scholarly journals CREATIVE ECONOMY AND TECHNOLOGIES: SOCIAL, LEGAL AND COMMUNICATIVE ISSUES / KŪRYBOS EKONOMIKA IR TECHNOLOGIJOS: SOCIALINIAI, TEISINIAI IR KOMUNIKACINIAI ASPEKTAI

2012 ◽  
Vol 13 (1) ◽  
pp. 71-80 ◽  
Author(s):  
Tomas Kačerauskas
Keyword(s):  
Legal Aspects ◽  
Creative Industries ◽  
Individual Autonomy ◽  
Creative Economy ◽  
Social Changes ◽  
Social Challenges ◽  
Economic Relations ◽  
Economical Growth ◽  
Patent Right

The article deals with the philosophical questions of creative economy. Appealing to J. Howkins, R. Florida and other theorists of creative economy, the author analyses such aspects of creative economy as the need for enterprise, obsession by consuming, fusion of labour and leisure, integrality of the activities, striving for individual autonomy and privacy. The response to economical changes and social challenges could be creativeness that emerges in certain social and economical environment. The author pays attention to legal aspects of creative economy and analyses the role of technologies in the creative society. The author also focuses on the contradictory aspect of the copyright and patent right in creative economy. By expressing the creators’ right to just reward copyright restricts creative communication while patent right expresses aspirations to privatize social property, including nature. The relations between technologies and creative economy refer to social changes, too. Firstly, economic relations could be treated as social technologies. Secondly, technologies (especially e-technologies) are the base of creative industries that ensure economical growth. Thirdly, technologies are indispensable to the consuming that both demands new products and generates the very economy. Santrauka Straipsnyje nagrinėjami kūrybos ekonomikos filosofiniai klausimai. Apeliuodamas į J. Howkinsą, R. Floridą ir kitus kūrybos ekonomikos teoretikus, autorius nagrinėja tokius kūrybos ekonomikos aspektus, kaip verslumo reikmė, vartojimo manija, darbo ir laisvalaikio susiliejimas, veiklų integralumas, individualios autonomijos ir privatumo siekis. Atsakas į ekonominius ir socialinius pokyčius galėtų būti kūrybingumas, kuris kyla tam tikroje socialinėje (ekonominėje) aplinkoje. Autorius atkreipia dėmesį į teisinius kūrybos ekonomikos aspektus ir analizuoja technologijų vaidmenį kūrybinėje visuomenėje. Pabrėžiamas autorių ir patentų teisės prieštaringumas kūrybos ekonomikoje. Išreikšdama kūrėjo teisę į teisingą atlygį, autorių teisė apriboja kūrybos komunikaciją, o patentų teisė išreiškia siekius privatizuoti visuomeninį turtą įskaitant gamtą. Technologijų ir kūrybos ekonomikos santykiai taip pat išreiškia visuomeninius pokyčius. Pirma, ekonominiai santykiai gali būti traktuojami kaip socialinės technologijos. Antra, technologijos (ypač e. technologijos) yra kūrybinių industrijų, užtikrinančių ekonominį augimą, pamatas. Trečia, technologijos neatsiejamos nuo vartojimo, kuris reikalauja naujų produktų ir generuoja pačią ekonomiką.

scholarly journals The Role of Local Governments in Supporting Creative Industries—A Conceptual Model

2020 ◽  
Vol 12 (1) ◽  
pp. 438
Author(s):  
Jan Fazlagić ◽  
Elżbieta Izabela Szczepankiewicz
Keyword(s):  
Local Government ◽  
Conceptual Model ◽  
Local Governments ◽  
Developed Countries ◽  
Creative Industries ◽  
Creative Economy ◽  
Economic Sectors ◽  
Goods And Services ◽  
Administrative Units

Local government relates to the public administration of towns, cities, counties, and districts. One of the key responsibilities of local government is the administrative purpose of supplying goods and services. Local governments should also represent and involve citizens in determining specific local public needs and how these local needs can be met. As the structure of gross domestic product (GDP) in many countries across the world changes, so do the expectations towards the role of local governments as far as supporting local economic growth is concerned. The administrative purpose involves creating conducive conditions for economic development. Statistical figures show that the share of the creative economy in the GDP of the most developed countries is steadily increasing. New economic sectors such as “creative industries” pose a challenge to local governments. In this paper, we present a conceptual model for measuring the efforts of local governments in developing and supporting the creative industries. The model proposed by the authors allows for the comparison of smaller administrative units such as counties regarding their advancement and commitment to supporting creative industries.

scholarly journals Temporary Clusters and Communities of Practice in the Creative Economy: Festivals as Temporary Knowledge Networks

