scholarly journals Islamic architecture in Tbilisi and Batumi: Muslim heritage in Georgia

2021 ◽  
Vol 9 (4) ◽  
pp. 69-83
Author(s):  
Aldona Piwko

Georgia’s cultural wealth is the result of the country’s centuries-old history and complex ethnic, religious and political relations. Islam, present in these areas since the seventh century, was of significant importance for the shaping of Georgian architecture. Architectural elements characteristic of Middle Eastern art were thus transferred to a Christian country. Arabs and Persians left behind buildings and ornamental details. The article is the result of field research carried out in Georgia, the purpose of which was to identify the issues of shaping and preserving memory and cultural and religious identity in the Muslim community. Georgian Muslim architecture is heavily neglected and requires increased protection, and above all significant financial resources that are difficult to obtain from a small number of Islamic communities. On the other hand, contemporary trends in Georgian architecture are realized and financed by Muslim businesses.

2021 ◽  
Vol 19 (2) ◽  
pp. 211-228
Author(s):  
Helmawati Helmawati ◽  
Rudihartono Ismail

Islam is the second-largest religion in the world, while in Indonesia Islam is the majority religion adopted by people in Indonesia. However, in some islands such as Papua, Islam is still a minority. This study focused to describe cultural and religious identity especially the Muslim community at Lembah Baliem “Wamena-Papua”. The data on this field research was collected by observation (participative observation) and interview. For cultural anthropology, the research phase in collecting data consisted of observation, recording, verification, and description facts of Muslim Society in Wamena. The focuses of this discussion are the history of the entrance of Muslim in Wamena, how the development of the Muslim community, and how the identity of religion and culture of Muslim community in Wamena.


Metahumaniora ◽  
2017 ◽  
Vol 7 (2) ◽  
pp. 40
Author(s):  
Panji Maulani

ABSTRAKProses penelitian ini dilakukan dengan melakukan penelitian lapangan danpenelitian kepustakaan. Analisis mendalam terkait akulturasi budaya pada arsitektur MasjidAgung Jawa Tengah didapat melalui penggunaan metode deskriptif-analitik dengan langkahlangkahobservatif. Langkah-langkah tersebut disesuaikan dengan sumber terkait, sehinggadata pada objek penelitian dapat dideskripsikan serta dianalisis dengan pendekatan budayadan arsitektur. Penelitian ini menjadi penting untuk dilakukan karena Masjid Agung JawaTengah memiliki ornamen eksterior yang sangat khas, berbeda dengan ornamen masjidraya-masjid raya lain di Indonesia, yang umumnya memiliki ornamen eksterior yang hanyaberakulturasi dengan budaya Timur Tengah. Pada Masjid Agung Jawa Tengah kita dapatmerasakan suasana seperti di masjid Nabawi dan suasana Colloseum di zaman Romawi.Terdapat 6 buah payung hidrolik seperti di masjid Nabawi dan gerbang Al-Qanathir yangmenyerupai Colloseum pada pelataran masjid akibat pembangunan Masjid Agung JawaTengah menggunakan paduan tiga unsur budaya: Jawa, Timur Tengah, dan Romawi.Kata kunci: akulturasi, ornamen, masjid agung, Jawa TengahABTRACTThe research process was conducted by field research and library research. Depthanalysis related to acculturation on the architecture of the Central Java Great Mosque obtainedusing descriptive-analytic method with observational measures. The steps are adapted to thecorresponding source, so that data on the research object can be described and analyzed withcultural and architectural approach. This research becomes important thing to do because ofthe Great Mosque of Central Java has a very distinctive exterior ornament, in contrast to theother great mosques in Indonesia, whose the exterior ornament is generally only acculturatedwith Middle Eastern culture. In Central Java Great Mosque we can feel the atmosphere likeat the Nabawi Mosque and the atmosphere of the Colosseum in Roman times. There are sixpieces of hydraulic umbrella like in Nabawi Mosque and Al-Qanathir gate that resembles theColosseum in the courtyard of the mosque as the result of the construction of the Central JavaGreat Mosque using a combination of three elements of culture: Java, Middle East, and Roman.Keywords: acculturation, ornament, grand mosque, Central Java


