Introduction

2020 ◽  
pp. 1-10
Author(s):  
Melanie C. Hawthorne
Keyword(s):  
Twentieth Century ◽  
Sexual Orientation ◽  
Coming Out ◽  
National Origin ◽  
Close Connection ◽  
The Core ◽  
Gay Pride ◽  
History Of ◽  
The Moment

The coming out of Ellen Degeneres in the 1990s marked a significant moment in the history of gay pride, and analysis of an episode of her controversial sitcom featuring Emma Thompson shows how, at the end of the twentieth century, shame was shifting from being associated with revelations about sexual orientation to questions of national origin. However, the moment underscores the continued close connection between perceptions about sexual types and national types in popular thinking that informs the core of Women, Citizenship, and Sexuality.

A short history of Polish formations protecting the governing bodies of the state

2021 ◽  
Vol 1 (38) ◽  
pp. 75-84
Author(s):  
Aneta Drożdż
Keyword(s):  
Twentieth Century ◽  
The State ◽  
Short History ◽  
Control Subsystem ◽  
State Security ◽  
The Past ◽  
Rules And Principles ◽  
History Of ◽  
Important People ◽  
The Moment

This paper presents a short history of Polish formations protecting the governing bodies of the state, starting from the moment Poland regained independence at the end of the twentieth century. The considerations are presented against the rules and principles of the functioning of the state security system, with particular emphasis on the control subsystem. This paper demonstrates the need to research attitudes to safety in the past, in order to develop and apply effective contemporary solutions. The considerations contained in it also concern the existing threats to the management of state organs. They may contribute to further discussions on the purpose and rules of operation of the formation which is supposed to protect the most important people in the state.

scholarly journals “Journeys are Meaningful” (Travelling, Travellers, Literary Periods, Literary Journeys)

2015 ◽  
Vol 7 (1) ◽  
pp. 7-19
Author(s):  
István Fried
Keyword(s):  
Twentieth Century ◽  
Middle Ages ◽  
Close Connection ◽  
Continuous Processes ◽  
New Era ◽  
Mise En Scene ◽  
History Of ◽  
The Relationship ◽  
Educational Journeys ◽  
The Middle Ages

Abstract If the changes of the “discourse networks” (Aufschreibesysteme) from 1800 to 1900 model the relations pertaining to the personality, to the cultural determinedness of technology and personality as well as to their interconnections (Kittler 1995), especially having in view the literary mise en scène, it applies all the more to travelling - setting out on a journey, heading towards a destination, pilgrimage and/or wandering as well as the relationship between transport technology and personality. The changes taking place in “transport” are partly of technological, partly (in close connection with the former) indicative of individual and collective claims. The diplomatic, religious, commercial and educational journeys essentially belong to the continuous processes of European centuries; however, the appearance of the railway starts a new era at least to the same extent as the car and the airplane in the twentieth century. The journeys becoming systematic and perhaps most tightly connected to pilgrimages from the Middle Ages on assured the “transfer” of ideas, attitudes and cultural materials in the widest sense; the journeys and personal encounters (of course, taking place, in part, through correspondence) of the more cultured layers mainly, are to be highly appreciated from the viewpoint of the history of mentalities and society.

Afterword and Timeline: On Becoming a Citizen

2020 ◽  
pp. 123-150
Author(s):  
Melanie C. Hawthorne
Keyword(s):  
Twentieth Century ◽  
Sexual Orientation ◽  
Gender Norms ◽  
First Century ◽  
National Belonging ◽  
Cultural Assumptions ◽  
The Us ◽  
Gay Pride ◽  
Twenty First Century

Throughout the course of the twentieth century and into the twenty-first, women's claims to citizenship in their own right have gradually been recognized in Europe and the US, though some exceptions still remain (as charted in a parallel chronology). Yet citizenship remains tied to broad cultural assumptions about gender and enforces gender norms. The resurgence of nationalism in the twenty-first century suggests and the success of "gay pride" movements may have shifted shame away from sexual orientation and onto national belonging, but the question remains whether the underlying structural ideological isomorphism has shifted.

