scholarly journals Limpapeh Pada Baju Kuruang Basiba

2021 ◽  
Vol 3 (3) ◽  
Author(s):  
Rahmawati Rahmawati ◽  
Ahmad Akmal ◽  
Awerman Awerman
Keyword(s):  
Maternal Lineage ◽  
The People ◽  
The Future ◽  
The Creation ◽  
Reddish Brown Color ◽  
Brown Color

<p class="SammaryHeader" align="center"><strong><em>Abstract</em></strong></p><p><em>Limpapeh or Attacus atlas is a large butterfly with a wingspan wide, which has a reddish brown color and decorated with a bit of white color. Limpapeh usialy found in houses, buildings, on trees, leaves and flowers that blooming. For the people of Minangkabau, limpapeh is the designation for Minangkabau women who have grown up and will be the responsible for maintaining the lineage of the future, based on the maternal lineage will become residents in the house. The form of limpapeh in the creation of this Artwork is such a motif that is found on kuruang basiba clothes, kuruang bsiba clothes is basically a women Minangkabau clothes, that has a characteristic on the side of the shirt called siba and kikik. The presence of limpapeh wings shape on the chest, arms and subordinate makes the clothes more interesting.</em></p><p><strong><em>Keywords :</em></strong><em> Limpapeh, Clothes Kuruang Basiba</em></p><p><em> </em></p><p align="center"><strong><em>Abstrak <br /></em></strong></p><p><em>Limpapeh atau attacus atlas merupakan kupu-kupu besar dengan  bentangan sayap yang luas, yang memiliki warna coklat kemerahan dan dihiasi sedikit warna putih. Kebiasaan limpapeh hinggap pada rumah, bangunan, pepohonan, dedaunan dan bunga yang sedang bermekaran. Bagi masyarakat minangkabau limpapeh adalah sebutan untuk  perempuan Minangkabau yang sudah beranjak dewasa yang bertanggung jawab menjaga garis keturunan berikutnya, berdasarkan garis keturunan ibu yang akan menjadi penghuni dalam rumah gadang.  Bentuk limpapeh dalam penciptaan karya ini adalah sebagai motif dari baju kuruang basiba, baju kuruang basiba merupakan pakaian perempuan Minangkabau yang mempunyai ciri khas yaitu pada bagian samping baju  terdapatnyasiba dan kikik. Bentuk sayap limpapeh yang terdapat pada bagian dada, lengan dan bawahan baju serta bentuk limpapeh yang berbentuk utuh yang berterbangan sehingga membuat baju kuruang basiba, ini lebih menarik</em></p><p><strong><em>Kata kunci : </em></strong><em>Limpapeh, Baju Kuruang Basiba</em></p>

scholarly journals LIMPAPEH PADA BAJU KURUANG BASIBA

2018 ◽  
Vol 7 (2) ◽  
pp. 108
Author(s):  
Rahmawati Rahmawati ◽  
Ahmad Akmal ◽  
Awerman Awerman
Keyword(s):  
Wing Shape ◽  
Maternal Lineage ◽  
Women's Clothing ◽  
The Creation ◽  
House Building ◽  
Reddish Brown Color ◽  
Brown Color

