scholarly journals Starodruki pochodzące z Archiwum Aktów Dawnych Miasta Krakowa w zasobie bibliotecznym Archiwum Narodowego w Krakowie. Wstępne rozpoznanie, analiza proweniencji

2020 ◽  
Vol 26 ◽  
pp. 73-97
Author(s):  
Bożena Lesiak-Przybył

Early printed books from the Krakow Town Archives of Former Records in the resources of the National Archives in Krakow. Initial investigation, provenance analysis The collection of early printed books stored in the National Archives in Krakow has not been processed so far. This article aims to approximate the current state of knowledge regarding the contents of the collection. The historic book collection of the Archives, represented by both Polish and foreign printed books covering various subjects, numbers slightly over 650 works issued before 1801. Included in this number are 28 early printed books from the 16th century, 210 from the 17th century and 413 from the 18th century. The oldest one – Liber horarum canonicarum secundum veram rubricam sive notulam ecclesiae Cracoviensis – was issued in 1508 by the publishing house of Jan Haller in Krakow. The origins of the early printed books vary – they come from donations, acquisitions of archival materials as well as purchases. The greatest number come from donations, with the following donors worthy of special mention: Ambroży Grabowski, Józef Seruga and Franciszek Biesiadecki, as well as Józef Muczkowski, Karol Estreicher and others. An invaluable part of the collection (61 works) are the printed books from the library of Hieronim Pinocci (1612–1676), a merchant, royal secretary and diplomat, acquired from the town archives at the end of the 19th century. Many works, especially those concerning the history of Krakow, were also purchased using the funds of the Archives. The early printed books gathered in the library of the National Archives in Krakow create a particularly valuable collection, which may also be a source of information concerning provenance.

2021 ◽  
Vol 27 ◽  
pp. 137-165
Author(s):  
Kamila Follprecht

Powołane przez Radę Miejską w 1887 r. Archiwum Aktów Dawnych Miasta Krakowa wzbogacało swój zasób dzięki darom przekazywanym przez mieszkańców – zarówno archiwaliów czy muzealiów, jak i książek. Natomiast działające od 1878 r. Krajowe Archiwum Aktów Grodzkich i Ziemskich w Krakowie, podlegające galicyjskim władzom krajowym, zaufanie ofiarodawców zaczęło zyskiwać dopiero po przejęciu w 1919 r. przez władze polskie. Te działania kontynuowało od 1952 r. Wojewódzkie Archiwum Państwowe w Krakowie, powstałe z połączenia obu archiwów (obecnie Archiwum Narodowe w Krakowie). Wspieranie powstających w Krakowie w XIX w. muzeów i bibliotek gromadzących pamiątki minionej świetności Rzeczypospolitej było uznawane za patriotyczny obowiązek, z czasem dawało możliwość zabezpieczenia dla przyszłych pokoleń dokumentów rodzinnych, materiałów wytworzonych przez osoby aktywnie działające na różnych polach czy instytucji lub organizacji, które zakończyły działalność. Archiwum zawsze z wdzięcznością przyjmuje ofiarowywane archiwalia dotyczące Krakowa, Małopolski czy szerzej Galicji, bowiem misją archiwów państwowych jest zachowanie wszelkich materiałów archiwalnych będących źródłem do dziejów Polski i jej mieszkańców. Expansion of archival resources through donations. A contribution to the events of the National Archives in Krakow and its predecessors in the 19th–21st centuries Established by the Town Council in 1887, the Krakow Town Archives of Former Records enriched its resources thanks to donations from inhabitants – both archival materials or museum items, and books. However, operating from 1878, the Local Archives of Records of the Courts for the Nobility in Krakow, under the Galician authorities, only began to obtain the trust of benefactors after it was taken over by Polish authorities in 1919. These activities continued from 1952 in the form of the State Archive of the Krakow Province, founded through a merger of both archives (currently the National Archives in Krakow). Supporting the museums and libraries founded in Krakow in the 19th century that collected souvenirs of the past greatness of the Republic was regarded as a patriotic duty, providing an opportunity to safeguard for future generations family documents, materials created by those active in various fields or institutions and organisations which have ended their activities. The Archives always gratefully accepts donated archival materials connected with Krakow, Malopolska or Galicia, as the mission of the state archives is to store all archival materials that could be a source of information concerning the history of Poland and its inhabitants.


