scholarly journals 9 The Point of Study Practices Is to Discover the Kind of Questions That We “Also” Should Ask

2021 ◽  
Vol 3 (3) ◽  
pp. 107-118
Author(s):  
Nancy Vansieleghem
Keyword(s):  
Knowledge Production ◽  
Modern Science ◽  
Current Understanding ◽  
Scientific Practices ◽  
14Th Century ◽  
New Knowledge ◽  
The World ◽  
Way Of Thinking

Abstract To develop an idea of study, a lead is taken on the work of the artist Mark Dion. Dion’s work, and more in particular his “Tate Thames Dig,” brings together many of the elements that fosters the coming into being of matters of study. By re-enacting the 14th century cabinets of curiosity, Dion questions how modern science shape our current understanding of knowledge production. With his work, he causes an amazement for the ecology of things. At the same time he evokes a request for an entanglement between science and the world that signals an exposure to the plurality of our present. By doing so, he calls into being a way of thinking about scientific practices as study practices. Not as isolated practices that aim at discovering new knowledge, but as collective practices that give something the power to affect and make a public thinking.

scholarly journals What Is It Like to Be a Nazi? Racial Vision and Scientific Selves in German Portrait Photographic Practice

2020 ◽  
Author(s):  
Anna Katharina Mosha Skarpelis
Keyword(s):  
Knowledge Production ◽  
Cultural Practices ◽  
Authoritarian Regimes ◽  
Scientific Practices ◽  
National Socialist ◽  
Novel Technologies ◽  
The Past ◽  
The World ◽  
Racial Knowledge ◽  
Point Of Departure

Default ways of reading others come with a host of problems, often caused by a lack of adequate tools for obtaining analytical and interpretive access to the phenomenon of interest; in the case of Nazis, this has led to a flattening of National Socialist racial thinking into a blunt racial essentialism that, as Ann Stoler put it, ignores nuance and conflicts in historical debates about race that are then juxtaposed to later, presumably more sophisticated, racial epistemologies (Stoler 2016). Horror at historical atrocities has led to a glossing over of significant variation in scientific and cultural practices that are consequential for our understanding of dictatorships and authoritarian regimes substantively, and for our ability as cultural and comparative historical sociologists to make claims about the past, methodologically and causally.What Is It Like to Be a Nazi employs Nagel’s paper as metaphorical point of departure to study not consciousness, but to more attentively interrogate the scientific practices of those whose ways of thinking and existing in the world seem so alien to us, as well as the practices of contemporary social science purporting to understanding National Socialist science. My contribution to this project consists in homing in on one historical form of racial knowledge production and visualization, that of portrait photographic practice. By choosing portrait photographers, the larger category of “Nazi” is narrowed down to a professional group who generated visual propaganda for the National Socialist regime and sustained the dictatorship by way of artistic production.How did National Socialist photographers generate “race” in images? Through an analysis of photographic instruction manuals, reflections of the image makers on their craft and the photographs themselves, I theorize three processes by which National Socialist-period photographers created race in images: contemplation, freezing, and sculpting. Photography, far from being a transcriptional art, brimmed with agency and was in constant disagreement about the nature of perception, and the best way of capturing phenomena occurring in the world through novel technologies. While local circumstances of photographic production under National Socialist rule at first glance appear excessively specific and perhaps exceptional, they raise more universal questions about perception, vision and interpretation that remain at issue today (Browne 2010; Morning 2011; Morning 2014; Nelson 2008).

Geocartographic thinking in modern science

2020 ◽  
Vol 961 (7) ◽  
pp. 27-36
Author(s):  
A.K. Cherkashin
Keyword(s):  
Differential Geometry ◽  
Fiber Bundle ◽  
Modern Science ◽  
The State ◽  
Theory Of Knowledge ◽  
Knowledge Map ◽  
Knowledge Based ◽  
Geographical Environment ◽  
New Knowledge ◽  
Thematic Layer

The purpose of the study is to show how the features of geocartographic way of thinking are manifested in the meta-theory of knowledge based on mathematical formalisms. General cartographic concepts and regularities are considered in the view of metatheoretic analysis using cognitive procedures of fiber bundle from differential geometry. On levels of metainformation generalization, the geocartographic metatheoretic approach to the study of reality is higher than the system-theoretical one. It regulates the type of equations, models, and methods of each intertheory expressed in its own system terms. There is a balance between the state of any system and its geographical environment; therefore the observed phenomena are only explained theoretically in a metatheoretic projection on the corresponding system-thematic layer of the knowledge map. Metatheoretic research enables passing from the systematization of already known patterns to the formation of new knowledge through the scientific stratification of reality. General methods of metatheoretic analysis are mathematically distinguished

Introduction

2018 ◽  
Author(s):  
Michael C. Legaspi
Keyword(s):  
Western Culture ◽  
Profound Influence ◽  
Wide Range ◽  
The World ◽  
Way Of Thinking