’Garde ici et ’garde lá-bas

2017 ◽  
Author(s):  
Jared Snyder
Keyword(s):  
Twentieth Century ◽  
African American ◽  
Native American ◽  
Music Industry ◽  
Dance Music ◽  
The Core ◽  
Early Twentieth Century ◽  
History Of

This chapter explores the history of the Creole accordion. Black Creoles in Louisiana have created their own, distinctive accordion music adapted from French, Native American, and African cultures. While Creole musicians in the early twentieth century were often hired for Cajun dances, where they played Cajun dance music, at their own gatherings they played a uniquely Creole repertoire that drew from the African American blues—a repertoire later developed by accordionists such Clifton Chenier and Boozoo Chavis. Zydeco, as this music eventually was labeled, has become a symbol of Louisiana Creole culture. It is argued that despite the pressure on modern zydeco bands to adapt to the demands of the music industry, the traditional accordion and rubboard remain the core instruments, and zydeco accordionists keep playing in a distinctively Creole style.

scholarly journals CHURCH AUTONOMY, SEXUAL ORIENTATION, AND EMPLOYMENT POLICY IN BRITAIN: A LEGISLATIVE HISTORY OF THE EMPLOYMENT PROVISIONS OF THE EQUALITY ACT 2010

2013 ◽  
Vol 7 (1) ◽  
pp. 173-191
Author(s):  
Jerold Waltman
Keyword(s):  
Sexual Orientation ◽  
Religious Institutions ◽  
Employment Policy ◽  
Labour Government ◽  
Legislative History ◽  
Liberal Pluralism ◽  
History Of ◽  
The Law ◽  
The Moment

How much autonomy should religious institutions have when they employ paid staff? This paper lays out two contrasting models, blanket liberalism and liberal pluralism, that come into play in this area. It then examines in some detail how Parliament dealt with the issue as it considered the Equality Act 2010, especially as the law pertained to sexual orientation. Although the Labour government would have liked to have pushed the country more toward blanket liberalism, in the end it left the law as it was, which was a victory, for the moment at least, for those churches who wished to retain their present degree of autonomy.

The Social Question and the Problem of History after Empire

2009 ◽  
Author(s):  
Uday Singh Mehta
Keyword(s):  
Twentieth Century ◽  
Collective Identity ◽  
Political Identity ◽  
Complex Relationship ◽  
Constitutional Government ◽  
Indian Experience ◽  
The Social ◽  
History Of ◽  
The Moment ◽  
Obvious Feature

Decolonization of the European empires in the twentieth century was spurred by the colonized based on two purposes: the desire for independence, and the desire to build a sovereign political identity. The most obvious feature of the first intention was the formation of anti-imperialist movements, organised under the banner ‘they must leave’. The latter was characterized by the establishment of constitutional government, which highlighted the identity of a novice country in a political and unified form and which featured a central source of power. These two purposes share a complex relationship. For power to be sovereign, independence must be gained first. Power cannot be obligated to the wishes of another power or constrained by the laws of another regime. The struggle for independence of European empires did not readily create the conditions for the exercise of a sovereign power. It was elusive at the moment of independence. This chapter discusses some of the implications of these two purposes, with emphasis on the second purpose and the Indian experience. It addresses questions such as: what is the meaning of collective identity to those newly independent countries in the context of politics; what were the pressures on the claims to political identity and unity; how did these pressures encourage a revolutionary mindset in the conceptualization of constitutional provisions and political power; and how does the struggle for political identity relate to the history of nation and its struggle for independence?

Abdul Rahman Baswedan and the Emancipation of the Hadramis in Indonesia

2004 ◽  
Vol 32 (3) ◽  
pp. 373-400 ◽  
Author(s):  
Huub de Jonge
Keyword(s):  
Twentieth Century ◽  
World War Ii ◽  
Coming Out ◽  
World War ◽  
Japanese Occupation ◽  
East Indies ◽  
Constant State ◽  
History Of ◽  
Dutch East Indies

AbstractThe journalist and politician Abdul Rahman Baswedan has played a prominent role in the emancipation of the Indonesian Hadhramis and in the integration of the Hadhrami minority into the wider Indonesian society. During the early decades of the twentieth century, the comparatively small, and for outsiders relatively closed, community was in a constant state of dissension and confusion. It was divided by tensions that can be reduced to differences between the Hadhrami culture and the Indonesian cultures, and between loyalty to Hadhramaut, the region of their origin, and the country in which they were looking for a livelihood. It was only in the years leading up to World War II that the idea of being an Indonesian gained significance in these circles, not least of all thanks to Baswedan's efforts in this respect. This article examines Baswedan's childhood and school years in an Arab quarter, his journalistic training and political maturation, and his gradual realization that he belonged to a community that had no perception of its future identity. His "coming out" as an Indonesian; and his activities during the nationalist period, the Japanese occupation, and the years after independence in striving to break down the relative isolation of his Hadhrami compatriots will also be analyzed. Baswedan's life and career form a unique entry in the history of the problems that the Hadhrami community has experienced, both in the Dutch East Indies and in Indonesia.

