SPECIFIC UNDERSTANDING OF ARTISTIC TEXT

2021 ◽  
Author(s):  
Арина Максимовна Баштовая ◽  
Полина Александровна Морина
Keyword(s):  
Literary Text ◽  
Work Of Art

В статье задаются проблемы понимания художественного текста в эпоху цифры. Обсуждаются особенности развития культуры понимания произведения искусства детьми в сюжетно-деятельностной игре. The article asks the problems of understanding literary text in the era of numbers. The features of the development of a culture of understanding a work of art in a plot-activity game are discussed.

POETIC FEATURES OF THE LITERARY TEXT

2020 ◽  
Vol 73 (3) ◽  
pp. 123-132
Author(s):  
G. Mukhamejanova ◽  
◽  
A. Mukhamejanova ◽  
Keyword(s):  
Literary Text ◽  
Point Of View ◽  
Work Of Art ◽  
The Subject ◽  
Language Literature ◽  
Study Development

Currently, due to linguistic personalities associated with culture, language, national existence, especially with literature, various aspects and aspects of linguistics are revealed in the development of literature in linguistics and linguoculturology. From this point of view, linguistics, first of all, reveals the essence of linguistic poetics, determines the degree of its residence in the language, literature, reveals the subject of study, development, teaching, and connections with other branches of science. This article examines the phonetic micropoetics of the language of a work of art, and also analyzes the nature of phonetic phenomena used in a work of art, using specific examples.

The Literary Artwork between Word and Concept

2019 ◽  
pp. 115-130
Author(s):  
Gerhard Richter
Keyword(s):  
Literary Text ◽  
Work Of Art ◽  
Philosophical Interpretation ◽  
Figurative Speech ◽  
Relationship Of ◽  
The Relationship ◽  
Speculative Thought ◽  
Recent Interpretation ◽  
The Way

This chapter investigates another set of problems with which the uncoercive gaze must contend when it fastens upon a work: the relationship of speculative thought to the work of art and the ways in which the chasm between literal and figurative speech bears upon that relationship. One of the themes that a reading of Kafka’s The Trial should emphasize is the way in which a literary text both calls for philosophical interpretation and resists such interpretation at the same time. One problem that arises out of this constellation concerns the question of the relationship between the literal and the figurative nature of a text’s rhetorical operations. If Kafka’s novel, by causing the relation between the literal and the figural to enter a space of indeterminacy, enacts a situation in which, as Adorno characterizes it, “a sickness means everything [eine Krankheit alles Bedeuten],” no reading of Kafka—at least no reading informed by the sensibilities of the uncoercive gaze—can afford to ignore the precise conceptual terms of this sickness. Finally, to cast Adorno’s reflections on Kafka into sharper relief, the chapter also considers them in relation to Giorgio Agamben’s recent interpretation of The Trial as Kafka’s commentary on the imbrication of law and slander.

scholarly journals Действие принципа нонселекции в языковoй организации постмодерного художественного текста

2018 ◽  
pp. 260-269
Author(s):  
Elena Stepanowna Perelomowa
Keyword(s):  
Literary Text ◽  
Artistic Expression ◽  
Work Of Art ◽  
Selection Principle ◽  
Associative Chain ◽  
Clear Sign ◽  
Postmodern Art ◽  
Poetic Function ◽  
The Individual ◽  
Linguistic Means

The article discusses the organization of linguistic postmodern literary text. Analyzes the poetic works of Ukrainian postmodern art discourse for selection by the authors of language means of expression to achieve communicative goals. Word in a work of art does not only nominative function, it is used in a subjectify lingual space and determine speechthinking freedom of speaker. The author draws attention to the fact that the poetic function of language, along with the reference, ambiguity and gives it an opportunity for the ambiguity of the utterance. In connection with this understanding of the meaning of art depends on the different attitudes to the very subject of the statement saying, an the method of reading the text. Related words in the concept of becoming unfit for the image “literal” pattern of life. Therefore, a clear sign of postmodernism become Ukrainian verbal games, heteroglossy languages, discourse, linguistic hybrids, marginal dictionaries. He rejects the discourse of a totalitarian society, the official lexicon of Soviet-style language as inadequate to express the individual senses and feelings, instead of resorting to repetition of words, obscene language, citations, etc. The essence of the product is replaced by rhythmic melodic phrase, a phrase open to freely attach to it any associative chain. In the process of generation of artistic expression is present in the selection principle nonselection linguistic means of expression. The dialogue is born and polylogue game between the text of culture, the reader, the author.

scholarly journals An exploration of place and its representations: an intertextual/ dialogical reading of the photographs of AB Ovenstone and the novel Gillespie by John MacDougall Hay.

