scholarly journals Muslims and Political Allegories in Elkanah Settle’s The Heir of Morocco

2020 ◽  
pp. 10-19 ◽  
Author(s):  
Met'eb Alnwairan
Keyword(s):  
The Political ◽  
Political Debates ◽  
Contemporary Politics ◽  
Political Views ◽  
Theatre Companies ◽  
Restoration England ◽  
Political Scene

Abstract In this article, I argue that Elkanah Settle's strong engagement in the political debates of the Restoration period resulted in a tendency to implement more allegories and symbolism in his works. His early successes as a talented playwright enticed him to become more involved in pamphleteering and playwriting to support his political views. The article clarifies that the representations of Muslim characters in The Heir of Morocco were heavily influenced by the contemporary politics of Restoration England. Remarkably, the image of the Muslim character operated in the contemporary political scene, as it was employed by a Whig propagandist like Settle, to convey and code certain political sympathies. The article shows how this strategy enabled Settle to reach a wider range of spectators, evade government censorship, and even to be adopted by major royalist theatre companies like The King's Company.

scholarly journals Liberal and conservative political thought in nineteenth-century Serbia Vladimir Jovanovic and Slobodan Jovanovic

Balcanica ◽  
2010 ◽  
pp. 131-153
Author(s):  
Boris Milosavljevic
Keyword(s):  
Nineteenth Century ◽  
Political Theory ◽  
Political Thought ◽  
Good Governance ◽  
Popular Sovereignty ◽  
The Political ◽  
Traditional Values ◽  
Liberal State ◽  
Political Views ◽  
Political Scene

Two very influential political philosophers and politicians, Vladimir Jovanovic and Slobodan Jovanovic, differed considerably in political theory. The father, Vladimir, offered an Enlightenment-inspired rationalist critique of the traditional values underpinning his upbringing. The son, Slobodan, having had a non-traditional, liberal upbringing, gradually-through analyzing and criticizing the epoch?s prevail?ing ideas, scientism, positivism and materialism-came up with his own synthesis of traditional and liberal, state and liberty, general and individual. Unlike Vladimir Jovanovic, who advocated popular sovereignty, central to the political thought of his son Slobodan was the concept of the state. On the other hand, Slobodan shared his father?s conviction that a bicameral system was a prerequisite for the protection of individual liberties and for good governance. Political views based on different political philosophies decisively influenced different understandings of parliamentarianism in nineteenth-century Serbia, which in turn had a direct impact on the domestic political scene and the manner of government.

scholarly journals Thomas Southerne's Muslim Settings and the Politics of the Succession Crisis: A Critical Study of The Loyal Brother

2020 ◽  
pp. 11-18
Author(s):  
Met'eb Alnwairan
Keyword(s):  
Political Discourse ◽  
Critical Study ◽  
The Political ◽  
Restoration Drama ◽  
Political Ideas ◽  
Contemporary Politics ◽  
Political Tension ◽  
Restoration England

Abstract This paper argues that Thomas Southerne used Muslim characters and settings in his play The Loyal Brother (1682) as an allegory for the Succession Crisis of the Restoration period in England. As Southerne's play was published during a time of extreme political tension and controversy, the political discourse the playwright presents in his work reflects the increasing partisanship in the English political nation. In a sense, the representations of Muslim characters in Southerne's play were heavily influenced by the contemporary politics of Restoration England. Obviously, a Tory writer like Southerne employed the image of the Muslim character to emphasize pro-Stuarts political ideas. Keywords: Thomas Southerne, The Loyal Brother, Succession Crisis, Restoration Drama

scholarly journals Republic or Constitutional Monarchy: the Political and Social Effects of Royal Visits to Australia

1969 ◽  
Vol 6 (1) ◽  
Author(s):  
Meredith Comba
Keyword(s):  
Nineteenth Century ◽  
Cultural Identity ◽  
British Empire ◽  
Social Effects ◽  
Strong Sense ◽  
The Political ◽  
British Identity ◽  
Political Debates ◽  
Political Scene ◽  
Constitutional Monarchy

