An Exploration of Huizhou Architecture Connotation in the Background of Traditional Culture Changes

2011 ◽  
Vol 368-373 ◽  
pp. 3556-3560 ◽  
Author(s):  
Yu Chun Zheng ◽  
Chun Mei Yan

It is an important prerequisite for the profound understanding of traditional architecture culture to analyze the changes of traditional culture and master the development trails of local culture. The unique geographical position and brilliant culture background of the ancient Huizhou result in Huizhou architecture. Further exploration of Huizhou architecture culture connotation in the background of traditional culture changes can help us better understand its value. Only by deeply analyzing and grasping local culture can rural-urban builders better protect and follow the tradition and then make some creation and development.

2014 ◽  
Vol 507 ◽  
pp. 83-86
Author(s):  
Yong Zhang

In times of the global integration of economy and culture, the preservation of the value of national traditional culture and the variety of architectural culture is of great significance for the development of national culture. Design is supposed to be the perfect combination of technology and art, which cannot be separated from the cultural factors. Design is influenced and constrained by culture and in turn reflects the characters of culture of the time. Design of any age is closely related with the local culture. The traditional culture of nationality, regionalism and sociality not only affects the contemporary arts movement but also directly influences the contemporary designing movement.


2011 ◽  
Vol 368-373 ◽  
pp. 3611-3615
Author(s):  
Hong Yi ◽  
Xiao Bo Tang

In view of the problem existing in the process of ecological construction, the overemphasis on the ecological techniques rather than the integrated consideration of spatial structure and distribution as a whole. This thesis intents to help innovate a green, ecological and energy-efficient space design idea which is more geared to the Chinese characteristics by extending and analyzing on the theory of fuzzy space, coupled with the knowledge of Chinese traditional architecture and the traditional culture, and approaching the applicational relations of fuzzy space design in the modern low-carbon social construction.


2021 ◽  
Vol 237 ◽  
pp. 04027
Author(s):  
Peng Cheng ◽  
Siyi Xiao ◽  
Yunzhang Li ◽  
Zhongsong Bi

The landscape features of traditional villages displayed in the Huizhou District were formed in a specific environment gradually. It was the result of the comprehensive effects of natural, historical, social, and cultural factors. This study took Qizili Village as an example and sorted out the composition and current situation of its natural landscape and human landscape. To refine the proper composition model of Qizili Village, we analyzed the landscape features from the perspectives of the natural environment, layout planning, traditional architecture, environmental elements, and traditional culture. Finally, we concluded the landscape connotation of Qizili Village.


2019 ◽  
Author(s):  
Nadia Leonita Alfiyani

Chinatown is one of the ethnic villages that have existed since the British colonial period. Chinatown has a long historical background, declining quality in the post-war world, into a slum environment until it is conserved by the government and a tourism asset of Singapore. Chinatown is a traditional Chinese nuanced area, with homes and traditional culture still preserved. The building in Chinatown traditional architecture is still maintained. In 1843 Chinatown became famous and visited by many tourists with local uniquess it has. This causes the density and flow of people coming and going increasingly. So in 1885 Chinatown was facilitated by public transportation is steam train, electric train and trolley bus in 1929.


Tamaddun ◽  
2019 ◽  
Vol 17 (2) ◽  
pp. 51-58
Author(s):  
Andi Rukayah ◽  
Burhanuddin Burhanuddin ◽  
Rezki Fadilah

The purpose of this study is to know the local culture in Sinjai. As we see today is the technology and foreign cultures that keep us from the life and culture of our ancestors gradually been worn. The method used in this research is qualitative descriptive method that given images or facts. The writer needed library research, field research, observation, interview, and documentation to support the data. Marimpa Salo is dispels activities from upstream to the mouth of the fish is done in two villages namely Sanjai Village and Bua Village, both of which are mediated by Appareng River. This tradition has been carried out in the time of Bulo Bulo kingdom are still preserved Sinjai district until now. The results of this study are expected to be fruitful thought "let 's preserve our culture for posterity and for Indonesia”.


2021 ◽  
Vol 15 (2) ◽  
pp. 25-42
Author(s):  
Julia Andreeva

Abstract This article* deals with the concept of tradition and the interpretation of the Vedic past in Russian intentional communities. The movement is based on the book series The Ringing Cedars of Russia (Zvenyashchiye kedry Rossii) by Vladimir Megre published in the 1990s. The main heroine of these books is Anastasia, who shares with the author her knowledge of the ancient ancestors. Some readers take her advice and build a new kind of intentional community – ‘kin domain’ settlements (rodovyye pomestiya). The Anastasians tend to restore lost traditions, which are usually associated with Russia’s pre-Christian past. Traditional culture is understood as a conservative and utopian lifestyle that existed in the Vedic Age during the time of the Vedrus people. The commodification of local culture and tradition is one of the resources that ecovillagers try to use. The ‘traditional’ and ‘organic’ labels increase the price of many of their goods and services. One of the most popular products made by intentional communities is Ivan-chay (‘Ivan tea’), declared an indigenous and authentic beverage of the Russian people.