AbstrakLimpapeh atau attacus atlas merupakan kupu-kupu besar dengan  bentangan sayap yang luas, yang memiliki warna coklat kemerahan dan dihiasi sedikit warna putih. Kebiasaan limpapeh hinggap pada rumah, bangunan, pepohonan, dedaunan dan bunga yang sedang bermekaran. Bagi masyarakat Minangkabau limpapeh adalah sebutan untuk  perempuan Minangkabau yang sudah beranjak dewasa yang bertanggung jawab menjaga garis keturunan berikutnya, berdasarkan garis keturunan ibu yang akan menjadi penghuni dalam rumah gadang. Bentuk limpapeh dalam penciptaan karya ini adalah sebagai motif dari baju kuruang basiba, baju kuruang basiba merupakan pakaian perempuan Minangkabau yang mempunyai ciri khas yaitu pada bagian samping baju  terdapatnya siba dan kikik. Bentuk sayap limpapeh yang terdapat pada bagian dada, lengan dan bawahan baju serta bentuk limpapeh yang berbentuk utuh yang berterbangan sehingga membuat baju kuruang basiba, ini lebih menarik.           Kata Kunci: limpapeh, baju kuruang, basiba AbstractLimpapeh or attacus atlas is a large butterfly with a broad stretch of wings, which has a reddish brown color and is decorated with a little white color. The habit of leaking on the house, building, trees, leaves and flowers are blooming. For Minangkabau people limpapeh is a term for Minangkabau women who have grown up who are responsible for maintaining the next lineage, based on the maternal lineage that will become residents in the gadang house. The form of limpapeh in the creation of this work is as a motif of kuruang basiba clothes, kuruang basiba clothes are Minangkabau women's clothing which has the characteristic that on the side of the shirt there is siba and kikik. The limpapeh wing shape that is found on the chest, arms and subordinates of the clothes as well as the full shape of the limpapeh which flies to make kuruang basiba clothes, this is more interesting. Keywords: limpapeh, kuruang basiba's clothes

Deleuze and Guattari and the Future of Politics: Science Fiction, Protocols and the People to Come

2011 ◽  
Vol 5 (supplement) ◽  
pp. 77-97 ◽  
Author(s):  
Ronald Bogue
Keyword(s):  
Science Fiction ◽  
Reference Points ◽  
Deleuze And Guattari ◽  
Group Relations ◽  
Political Issues ◽  
The People ◽  
The Future ◽  
The Creation ◽  
To Come ◽  
The Relationship

When is the future? Is it to come or is it already here? This question serves as the frame for three further questions: why is utopia a bad concept and in what way is fabulation its superior counterpart? If the object of fabulation is the creation of a people to come, how do we get from the present to the future? And what is a people to come? The answers are (1) that the future is both now and to come, now as the becoming-revolutionary of our present and to come as the goal of our becoming; (2) utopia is a bad concept because it posits a pre-formed blueprint of the future, whereas a genuinely creative future has no predetermined shape and fabulation is the means whereby a creative future may be generated; (3) the movement from the revolutionary present toward a people to come proceeds via the protocol, which provides reference points for an experiment which exceeds our capacities to foresee; (4) a people to come is a collectivity that reconfigures group relations in a polity superior to the present, but it is not a utopian collectivity without differences, conflicts and political issues. Science fiction formulates protocols of the politics of a people to come, and Octavia Butler's science fiction is especially valuable in disclosing the relationship between fabulation and the invention of a people to come.

scholarly journals RELIGION AND ATTITUDES OF POLITICAL PARTIES

2007 ◽  
Vol 1 (2) ◽  
pp. 29-38
Author(s):  
Maria Serafimova
Keyword(s):  
Political Parties ◽  
Qualitative Methods ◽  
Social World ◽  
Social Solidarity ◽  
The Past ◽  
The People ◽  
The Future ◽  
Traditional Societies ◽  
The Creation

It presents no problem for a well-established, stable social world to go from the past, through the present and towards the future. However, what if the crises are consecutive and never ending? A necessity of security and support, a need of firm grounds for the worldly and social universe of the people, appears in that case. Religion could help to legitimate the purposes and actions of a society, to strengthen the determination of its people. In fact, it symbolizes a kind of social solidarity and a collective sentiment. The whole of the religious answers constitutes the sacred universe of traditional societies, but it could be included in the creation of a modern sacred, given that “sacred” does not mean only “religious”. Essential part of this presentation is based on sociological surveys, conducted using qualitative methods, rather than quantitative ones.

scholarly journals THE CONCEPT OF METAHISTORY IN THE WORKS OF L.V. SHAPOSHNIKOVA

Metaphysics ◽  
2021 ◽  
pp. 142-155
Author(s):  
B. Yu Sokolova
Keyword(s):  
Conceptual Approach ◽  
Historical Process ◽  
Cosmic Evolution ◽  
The People ◽  
The Future ◽  
The Creation ◽  
Main Ideas