2016 ◽  
Vol 20 (3) ◽  
pp. 329-343 ◽  
Author(s):  
Roberta Comunian
Keyword(s):  
Communities Of Practice ◽  
Local Economic Development ◽  
Cultural Development ◽  
Creative Industries ◽  
Street Art ◽  
Creative Economy ◽  
Knowledge Communities ◽  
Career Opportunities ◽  
The Impact

The article explores the role of art festivals as platforms for knowledge and network development in the creative industries and creative policy intervention using the case of a small street art festival ( Fuse Festival in Medway, UK). The analysis provides a broader perspective on the current research and debate on the impact and role played by arts festivals in local economic and cultural development—which usually concentrate on either their socioeconomic impact on local communities—to focus instead of their role in building knowledge communities and communities of practice. The results highlight the key role played by the festival in supporting and commissioning artistic work. The results also expose the temporary and explorative nature of many artistic practices and the role of interaction with audiences and other creative producers. Following a network perspective, the findings highlight the role of temporary clusters not only in shaping career opportunities for artists but also in drawing new pathways for local economic development for contexts undergoing regeneration.

scholarly journals Model of creative economic development for micro, small and medium-sized culinary industries in Kupang City Indonesia

2019 ◽  
Vol 3 (1) ◽  
pp. 143-152
Author(s):  
Maria C. B. Manteiro ◽  
Enos Kabu
Keyword(s):  
Economic Growth ◽  
Economic Development ◽  
Mass Media ◽  
Business Development ◽  
Creative Industries ◽  
Development Model ◽  
Creative Economy ◽  
Travel Agencies ◽  
The City

An effort which can be conducted by the local government of Kupang city, Indonesia, to maintain its economic growth is by optimizing the role of creative industries of micro, small and medium-sized enterprises (MSMEs). One of the well-developed MSMEs in Kupang city is a culinary business. Interestingly, almost 70% of the culinary industry in the city is dominated by menus from outside rather than maintaining a typical menu of East Nusa Tenggara province which is processed creatively. The business development model of this industry tends to be partial, not integrated yet with policymakers, and other businesses, such as travel agencies and mass media. The purpose of this study was to identify and map the existence of the culinary business and to find out the model of developing a creative economy based culinary business in Kupang city, Indonesia. The object of this research was MSMEs actors who run business in the culinary industry in the city.

scholarly journals THE FORM OF OWNERSHIP IN THE MODERN CONSTITUTIONAL ECONOMIC MODEL

2016 ◽  
pp. 0-0
Author(s):  
Владимир Мазаев ◽  
Vladimir Mazaev
Keyword(s):  
Legal Aspects ◽  
Optimal Model ◽  
Economic Management ◽  
Economic Relations ◽  
Constitutional Economic ◽  
State Participation ◽  
Private And Public ◽  
The Russian Federation ◽  
Legal Forms

23 years have passed since the adoption of the Constitution of the Russian Federation in 1993, but the question of the place and the role of the category of constitutional forms of ownership remains debatable. The article discusses the purpose of the form of ownership in the constitutional regulation of economic relations, an analysis of the main approaches to the evaluation of the legal significance of this category, argues that a formal stance on ownership’s nature gives a distorted view of the methods of legal influence on the economy. Despite the denial of the form of ownership’s ideological aspects in modern democratic constitutions this category has social elements. It is shown that an assessment of the constitutional form of ownership should be carried out by economic and social and legal aspects. Based on the texts of various states’ constitutions the analysis of the basic dimensions of the form of property exercise is undertaken, including also other aspects such as promoting advanced management methods, provisioning traditional economic structures and protecting particularly important property. The article demonstrates the interconnection of the constitutional form of ownership with organizational-legal forms of business. In this connection the nature and the purpose of the private and public forms of ownership are taken into account. Otherwise it is difficult to mark the necessary boundaries and ways of state participation in the economy. The conclusion defines that the constitutional ownership is an essential tool for building the optimal model of economy by means of supporting the most promising and traditional ways of economic management.