Nineteenth century Australia achieved Federation on January 1st after a half-century of discussion and debate between Federalists and Republicans. However, despite these ongoing political debates, Australia still greatly retained a strong sense of British identity due to immigration policies that only slowed in the 1880s. Focusing on the Australian public’s reactions to two Royal Tours, in 1867 and 1901, this paper attempts to address why a Commonwealth model of Federation was created in 1901 as well as to more fully understand how significantly Australian cultural identity and support of the monarchy as a symbol of the British Empire contributed to the nineteenth century political scene.

scholarly journals A day of history and hope: A critical discourse analysis of Joe Biden’s Inauguration speech

2021 ◽  
Vol 10 (2) ◽  
pp. 1-10
Author(s):  
Teguh Puja Pramadya ◽  
Anna Desiyanti Rahmanhadi
Keyword(s):  
Critical Discourse Analysis ◽  
Social Practice ◽  
Critical Discourse ◽  
The Political ◽  
Political Messages ◽  
Political Views ◽  
President Elect ◽  
Underlying Reality ◽  
Discourse Practice ◽  
Political Scene

This article explores how President-elect Joe Biden used the rhetoric of political language in his inauguration speech as an attempt to showcase his policy plans as well as his political views on the American political scene. This article also looks at how each of the political messages in his inauguration speech shows the ideology and power that Joe Biden believes in. To provide comprehensive details about the elements of Joe Biden’s inauguration speech, the researchers use Norman Fairclough’s idea to view continuing social practice via the prisms of text, discourse practice, and the sociocultural practice that underpins the text, or to view the underlying reality that gave rise to the discourse

PENSAMENTO POLÍTICO EM GIORGIO AGAMBEN

Professare ◽  
2018 ◽  
Vol 7 (1) ◽  
pp. 109
Author(s):  
Claudemir Aparecido Lopes
Keyword(s):  
Political Freedom ◽  
State Of Exception ◽  
The Political ◽  
State Control ◽  
Giorgio Agamben ◽  
Modern Democracy ◽  
Social Fabric ◽  
Contemporary Politics ◽  
Political Implications ◽  
The Social

<p class="resumoabstract">O professor Giorgio Agamben tem elaborado críticas à engenhosa estrutura política ocidental moderna. Avalia os mecanismos de controle estatal, nos quais os denomina ‘dispositivos’, cuja força está na imbricação às normas jurídico-teológicas com seus similares ritos e liturgias. Suas ocorrências e legitimidade preponderam no tecido social cuja organização sistêmica se põe quase como elemento natural e não cultural. O texto tem por objetivo explorar a concepção política de Agamben sobre a política contemporânea, especialmente considerando seu livro: ‘Estado de Exceção’, cuja investigação apresenta a possibilidade de atenuação dos direitos de cidadania e o enfraquecimento da prática da liberdade política e o processo de relação dos indivíduos no meio social através da redução das subjetividades ‘autênticas’. Analisamos ainda a transferência do mundo sacro elaborado pelos teólogos católicos presente na modernidade à política cuja democracia moderna faz do homem (sujeito) tornar-se objeto do poder político. Faz também, reflexão dos conceitos de subjetivação e dessubjetivação relacionando-os às implicações políticas do homem moderno. A pesquisa é bibliográfica com ênfase na análise dos conceitos elaborados por Agamben, especialmente quanto ao ‘dispositivo’. Conclui que o indivíduo ocidental, de modo geral, sofre o processo de dessubjetivação e está ‘nu’, indefeso e alienado politicamente. Ele precisa voltar-se ao processo de ‘profanação’ dos dispositivos para libertar-se das vinculações orientadoras que forçosamente o descaracteriza enquanto ser ativo e livre.</p><p class="resumoabstract"><strong>Palavras-chave</strong>: Política. Liberdade. Subjetivação.</p><h3>ABSTRACT</h3><p class="resumoabstract">Professor Giorgio Agamben has been criticizing the ingenious modern Western political structure. It evaluates the mechanisms of state control, in which it calls them 'devices', whose strength lies in the overlap with legal-theological norms with their similar rites and liturgies. Its occurrences and legitimacy preponderate in the social fabric whose systemic organization is almost as a natural and not a cultural element. The text aims to explore Agamben's political conception of contemporary politics, especially considering his book 'State of Exception', whose research presents the possibility of attenuating citizenship rights and weakening the practice of political freedom and the individuals in the social environment through the reduction of 'authentic' subjectivities. We also analyze the transfer of the sacred world elaborated by the Catholic theologians present in the modernity to the politics whose modern democracy makes of the man - subject - to become object of the political power. It also reflects on the concepts of subjectivation and desubjectivation, relating them to the political implications of modern man. The research is bibliographical with emphasis in the analysis of the concepts elaborated by Agamben, especially with regard to the 'device'. He concludes that the Western individual, in general, suffers the process of desubjectivation and is 'naked', defenseless and politically alienated. He must turn to the process of 'desecration' of devices to free himself from the guiding bindings that forcibly demeanes him while being active and free.</p><p class="resumoabstract"><strong>Keywords</strong>: Politics. Freedom. Subjectivity. </p><p> </p>