This is a book about wisdom. It is an inquiry into the beginnings of a particular way of thinking about life in the world. Seen in terms of wisdom, the world is not a meaningless array of disconnected things but something that is experienced as an ordered reality. This holistic way of understanding life in the world characterized pursuits of wisdom in a two-sided classical and biblical tradition that exercised a profound influence on Western culture. This book examines the development of that tradition in a wide range of texts from Homer to Plato and in the writings of early Jewish and Christian authors.

scholarly journals Genomic insights advance the fight against black rot of crucifers

2021 ◽  
Vol 87 (3) ◽  
pp. 127-136
Author(s):  
Zoë E. Dubrow ◽  
Adam J. Bogdanove
Keyword(s):  
Virulence Factors ◽  
Xanthomonas Campestris ◽  
Plant Pathogens ◽  
Impact Resistance ◽  
Resistance Breeding ◽  
Genetic Data ◽  
Black Rot ◽  
Inoculum Sources ◽  
New Knowledge ◽  
The World

AbstractXanthomonas campestris pv. campestris, the causal agent of black rot of crucifers, was one of the first bacterial plant pathogens ever identified. Over 130 years later, black rot remains a threat to cabbage, cauliflower, and other Brassica crops around the world. Recent genomic and genetic data are informing our understanding of X. campestris taxonomy, dissemination, inoculum sources, and virulence factors. This new knowledge promises to positively impact resistance breeding of Brassica varieties and management of inoculum sources.

scholarly journals Making sense of “superbugs” on YouTube: A storytelling approach

2021 ◽  
pp. 096366252198925
Author(s):  
Monika Djerf-Pierre ◽  
Mia Lindgren
Keyword(s):  
Social Media ◽  
Antimicrobial Resistance ◽  
Health Knowledge ◽  
Social Media Platform ◽  
Making Sense ◽  
New Knowledge ◽  
The World ◽  
Media Platform ◽  
Youtube Videos ◽  
Health Experts

Antimicrobial resistance is one of the greatest challenges facing the world. With the rapid growth of social media, YouTube has become an influential social media platform providing publics with expert health knowledge. This article explores how antimicrobial resistance is communicated on YouTube. Drawing on qualitative media analyses of the most viewed YouTube videos 2016–2020, we identify seven different genres and two main storytelling approaches, personalized and fictionalized storytelling, used to make sense of antimicrobial resistance and its complexities. The study contributes new knowledge about YouTube as a platform for health communication and the types of videos about antimicrobial resistance that gets most traffic. This is useful, not the least for public health experts working to improve communication strategies that target hard-to-reach media publics.

Promoting astronomy in developing countries: an historical perspective

2006 ◽  
Vol 2 (SPS5) ◽  
pp. 21-24
Author(s):  
Rajesh Kochhar
Keyword(s):  
Geographical Area ◽  
Modern Science ◽  
Deficiency Syndrome ◽  
Multi Stage ◽  
The World ◽  
History Of ◽  
Mind Set ◽  
The 19Th Century ◽  
Astronomical Instrument

AbstractAny international effort to promote astronomy world wide today must necessarily take into account its cultural and historical component. The past few decades have ushered in an age, which we may call the Age of Cultural Copernicanism. In analogy with the cosmological principle that the universe has no preferred location or direction, Cultural Copernicanism would imply that no cultural or geographical area, or ethnic or social group, can be deemed to constitute a superior entity or a benchmark for judging or evaluating others.In this framework, astronomy (as well as science in general) is perceived as a multi-stage civilizational cumulus where each stage builds on the knowledge gained in the previous stages and in turn leads to the next. This framework however is a recent development. The 19th century historiography consciously projected modern science as a characteristic product of the Western civilization decoupled from and superior to its antecedents, with the implication that all material and ideological benefits arising from modern science were reserved for the West.As a reaction to this, the orientalized East has often tended to view modern science as “their” science, distance itself from its intellectual aspects, and seek to defend, protect and reinvent “our” science and the alleged (anti-science) Eastern mode of thought. This defensive mind-set works against the propagation of modern astronomy in most of the non-Western countries. There is thus a need to construct a history of world astronomy that is truly universal and unselfconscious.Similarly, the planetarium programs, for use the world over, should be culturally sensitive. The IAU can help produce cultural-specific modules. Equipped with this paradigmatic background, we can now address the question of actual means to be adopted for the task at hand. Astronomical activity requires a certain minimum level of industrial activity support. Long-term maintenance of astronomical equipment is not a trivial task. There are any number of examples of an expensive facility falling victim to AIDS: Astronomical Instrument Deficiency Syndrome. The facilities planned in different parts of the world should be commensurate with the absorbing power of the acceptor rather than the level of the gifter.