2018 ◽  
Vol 24 ◽  
pp. 235-248
Author(s):  
Konrad Kołodziejczyk

Resources of the archive and library of Saint Catherine’s parish in Wolbrom The article tries to take a closer look at the history of the archive and library of Saint Catherine’s parish in Wolbrom, describe the local conditions and briefly characterise the archival resources and library collection. The parish archive and library, originally part of the monastery, in Wolbrom have previously been the subject of only a few studies. Saint Catherine’s parish in Wolbrom was founded in the first half of the 14th century. At the beginning of the 1620s, it was handed over to the Canons Regular of the Lateran from the Corpus Christi Church in Kazimierz near Krakow. The first printed books almost certainly arrived in the town together with the founding of the parish, while the oldest mention of the parish book collection in Wolbrom comes from 1566. In the following centuries, the collection was successively enriched with donations from benefactors and the clergy. The main users of the collection were almost certainly the monks themselves, the heads of the parish schools and pupils. The rich collection in the parish library was not, however, always respected, especially in the 18th century when, after an inspection, attention was drawn to the terrible conditions in the library. Many valuable parts of the collection were also destroyed during wars and invasions. The Wolbrom parish archive was mentioned for the first time in the second half of the 17th century. Initially, the archive was located in the chambers of the prior, then in the monastery library above the church sacristy. The resources of the archive mainly include parish registers. Most of the documentation comes from the time of the partitions. The parish archive also contains documents not connected with the activities of the parish. There is even a royal document from the time of Stanislaw II August Poniatowski concerning the local guild of furriers. The observations carried out in the archive and library allow important recommendations to be made concerning the safeguarding of the collection with suitable storage conditions.


2017 ◽  
Vol 62 (3-4) ◽  
pp. 42-45
Author(s):  
Petr Mašek

The core of the Višňová castle library was formed already in the 17th century, probably in Paderborn. Afew volumes come from the property of the archbishop of Cologne, Ferdinand August von Spiegel (1774–1835), but most of the items were collected by his brother Franz Wilhelm (1752–1815), a minister of the Electorate of Cologne, chief construction officer and the president of the Academic Council in Cologne. A significant group is formed by philosophical works: Franz Wilhelm’s collection comprised works by J. G. Herder, I. Kant, M. Mendelsohn as well as H. de Saint-Simon and J. von Sonnenfels. Another group consisted of historical works, e.g. by E. Gibbon; likewise his interest in the history of Christianity is noticeable. The library contains a total of more than 6,200 volumes, including 40 manuscripts, 3 incunabula and 15 printed books from 16th century; more than a half of the collection is formed by early printed books until the end of the 18th century. The other volumes come from the 19th century and the beginning of the 20th century. Volumes from the 17th century include especially Latin printed books on law, and one can perceive interest in collecting books on philosophy. There are many publications devoted to Westphalia; in addition, the library contains a number of binder’s volumes of legal dissertations from the end of the 17th century and the entire 18th century published in diverse German university towns. Further disciplines widely represented in the library are economics and especially agriculture, with the publications coming from the 18th and 19th centuries.


Brian J. Ford, Images of Science - A History of Scientific Illustration London: The British Library, 1993. Pp. viii + 208, ISBN 0-7123-0267-0. Almost all scientific images today are photographic, whether of nebulae, action potentials or the disintegration of atomic nuclei, and it was an excellent idea to collect earlier images before photography, when art and science were more closely linked, as they were when Teyler’s museum was founded at Haarlem in the late 18th century. The author takes as his premise that scientific illustrations have two main functions: to instruct and to record the current state of knowledge; and the illustrations he has chosen on these bases span images from cave art to the latter part of the 19th century, including a single historic photograph (1857) of the surface of the Moon. The result is a lavishly illustrated book of coffee-table size (Demi quarto), large enough to ensure that, despite some reduction of the larger images (many in colour), all are very well reproduced.