Tekstualia ◽  
2013 ◽  
Vol 1 (1) ◽  
pp. 231-245
Author(s):  
Edward Kasperski

Requiem for Folklore?… The Myths and Truths of Folklorism The article is concerned with the present state of folklore. There is a fundamental difference between what folklore really meant when it existed and what it means nowadays, in the era of global media. Original folklore was connected to a specifi c type of local culture and community relations, whereas currently it expresses a false commercial identity. Additionally, the article examines the risks involved in building an ideology or a political agenda on folklore and folklorism on the examples of nazism and communism, which were both based on social and nationalist myths of traditional culture.


2013 ◽  
Vol 838-841 ◽  
pp. 2870-2874
Author(s):  
Tian Tian Li

Abundant historic buildings still exist in Shanxi, of which architectures built in Song, Liao and Jin Dynasty are in the majority, especially the number and area of murals in this period ranking first in the nationwide, which embody the essence of Chinese traditional culture with great artistic value. The constant abundance and development of culture and art in ancient China are represented on murals of this period, and valuable materials have been provided for our understanding towards the painting technique of ancient murals in Shanxi, which is beneficial for our study on the historical origin of traditional architecture and mural art meanwhile. This paper focuses on the discussion and analysis comprehensively of 6 existing murals including murals of Shousheng Temple of Ruicehng, Shanxi, murals of the Great Hall of Mahavira in Kaihua Temple, Gaoping, murals of Sheli Tower in Jueshan Temple of Lingqiu, murals of Sakyamuni Pagoda in Fogong Temple of Ying County, murals of Amitabha Hall in Chongfu Temple of ShuoZhou and murals of Wenshu Hall in Yanshan Temple of Fanshi.


2020 ◽  
Author(s):  
Karunia Eka Nafilatul Janah

Siraman is a Javanese traditional culture that is held for a bride or bridegroom at a day before ijab qobul. This study uses qualitative research method to gain information from respondents. The researchers collect information from 32 people who experienced Javanese siraman whether as bride/bridegroom or as parents/elders, and literature reviews on the related topic. The researchers limit the object into Javanese siraman tradition that has several steps; sungkeman, ngracik sekar, siraman, wudhu saking kendi, pecah kendi, pangkas rikma, and gendongan, where each step of the siraman process has its own meanings. The aim of this study is to reinterpret the emergence of siraman as a series of rituals done in traditional Javanese weddings. The focus is on siraman especially in East Java. It also includes the philosophy of each step, the tools used and the people involved in the process of siraman. In other words, it also seeks information on the different functions of siraman from the past and present as one of trends in Javanese wedding process nowadays. At the end, this study can be used as one of information sources about Javanese siraman traditonal culture, and gives confirmation and prespectives about Javanese siraman trends as a Javanese traditional culture.   Keywords: Siraman, Javanese Traditional Culture, Philosopy, Trends


2017 ◽  
Vol 4 (2) ◽  
pp. 95
Author(s):  
Ida Ayu Laksmita Sari

This study discuss the word and the sentences containing meaning ethnography in Japanese Folklore of Warashibechōja. This study uses the theory of semantic ethnography focusing to the meanings illustrating the local culture system. Through the text story of Warashibechōja data is collected anda analysed using methodes of descriptive qualitative with techniques note. The result of this study is found the word including sonkeigo constituting oral expression which is based on consideration respect towards the interloculator. In addition to, found the culture vacabularies describing Japanese traditional culture, those are wara, miso, furoshiki, uma, and muko. The illustrated Ideology is someone shall try to do from the small thing seriously to get the best result and found also the intention to diffuse religion of Buddhist in Japan.AbstrakPenelitian ini membahas kata serta kalimat yang mengandung makna etnografi pada cerita rakyat Jepang Warashibechōja. Penelitian ini menggunakan teori semantik etnografi yang memfokuskan pada makna-makna yang menggambarkan sistem kebudayaan setempat. Melalui teks cerita Warashibechōja data dikumpulkan dan dianalisis menggunakan metode metode deskriptif kualitatif dengan teknik catat. Hasil dari penelitian ini adalah ditemukannya kata yang termasuk sonkeigo yang merupakan ungkapan tingkat tutur yang didasarkan pada pertimbangan rasa hormat terhadap lawan bicara. Selain itu, ditemukan pula kosakata budaya yang menggambarkan kebudayaan tradisional Jepang, yaitu wara, miso, furoshiki, uma, dan muko. Ideologi yang tergambar adalah seseorang harus berusaha dari hal kecil secara sungguh-sungguh untuk mendapatkan hasil yang terbaik dan terdapat pula maksud untuk menyebarkan agama Buddha di Jepang.


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