THE INNOVATIVE TOURIST PRODUCT IN THE FUNCTION OF THE HOTEL INDUSTRY

2003 ◽  
Vol 9 (2) ◽  
pp. 79-95
Author(s):  
Slobodan Ivanović
Keyword(s):  
World Economy ◽  
Hotel Industry ◽  
Status Quo ◽  
Strategic Thinking ◽  
Tourism Product ◽  
The World ◽  
The Status ◽  
Way Of Thinking

Very often, there are more imitators than innovators in the hotel industry. There are very few hotel enterprises engaged in continually innovating their services. Creative imitators help to diffuse innovations and to meet the needs of certain segments o f the tourist market. They realise the improvement possibilities of the tourism product or service, which requires innovation. Changes to certain features o f the product or service can help to increase their value for both domestic and foreign tourists. Hence, it is maintained that creative imitation is sooner to take hold on the tourist market than on the tourism product or service. The globalisation process of the world economy, as well as the hotel industries, has imposed a certain way of thinking referred to in journalism as "change as a constant necessity" or putting it harshly "innovate or disappear from the business scene”. Anything that is different represents change. Innovation means accepting ideas for services which are new to hotel enterprise. Because innovations disturb the status quo of the hotel enterprise, they are met with resistance by some members of the organisation. Strategic thinking is what every hotel enterprise needs to prevent it being caught off guard by the affects of changes in its micro and macro environment. Namely, troubles begin for the hotel enterprise when it fails to adapt in an adequate and acceptable way to the changes occuring within the hotel industry. Adverse changes in the environment and the inability of the hotel enterprise to respond to these changes are the cause of incongruity between the hotel’s potential (accommodation and other facilities) and the demands of the hotel industry i.e. the tourist markets on which it is present.

The Datafied Society

2017 ◽  
Keyword(s):  
Big Data ◽  
Everyday Life ◽  
The Novel ◽  
Research Practices ◽  
Knowledge And Skills ◽  
Its Analysis ◽  
New Knowledge ◽  
Novel Methods ◽  
Way Of Thinking ◽  
Machine Readable

As machine-readable data comes to play an increasingly important role in everyday life, researchers find themselves with rich resources for studying society. The novel methods and tools needed to work with such data require not only new knowledge and skills, but also a new way of thinking about best research practices. This book critically reflects on the role and usefulness of big data, challenging overly optimistic expectations about what such information can reveal, introducing practices and methods for its analysis and visualisation, and raising important political and ethical questions regarding its collection, handling, and presentation.

The “Idea of Human” Literary Category: Epistemological Potential

2021 ◽  
pp. 23-31
Author(s):  
Vyacheslav M. Golovko ◽  
Keyword(s):  
Literary Criticism ◽  
Modern Science ◽  
Artistic Practice ◽  
Object Knowledge ◽  
Human Type ◽  
A Value ◽  
The World ◽  
Literary Process ◽  
Relevant Category ◽  
Successive Change

The “idea of human” (“type of attitude to the world”) is considered as a relevant category of the conceptual apparatus of the modern science of literature. The aim of the work is to analyze the theoretical and methodological potential of this category on the basis of large typological units of the literary process, marked with the concepts of “historical and literary era”, “artistic and cognitive cycle”, “literary direction”, “big style”, “artistic method”. The research used the methods of a typological and complex study of literary works, which in the synthesis of literary criticism and philosophy determine the strategy of searches in the field of theoretical and methodological content of the “idea of human” category as the foundation of the literary and philosophical anthropology of cultural and historical eras. The historical and genetic links between the worldview aesthetic principles and the artistic practice of literary trends are problematized. The logic of the research reveals the concept “object – knowledge”, fundamental for epistemology, in the aspects of the structuring of the knowledge of the methodological semantics of the “idea of human” category and of the functioning of the definitions “generalized idea of human”, “type of attitude to the world”, “concept of human and reality”, “whole of human”, “human as a value”. The article shows that the “idea of human” as a philosophical and aesthetic interpretation of the nature and essence of human at a certain stage in the development of artistic consciousness, worked out by the whole culture (R.R. Moskvina, G.V. Mokronosov) and defining integrity and logical consistency of the artistic system, is a synergistically functional semantic core of the historical and cultural era, and this core contains the dialectical potential of “negation of the negation”. As a variable, the historical “idea of human”, in the perspective of the stage development of artistic consciousness, undergoes dramatic changes and is realized in the logic of the successive change of historical and cultural epochs and their philosophical paradigms, in the constant alternation of “realistic” and “mystical”, materialistic and idealistic methods of cognition and images of human and the world (D.I. Chizhevsky, A.M. Panchenko, and others). The conclusions are substantiated that the successive development of literary trends, creative methods and their axiological systems is conditioned by the dynamics of “types of attitude to the world”; that the functioning of the “idea of human” category in literary discourse is focused on argumentation of the ontological nature of fiction, on the identification of philosophical and aesthetic principles that determine the systematic nature and the successive change of artistic and cognitive cycles; that the evolution of the “idea of human” within the framework of one artistic and cognitive cycle is fixed by the dynamics of genre systems since, in the correlations of method, genre and style, “the idea of human” acts as a factor in genre formation.

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