Conclusion

2019 ◽  
pp. 176-190
Author(s):  
Barbara Townley ◽  
Philip Roscoe ◽  
Nicola Searle
Keyword(s):  
Intellectual Property ◽  
Education Policy ◽  
Creative Industries ◽  
Cultural Economy ◽  
Creative Economy ◽  
Evidence Based ◽  
Policy Suggestions ◽  
Craft Skills ◽  
Rights Issues

We have now completed our journey through the creative economy. Our concluding chapter draws together arguments and elaborates policy suggestions. We examine the value of IP/IPR as an analytical construct and consider how it adds to our understanding of contemporary debates over the creative industries. Our analysis of IP policy and attendant rights issues argues that any evidence-based policy should be based on an understanding of the role of IP/IPR within the valorization process as a whole. We also place our discussion of IP within the context of cultural and education policy, emphasizing the importance of cultural access and support and the development of craft skills that underpin the process of creating intellectual property. We argue both are crucial for the future of creative production and the cultural economy as a whole.

scholarly journals JATI DIRI BANGSA DAN POTENSI SUMBER DAYA KONSTRUKTIF SEBAGAI ASET EKONOMI KREATIF DI INDONESIA

2015 ◽  
Vol 11 (2) ◽  
pp. 150
Author(s):  
Zumrotus Sa'adah
Keyword(s):  
National Identity ◽  
Human Resources ◽  
Character Education ◽  
Cultural Values ◽  
Creative Industries ◽  
Creative Economy ◽  
Literature Study ◽  
Resource Potential

Abstrak: Jati Diri Bangsa dan Potensi Sumber Daya Konstruktif Sebagai Aset Ekonomi Kreatif di Indonesia. Di tengah era pasar bebas ASEAN, menjadi negara yang unggul kompetitif adalah tugas masyarakat bersama dengan jati diri yang kokoh dengan memanfaatkan kekayaan budaya. Penelitian ini bertujuan untuk memahami peran jati diri bangsa dan potensi sumber daya konstruktif yang dapat dijadikan aset ekonomi kreatif di Indonesia. Penelitian ini merupakan penelitian kepustakaan yaitu penelitian yang dilaksanakan dengan menggunakan literatur. Hasil penelitian menunjukkan bahwa diperlukan sebuah identitas tentang jati diri bangsa yang dapat ditempuh melalui pendidikan karakter sehingga dapat menciptakan sumber daya manusia yang kreatif. Sedangkan untuk menumbuhkembangkan industri kreatif dapat ditempuh dengan strategi kolaborasi antara nilai budaya lokal dengan kebutuhan global menjadi produk globalisasi. Kata Kunci: jati diri bangsa, sumber daya konstruktif, ekonomi kreatif. Abstract: National Identity and Constructive Resource Potential As a Creative Economy Asset in Indonesia. This study aims to understand the role of national identity and potential resources as a creative economy asset in Indonesia. This research is a literature study. The results show that a national identity is necessary to create creative human resources through character education. Additionally, to develop creative industries, integration between local cultural values and global needed approach can be taken. Keywords: national identity, resources constructive, creative economy.

IP/IPR as a Market Object

2019 ◽  
pp. 27-49
Author(s):  
Barbara Townley ◽  
Philip Roscoe ◽  
Nicola Searle
Keyword(s):  
Nineteenth Century ◽  
Intellectual Property ◽  
Property Rights ◽  
Intellectual Property Rights ◽  
Creative Industries ◽  
Creative Economy ◽  
Creative Work ◽  
Artistic Creation ◽  
Collective Processes

The creative economy is driven by the transfer of property; tradable property is the ‘product’ of the creative industries. The chapter explores how intellectual property (IP)/intellectual property rights (IPR) function to constitute creative work as a market object that can be disentangled and sold. The chapter deals first with the performative role of law in constructing market objects. We examine how law, with its focus on authorship and originality, embodies a particular conception of solitary artistic creation, inherited from nineteenth-century Romantic aesthetics; at the same time, the law also mandates property rights as a means of constituting a market object, and these property rights necessitate a creator to whom they can attach. Both aspects seem highly artificial in view of the collaborative and collective processes that produce creative work and it becomes clear that creative producers have to manage this multifaceted, liminal object in the shape of the IP/IPR nexus.

scholarly journals Pendekatan Ekonomi Kreatif Terhadap Pertumbuhan Ekonomi

2019 ◽  
Vol 8 (2) ◽  
pp. 195-205
Author(s):  
Sri Wahyuningsih ◽  
Dede Satriani
Keyword(s):  
Economic Growth ◽  
Linear Regression ◽  
Natural Resources ◽  
Creative Industries ◽  
Regression Testing ◽  
Creative Economy ◽  
Simple Linear Regression ◽  
The Village

This study aims to determine how much influence the creative economy approach has on economic growth. Based on the results of the hypothesis tested the influence of the creative economy on economic growth was rejected. This has been proven from the results of simple linear regression testing which shows that the influence of the creative economy on economic growth is weak. It can be understood that the creative economy in the village of Pedekik is engaged in the business of creative industries still lacking new innovations, creativity and new inventions so that they can compete with market developments. Indeed the creative economy will slowly replace the role of commodities and natural resources as a supporter of the Indonesian economy. This study shows the results that there is no influence on the creative economy on economic growth.

