Analysis and Application of Plane Visual Aesthetics Elements Design Based on Computer-Aided Technology

2014 ◽  
Vol 926-930 ◽  
pp. 1668-1671
Author(s):  
Xiao Ling Wang

Order is the embodiment of graphic design. Good graphic design works consciously or unconsciously follow some law of order, such as symmetry and golden section. In the graphic design, these rules reflect the basic principle of design in geometry, using these basic principles can make the design works more visually harmony and symmetry and balance. Therefore, an important aspect to evaluate the works of graphic design is good or bad is investigated for the design elements of products between proportion and structure. In view of the current graphic design software can not design to users in the composition theory provides support for the status quo. This paper designs an analysis system aided graphic design of visual aesthetics based on computer design geometry, realizing the import, designing elements of graphic design work of interactive segmentation and obtaining proportion and composition analysis to determine the relationship. The basic functions of the system can be used for visual aesthetics evaluation design work, can also provide support design related geometrical aesthetic principle in graphic design user.

DeKaVe ◽  
2013 ◽  
Vol 1 (2) ◽  
Author(s):  
Prayanto WH

Magazine is one of the forms of mass media that has fungsikomunikasi to convey information to mass audiences. The cover is an important element because it is through cover / cover one can guess the contents of the magazine, as well as further interested to know further information contained therein. On a magazine cover consists of drawings and writings are arranged in such a way that looks interesting and has meaning Press publications, especially magazines, today's not enough just to rely on the quality of news or manuscript, although verbal aspect is very important. It must be recognized that the visual aspects (design) as the cover / envelope has crucial role to capture the prospective reader. For the cover of a magazine is a window that shows the content information, can be either a text or photographs, illustrations, and design elements. The function of a magazine cover is to attract, dazzle prospective readers, by way influence the thoughts flow in a short time. So it's no wonder much current the magazine publisher who made the cover of such a way as to attract the attention of prospective readers. Thus the task of designers to magazine cover to create designs that attract the attention of the reader becomes increasingly severe. This study tries to analyze a visual on the front cover Magazine Graphic Design 'Concept' birthday inaugural edition by using the Roland Barthes' semiotic approach. As Roland Barthes (1984), any simple "design work (magazine cover)" continue to play in management of the sign. So that will generate a message (image) specific. Design cover, usually contains the elements of the sign in the form of objects, context of the environment, people or other beings who provide meaning to objects, and text (of writing) that reinforce the meaning.Keyword: cover, magazine Concept, semiotics


Author(s):  
Guy Boy ◽  
Yvonne Barnard

Knowledge management in the design of safety-critical systems addresses the question of how designers can share, capitalize, and reuse knowledge in an effective and reliable way. Knowledge management is situated in groups, organizations, and communities, playing different roles in the design process. Design of safety-critical systems has specific properties, such as dealing with complexity, traceability, maturity of knowledge, interaction between experts, awareness of the status of information, and trust in knowledge. Documentation is of crucial importance in design processes, ensuring that these properties are taken care of in a proper and reliable way. However, writing is not an easy task for engineers, and support is needed. Several knowledge management solutions, both tools and organizational setups, are available to support design work, such as active notification of changes, personal and team workspaces, active design documents and knowledge portal solutions.


Author(s):  
Guy Boy ◽  
Yvonne Barnard

Knowledge management in the design of safety-critical systems addresses the question of how designers can share, capitalize, and reuse knowledge in an effective and reliable way. Knowledge management is situated in groups, organizations, and communities, playing different roles in the design process. Design of safety-critical systems has specific properties, such as dealing with complexity, traceability, maturity of knowledge, interaction between experts, awareness of the status of information, and trust in knowledge. Documentation is of crucial importance in design processes, ensuring that these properties are taken care of in a proper and reliable way. However, writing is not an easy task for engineers, and support is needed. Several knowledge management solutions, both tools and organizational setups, are available to support design work, such as active notification of changes, personal and team workspaces, active design documents and knowledge portal solutions.


2011 ◽  
pp. 1294-1304
Author(s):  
Guy Boy ◽  
Yvonne Barnard

Knowledge management in the design of safety-critical systems addresses the question of how designers can share, capitalize, and reuse knowledge in an effective and reliable way. Knowledge management is situated in groups, organizations, and communities, playing different roles in the design process. Design of safety-critical systems has specific properties, such as dealing with complexity, traceability, maturity of knowledge, interaction between experts, awareness of the status of information, and trust in knowledge. Documentation is of crucial importance in design processes, ensuring that these properties are taken care of in a proper and reliable way. However, writing is not an easy task for engineers, and support is needed. Several knowledge management solutions, both tools and organizational setups, are available to support design work, such as active notification of changes, personal and team workspaces, active design documents and knowledge portal solutions.


