Bergson, Henri-Louis (1859–1941)

2018 ◽  
Author(s):  
Keith Ansell-Pearson
Keyword(s):  
Twentieth Century ◽  
Human Condition ◽  
Bertrand Russell ◽  
Practical Utility ◽  
Philosophy Of Life ◽  
Material Reality ◽  
The Mind ◽  
Human Intellect ◽  
And Control ◽  
Practical Instrument

Bergson’s thinking focuses on the major questions of philosophy: What is time? What is the nature of consciousness? What is the significance of evolution? What are the sources of morality? Many readers, including prominent philosophers of the twentieth century, have admired him for the clarity, rigour, and precision he seeks to bring to bear on these topics. He has had his detractors too (the most prominent example being Bertrand Russell). Bergson’s thinking orients itself around a philosophy of life and the attempt is made to think beyond the human condition: that is, beyond our established and prevailing habits of representation. It is from the primacy that is to be accorded to life that adequate conceptions of other areas of philosophy, including metaphysics, epistemology, and ethics, can be developed. Such a method of thinking has to work against the most inveterate habits of the mind and consists in an interchange of insights that correct and add to each other. For Bergson such an enterprise ends by expanding the humanity within us and so allows humanity to surpass itself by reinserting itself in the whole. This is accomplished through philosophy, for it is philosophy that provides us with the means for reversing the normal directions of the mind, so upsetting its habits. According to Bergson, the human intellect has evolved as a practical instrument for manipulating material reality and its habits are fundamentally those of utility and control. By contrast, philosophy has the ‘duty’ to ‘examine the living without any reservation as to practical utility’, and it seeks to free itself from habits that are strictly intellectual (Bergson [1907] 2007a: 126).

scholarly journals On Bergson's Reformation of Philosophy

2016 ◽  
Vol 24 (2) ◽  
pp. 84-105 ◽  
Author(s):  
Keith Ansell-Pearson
Keyword(s):  
Human Condition ◽  
Creative Evolution ◽  
Philosophy Of Life ◽  
Evolution Of Life ◽  
Limits Of Knowledge ◽  
Life Philosophy ◽  
Existing Frames ◽  
Human Intellect ◽  
The Universe ◽  
The Human Condition

In this essay I focus on the text Creative Evolution (1907) and show that although Bergson intended to make a contribution to the science of biology and to the philosophy of life, the primary aim of the text is to show the need for a fundamental reformation of philosophy. Bergson wants to show how, through an appreciation of the evolution of life, philosophy can expand our perception of the universe. I examine in detail the two essential claims he makes in the text: first, that we have to see the theory of knowledge and the theory of life as deeply related; second, that there is a need to “think beyond the human condition” or human state. Indeed, Bergson conceives philosophy as the discipline that “raises us above the human condition” and makes the effort to “surpass” it. This reveals itself to be something of an extraordinary endeavour since it means bringing the human intellect into rapport with other kinds of consciousness. Moreover, if we do not place our thinking about the nature, character, and limits of knowledge within the context of the evolution of life then we risk uncritically accepting the concepts that have been placed at our disposal. It means we think within pre-existing frames. We need, then, to ask two questions: first, how has the human intellect evolved?, and second, how can we enlarge and go beyond the frames of knowledge available to us?

scholarly journals On Music and Computability: Contrasts between Harry Partch’s Bitter Music and Guerino Mazzola’s Topos of Music

2021 ◽  
Vol 2 (1) ◽  
pp. 44-55
Author(s):  
Wilfried Allaerts ◽  
Keyword(s):  
Twentieth Century ◽  
Algebraic Topology ◽  
Classical Music ◽  
Human Condition ◽  
Human Sciences ◽  
New Developments ◽  
Avant Garde ◽  
Human Interactions ◽  
Abstract Architecture ◽  
The Mind

