scholarly journals The interaction of theater and cinematography in Uzbekistan culture in the first half of the xx century

2020 ◽  
Vol 5 (4) ◽  
pp. 94-104
Author(s):  
Amina Azizova
Keyword(s):  
Twentieth Century ◽  
Individual Characteristics ◽  
Scientific Problem ◽  
The World ◽  
The Subject ◽  
Factors Of Influence ◽  
The Relationship ◽  
Image Type ◽  
Creative Life

The form, typology, essence and causes of the interaction between theater and cinema in the world is one of the priorities in the field, and a number of scientific studies have been conducted on the subject. In world experience, during the development of cinematography, it has been used the help of theatrical figures in overcoming the problems of acting, directing and dramaturgy. The study of theater and cinema as the main types of artistic worldview, in which the relationship between the two independent arts, exchanges of actors, process of interaction, individual characteristics were assessed, and it was considered as a new phenomenon. The article studies issues, causes and factors of influence of the same process in 1920–1930. The interaction of Uzbek theater and cinema, the study of creative ties, see it as a scientific problem has attracted attention in recent years. The article examines the role of Uzbek stage leaders in the development of screen art as a separate process, as well as the phenomenon of interaction between theater and cinema. The author explores a new creative life, a biography of a stage actor in cinema, opened for theater actors on the eve of the twentieth century. The art of filmmaking, which has been fighting for the actor for half a century, studies on facts that have attracted theater performers. Theatrical art has proven to be a model for cinematography in terms of decorating, makeup, music, lighting, and acting. Keywords: theater, actor, cinema, director, genre, image, type, role, phenomenon, screen art, character.

On Metaphysics and the Political: A Polemics of Reading Baudelaire in the 1930s

2019 ◽  
Vol 58 (2) ◽  
pp. 249-259
Author(s):  
Joseph Acquisto
Keyword(s):  
Twentieth Century ◽  
Political Crisis ◽  
The Political ◽  
Modern Poetry ◽  
Progressive Politics ◽  
The World ◽  
Relationship Of ◽  
The Relationship ◽  
Insight Into

This essay examines a polemic between two Baudelaire critics of the 1930s, Jean Cassou and Benjamin Fondane, which centered on the relationship of poetry to progressive politics and metaphysics. I argue that a return to Baudelaire's poetry can yield insight into what seems like an impasse in Cassou and Fondane. Baudelaire provides the possibility of realigning metaphysics and politics so that poetry has the potential to become the space in which we can begin to think the two of them together, as opposed to seeing them in unresolvable tension. Or rather, the tension that Baudelaire animates between the two allows us a new way of thinking about the role of esthetics in moments of political crisis. We can in some ways see Baudelaire as responding, avant la lettre, to two of his early twentieth-century readers who correctly perceived his work as the space that breathes a new urgency into the questions of how modern poetry relates to the world from which it springs and in which it intervenes.

The Origin of the Judges’ Rules

2020 ◽  
pp. 33-53
Author(s):  
Mike McConville ◽  
Luke Marsh
Keyword(s):  
Twentieth Century ◽  
Critical Issue ◽  
Home Office ◽  
The World ◽  
The Subject ◽  
The Law ◽  
Police Forces

The point at which the liberty of the subject can be subject to interference by force of the law is a critical issue and one reliant on the integrity of judicial oversight. Focusing on the start of the twentieth century, this chapter addresses the discontinuities in the then existing rules relating to the interrogation of suspected persons (embodied by the Judges’ Rules of 1912, whose obscure origins are discussed) and the divergent responses of different police forces to the cautioning and questioning process. From this it explores how the need for closer formal regulation arose and the role of Home Office officials (the very same as those involved in the Adolph Beck case) in drafting the first revision of the Judges’ Rules in 1918 which were to remain in force for almost fifty years. These inapt and inexpertly drafted Rules thereafter laid the foundations for policing regulation in jurisdictions around the world.

scholarly journals Vulgar Modernism: J. M. Richards, Modernism and the Vernacular in British Architecture

2015 ◽  
Vol 58 ◽  
pp. 229-259 ◽  
Author(s):  
Jessica Kelly
Keyword(s):  
Twentieth Century ◽  
Modern Architecture ◽  
The World ◽  
Architectural Review ◽  
The 1950S ◽  
British Architecture ◽  
The Relationship ◽  
Reyner Banham

In 1946 J. M. Richards, editor of theArchitectural Review (AR)and self-proclaimed champion of modernism, published a book entitledThe Castles on the Ground(Fig. 1). This book, written while working for the Ministry of Information (Mol) in Cairo during the war, was a study of British suburban architecture and contained long, romantic descriptions of the suburban house and garden. Richards described the suburb as a place in which ‘everything is in its place’ and where ‘the abruptness, the barbarities of the world are far away’. For this reasonThe Castles on the Groundis most often remembered as a retreat from pre-war modernism, into nostalgia for mock-Tudor houses and privet hedges. The writer and critic Reyner Banham, who worked with Richards at the AR in the 1950s, described the book as a ‘blank betrayal of everything that Modern Architecture was supposed to stand for’. More recently, however, it has been rediscovered and reassessed for its contribution to mid-twentieth-century debates about the relationship between modern architects and the British public. These reassessments get closer to Richards’s original aim for the book. He was not concerned with the style of suburban architecture for its own sake, but with the question of why the style was so popular and what it meant for the role of modern architects in Britain and their relationship to the ‘man in the street’.

