scholarly journals The Syntax of Sports, Class 3: The Rule of Three

2021 ◽  
Author(s):  
Patrick Barry

It’s not an accident that hall of fame coaches, Pulitzer Prize-winning writers, and the marketing teams at the most innovative companies in the world often rely on a certain three-part structure when trying to communicate their ideas. This third volume of The Syntax of Sports series explores the mechanics of that structure and shows how it can add a compelling mix of clarity and sophistication to your writing.

Author(s):  
Mansu KIM

This paper focused on the structure of the growth stories, especially in surveying Gangbaek Lee’s (이강백) drama “Like Looking at the Flower in the Mid-winter (동지섣달 꽃 본 듯이)”. It is structured by ‘rule of the three’. In this text, three sons go to seek their mother, they experience the tests three times. Third son wins the game because he succeeds to find his true and alternative mother. It is similar to the story of English fairy tale “Three Little Pigs”.  In Freudian terms, the characters of the both texts are superego, ego and id. The core of the growth story is that third son (id) wins the first son (superego) and the second son (ego) by using his own energy (meaningful labor). In Levi Strauss’ terms, the contrast between the third and the others can be schemed the contrast between culture and nature. Lee’s drama presents the third son as the real hero who overcomes two elder brothers. The first is so conservative (oversleep), the second is so selfish (overeat). Two brothers were too political or too ideal to become a true, humanistic and warm-minded adult. In his view, ‘drama’ related to the third son is the most humanistic and warm-minded action in the world. These both stories are based on the plot ‘rags to riches’ which contains the success of the poor and powerless. In other words, the poor and weak child can grow to the true hero, and reach the final destination, according to the Gustav Jung’s expression, ‘the Self as a Whole’.


Resonance ◽  
2021 ◽  
Vol 2 (2) ◽  
pp. 182-191
Author(s):  
D. Michael Cheers

This essay is inspired by the words of Pulitzer Prize–winning Chicago Sun Times photographer John White, who once told me to “listen for the pictures.” His message rang clear but never more so than when in 1990 we were covering the release of Nelson Mandela in Cape Town, South Africa. The Cape Town scene was alive and filled with so much vibrance. I was keenly aware that I must not just look, but I must listen, and use all my God-given senses to take it in. I can only describe the moment I started listening to the layer of sound, which was my own clicking camera superimposed on the chorus of sounds that surrounded me as both meta and sonorific. There was a certain rhythm to the sensation I felt in being one with my camera. It transported me to a wonderful place in time where visuals and cadences danced together. I realized there was alchemy in this and in all the other moments and locations I had spent behind a camera developing and exercising that “inner ear” my ancestors, some gone, like Gordon Parks, but others here, like White, taught me to revere. This essay is a snapshot of some of those moments—a proof sheet, if you will—from a life that began, as did the civil rights era, with instances of terror and triumph. This essay chronicles my journey as a young photographer and the many influences that shaped my creative process and eventually my worldview. This essay is an invitation to travel with me through time and see life as my camera and I witnessed it, and to hear and sense the world as I do.


Author(s):  
Virginia F. Smith

The years leading up to the publication of A Witness Tree in 1942 saw Frost become a widower, lose his son to suicide, and begin to rebuild his life with the help of fellow writers and friends. Yet, as the world was becoming embroiled in war, Frost produced a collection of poems that portrayed the power and beauty of nature using scientific language and concepts drawing on a lifetime of accumulated knowledge. In poems such as “The Lesson for Today,” “Our Hold on the Planet,” and “A Considerable Speck,” Frost uses his poetry to ask about man’s place in nature. The poems in this collection invoke a wide range of animal and plants, naming dozens of species and there is less emphasis on technology than in earlier volumes. Frost was awarded the Pulitzer Prize in 1937 for this collection, making him the first person ever to win four of the prestigious awards.


2008 ◽  
pp. 8-35
Author(s):  
Adele J. Haft

African-American poet Gloria Oden was among those inspired by Elizabeth Bishop’s seminal poem “The Map” (1934). In honor of Bishop, Oden wrote two poems about reading maps: “A Private Letter to Brazil” (1957) and “The Map” (ca. 1961). Like May Swenson’s “The Cloud-Mobile,” Oden’s poems overtly pay homage to Bishop. Like Howard Nemerov’s “The Mapmaker on His Art” and Mark Strand’s “The Map,” Oden’s verses reveal that she shares in Bishop’s understanding of the mapmaker’s art: its imaginative power and limitations, its technical achievement and arbitrary nature. Yet Oden’s two poems are far more politically and historically nuanced than Bishop’s “The Map”—or than any of the other map poems written shortly after Bishop won the 1956 Pulitzer Prize for her collection opening with “The Map” (Poems: North & South—A Cold Spring). Furthermore, unlike her peers, Oden found inspiration in Bishop’s poem and in an identifiable contemporary map. By comparing both of her poems to Bishop’s original as well as uncovering, with the help of Oden’s own words, the identity of her maps, this paper will demonstrate how Oden’s penetrating critique of two popular 1950s wall maps helped her connect not only with Bishop but also with the world she found reflected in, or absent from, the map.