The article analyzes the conceptual approach of the modern philosopher and historian L.V. Shaposhnikova to the phenomenon of metahistory, interpreted as a spiritual and creative part of the historical process, as a result of the creation of cosmic evolution. Features of metahistory, its origins are shown; the importance of synthesis of historical and metahistorical processes is noted. The main ideas of the messenger ship conceptas an integral part of the metahistory concept are identified and considered; some examples of metahistorical activity of messengers of cosmic evolution are considered, the emphasis is placed on its heroic character, its prophetic character, and its influence on the future of the people among whom this activity takes place.

scholarly journals Hak Cipta dalam Pandangan Kiai Pesantren: Respons dan Pendapat tentang Hak Eksklusif dalam Penggunaan Ciptaan

2020 ◽  
Vol 2 (2) ◽  
pp. 293-321
Author(s):  
Nur Shoib
Keyword(s):  
Individual Rights ◽  
Public Figure ◽  
The People ◽  
The Future ◽  
The Creation ◽  
And Behavior

This article discusses the responses and views of Kiai Pesantren regarding the exclusive rights in the use of a work. This discussion based on the reasons that Kiai Pesantren is a public figure whose opinion is often used as references in the thoughts and behavior of the people, especially those who are Muslim and santri, so that they also influence the effectiveness of norms in society. In There are four Kiai Pesantren in Semarang City that are the subjects of this study. This article concludes, first, the existence of the Copyright Act is considered important if the Act is intended to protect the interests of the creator. The existence of laws that protect the interests of the creators is said to be able to facilitate the fulfillment of the concept of huquq maliyah. However, they do not agree with the copyright model that puts forward the monopoly in exploiting a work. Second, efforts to protect the interests of the creator in the form of granting individual rights to exploit a work need to be limited, so that such exclusive rights do not actually cause the use of the creation for the dissemination of knowledge to be impeded. Therefore, in the future exclusive individual rights need to be balanced with aspects of the benefit of a work for the dissemination and development of knowledge. Abstrak Artikel ini membahas respons dan pandangan Kiai Pesantren tentang hak eksklusif dalam penggunaan suatu ciptaan. Pembahasan demikian didasarkan pada alasan Kiai Pesantren merupakan tokoh masyarakat yang pendapatnya sering dijadikan referensi dalam pemikiran dan perilaku masyarakat terutama yang beragama Islam dan apalagi dari kalangan santri, sehingga turut memengaruhi efektivitas keberlakuan suatu norma di masyarakat. Dalam artikel ini, ada empat Kiai Pesantren yang menjadi subyek penelitiannya. Artikel ini menunjukkan, pertama, keberadaan UU Hak Cipta dinilai penting oleh Kiai Pesantren jika peraturan tersebut dimaksudkan untuk melindungi kepentingan pencipta. Keberadaan UU yang melindungi kepentingan pencipta dikatakan mereka dapat memfasilitasi terpenuhinya konsep huquq maliyah. Namun demikian, mereka tidak sepakat dengan model hak cipta yang terlalu mengedepankan monopoli dalam mengeskploitasi suatu ciptaan. Kedua, upaya perlindungan kepentingan pencipta dalam bentuk pemberian hak individual untuk mengeksploitasi suatu ciptaan perlu dibatasi, sehingga hak eksklusif yang demikian tidak malah menyebabkan pemanfaatan ciptaan itu bagi penyebarluasan ilmu pengetahuan menjadi terhambat. Karena itu, ke depan hak eksklusif yang individual itu perlu diseimbangkan dengan aspek kemanfaatan suatu ciptaan bagi penyebarluasan dan pengembangan ilmu pengetahuan.