Fragmentos da autoria feminina no cinema brasileiro: considerações sobre o cinema de Gilda de Abreu (1904 - 1979)

2021 ◽  
Author(s):  
Regina Glória Andrade ◽  
Jose Francisco Serafim ◽  
Sandra Straccialano Coelho
Keyword(s):  
Twentieth Century ◽  
Feature Films ◽  
The Feminine ◽  
History Of ◽  
The Moment

In the context of a growing interest in the investigation and rescue of different places occupied by women in the history of cinema, this paper proposes the specific consideration of one of its pioneers in Brazil: filmmaker, writer and lyric singer Gilda de Abreu (1904 - 1979), screenwriter and director of three feature films made between the ‘40s and’ 50s of the twentieth century. From the consideration of selected excerpts from the films O Ébrio (1946), Pinguinho de Gente (1949) and Coração materno (1951), this paper aims not only to contribute to a desired visibility of the trajectory of the artist - fundamental to a necessary revisionism of the history of cinema - but also to promote a close look at the audiovisual elements of these films capable of calling the debate about the very notion of an authorship in the feminine at the moment when such works were made.

scholarly journals Hacia Arts & Architecture La revolución editorial de John Entenza (1938-1945)

2018 ◽  
pp. 1
Author(s):  
Daniel Díez Martínez
Keyword(s):  
Twentieth Century ◽  
Modern Architecture ◽  
Important Place ◽  
Avant Garde ◽  
Intellectual Discourse ◽  
History Of ◽  
The Moment ◽  
Architecture And Design ◽  
Siglo Xx

Resumen En enero de 1945 Arts & Architecture puso en marcha el programa CaseStudy House, un experimento ideado por John Entenza que les reservaríaa él y a su revista un lugar importante en la historia de la arquitectura moderna del siglo XX. Desde que asumió la dirección de Arts & Architectureen 1940, Entenza supo rodearse de creadores y artistas como Alvin Lustig,Ray y Charles Eames, Herbert Matter o Julius Shulman, que contribuyerona elevar el estándar gráfico de su publicación y le confirieron una identidadinnovadora que respaldaba visualmente el discurso intelectual vanguardista de compromiso con la arquitectura y el diseño modernos que defendía en sus páginas. Este artículo analiza los orígenes, las estrategias de trasformación y los nombres propios que hicieron realidad una revista que, cincuenta años después de su desaparición en 1967, sigue resultando tan atractiva y radical como cuando se editaba.AbstractIn January 1945 Arts & Architecture launched the Case Study House program, an experiment devised by John Entenza that would reserve for him and his magazine an important place in the history of modern architecture of the twentieth century. From the moment he took over the direction of Arts & Architecture in 1940, Entenza knew how to seduce creators and artists such as Alvin Lustig, Ray and Charles Eames, Herbert Matter and Julius Shulman, who contributed to raise the graphic standard of his publication and gave it an innovative identity that visually supported the avant-garde intellectual discourse of commitment to modern architecture and design that it defended in its pages. This article analyzesthe origins, the strategies of transformation and the proper names that made the magazine a reality that, fifty years after its disappearance in 1967, continues to be as attractive and radical as when it was published.

scholarly journals “If I Were a Painter...” The Problem of Intermedial Contexts of Nikolay Gogol’s Novel Old World Landowners

2020 ◽  
Vol 18 (2) ◽  
pp. 109-127
Author(s):  
Oksana A. Kravchenko
Keyword(s):  
Evil Spirit ◽  
The Novel ◽  
Old World ◽  
The Core ◽  
Animated Film ◽  
History Of ◽  
Manor House ◽  
Mutual Relations ◽  
Home Space ◽  
The Moment

<p>The article analyzes the problem of the intermedial reading of Gogol's novel <em>The Old World Landowners</em>, presented by the animated film <em>He and She</em> by M.&nbsp;Muat. The novelty of the work is determined by the application of the method of a comprehensive analysis to the texts dialogically connected with each other. The extent of adequacy of the creative reading of Gogol's novel by a contemporary film director is determined by the semantic reconstruction of an idyllic chronotope of the novel. It is noticed that in the film limiting the history of main characters only by mutual relations within a circle of a manor house, Gogol's idea about the confrontation between family and home space and forces of chaos and destruction, is kept. The director's technique of a circular composition is an artistic factor that can be compared to the key &ldquo;moment&rdquo; in painting that condenses all previous and subsequent events. A figurative ring formed by the images of an old oak can be seen as a semantic analogue of the idyllic circle of the manor. However, if in the novel this circle is destroyed from the inside, in the film it is preserved and affirmed thanks to the creative efforts of the film director. The idyllic world of M.&nbsp;Muat is conscious of the &ldquo;evil spirit&rdquo; of destruction, but its mission is to keep the moment of peace, love and quiet happiness. The director, thus, asserts love as the supreme and permanent value of human existence. Not following literally the text of Gogol's novel, M.&nbsp;Muat offers his own reading of those laws that form the core of Gogol's artistic world.</p>

Sign in / Sign up

Export Citation Format

Share Document