Palestinian Diaspora Communities in Latin America and Palestinian Statehood

2020 ◽  
Vol 19 (1) ◽  
pp. 101-120
Author(s):  
Yousef M. Aljamal ◽  
Philipp O. Amour
Keyword(s):  
Latin America ◽  
South America ◽  
Latin American ◽  
Economic Life ◽  
Self Determination ◽  
The Political ◽  
Middle Classes ◽  
Latin Americans ◽  
Political Views ◽  
The Right

There are some 700,000 Latin Americans of Palestinian origin, living in fourteen countries of South America. In particular, Palestinian diaspora communities have a considerable presence in Chile, Honduras, and El Salvador. Many members of these communities belong to the professional middle classes, a situation which enables them to play a prominent role in the political and economic life of their countries. The article explores the evolving attitudes of Latin American Palestinians towards the issue of Palestinian statehood. It shows the growing involvement of these communities in Palestinian affairs and their contribution in recent years towards the wide recognition of Palestinian rights — including the right to self-determination and statehood — in Latin America. But the political views of members of these communities also differ considerably about the form and substance of a Palestinian statehood and on the issue of a two-states versus one-state solution.

Arte ConTexto

2020 ◽  
Vol 2 (3) ◽  
pp. 29-52
Author(s):  
Antonio Bellisario ◽  
Leslie Prock
Keyword(s):  
Public Space ◽  
Political Violence ◽  
Pictorial Representation ◽  
The Political ◽  
Left Wing ◽  
Political Dimension ◽  
Political Views ◽  
Socialist Government ◽  
The 1960S ◽  
The Military

The article examines Chilean muralism, looking at its role in articulating political struggles in urban public space through a visual political culture perspective that emphasizes its sociological and ideological context. The analysis characterizes the main themes and functions of left-wing brigade muralism and outlines four subpolitical phases: (i) Chilean mural painting’s beginnings in 1940–1950, especially following the influence of Mexican muralism, (ii) the development of brigade muralism for political persuasion under the context of revolutionary sociopolitical upheaval during the 1960s and in the socialist government of Allende from 1970 to 1973, (iii) the characteristics of muralism during the Pinochet dictatorship in the 1980s as a form of popular protest, and (iv) muralism to express broader social discontent during the return to democracy in the 1990s. How did the progressive popular culture movement represent, through murals, the political hopes during Allende’s government and then the political violence suffered under the military dictatorship? Several online repositories of photographs of left-wing brigade murals provide data for the analysis, which suggests that brigade muralism used murals mostly for political expression and for popular education. Visual art’s inherent political dimension is enmeshed in a field of power constituted by hegemony and confrontation. The muralist brigades executed murals to express their political views and offer them to all spectators because the street wall was within everyone's reach. These murals also suggested ideas that went beyond pictorial representation; thus, muralism was a process of education that invited the audience to decipher its polysemic elements.

V.V. Rozanov Among Parties and Politicians

2019 ◽  
Vol 60 ◽  
pp. 165-170
Author(s):  
Aleksey V.  Lomonosov
Keyword(s):  
The Political ◽  
Editorial Office ◽  
Social Significance ◽  
Political Ideas ◽  
Political Journalism ◽  
Political Views ◽  
The Social ◽  
The Press ◽  
Journal Editorial ◽  
Political Essays