2020 ◽  
Vol 92 (4) ◽  
pp. 799-807
Author(s):  
Rachel Adams

Abstract Care is the intimate and necessary labor required to sustain those who are dependent, but it is also about acting in ways that sustain other species and the lives of strangers distant in time and space. The COVID-19 pandemic shines a spotlight on the vulnerabilities and gaps in global care networks. It creates a crisis of care on multiple levels—the immediate, the dispersed, and the systemic—and it is exceedingly difficult to keep them all in focus. Although Richard Powers’s Pulitzer Prize–winning novel, The Overstory (2018), is not about illness or pandemic, it can illuminate varied scales of care at the level of form, by moving from individual stories that are the typical subject of literary realism to a grand vision of the webbed planetary systems—the environment, the internet, the global economy—in which they are enmeshed. This essay argues that, read through the lens of pandemic, the overstory of Powers’s novel is the networks of interdependency that have put the world in grave danger and that gesture to an uncertain future.


2016 ◽  
Vol 21 (6) ◽  
pp. 384
Author(s):  
Marcella McConnell ◽  
Joanne Caniglia

The Rock and Roll Hall of Fame and Museum in Cleveland, Ohio, is a 150,000-square-foot building that serves as the permanent home of rock and roll's most memorable experiences. Designed by internationally renowned architect Ieoh Ming Pei, the building rises above the shores of Lake Erie. “In designing this building,” Pei explained, “it was my intention to echo the energy of rock and roll. I have consciously used an architectural vocabulary that is bold and new, and I hope the building will become a dramatic landmark for the city of Cleveland and for fans of rock and roll around the world.”


2021 ◽  
Vol 6 (1) ◽  
pp. 145-151
Author(s):  
Dr. Girish Kousadikar

Literary genius of Indians has been widely appreciated all over the world. The prestigious titles starting from Nobel Prize to Booker Prize, Pulitzer Prize are bestowed to Indian writers. It becomes very common phenomenon to nominate Indian writers for such honors in the world literature. Chetan Bhagat emerged as youth icon to contrive undercurrents of transformation evident in young generation of India.  This paper is a modest attempt to trace out impact of globalization in Bhagat’s novel One Night @the Call Center.


2016 ◽  
Vol 4 (1) ◽  
Author(s):  
Ankit Patel

Erik Homburger Erikson was a German-born American developmental psychologist and psychoanalyst who pioneered in the world of child psychology by giving his development theory with his ‘eight psychosocial stages’. He was born in Frankfurt in unusual circumstances in which his mother did not conceive him through her husband but he never got to know who his biological father was. It is said that the history of his birth is something that triggered the need in him to pursue the concept of identity and it is how he gave the world the psychological term ‘identity crisis’, a major contribution to the world of psychology and psychoanalysis. He grew up in Germany and came in contact with the world of psychoanalysis when he met Sigmund Freud’s daughter Anna Freud. He studied psychoanalysis at the Vienna Psychoanalytic Institute but Nazi invasion of Germany led to his emigration to America. In America, Erikson found a wide scope to practice psychoanalysis on children in Boston and worked at various medical institutes, including the Harvard University and California University. He studied the psychology of children from various social structures, environments, emotional and psychological issues and compiled his observations in the most prominent book of his career, ‘Childhood and Society’. Erikson is also credited with being one of the originators of Ego psychology, which stressed the role of the ego as being more than a servant of the id. According to Erikson, the environment in which a child lived was crucial to providing growth, adjustment, a source of self-awareness and identity. Erikson won a Pulitzer Prize and a U.S. National Book Award in category Philosophy and Religion for Gandhi’s Truth (1969), which focused more on his theory as applied to later phases in the life cycle.


Author(s):  
Peter H. Reid

Peverley (Peppy) Dennett Kinsey came from a prominent New England background. Her grandfather, Tyler Dennett, received the Pulitzer Prize for his biography of John Hay. Her father graduated Phi Beta Kappa from Harvard and was director of the World Peace Foundation and president of the American Scandinavian Foundation. She attended prestigious schools, including Mount Holyoke College, where she became an accomplished dancer. Peppy’s longtime friend Victoria Ferenbach speculates on what might have happened on Impala Hill, where Peppy died. Bill Kinsey grew up in North Carolina, attended Washington and Lee University, where he excelled academically, and participated in a great many activities, such as, the Washington Literary Society, publication of Ariel, track, rifle team, and the International Relations Club.


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