The clash of ideas between classical music and several avant-garde movements in the previous century, not only found its way into twentieth century musicology, it also lead to a number of new developments in music digitalization. This paper reflects on the inscription of these opposing ideas about the concept of music into the contemporary views on the human condition and the notion of computability of human interactions. Harry Partch, the American iconoclast broke away from the classic, predominantly European traditions in music, and contested the abstract architecture and well-tempered tonal system of it. The mathematician Guerrino Mazzola constructed an even bigger, abstract formalization system, that allegedly allows for a complete digitalization of music, from the mind and inner ear of the composer towards the scores, the gestures and sounds produced by the performers up to the auditory cortex of the listeners. In this paper we will mainly investigate the philosophical and musicological basis of this formalization system, which is essentially based on the Denotator system and a number of concepts from algebraic topology applied to music. Finally, we will unravel the typical de-humanizing aspects that are followed in the digitalization system as used by Mazzola, and what this approach implicates for humanity (and the human sciences).

To Fall from High or Low Estate? Tragedy and Social Class in Historical Perspective

PMLA ◽  
2014 ◽  
Vol 129 (4) ◽  
pp. 773-782 ◽  
Author(s):  
Edith Hall
Keyword(s):  
Social Class ◽  
Historical Perspective ◽  
Human Condition ◽  
Human Freedom ◽  
Bertrand Russell ◽  
Human Beings ◽  
New City ◽  
City State ◽  
The Mind ◽  
The Human Condition

In a famous essay, the agnostic bertrand russell hailed tragedy as the highest instantiation of human freedom. tragedy results from human beings' persistence in the conscious, imaginative representation of the plight of humanity in the inhumane universe. Tragedy “builds its shining citadel in the very centre of the enemy's country, on the very summit of his highest mountain; … within its walls the free life continues, while the legions of Death and Pain and Despair, and all the servile captains of tyrant Fate, afford the burghers of that dauntless city new spectacles of beauty” (53-54). Russell's “servile captains of tyrant Fate” are the instruments by which metaphysical compulsion tortures humans—Death and Pain and Despair. Man, instead of allowing himself to be terrorized as “the slave of Fate,” creates tragedy “to preserve a mind free from the wanton tyranny that rules his outward life” (57). By transforming the human condition into tragic art, humans create their own world of resistance, in which they can be the truly free “burghers” of a dauntless new city-state of the mind.

Revaluations through Dance: Friedrich Nietzsche's Thought in Isadora Duncan's Speech The Dance of the Future

2019 ◽  
Vol 37 (2) ◽  
pp. 206-219
Author(s):  
Meindert E. Peters
Keyword(s):  
Twentieth Century ◽  
The Body ◽  
Eternal Recurrence ◽  
Early Twentieth Century ◽  
Starting Point ◽  
The Future ◽  
The Mind

Friedrich Nietzsche's influence on Isadora Duncan's work, in particular his idea of the Dionysian, has been widely discussed, especially in regard to her later work. What has been left underdeveloped in critical examinations of her work, however, is his influence on her earlier choreographic work, which she defended in a famous speech held in 1903 called The Dance of the Future. While commentators often describe this speech as ‘Nietzschean’, Duncan's autobiography suggests that she only studied Nietzsche's work after this speech. I take this incongruity as a starting point to explore the connections between her speech and Nietzsche's work, in particular his Thus Spoke Zarathustra. I argue that in subject and language Duncan's speech resembles Nietzsche's in important ways. This article will draw attention to the ways in which Duncan takes her cues from Nietzsche in bringing together seemingly conflicting ideas of religion and an overturning of morality; Nietzsche's notion of eternal recurrence and the teleology present in his idea of the Übermensch; and a renegotiation of the body's relation to the mind. In doing so, this article contributes not only to scholarship on Duncan's early work but also to discussions of Nietzsche's reception in the early twentieth century. Moreover, the importance Duncan ascribes to the body in dance and expression also asks for a new understanding of Nietzsche's own way of expressing his philosophy.

Ważyk metafizyczny? / Ważyk – A Metaphysician?