Facing the Future Enemy

2011 ◽  
Vol 28 (7-8) ◽  
pp. 216-240 ◽  
Author(s):  
Ben Anderson
Keyword(s):  
War On Terror ◽  
War And Peace ◽  
The People ◽  
The Future ◽  
Spectral Network ◽  
The Creation

In this article I argue that contemporary counterinsurgency functions as a type of violent environmentality that aims to pre-empt or prevent the formation of insurgencies. Counterinsurgency becomes anticipatory as the ‘War on Terror’ morphs into a global counterinsurgency campaign oriented to the threat of insurgency and insurgents. The insurgent is faced as a spectral network that appears and disappears as distinctions between states of war and peace collapse and war is fought ‘amongst the people’. In this context, the population is targeted as an unstable collective of future friends and future enemies that contains an ever present potential to become (counter)insurgent. Through examples of PSYOPS and the dropping of leaflets from above, I describe how preventing or pre-empting the formation of insurgents becomes a question of controlling the environment through the creation of biopolitical ‘effects’.

ASO GUMBALO SEBAGAI INSPIRAS DALAM PENCIPTAAN SENI LUKIS

2018 ◽  
Vol 7 (2) ◽  
pp. 178
Author(s):  
Satri Yadi ◽  
Yuniarti Munaf ◽  
Dhasono Dhasono
Keyword(s):  
Design Phase ◽  
Symbolic Expression ◽  
Ethical Research ◽  
Process Stage ◽  
Form Processing ◽  
The Future ◽  
The Creation ◽  
Visual Strategies ◽  
Work Done ◽  
Exploration Phase

AbstrakAso Gumbalo dalam penciptaan karya seni lukis diilhami dari kehidupan pengembala yang menjadi inspirasi pencipta yang diungkap melalui media seni lukis dengan mengambil ide “Harapan Pengembala” (Aso Gumbalo). Harapan Gembala dapat diartikan sebagai keinginan, kecendrungan dan dorongan hati yang kuat terhadap sesuatu hal yang ingin direalisasikan untuk menjadikan seorang lebih baik dimasa depan. Pengekspresian ide cipta berangkat dari fenomena Aso Gumbalo yang pencipta ungkap dengan ekspresi simbolik kedalam penciptaan karya seni lukis. Metode penciptaan karya ini melalui tahapan yaitu; 1) Tahap eksplorasi adalah tahap pencarian ide-ide dengan melakukan riset emik dan etik untuk pembuatan karya, 2) Tahap perancangan yaitu tahap pembuatan purwarupa yang akan diwujudkan kedalam bentuk karya seni lukis, 3) Tahap proses garapan karya. Konsep dari penciptaan karya merupakan ekspresi simbolik dengan memanfaatkan idiom tradisi, ekspresi tersebut digambarkan pada perwujudan karya menggunakan strategi media dan strategi visual dengan menggunakan konsep pengolahan bentuk, yaitu disformasi dan transformasi dengan melakukan penggabungan beberapa teknik antara lain, teknik plakat, transparan, tekstur semu dan tekstur nyata. Aso Gumbalo sebagai inspirasi yang diungkapkan dalam bentuk karya seni lukis ekspresi simbolik. Karya-karya yang diciptakan pengkarya disajikan dalam bentukpameran.           Kata Kunci:aso gumbalo, ekspresi simbolik, seni lukis.   AbstractAsoGumbalo in the creation of painting works was inspired from the life of the shepherd who became the inspiration of the creator which revealed through the medium of painting by taking the idea of "Hope of the Shepherd" (AsoGumbalo). Shepherd Hope can be interpreted as a strong desire, inclination and encouragement towards something that wants to be realized to make someone better in the future. The expression of copyrighted ideas departs from the phenomenon of AsoGumbalo, which the creator expressed with a symbolic expression into the creation of painting. This method of creating works through several stages, namely; 1) The exploration phase is the stage of searching for ideas by conducting emic and ethical research for the production of works, 2) the design phase that is the prototype-making stage which will be realized in the form of painting, 3) the process stage of the work done. The concept of creation of works is a symbolic expression by utilizing traditional idioms, these expressions are depicted in the realization of the work using media strategies and visual strategies by using the concept of form processing, namely deformation and transformation by combining several techniques, such as plaque, transparent, pseudo-texture and real texture. AsoGumbalo as an inspiration expressed in the form of paintings of symbolic expression. works created by artists are presented in the form of exhibitions.  Keywords:asogumbalo, symbolic expression, painting.  