WADIAH ◽  
2019 ◽  
Vol 3 (1) ◽  
Author(s):  
Ryski Pebriana, Rofik Efendi

The development of Islamic banking and Islamic financial institutions in Indonesia lately increasing. One reason is the strong belief in the Muslim community that banking and conventional financial institutions contain usury which is prohibited by Islam. The presence of Agritama Srengat Blitar BMT as Syari'ah savings and loans is intended to be a more innovative alternative in financial services, the financing process is also not complicated. The absence of an element of usury to Murabahah financing, and the ease of the process and conditions for financing, does not make more and more bad loans. The approach used in this research is a qualitative descriptive approach, while the type of research is field research, and the method of collecting data is observation, interview and documentation, which is using three steps, data reduction, file presentation and drawing conclusions.The results of this study indicate that: 1). Financing procedures at BMT Agritama Srengat Blitar use 5C analysis (character, capacity, capital, collateral, condition) and take into account a maximum radius of 10 km, but this does not apply to existing customers and customers who get recommendations from partners. 2). The implementation of Murabahah financing management has not been in accordance with the murabaha management function which includes planning, organizing, implementing, and controlling. Where the planning of murabahah financing is devoted to agriculture and animal husbandry, but in practice it is not appropriate, then in the implementation of murabahah financing using a wakalah contract it is signed together with murabahah. And the supervision conducted by BMT Agritama is not routinely visited to the place of business. Keywords : financing manajement, murabahah


2019 ◽  
Vol 4 (1) ◽  
pp. 134-146
Author(s):  
Ken Ayu Kartikaningrum

This article discusses the hijab in the view of the Muslim community Caring for the Hijab Purwokerto. This research is a type of field research. In analyzing data, the instruments that researchers use are in-depth interviews, observations, and data that researchers get from journals, books, and newspapers. Researchers, in this case, use the Social Construction Theory from Peter L Berger's theory. This theory is more focused on the meaning and joint interpretation constructed in community networks. From the research conducted, the researchers focused on two main things, namely: (1) The view of the Muslim community caring for Hijab Purwokerto on the hijab. (2) Genealogy of Muslim Hijab Care for Hijab Purwokerto community understanding hijab


2016 ◽  
Vol 27 (3) ◽  
pp. 330
Author(s):  
Aris Munandar

Muslims in the U.S is a minority group, thus, vulnerable to discrimation. Yale Muslim Students Association (Yale MSA) as a Muslim community on Campus provides Yale students with the opportunity to come together in a supportive Muslim environment and seeks to educate the Yale and New Haven communities about Islam (YaleMSA.org). This article discusses how Yale MSA indexes Muslim identity in its emails and webpage communication and how the indexicality shows Yale MSA as an empowered Muslim community on campus. It applies the framework for identity analysis proposed by Bucholtz and Hall (2005), especially principle (3) identities may be linguistically indexed through labels, implicatures, stances, styles, or linguistic structures and systems. The analysis of Yale MSA in-group e-mail communication (Yale [email protected]) and in out-group webpage communication (YaleMSA.org) during the 2008-2014 periods reveals that Yale MSA uses Arabic borrowings and expressions presupposing Muslim life to index’s its Muslim identity. The intensive use of Arabic borrowings in the in-group communication heightens the Islamic atmosphere and strengthens solidarity among members, while the use of Arabic borrowings in combination with English equivalent in out-group communication mitigates prejudice from different faith groups. The choice of overt labels “Muslim” and “non Muslim” rather than “Moslem” and “nonbeliever” implies Yale MSA’s freedom to speak its own voice, and advocate for equal respect among different faith groups in Yale campus and New Haven community. The confidence in speaking its own voice and asserting an equal stance demonstrates that Yale MSA is an empowered Muslim community.


