trade

2015 ◽  
pp. 110-116
Author(s):  
A. V. Zaitseva
Keyword(s):  
Twentieth Century ◽  
Publishing House ◽  
Book Publishing ◽  
Book Trade ◽  
Library Service ◽  
Technical School ◽  
Student Community ◽  
Publishing Houses ◽  
Trading Activities ◽  
The Moment

The article focuses on the libraries and the publishing and book trading organizations established by Moscow students in the early twentieth century. These organizations were founded to make the textbooks more available, cheaper and less deficient than they were at the moment. As the resource of the textbooks, libraries of compatriots’ associations were widespread. At the Moscow University students publishing commissions (parts of benefit societies) printed lecture notes and examination programs. Library, publishing, and trading activities were tightly bound in these societies. In the Moscow Technical School and the Moscow Women High Courses the libraries and publishing houses functioned independently of each other and of economical organizations of students. The students Library of textbooks at the Moscow Agricultural Institute was really unique, as it combined library service with book publishing for a while. Book trade was usually managed by publishers. Besides students organizations within educational institutes, there functioned a cooperative bookstore and a publishing house at the same time, common for all Moscow students. A dream, that never came true, was a Students House and united library collections of textbooks in it. In spite of many complications, the cooperation was successful, and due to it, access to the textbooks was facilitated for many students.

THE PRINCIPLES AND ACTIVITIES OF THE NATIONAL SCIENTIFIC DEVELOPMENT STRATEGY IN THE ARCTIC ZONE OF THE RUSSIAN FEDERATION

2017 ◽  
Author(s):  
Mikhail Bubynin ◽  
Mikhail Bubynin ◽  
Valery Abramov ◽  
Valery Abramov ◽  
Gennady Zabolotnikov ◽  
...  
Keyword(s):  
Development Strategy ◽  
Russian Federation ◽  
National Policy ◽  
Scientific Research ◽  
Point Of View ◽  
The Arctic ◽  
Scientific Development ◽  
Federal State ◽  
Arctic Zone ◽  
The Russian Federation

The paper considers the priorities of the state policy of the Russian Federation in the Arctic, from the point of view of the development of scientific research, identified by the main strategic documents of national policy and security in the Arctic zone of the Russian Federation. Measures for implementation of priorities in the development of scientific research in the Arctic can be divided into three main sections: 1. Scientific projects and expeditions in the Arctic; 2. International activities; 3. Coordination and implementation of integrated research in the Arctic. Note that currently the Ministry of education and science of the Russian Federation develops the Analytical Coordination Program “Comprehensive research of the Arctic and Antarctic”, in cooperation with the federal state bodies and Governance of the Subjects of the Arctic zone of the Russian Federation. The mechanism of the Program will ensure coordination between state bodies for integrated scientific researches in the Arctic in the interests of economic and scientific development of the region, and the creation of the scientific, technical and technological reserve in order to ensure of national security in the Arctic zone of the Russian Federation.

Azim Azimzada’s attitude towards poetry of Mirza Alakbar Sabir

2021 ◽  
Vol 66 (05) ◽  
pp. 140-144
Author(s):  
Nəzrin Novruz qızı Məmmədova ◽  
Keyword(s):  
Key Words ◽  
World Literature ◽  
Strong Influence ◽  
Fine Art ◽  
Vital Role ◽  
Creative People ◽  
Graphic Art ◽  
Book Illustrations ◽  
Almost All ◽  
As If

The heritage that Mirza Alakbar Sabir left for us has always been a source of inspiration for creative people throughout ages. People who are engaged in fine art have always highly appreciated this work too. It requires too much responsibility to address Mirza Alakbar Sabir’s poetry, one of the most famous literary figures in world literature. As if the artists who addressed this patriotic writer’s poetry, feel the poet and created unique works with an inspiration that they got from him. It is undeniable that Azim Azimzada played a vital role in publicity of Mirza Alakbar Sabir’s poetry. Azim Azimzada’s all illustrations are engraved in people’s memory. Average spectators can perceive artist’s illustrations too. By looking through illustrations, it is possible to guess almost all poems that they are dedicated to. Educating people who are indifferent to education and waking them up from this ignorance was Azim Azimzada’s main goal. Artist’s illustrations differentiate with its harsh ironic spirit which is the main peculiarity of Sabir’s poetry. We can definitely see the strong influence of Sabir’s poetry in Azim Azimzada’s works. This is the reason why Azim Azimzada is usually called as Sabir of fine art. Literary approach of artists towards Sabir’s poetry has still been ongoing so far. Addressing Sabir’s poetry by most artists is the sign of love, respect and curiosity to Sabir’s works and life. Key words: Mirza Alakbar Sabir, book illustrations, Azim Azimzade, “Hophopname”, Azerbaijani graphic art, master of caricature