The article reveals the social significance of determining the political views of V.V. Rozanov in the system of the thinker’s worldview. The correlation of these views with his political journalism is shown. The genesis of social and political ideas of V.V. Rozanov is revealed. The author specifies his ideological predecessors in the sphere of public thought of the late 19th century and the thinker’s affiliation with the conservative political camp of Russian writers. The author of the article also gives coverage of the V.V. Rozanov’s polemical publications in the press. He outlines the circle of political sympathies and determinative constants in the political views of Rozanov-publicist and proves his commitment to the centrist political parties. The author examines the process of Rozanov’s socio-political views evolution at the turn of the 19th–20th centuries, and the related changes in his political journalism. The evaluations are based on the large layer of Rozanov’s newspaper publicism in the years of 1905–1917. To determine the Rozanov’s position in the “New time” journal editorial office and to reveal the motives of his political essays the author of the article used epistola

G. Lukács, “Techeniye” and Stalinism

2019 ◽  
Vol 62 (7) ◽  
pp. 110-123
Author(s):  
Vladimir Y. Bystrov ◽  
Vladimir M. Kamnev
Keyword(s):  
Literary Criticism ◽  
Theory And Practice ◽  
Nazi Germany ◽  
The Political ◽  
Peace Treaty ◽  
Political Strategy ◽  
Political Criticism ◽  
Political Views ◽  
New Interpretation ◽  
Over Time

The article discusses the attitude of Georg Lukács and his adherents who formed a circle “Techeniye” (lit. “current”) toward the phenomenon of Stalinism. Despite the political nature of the topic, the authors are aspired to provide an unbiased research. G. Lukács’ views on the theory and practice of Stalinism evolved over time. In the 1920s Lukács welcomes the idea of creation of socialism in one country and abandons the former revolutionary ideas expressed in his book History and Class Consciousness. This turn is grounded by new interpretation of Hegel as “realistic” thinker whose “realism” was shown in the aspiration to find “reconciliation” with reality (of the Prussian state) and in denial of any utopias. The philosophical evolution leading to “realism” assumes integration of revolutionaries into the hierarchy of existing society. The article “Hölderlin’s Hyperion” represents attempt to justify Stalinism as a necessary and “progressive” phase of revolutionary development of the proletariat. Nevertheless, events of the second half of the 1930s (mass repressions, the peace treaty with Nazi Germany) force Lukács to realize the catastrophic nature of political strategy of Stalinism. In his works, Lukács ceases to analyze political topics and concentrates on problems of aesthetics and literary criticism. However, his aesthetic position allows to reconstruct the changed political views and to understand why he had earned the reputation of the “internal opponent” to Stalinism. After 1956, Lukács turns to political criticism of Stalinism, which nevertheless remains unilateral. He sees in Stalinism a kind of the left sectarianism, the theory and practice of the implementation of civil war measures in the era of peaceful co-existence of two systems.

‘There shall be no musical servitude’: Towards a Multitudinous Shostakovich in the West

2020 ◽  
Vol 145 (2) ◽  
pp. 495-505
Author(s):  
EIRINI DIAMANTOULI
Keyword(s):  
Cold War ◽  
Communist Party ◽  
The Other ◽  
The Political ◽  
Musical Style ◽  
The West ◽  
Political Views ◽  
Political Interests ◽  
The One ◽  
The Cold War

Ideologically motivated attempts to elucidate Shostakovich’s political views and to determine whether and how they may be coded into his compositions have come to characterize the Western reception of the composer’s works since his death in 1975. Fuelled by the political oppositions of the cold war, Shostakovich’s posthumous reputation in the West has been largely shaped by two conflicting perspectives. These have positioned him on the one hand as a secret dissident, bent and broken under the unbearable strain of totalitarianism, made heroic through his veiled musical resistance to Communism; and on the other hand as a composer compromised by his capitulation to the regime – represented in an anachronistic musical style. Both perspectives surrender Shostakovich and his music to a crude oversimplification driven by vested political interests. Western listeners thus conditioned are primed to hear either the coded dissidence of a tragic victim of Communist brutality or the sinister submission of a ‘loyal son of the Communist Party’.1 For those prepared to accept Shostakovich as a ‘tragic victim’, the publication of his purported memoirs in 1979, ‘as related to and edited by’ the author Solomon Volkov, presents a tantalizing conclusion: bitterly yet discreetly scornful of the Stalinist regime, Shostakovich was indeed a secret dissident and this dissidence was made tangible in his music.

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