scholarly journals A ECONOMIA CRIATIVA E O TURISMO: UMA ANÁLISE DO PROJETO SOUCURITIBA, DE CURITIBA-PARANÁ-BRASIL

2019 ◽  
Vol 16 (2) ◽  
pp. 145
Author(s):  
Thays Cristina Domareski Ruiz ◽  
Graziela Scalise Horodyski ◽  
Izamara Vanessa Carniatto
Keyword(s):  
Social Cohesion ◽  
Qualitative Approach ◽  
Creative Industries ◽  
Raw Material ◽  
Creative Economy ◽  
Small Companies ◽  
Economic Activities ◽  
Business Opportunities ◽  
Symbolic Content

Economia criativa é o conjunto de atividades econômicas que dependem do conteúdo simbólico, a matéria-prima para a geração de serviços e produtos, sejam estes tangíveis ou intangíveis. Este conceito ganhou destaque como área de estudo a partir dos anos 2000. As indústrias criativas podem reforçar a cultura como valores que identificam uma comunidade, além do papel de coesão social e inclusão, com o potencial de gerar atratividade turística. Esta é a maneira pela qual a economia criativa se relaciona com a cultura e com o turismo. O objetivo deste estudo é analisar como a economia criativa se relaciona com o turismo a partir do fomento ao desenvolvimento de souvenirs em Curitiba. A metodologia apresenta uma abordagem qualitativa com análise descritiva e analítica da estratégia do Projeto SouCuritiba, desenvolvido a partir da parceria entre o Serviço de Apoio às Micro e Pequenas Empresas do Paraná (SEBRAE), a Fundação Cultural de Curitiba, o Instituto Municipal de Turismo de Curitiba, o Curitiba Região e Litoral Convention & Visitors Bureau, o Centro Brasil Design e a Universidade Federal do Paraná, relacionando o turismo, a cultura e o design. Como resultados se apresentam a capacitação de mais de 140 empreendedores criativos e a geração de oportunidades de negócios que resultaram em mais de 900 mil reais em vendas no mercado turístico.Palavras-chave: Economia criativa. Souvenir. Turismo. Curitiba-PR. Projeto SouCuritiba.ABSTRACTThe creative economy is the set of economic activities that depend on the symbolic content, the raw material for the generation of services and products, whether tangible or intangible. This concept gained prominence as a study area from the 2000s. Creative industries can reinforce culture as values that identify a community, as well as the role of social cohesion and inclusion, with the potential to generate tourism attractiveness. This is the way the creative economy relates to culture and tourism. The objective of this paper is to analyse how the creative economy refers to tourism through the promotion of the development of souvenirs in Curitiba. The methodology presents a qualitative approach with a descriptive and analytical analysis of the strategy of the SouCuritiba Project. Developed from the partnership between the Service of Support to Micro and Small Companies of Paraná (SEBRAE), the Cultural Foundation of Curitiba, the Municipal Institute of Tourism Curitiba, Curitiba Region and Litoral Convention & Visitors Bureau, the Brasil Design Center and the Federal University of Paraná relating tourism, culture and design. The results show the capacitation of more than 140 creative entrepreneurs and the generation of business opportunities that resulted in more than 900 thousand reais in sales in the tourist market.Keywords: Creative economy. Souvenir. Tourism. Curitiba-PR. Project SouCuritiba.

scholarly journals Sociology, Sociology and the Cultural and Creative Industries

Sociology ◽  
2020 ◽  
Vol 54 (3) ◽  
pp. 443-459
Author(s):  
Emma Casey ◽  
Dave O’Brien
Keyword(s):  
Academic Research ◽  
Creative Industries ◽  
Creative Economy ◽  
Sociological Research ◽  
Special Issue ◽  
Field Of Study ◽  
The Subject ◽  
Cultural And Creative Industries ◽  
Formal Establishment

Cultural and creative industries are now an established area of academic research. Yet, the welcome innovations that are associated with the development of a new field of study are also matched by confusions and conjectures. The term itself, ‘cultural and creative industries’, is the subject of extensive debate. It goes hand in hand with closely related concepts such as ‘creative economy’, as well as reflecting definitional struggles aimed at conjoining or demarcating the creative and the cultural. Many of these debates have been the subject of sociological research and research in Sociology. This collection considers that specific role of sociology, and Sociology, to the study of cultural and creative industries. The e-special issue collects articles ranging from early empirical and theoretical precursors to the formal establishment of cultural and creative industries as a field of study, to more recent work considering the coherence and usefulness of the category itself.

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