Dār al-Ṭalīʿah and the Question of Arab Authenticity in the 1960s

2021 ◽  
Vol 52 (1-2) ◽  
pp. 228-253
Author(s):  
Ahmad Agbaria
Keyword(s):  
Publishing House ◽  
Cultural Institutions ◽  
Cultural Authenticity ◽  
Colonial Era ◽  
Post Colonial ◽  
Conventional View ◽  
Cultural Expectations ◽  
Publishing Houses ◽  
The 1960S ◽  
Institutional Location

Abstract Cultural institutions and publishing houses have been essential to the making of Arab intellectual conversations in the post-colonial era. The publishing house of Dār al-Ṭalīʿah (est. 1959) played a central role in naturalizing social classifications, ideological views and cultural expectations that have influenced the then-new articulation of the notion of Arab authenticity. Yet, al-Ṭalīʿah was more than a publishing house: it was an intellectual hub that sustained intellectuals and unified them into a coherent group. Despite its centrality, however, the group of authors published by al-Ṭalīʿah has rarely drawn the attention of literary critics or intellectual historians. This article rethinks the connection between ideas and their institutional location, rejecting the conventional view that institutions are only secondary to, or even parasitic on, the supremacy of ideas. Looking at the idea of cultural authenticity (aṣālah) fiercely opposed by al-Ṭalīʿah authors, this article examines the ways the publishing house informed the meaning and deployment of aṣālah during the 1960s, even while rejecting it.

scholarly journals Lower-Secondary School Chemistry Textbooks’ Didactic Equipment

2020 ◽  
Vol 25 (1-2) ◽  
pp. 69-77
Author(s):  
Martin Rusek ◽  
Karel Vojíř ◽  
Šárka Šubová
Keyword(s):  
Publishing House ◽  
Materials Chemistry ◽  
Structural Elements ◽  
Lower Secondary School ◽  
Secondary Chemistry ◽  
Chemistry Teachers ◽  
Current State ◽  
Chemistry Textbooks ◽  
Publishing Houses ◽  
Insight Into

Abstract Textbooks’ fundamental influence on teaching is caused not only by their subject matter, but also by their didactic elaboration. Textbooks’ individual functions are fulfilled through incorporated structural elements. Their pool is referred to as the didactic equipment of the textbook and represents qualities of the textbook through the options it gives to its users. The presented overview of lower-secondary chemistry textbooks’ didactic equipment included 7 series of currently available textbooks. Results of the analysis serve not only as a possible guide for chemistry teachers’ textbook selection, but they also provide insight into the current state to authors of textbooks and other didactic materials. Chemistry textbooks for lower-secondary schools achieve relatively high didactic equipment (75-92 %). The best equipped are the series of textbooks published after the current state curriculum introduction (by publishing houses Fraus and Nova Skola). Surprisingly, however, the most recently published textbooks by the Taktik publishing house showed the lowest didactic equipment.

From the History of Book Culture of Ukraine: Research of Retrospective Book, Art, Music Publications and Historical Collections from the Funds of the Vernadsky National Library Of Ukraine

2021 ◽  
Author(s):  
H.I. Kovalchuk ◽  
Keyword(s):  
National Culture ◽  
Fine Arts ◽  
Scientific Research ◽  
Art Music ◽  
Book Art ◽  
National Library ◽  
Historical Collections ◽  
History Of ◽  
Book Culture ◽  
Library Collections

The collective monograph is the result of scientific research on the history of book culture of Ukraine, conducted by scientists of the Institute of Bibliology of the Vernadsky National Library Of Ukraine during 2016-2018 on the basis of the funds of the departments of antique prints and rare editions, fine arts, music collections, foreign Ukrainiana, library collections and historical collections of the Library. The history of book culture of Ukraine of the XVI-XX centuries, which appears from the pages of this edition, has a multifaceted, but absolutely reliable character, as it is based on specific sources. For bibliologists, librarians, bibliographers, historians of national culture.

Sign in / Sign up

Export Citation Format

Share Document