2013 ◽  
Vol 54 (1) ◽  
pp. 35-47
Author(s):  
Jerzy Święch
Keyword(s):  
Twentieth Century ◽  
Human Life ◽  
Late Phase ◽  
Human Condition ◽  
Theory And Practice ◽  
Strict Sense ◽  
Ontological Security ◽  
Life And Death ◽  
Avant Garde ◽  
Self Sufficiency

Summary Adam Ważyk’s last volume of poems Zdarzenia (Events) (1977) can be read as a resume of the an avant-garde artist’s life that culminated in the discovery of a new truth about the human condition. The poems reveal his longing for a belief that human life, the mystery of life and death, makes sense, ie. that one’s existence is subject to the rule of some overarching necessity, opened onto the last things, rather than a plaything of chance. That entails a rejection of the idea of man’s self-sufficiency as an illusion, even though that kind of individual sovereignty was the cornerstone of modernist art. The art of late modernity, it may be noted, was already increasingly aware of the dangers of putting man’s ‘ontological security’ at risk. Ważyk’s last volume exemplifies this tendency although its poems appear to remain within the confines of a Cubist poetics which he himself helped to establish. In fact, however, as our readings of the key poems from Events make clear, he employs his accustomed techniques for a new purpose. The shift of perspective can be described as ‘metaphysical’, not in any strict sense of the word, but rather as a shorthand indicator of the general mood of these poems, filled with events which seem to trap the characters into a supernatural order of things. The author sees that much, even though he does not look with the eye of a man of faith. It may be just a game - and Ważyk was always fond of playing games - but in this one the stakes are higher than ever. Ultimately, this game is about salvation. Ważyk is drawn into it by a longing for the wholeness of things and a dissatisfaction with all forms of mediation, including the Cubist games of deformation and fragmentation of the object. It seems that the key to Ważyk’s late phase is to be found in his disillusionment with the twentieth-century avant-gardes. Especially the poems of Events contain enough clues to suggest that the promise of Cubism and surrealism - which he sought to fuse in his poetic theory and practice - was short-lived and hollow.

Dreams of a Black Commons on Turtle Island

2021 ◽  
Vol 14 (2) ◽  
pp. 454-473
Author(s):  
Rachel Zellars
Keyword(s):  
Twentieth Century ◽  
Indigenous Peoples ◽  
Human Condition ◽  
Wild Mushrooms ◽  
Black Migration ◽  
Black Freedom ◽  
Indigenous Sovereignty ◽  
Black Land ◽  
The Human Condition

This essay opens with a discussion of the Black commons and the possibility it offers for visioning coherence between Black land relationality and Indigenous sovereignty. Two sites of history – Black slavery and Black migration prior to the twentieth century – present illuminations and challenges to Black and Indigenous relations on Turtle Island, as they expose the “antagonisms history has left us” (Byrd, 2019a, p. 342), and the ways antiblackness is produced as a return to what is deemed impossible, unimaginable, or unforgivable about Black life.While the full histories are well beyond the scope of this paper, I highlight the violent impossibilities and afterlives produced and sustained by both – those that deserve care and attention within a “new relationality,” as Tiffany King has named, between Black and Indigenous peoples. At the end of the essay, I return briefly to Anna Tsing’s spiritual science of foraging wild mushrooms. Her allegory about the human condition offers a bridge, I conclude, between the emancipatory dreams of Black freedom and Indigenous sovereignty.  

Challenges and opportunities for the affective sciences.

2018 ◽  
Author(s):  
Andrew S. Fox ◽  
Regina Lapate ◽  
Alexander J. Shackman ◽  
Richard J Davidson
Keyword(s):  
Well Being ◽  
Human Condition ◽  
Emotional States ◽  
Quarter Century ◽  
Core Feature ◽  
Challenges And Opportunities ◽  
The Mind ◽  
The Impact ◽  
Improved Methods ◽  
Health And Well Being

Emotion is a core feature of the human condition, with profound consequences for health, wealth, and wellbeing. Over the past quarter-century, improved methods for manipulating and measuring different features of emotion have yielded steady advances in our scientific understanding emotional states, traits, and disorders. Yet, it is clear that most of the work remains undone. Here, we highlight key challenges facing the field of affective sciences. Addressing these challenges will provide critical opportunities not just for understanding the mind, but also for increasing the impact of the affective sciences on public health and well-being.