2014 ◽  
Vol 3 ◽  
pp. 166-182
Author(s):  
Iryna Tsiborovska-Rymarovych

The article has as its object the elucidation of the history of the Vyshnivetsky Castle Library, definition of the content of its fund, its historical and cultural significance, correlation of the founder of the Library Mychailo Servaty Vyshnivetsky with the Book.The Vyshnivetsky Castle Library was formed in the Ukrainian historical region of Volyn’, in the Vyshnivets town – “family nest” of the old Ukrainian noble family of the Vyshnivetskies under the “Korybut” coat of arm. The founder of the Library was Prince Mychailo Servaty Vyshnivetsky (1680–1744) – Grand Hetman and Grand Chancellor of the Grand Duchy of Lithuania, Vilno Voievoda. He was a politician, an erudite and great bibliophile. In the 30th–40th of the 18th century the main Prince’s residence Vyshnivets became an important centre of magnate’s culture in Rich Pospolyta. M. S. Vyshnivetsky’s contemporaries from the noble class and clergy knew quite well about his library and really appreciated it. According to historical documents 5 periods are defined in the Library’s history. In the historical sources the first place is occupied by old-printed books of Library collection and 7 Library manuscript catalogues dating from 1745 up to the 1835 which give information about quantity and topical structures of Library collection.The Library is a historical and cultural symbol of the Enlightenment epoch. The Enlightenment and those particular concepts and cultural images pertaining to that epoch had their effect on the formation of Library’s fund. Its main features are as follow: comprehensive nature of the stock, predominance of French eighteenth century editions, presence of academic books and editions on orientalistics as well as works of the ideologues of the Enlightenment and new kinds of literature, which generated as a result of this movement – encyclopaedias, encyclopaedian dictionaries, almanacs, etc. Besides the universal nature of its stock books on history, social and political thought, fiction were dominating.The reconstruction of the history of Vyshnivetsky’s Library, the historical analysis of the provenances in its editions give us better understanding of the personality of its owners and in some cases their philanthropic activities, and a better ability to identify the role of this Library in the culture life of society in a certain epoch.


1989 ◽  
Vol 6 (2) ◽  
pp. 319-328
Author(s):  
Salahudeen Yusuf

The history of Islam in part of what is known today as Nigeria datesto about the loth Century. Christianity dates to the late 18th Century. Bythe middle of the 19th Century, when Nigerian newspapers began to appearon the streets of Nigeria, both religions had won so many followers and extendedto so many places in Nigeria that very few areas were untouched bytheir influence. The impact of both religions on their adherents not only determinedtheir spiritual life, but influenced their social and political lives aswell. It therefore became inevitable that both religions receive coverage frommost of the newspapers of the time. How the newspapers as media of informationand communication reported issues about the two religions is thetheme of this paper.Rationale for the StudyThe purpose of this study is to highlight the context in which such earlynewspapers operated and the factors that dictated their performance. Thisis because it is assumed that when a society faces external threat to its territory,culture, and independence, all hands (the press inclusive) ought tobe on deck to resist the threat with all might. Were newspapers used as verbalartillery and how did they present each religion? It is also assumed thatin a multireligious society a true press should be objective and serve as avanguard in the promotion of the interest of the people in general and notcreate or foster an atmosphere of religious conflict. The study also aims atfinding out whether the papers promoted intellectual honesty and fosteredthe spirit of unity particularly when the society was faced with the encroachmentof the British who posed a threat to their freedom, culture, economy ...


Author(s):  
Ivars Orehovs

In a literary heritage with a developed tradition of genres, works whose main purpose is to attract the attention of readers to a selected geographical location, are of particular culture-historical and culture-geographical interest. The most widespread in this respect is travel literature, which is usually written by travellers and consist of impressions portrayed in prose after visits to foreign lands. Another type of literary depiction with an expressed poetic orientation, but a similar goal, is characteristic of dedicatory poetry. The author’s position is usually saturated with emotional expressiveness as well as the artistry of symbols, encouraging the reader or listener to feel the formation of a spontaneous attitude. It is possible to gain confidence in the engagement of the author of the poetry as an individual in the depicted cultural-geographical environment, which can be conceptually expressed by words or pairs of words ‘resident’, ‘native place’, ‘patriot’. With regard to the devotional depictions on the Latvian urban environment, one of the earliest examples known in the history of literature is the dedicatory poem in German by Christian Bornmann to the town Jelgava with its ancient name (Mitau, 1686/1802). The name of Liepāja town in this tradition of the genre has become an embodiment later – in the poetry selection in German, also using the ancient name of the town (Libausche Dichtungen, 1853), but in terms of contemporary literary practice with Imants Kalniņš’ music, there is a convincing dominance of songs with words of poetry. The aim of the article is, looking at the poetry devoted to Liepāja in the 19th century and at the turn of the 20th/21st century in the comparative aspect, to present textually thematic peculiarities as well as to provide the analytical interpretative summary of those.