2016 ◽  
Vol 41 ◽  
Author(s):  
Lindsay Fiona Blair
Keyword(s):  
Literary Text ◽  
Landscape Painting ◽  
The Novel ◽  
Work Of Art ◽  
Shipping Company ◽  
Private Collection ◽  
Semiotic Approach ◽  
The Subject ◽  
The Common ◽  
The Relationship

“An intertextual/ dialogical reading of place through photography and fiction” The article is an exploration of place and its representations based on the intertextual reading of a series of photographs (1880-82) of Tarbert, Loch Fyne by Andrew Begbie Ovenstone (1851-1935) and the dialogical reading of a novel, Gillespie (1914), by John MacDougall Hay (1881-1919) which is set in Tarbert. The proposed article is inspired by a sense that a semiotic approach to the subject will reveal far more than has been discovered within the tradition of hermeneutics and patrimony and that much will be gained by a study of the contrast between written and visual signifiers. The article raises questions about the (unexamined) coded readings of place especially in relation to the photograph, and the lack of an adequately theorized tradition for the novel. The literary text is well known - if not well understood - but the images are from a rare, unpublished, private collection of photographs from Scotland, India and the furthest reaches of Empire (Ovenstone was the Atlantic Freight Manager of Anchor Line Ltd, the Glasgow shipping company). The paper emphasizes the need for the use of codes to decipher the texts. When we “read” the photographs we need to be aware of the intertextual relationship between the photograph and the landscape painting tradition as well as the common practice of the created tableau – there is then overlaid upon the image the sense of a set of conventions, a system which operates much like a language. We are able to discover through the notion of the “long quotation from appearances” the potential for more complex “synchronic” readings. Likewise, in the case of Gillespie, the novel operates within a genre which determines a “reading”. When we are aware of a code, we become aware of the way that Hay manoeuvres adroitly to thwart the reader’s best efforts to settle upon a preferred reading – especially one shaped by an authoritative narrator - which thereby allows for the genuine experience of “heteroglossia” to emerge. The notion of truth in Gillespie is interrogated in the light of Heidegger’s essay “The Origins of a Work of Art” in order that the relationship between representation and reality be clarified.

scholarly journals ROSJA I „RESZTA ŚWIATA”: SOŁŻENICYNOWSKA RECEPCJA MODELOWA A MOŻLIWOŚCI UNIWERSALNEGO ODCZYTANIA EPOPEI CZERWONE KOŁO

2017 ◽  
Vol 2 (XIX) ◽  
pp. 169-178
Author(s):  
Monika Sidor
Keyword(s):  
Social Role ◽  
Literary Text ◽  
Ethical Dimension ◽  
Work Of Art ◽  
The Social

This paper gathers Alexander Solzhenitsyn’s selected statements relating to thereception of his most significant work of art The Red Wheel. The conditions of “properreading” are depicted in Solzhenitsyn’s interviews, journalistic texts and fragmentsof the narrative included in his epic. The author of the paper explores the writer’srequirements that concern the influence of literature and a reader’s response to thehistorical novel. The reconstruction of Solzhenitsyn’s model reception also enablesto define the writer’s attitude towards his reader. The author of The Red Wheel believesin the social role of literature and the universal meaning of a literary text concentratedon truth, thus Solzhenitsyn’s approach stresses the ethical dimension of literature andthe figure of writer as a guide.

scholarly journals The Structural Analysis: A Work Of Art And A Literary Text

2021 ◽  
Vol 03 (09) ◽  
pp. 23-27
Author(s):  
Farmonova Mohinur Faxritdinovna ◽  
Keyword(s):  
Structural Analysis ◽  
Literary Text ◽  
Structural Method ◽  
Tabular Form ◽  
Work Of Art ◽  
Preliminary Research ◽  
Shed Light

This article discusses the introduction of the structural method in Uzbek literature, preliminary research, its role and importance in the analysis of the work. The study focuses on how to distinguish between a work of art and a literary text. The main differences were initially explained in opposition and presented in a simple tabular form for researchers. The article serves to shed light on the essence and significance of the structural method.

scholarly journals Projections of Intermediality in a Literary Text

wisdom ◽  
2020 ◽  
Vol 15 (2) ◽  
pp. 21-32
Author(s):  
Ganna PRIHODKO ◽  
Oleksandra PRYKHODCHENKO ◽  
Halyna MOROSHKINA
Keyword(s):  
English Language ◽  
Literary Text ◽  
Literary Texts ◽  
Levels Of Abstraction ◽  
Work Of Art ◽  
Visual Texts ◽  
Semiotic Systems ◽  
Artistic Image ◽  
Different Levels