«Quanta» Language Consciousness and Problems in the Functioning of the Communicative Norms

2019 ◽  
Vol 8 (1) ◽  
pp. 26-30
Author(s):  
Татьяна Черкашина ◽  
Tatiana Cherkashina ◽  
Н. Новикова ◽  
N. Novikova ◽  
О. Трубина ◽  
...  
Keyword(s):  
Cognitive Abilities ◽  
Point Of View ◽  
Cultural Phenomenon ◽  
Globalizing World ◽  
The World ◽  
The Subject ◽  
The Individual ◽  
The Impact ◽  
The Relationship

The article considers the conceptualization of the world from the point of view of its methodological paradigm assessment in the context of the globalizing world. A retrospective analysis of the relationship between language and human speech activity is given. The authors explain the role of language as a socio-cultural phenomenon in the formation of worldview systems that develop in the consciousness with the help of minimal units of human experience in their ideal meaningful representation in special concepts, which allows the individual to think within the boundaries of a certain linguistic picture of the world. Analyzes the problems of the functioning of communicative norms with regard to the hierarchy of the spiritual representations of the world. The article attempts to consider the impact of the “blurring” of the information boundaries of the globalizing world on the cognitive abilities of the individual in the nomination, qualification of the subject, phenomenon, process.

scholarly journals Sign-Pragmem as a Semiotic Dominant of the Axiological Field

2019 ◽  
Vol 10 (3) ◽  
pp. 581-592
Author(s):  
Tatyana V Markelova
Keyword(s):  
Semantic Structure ◽  
Leading Role ◽  
Semiotic Approach ◽  
Pragmatic Function ◽  
The World ◽  
The Subject ◽  
The Relationship ◽  
Standard Character

The study tested the semiotic approach to the system of evaluation marks allocated on the basis of pragmatic function. Traditional triad - semantics, syntactics, pragmatics - is accompanied by sigmatech as a branch of semiotics, determining the relationship between sign and object, which has not been properly studied yet. The system of evaluation of signs - function, connotation, pragmem, their functional and semantic differences are described through the prism of the semantic structure of the word influenced by the pragmatic function. Non-standard character of pragmatic mark is denotative-significative, expressing the nature convoluted judgment is focused on the subject of speech and its axiological intentions. The article demonstrates semantic, syntactic and pragmatic nature of Prameny sign evaluation with special feaches of its semiotic nature. Three types of evaluation signs - functions, connotations, pragmem -are compared and the role of pragmem in the system is defined. The leading role of pragmem in the axiological fragment of the linguistic picture of the world is determined.

scholarly journals NON-CLASSICAL SUBJECT OF VISION. PART II

2021 ◽  
pp. 423-432
Author(s):  
Sergey V. Komarov ◽  
◽  
Maria A. Lumpova ◽  
Keyword(s):  
Previous Article ◽  
Visible Object ◽  
The World ◽  
Different Types ◽  
Visual Consciousness ◽  
The Subject ◽  
Classical Subject ◽  
The Relationship

The article is a continuation of the previous article Non-Classical Subject of Vision. Part I and is devoted to the analysis of the eventivity of a non-classical subject. The analysis of non-classical subjectivity in the article is based on the three-part mechanism of the power of distance, power of gaze and power of memory proposed by W. Benjamin. The concept of the image as a mediator through which the subject regains the lost distance with the world is discussed. The article deals with the concepts of the non-classical subject of visuality by J.-P. Sartre and G. Didi-Huberman as different types of transformation of the power of gaze and the role of memory in non-classical vision. Important elements of the concept of «scanty image» by J.-P. Sartre are analyzed: criticism of the naive understanding of the immanence of consciousness and the world, criticism of images as a weak copy of the object of observation, the development of a specific givenness of a thing in an image through its distant present absence. It is shown that the theory of «scanty image» breaks the unreal objects of visual consciousness and the sensually perceived world into two poles that are not connected with each other. Therefore, in Sartre’s concept, the relationship with the world — both in visual and sensory comprehension of reality, turns out to be problematic. In the theory of G. Didi-Huberman, built on the reorganization of the understanding of the aura in technically reproducible art, a deeper understanding of the image is given. The presence as well as the absence of things of the world do not appear as separate from each other, but turn out to be the dialectical unity of the game of near and far (Fort-Da). The article discusses this dialectical understanding of the relationship between the man and the world, which acts as an incessant rhythm of approaching and removing a visible object. In this eventful space of a vision (D. Joselit) turns a thing into a hybrid object, and the person appears as a flickering subject of vision.