2007 ◽  
Vol 31 (3) ◽  
pp. 140-148
Author(s):  
Jurgis Bučas

The Curonian Spit was inhabited six thousand years ago. During this period its survival was menaced by natural forces. The 17th–18th centuries faced unreasonable deforestation of the Curonian Spit and opened its dunes to wind erosion. In the 18th century 14 settlements were hid under moving sand. The Spit survival was in danger of being flown under the Curonian Lagoon waters. At the begining of the 19th century radical actions were taken to save the Curonian Spit damaged by wind erosion. Tremendous ecological awareness of some natural powers as wind and flora helped man to create a landscape which was described at UNESCO General Conference as a worldwide worth cultural heritage and enrolled in the World Heritage List as a cultural landscape of universal worth illustrating the history of dramatic coexistence of nature and man. The paper describes the Curonian Spit as a cultural landscape, its historical formation and present managment, discusses its creation and management traditions and evaluates them while preparing the Curonian Spit National Park managment plan as well as the Master Plan of Neringa city. Gamtosauginė direktyva ar kraštotvarkinės tradicijos ? Santrauka Kuršių nerijoje žmonės įsikūrė ketvirtajame tūkstantmetyje prieš Kristų. Visą istorinį laikotarpį pusiasaliui grėsmę kėlė gamtos jėgos. XVI-XVIII a. neapgalvotas nerijos miškų naikinimas atidengė pusiasalio smėlynus vėjo erozijai. XVIII a. smėliu užpustyta 14 gyvenviečių. Kilo grėsmė, kad ir pats pusiasalis bus nupustytas į Kuršių marias. Pasitinkant XIX a., imtasi radikalių priemonių gelbėti vėjo erozijos naikinamą Kuršių neriją. Su didžiule ekologine išmintimi panaudodamas pačios gamtos jėgą (vėją) ir medžiagą (augalus), per XIX a. supustyto jūros smėlio kopose žmogus sukūrė kraštovaizdį, kuris UNESCO Generalinės konferencijos buvo įvardytas pasaulio reikšmės nekilnojamojo kultūros paveldo vertybe ir įrašytas į Pasaulio paveldo sąrašą kaip universalios reikšmės kultūrinis kraštovaizdis, iliustruojantis gamtos ir žmogaus dramatiško sambūvio istoriją. Nagrinėjama Kuršių nerijos kultūrinio kraštovaizdžio istorinio formavimo ir dabartinio jo tvarkymo veikla, aptariamos jo kūrimo bei priežiūros tradicijos ir kaip jos vertinimos rengiant Kuršių nerijos nacionalinio parko tvarkymo planą bei Neringos miesto savivaldybės bendrąjį planą.


Menotyra ◽  
2017 ◽  
Vol 24 (1) ◽  
Author(s):  
Asta Giniūnienė

The article for the first time analyses the decoration parts of the Christ’s tomb of the second halfof the 18th century found a few years ago in Švėkšna church. The Christ’s tomb from the oldchurch was transferred to the  new church, which was built in 1804 and used until the  4thdecade of the 19th century. On the basis of the sources and remained fragments we can statethat this was a complicated structure of the Paschal decoration designed under the Europeanbaroque scenery principles. It was composed of the paintings on boards and canvas and mis-cellaneous accessories. The  Christ’s tomb paintings are characterised by a  symbolic allegoriccontent and artistry. The prophets of the Old Testament and characters the New Testamentreflecting the Paschal Triduum liturgy were depicted in the decoration. The survived outlinepaintings of Adam and Eve in Paradise, Noah waiting for the Saviour, and Angels Lamentingover the Death of Jesus are the exceptional iconography images in the Lithuanian church art.The decorations of the Christ’s tomb were created by the professional masters who decoratedthe churches in Samogitia in the second part of the 18th century. The images of suffering anddead Jesus used in the figuration of the Paschal Triduum influenced the spread of the Passionscenes. This is supported by an interesting archival fact about the shrine with a group of sculp-tures depicting the tomb of Christ in the Švėkšna churchyard.The fragments of the Paschal decorations in the Švėkšna church are important baroque scen-ery exhibits, which are valuable for the history of the Lithuanian church art and scenography.The investigation of the Holy Week figuration in the Švėkšna church is a valuable illustrationof this multidimensional cultural, religious and artistic phenomenon.


Diacronia ◽  
2018 ◽  
Author(s):  
Gheorghe Chivu

The history of the verbal forms sum and sunt, introduced into the literary writing by the Transylvanian Latinist School, reveals a winding process in the elaboration of certain cultured norms proper to the modern literary Romanian. Not at all linear, this process was concurrently influenced by two, often divergent, tendencies that were active from the end of the 18th century up to the beginning of the 20th century: the use of some cultured forms, borrowed from Latin or created according to Latin patterns; and the revitalization of certain linguistic forms with regional diffusion. Initially proposed as literary pronunciations, the two verbal forms were soon adopted and used as etymological graphic forms that corresponded to sîm and suntu from certain conservative patois. During the second half of the 19th century (sum), and during the first decades of the 20th century (sunt), the two graphic forms became orthoepic norms as well, due to the phonological tradition of the Romanian writing.


Sign in / Sign up

Export Citation Format

Share Document