The article is devoted to the study of linguistic manifestations of intermediality in English-language literary texts of the 20th – 21st centuries. Intermediality is understood as a special type of structural interconnections within a work of art, based on the interaction of various types of art-languages in a system of single literary text. Particular attention is paid to the analysis of such figurative structures that enclose information about another type of art. In the course of the analysis, it was established that the implementation of intermedial connections of literary, musical and visual texts interacting in the space of the semiosphere is carried out by borrowing of compositional-structural and plot-shaped means, which leads to the creolization of the transmitted message, providing a pragmatic effect on the recipient with a combination of verbal-iconic elements . The intermedial mechanism of combining codes of different semiotic systems contributes to the transfer of an artistic image in the text at different levels of abstraction.

scholarly journals SEMANTIC FEATURES OF THE LANGUAGE GAME AND ITS REPRESENTATIONS IN THE PROSE OF A. T. AVERCHENKO

2018 ◽  
pp. 86-91
Author(s):  
Y. N. Kucheryavykh
Keyword(s):  
National Culture ◽  
Word Order ◽  
Language Game ◽  
Literary Text ◽  
Semantic Features ◽  
Work Of Art ◽  
Works Of Art ◽  
Relationship Of ◽  
The Relationship ◽  
Selection Of

The article discusses the features of the formation and functioning of irony as a way of expressing evaluation in the relationship of the characters of works of art A. T. Averchenko. The importance of this phenomenon is determined by the dependence of the elements of its construction, as well as the external historical and literary vertical context, language elements that form the emotional and expressive marking of the statement. Therefore, it is possible to distinguish some types of ironic evaluation: non-reflexive and reflexive. Acting as a means of language comedism, pun in the humorous prose of Arkady Averchenko structurally-semantically organized, and, as an element of the language game, has the laws of construction and selection of stylistic techniques of creation and influence characteristic of the works of the writer. Therefore, the variety of means of creating a comic assessment in the artistic texts of the author suggests that the choice of a particular technique depends on the language personality of the writer, the ratio of linguistic and extralinguistic means of representing the evaluation in the literary text, because the meaning of the phrase predicted by the addressee is created at the expense of the expected word order for the original syntax. Consequently, the realization of the ironic meaning inherent by the Creator of the work of art in the lexemes, becomes clear only from the surrounding context. Since the game is the basis of any culture, the ratio of these concepts becomes the leading person playing, manifested in the manner of speech behavior of the linguistic personality of both the author-Creator and the character - his creations. Therefore, it is appropriate to state that the linguistic personality exists in the space of culture, and, therefore, it can be presented as a linguocultural type as an image recognizable by representatives of a certain national culture, embodied in the character of an artistic work as a creative and playing unique linguistic personality.

scholarly journals ПЕРЕДЧУТТЯ КІНЦЯ: КРИЗА МОДЕРНОГО СВІТОВІДЧУТТЯ В РОМАНІ ВІКТОРА ДОМОНТОВИЧА БЕЗ ҐРУНТУ

2021 ◽  
Vol 9 (2) ◽  
pp. 85-96
Author(s):  
JURIJ HANOSZENKO
Keyword(s):  
Creative Thinking ◽  
Literary Text ◽  
The Novel ◽  
Global Culture ◽  
Work Of Art ◽  
Cultural Paradigm ◽  
Text Organization ◽  
Basic Theme ◽  
Artistic Works ◽  
Different Levels

The article is devoted to the evolution of Victor Domontovych’s creative thinking in his last novel Without Foundation. This work of art became a resume of his writing and an intertext for his philosophical and culturological research in scientific and critical articles from this period. The basic theme of this novel is the end of the epoch; the author addresses the theme of the exhaustion of modernity’s value and aesthetic systems, which formed the basis of his early artistic works. The analysis of Domontovych’s perception of the epoch boundary, his exhaustion of the cultural paradigm of modernism and the embodiment of his conclusions in the works make the research relevant, especially in terms of the changing landmarks of modern global culture. The research is based on the structural-semiotic methodology of literary text interpretations, which allows the different levels of the text organization to be reviewed, thus reaching wider cultural generalizations. This study helps to better understand the author’s concept of the culture crisis and the poetics of the novel Without Foundation.

The Work of Art in the Age of Mechanical Transportation

2017 ◽  
Author(s):  
William Solomon
Keyword(s):  
Motion Pictures ◽  
Literary Text ◽  
Work Of Art ◽  
American Novel ◽  
Critical Reflexivity

This chapter examines poet W. C. Williams' and director Mack Sennett's respective investments in the 1920s in destructive enterprises, comically excessive violence amounting in both to a repudiation of the values that inform economic rationalism. In the former's The Great American Novel (1923) critical reflexivity and collage experimentation constitute acts of resistance to narrative signification. In the latter, the symbolic dismantling of the Model T—as exhibited in his films Lizzies of the Field (1924) and Super-Hooper-Dyne Lizzies (1925)— serves as a gesture of defiance aimed at Fordism. Both the motion pictures and the literary text indicated their ethical opposition to the priorities informing economic rationalism by integrating the Model T into decidedly destructive undertakings.

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