CHARACTERIZATION OF RELIGIOUS STYLE AS A FUNCTIONAL STYLE IN LINGUISTICS

2020 ◽  
Vol 1 (3) ◽  
pp. 236-242
Author(s):  
Barnokhon Kushakova ◽  
Keyword(s):  
Social Life ◽  
Religious Language ◽  
Religious Texts ◽  
World Outlook ◽  
The People ◽  
The Social ◽  
Functional Features ◽  
The Creation

This article discusses the conditions, reasons and factors of characterization of religious style as a functional style in the field of linguistics. In addition, religious style and its main peculiarities, its importance in the social life, and the functional features of religious style are highlighted in the article. As a result of our investigation, the following results were obtained: a) the increase in the need for the creation and significance of religious language, particularly religious texts has been scientifically proved; b) the possibility of religious texts to represent the thoughts of the people, culture and world outlook has been verified; c) the specificity of religious language, religious texts has been revealed; d) the development of religious style as a functional style has been grounded.

A Rapture of the Nerds? A Comparison between Transhumanist Eschatology and Christian Parousia

2019 ◽  
Vol 24 (2) ◽  
pp. 343-367
Author(s):  
Roberto Paura
Keyword(s):  
Human Brain ◽  
Point Theory ◽  
The Body ◽  
Christian Theology ◽  
Human Beings ◽  
Human Species ◽  
The Future ◽  
The Creation ◽  
The Universe

Transhumanism is one of the main “ideologies of the future” that has emerged in recent decades. Its program for the enhancement of the human species during this century pursues the ultimate goal of immortality, through the creation of human brain emulations. Therefore, transhumanism offers its fol- lowers an explicit eschatology, a vision of the ultimate future of our civilization that in some cases coincides with the ultimate future of the universe, as in Frank Tipler’s Omega Point theory. The essay aims to analyze the points of comparison and opposition between transhumanist and Christian eschatologies, in particular considering the “incarnationist” view of Parousia. After an introduction concern- ing the problems posed by new scientific and cosmological theories to traditional Christian eschatology, causing the debate between “incarnationists” and “escha- tologists,” the article analyzes the transhumanist idea of mind-uploading through the possibility of making emulations of the human brain and perfect simulations of the reality we live in. In the last section the problems raised by these theories are analyzed from the point of Christian theology, in particular the proposal of a transhuman species through the emulation of the body and mind of human beings. The possibility of a transhumanist eschatology in line with the incarnationist view of Parousia is refused.

scholarly journals The molecular footprints of COVID-19

2020 ◽  
Vol 45 (3) ◽  
pp. 241-248
Author(s):  
Engin Yilmaz ◽  
Yakut Akyön ◽  
Muhittin Serdar
Keyword(s):  
Reaction Time ◽  
Changing Environment ◽  
The Third ◽  
The Past ◽  
The People ◽  
The World ◽  
The Future ◽  
Host Virus Interactions ◽  
Virus Interactions

AbstractCOVID-19 is the third spread of animal coronavirus over the past two decades, resulting in a major epidemic in humans after SARS and MERS. COVID-19 is responsible of the biggest biological earthquake in the world. In the global fight against COVID-19 some serious mistakes have been done like, the countries’ misguided attempts to protect their economies, lack of international co-operation. These mistakes that the people had done in previous deadly outbreaks. The result has been a greater economic devastation and the collapse of national and international trust for all. In this constantly changing environment, if we have a better understanding of the host-virus interactions than we can be more prepared to the future deadly outbreaks. When encountered with a disease which the causative is unknown, the reaction time and the precautions that should be taken matters a great deal. In this review we aimed to reveal the molecular footprints of COVID-19 scientifically and to get an understanding of the pandemia. This review might be a highlight to the possible outbreaks.

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