2021 ◽  
Vol 26 ◽  
pp. 709-728

Art of animation as an analysis of movement is based on the theory that the vision remains on the eye after the disappearance of the actual image, and this scientific theory is the same that the film industry was built upon. Recently, various techniques and ideas have entered the print design process as a means of expressing a phenomenon subject to the human will to change and elevate our aesthetic awareness and feelings, which rise in various forms of designs that reveal themselves in design work and are embodied in animation films. The design artwork falls within a group of intertwined elements fused with each other, reflecting the peculiarity of this work, as it is innovation and creating new and interesting things, so that the design is suitable for the desired purpose and beautifully. Perhaps the simplest type of optical illusion that can clarify to us the idea of the impression of the existence of an image that does not actually exist is represented in the decree paper. Key words: Design thinking, Typography, Animation films


2020 ◽  
Vol 0 (21) ◽  
pp. 0-0
Author(s):  
Fatoş ÇAKICIOĞLU İLHAN ◽  
Meryem YALÇIN

Aim: Increased awareness of creating design solutions that can meet the social and psychological needs of patients in healthcare spaces highlights research on the psychology of place-patient/ doctors/healthcare staff. Therefore, patient-oriented health space designs that provide a sense of trust and satisfaction to patients – along with a supportive approach to their treatment – are the points of departure in this study, while understanding the effects and experiences of design on patients. Environmental graphic design elements (photographs, illustrations, typography, and pictograms) in the interiors of hospitals emerge as the factors that shape the patient's spatial experience, such as orientation, information, and perception of a space. In this study, the effects of such design elements on user perception in health spaces were investigated, and these design criteria that play a role in determining and actively interacting with the environmental graphic design elements in hospital spaces are encountered. Based on the abovementioned facts, this research aims to contribute to the graphics in health spaces in the context of environmental graphic design, with experience covering both fields. Method: Three hospitals, which are sufficient in terms of environmental graphic design elements and have differences between them, were determined as the research places. The elements in these hospitals were photographed and surveyed on user groups (patients, doctors, health personnel) who experienced the places continuously or temporarily. Results and Conclusion: It was demonstrated by statistical data that the elements in the investigated places could not provide the expected effects as a whole. As a result, environmental graphic design applications that have a supportive design understanding in hospital spaces should have a holistic language, and that design understanding can only be demonstrated with the cooperation of architects, interior designers, graphic designers, and industrial designers.


JOURNAL ASRO ◽  
2020 ◽  
Vol 11 (2) ◽  
pp. 35
Author(s):  
Didit Herdiawan ◽  
Joni Widjayanto ◽  
Benny Sukandari ◽  
Made Suwandiyana

KRI is one of the main components possessed by the Indonesian Navy which has the main task of security and national defense at sea. The Termination of Operation KRI over the age of 40 results in a lack of existing KRI, so there is a need for research that represents an evaluation and analysis of the work system so that the main tasks can still be carried out. The SWOT and CIPP analysis in this study aims to identify several factors that influence the achievement of the main tasks. The results obtained are in Quadrant I (+; +) which states the status "on the track".Keywords : KRI, SWOT, CIPP.


2021 ◽  
Vol 3 (3) ◽  
Author(s):  
Yosef Yulius

<p class="SammaryHeader" align="center"><strong><em>Abstract</em></strong></p><p><em>In the scientific field of visual communication design, the logo is one of the most frequently made designs and has a good market share. Along with the times, designing a logo work has undergone various forms and forms of transitions. The design process has also undergone innovation from various aspects ranging from concepts to the final results. The amount of market demand for a good logo makes the logo designers try to maximize the logo making process to match the expected results. One form of the logo-making process is by applying the golden ratio as a benchmark in determining the proportion and order of a harmonious and regular form to produce an aesthetic visual form. Understanding of the golden ratio is needed as a guide for graphic designers to be able to create a design work that has a basis for structured patterns and arrangements.</em></p><p><strong><em>Keywords </em></strong><em>: Logo, Graphic Design, Visual Communication Design, Golden Ratio, DKV</em></p><p><em> </em></p><p class="SammaryHeader" align="center"><strong><em>Abstrak</em></strong></p><p><em>Dalam bidang  desain komunikasi visual, logo merupakan salah satu karya desain yang paling sering dibuat dan memiliki pangsa pasar yang baik. Seiring dengan perkembangan jaman, perancangan sebuah karya logo telah mengalami berbagai macam transisi bentuk dan rupa. Proses perancangannya pun telah mengalami inovasi dari berbagai aspek mulai dari konsep hingga hasil akhirnya. Banyaknya permintaan pasar akan logo yang baik membuat para perancang logo berusaha memaksimalkan proses pembuatan logo agar sesuai dengan hasil yang diharapkan. Salah satu bentuk proses pembuatan logo adalah dengan cara mengaplikasikan golden ratio sebagai patokan dalam menentukan proporsi dan tatanan bentuk yang harmonis dan teratur untuk menghasilkan bentuk visual yang estetis. Pemahaman akan golden ratio dibutuhkan sebagai panduan para desainer grafis untuk dapat menciptakan suatu karya desain yang memiliki landasan akan pola dan tatanan yang terstruktur.</em></p><p><strong><em>Kata Kunci </em></strong><em>: Logo, Desain Grafis, Desain Komunikasi Visual, Golden Ratio, DKV</em></p>


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