GOVERNMENT/BUSINESS SYNERGY: EARLY AMERICAN INNOVATIONS IN BUDGETING AND COST ACCOUNTING

1992 ◽  
Vol 19 (2) ◽  
pp. 123-145 ◽  
Author(s):  
R. Penny Marquette ◽  
Richard K. Fleischman
Keyword(s):  
Twentieth Century ◽  
Progressive Era ◽  
Cost Accounting ◽  
American Government ◽  
Significant Cost ◽  
Industrial Environment ◽  
Early American ◽  
Planning And Control ◽  
And Control ◽  
Governmental Budgeting

This paper examines certain interactions between American government and business which resulted in important innovations in the areas of budgeting and cost accounting early in the twentieth century. The evidence suggests that budgeting methods were initially developed by municipal reformers of the Progressive era and were subsequently adapted by business for planning and control purposes. In like fashion, standard costing and variance analysis were significant cost accounting techniques born to an industrial environment which came to contribute markedly to a continuing improvement of governmental budgeting procedures.

scholarly journals Frege and Wittgenstein: The Limits of the Analytic Style

Elements ◽  
2010 ◽  
Vol 6 (1) ◽  
Author(s):  
Christopher Sheridan
Keyword(s):  
Twentieth Century ◽  
Logical Analysis ◽  
Linguistic Meaning ◽  
Bertrand Russell ◽  
Gottlob Frege ◽  
Symbolic Logic ◽  
Scientific Language ◽  
German Mathematician ◽  
Broad Application ◽  
Analytic Tradition

The analytic tradition in philosophy stems from the work of German mathematician and logician Gottlob Frege. Bertrand Russell brough Frege's program to render language-particularly scientific language-in formal logical terms to the forefront of philosophy in the early twentieth century. The quest to clarify language and parse out genuine philosophical problems remains a cornerstone of analytic philosophy, but investigative programs involving the broad application of formal symbolic logic to language have largely been abandoned due to the influence of Ludwig Wittgenstein's later work. This article identifies the key philosophical moves that must be performed successfully in order for Frege's "conceptual notation" and other similar systems to adequately capture syntax and semantics. These moves ultimately fail as a result of the nature of linguistic meaning. The shift away from formal logical analysis of language and the emergence of the current analytic style becomes clearer when this failure is examined critically.

scholarly journals Confusions about ‘Inner’ and ‘Outer’ Voices: Conceptual Problems in the Study of Auditory Verbal Hallucinations

2021 ◽  
Author(s):  
Franz Knappik ◽  
Josef J. Bless ◽  
Frank Larøi
Keyword(s):  
Twentieth Century ◽  
Clinical Assessment ◽  
Empirical Studies ◽  
Diagnostic Value ◽  
Assessment Tools ◽  
Auditory Verbal Hallucinations ◽  
Early Twentieth Century ◽  
Conceptual Problems ◽  
The Mind

AbstractBoth in research on Auditory Verbal Hallucinations (AVHs) and in their clinical assessment, it is common to distinguish between voices that are experienced as ‘inner’ (or ‘internal’, ‘inside the head’, ‘inside the mind’, ...) and voices that are experienced as ‘outer’ (‘external’, ‘outside the head’, ‘outside the mind’, ...). This inner/outer-contrast is treated not only as an important phenomenological variable of AVHs, it is also often seen as having diagnostic value. In this article, we argue that the distinction between ‘inner’ and ‘outer’ voices is ambiguous between different readings, and that lack of disambiguation in this regard has led to flaws in assessment tools, diagnostic debates and empirical studies. Such flaws, we argue furthermore, are often linked to misreadings of inner/outer-terminology in relevant 19th and early twentieth century work on AVHs, in particular, in connection with Kandinsky’s and Jaspers’s distinction between hallucinations and pseudo-hallucinations.

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