2021 ◽  
Vol 2 (1) ◽  
pp. 1-16
Author(s):  
Alif Nurul Mubarok

Tahlilan is one of the ancestral traditions of the Indonesian nation which is rich in social values. Apart from functioning as a religious ritual, it is also meaningful as a medium for character education. Through the field research method, this research seeks to reveal the values of character education contained in the tahlilan tradition, especially tahlilan carried out by the people of Losari Village, Losari District, Cirebon Regency. The results of this study found that there are so many values of character education contained in the tahlilan tradition in Losari Village, namely; diversity, social concern, hard work, and discipline. Thus, it can be said that the tahlilan tradition can function as the basis for character education for the Indonesian nation, especially among the Indonesian Muslim community.


2011 ◽  
Vol 45 (1) ◽  
pp. 7-32 ◽  
Author(s):  
ELEANOR NEWBIGIN

AbstractStudies of the post-colonial state have often presented it as a structure that has fallen under the control of self-interested sections of the Indian elite. In terms of citizenship, the failure of the state to do more to realize the egalitarian promise of the Fundamental Rights, set out in the Constitution of 1950, has often been attributed to interference by these powerful elite. Tracing the interplay between debates about Hindu property rights and popular support or tolerance for the notion of individual, liberal citizenship, this paper argues that the principles espoused in the Fundamental Rights were never neutral abstractions but, long before independence, were firmly embedded in the material world of late-colonial political relations. Thus, in certain key regards, the citizen-subject of the Indian Constitution was not the individual, freed from ascriptive categories of gender or religious identity, but firmly tied to the power structures of the community governed by Hindu law.


2019 ◽  
Vol 53 (11) ◽  
pp. 2268-2292 ◽  
Author(s):  
Mark Buschgens ◽  
Bernardo Figueiredo ◽  
Kaleel Rahman

Purpose The purpose of this paper is to investigate how visual aesthetic referents used in branding can help foster a transnational imagined community (TIC). The authors use brands embedded with Middle Eastern visual aesthetics as a research context. As such, the study aims to examine how Middle Eastern non-figurative art is used by non-Middle Eastern brands to foster an imagined Middle Easternness. Design/methodology/approach Through a critical visual analysis, the authors apply a visual social semiotic approach to Middle Eastern art canons to better understand the dimensions of transnational imagined communities. Findings The study finds and discusses six sub-dimensions of Middle Easternness, which compose two overarching dimensions of TIC, namely, temporal and spatial. These sub-dimensions provide brand managers and designers with six different ways to foster transnational imagined communities through the use of visual aesthetic referents in branding. Research limitations/implications This research identifies the specific visual sub-dimensions of brands that enable transnational communities to be imagined. Practical implications Understanding the visual aesthetic sub-dimensions in this study provides brand managers with practical tools that can help develop referents that foster transnational imagined communities in brand building to achieve competitive advantage and reach a transnational segment. Originality/value Prior studies have primarily focussed on how visual aesthetics help in understanding issues related to national identity. In contrast, this paper examines the use of visual aesthetics in branding from a transnational perspective.


2014 ◽  
Vol 48 (2) ◽  
pp. 340-369
Author(s):  
KRISTIAN PETERSEN

AbstractDuring the nineteenth century, many Sino-Muslim scholars were seeking a more robust relationship with their Arab co-religionists. The efforts of Ma Dexin 馬德新 (1794–1874) exemplify this shift to strengthen ties with the Muslim community outside China and situate Sino-Islamic scholarship in widespread Islamic discourses. Ma's writings provided Sino-Muslims with discursive and pragmatic tools for engaging a global Muslim community. For Ma, Muslim cooperation was negotiated through the means of religious education, which was enabled through travel and language. In this paper, I demonstrate how Ma Dexin modelled the importance of global connections of inter-Asian networks of religious learning by exemplifying the value of Middle Eastern travel and fluency in Arabic. I employ Ma's Chinese and Arabic written works in relation to those of Wang Daiyu 王岱輿 (circa 1590–1658) and Liu Zhi 劉智 (circa 1670–1724) to illustrate how he differed significantly from previous Sino-Muslim authors with regard to the use of Arabic within the Sino-Islamic intellectual tradition and in his emphatic urgings to perform the hajj pilgrimage. Finally, I briefly show how his divergent position was embraced, as exhibited through the efforts of one of his intellectual inheritors, Ma Lianyuan 馬聯元 (1841–1903).


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