The Construction of Terence's Heautontimorumenos

1980 ◽  
Vol 30 (1) ◽  
pp. 94-119 ◽  
Author(s):  
A. J. Brothers
Keyword(s):  
Twentieth Century ◽  
Fundamental Problem ◽  
The Subject ◽  
Relationship Of ◽  
Work Done ◽  
The Relationship ◽  
New Comedy

In the twentieth century the question of the relationship of Terence's Heautontimorumenos to its Greek original has been largely neglected or else dismissed on the grounds that it presents no major problem. It is true that, because of the new light which the discovery of the Cairo codex of Menander shed on the nature and role of the chorus in Greek new comedy, there was a flurry of activity concerning the difficult passage 167 ff.; but the far more fundamental problem of contaminatio in general and of the meaning and interpretation of lines 4 to 6 of the play's prologue has attracted comparatively little attention. H. Marti produced a two-part survey of work done on Terence in the years 1909 to 1959; in it he says that in the period under review the question of contaminatio in Heauton–in the sense of the fusion of two originals –has been totally abandoned, with the exception of one article by F. Skutsch in which he holds to his earlier views on the subject. Marti also refers to Kohler's earlier work on the same problem, and to the discussion to be found in Kuiper's more comprehensive work on Roman comedy, but that is all.

scholarly journals Corruption and conservation: the need for empirical analyses. A response to Smith & Walpole

Oryx ◽  
2005 ◽  
Vol 39 (3) ◽  
pp. 257-259 ◽  
Author(s):  
Paul Ferraro
Keyword(s):  
Biodiversity Conservation ◽  
World Bank ◽  
Empirical Studies ◽  
Economic Outcomes ◽  
The World ◽  
The Subject ◽  
The Relationship ◽  
Empirical Analyses

Smith & Walpole (2005) focus on a heretofore little examined issue of unknown importance: the role of corruption in affecting biodiversity conservation outcomes. Unfortunately, there are no well-executed empirical studies of the relationship between corruption and conservation to guide practitioners. As noted by Smith & Walpole, however, the role of corruption in affecting other economic outcomes has been the subject of numerous theoretical and empirical analyses. These other analyses offer useful insights to conservationists precisely because the biodiversity context is representative of a larger class of contexts in which power is delegated to self-interested bureaucrats. Readers interested in the topic would do well to take a close look at the references in Smith & Walpole, as well as visiting the World Bank's website on corruption and governance (World Bank, 2005).

Conflict

2013 ◽  
Author(s):  
Gabriel Moshenska
Keyword(s):  
Twentieth Century ◽  
Human Rights ◽  
Civil Wars ◽  
Human History ◽  
Human Rights Abuses ◽  
Conflict Archaeology ◽  
Interdisciplinary Field ◽  
The World ◽  
The Subject

The archaeology of twentieth-century conflicts is a rapidly growing area of study around the world. Encompassing world wars, class war, genocides, civil wars, human rights abuses, and acts of terrorism, it offers archaeological perspectives on events that have shaped human history. This chapter provides an overview of the development, key themes, and significance of twentieth-century conflict archaeology. Alongside a series of case studies that reflect the global scope and diversity of the subject, the chapter focuses on the archaeology of human remains from twentieth-century conflicts, and the role of conflict archaeology as a commemorative process. The final part of the chapter considers the future of modern conflict archaeology as an ever more significant, politically powerful, and intellectually stimulating interdisciplinary field of activity.

scholarly journals „Więc naprzód pies poczciwy kundel, który nas nigdy nie opuścił…” Wątki kynologiczne w wybranych wierszach polskich poetów XX w.

2018 ◽  
Vol 57 ◽  
pp. 105-115
Author(s):  
Jadwiga Jęcz
Keyword(s):  
Twentieth Century ◽  
Point Of View ◽  
Introductory Article ◽  
The World ◽  
Mongrel Dog ◽  
The Subject ◽  
Literary Devices

„First of all, there is, and always will be, our good old mongrel...” Dog motifs in chosen Polish poems from the 20th centuryThe aim of this paper is to discuss the motif of the dog occurring in the twentieth century Polish poetry. This will entail two research outlooks: 1. the dog as the author of alyrical monologue, per­ceiving the world from an animal’s point of view Monologue of a dog ensnared in history by Szymborska and A dog’s dream by Gałczyński; 2. the dog as the source of interest for the subject of a poem First of all, the dog by Herbert, Dogs by Baczyński, and Stroking a dog by Pawlikowska-Jasnorzew­ska. The paper serves the role of an introductory article, touching upon the most important issues, foundations and literary devices used in depicting the dog motif in the above-mentioned poems.

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