scholarly journals Estate landscapes in the Netherlands

Bulletin KNOB ◽  
2021 ◽  
pp. 4-23
Author(s):  
Hans Renes
Keyword(s):  
Eighteenth Century ◽  
Coastal Dunes ◽  
Reclaimed Land ◽  
Individual Country ◽  
Country House ◽  
The Past ◽  
Large Numbers ◽  
Country Houses ◽  
Progressive Growth ◽  
New Generation

In the past, country house research was mainly concerned with individual houses and gardens. Yet, as early as the seventeenth and eighteenth centuries, so many country houses were being built around the major cities that they came to define the landscape. Genuine estate landscapes took shape along several rivers (Amstel, Vecht), along the inner edge of coastal dunes, and on newly reclaimed land. In the middle of the seventeenth century, the rivers were augmented with a network of barge canals and soon they too were lined by a belt of country houses. The greatest density of country houses was to be found around Amsterdam, but other big cities in the provinces of Holland and Zeeland had their fair share as well. Access was mostly by water, but in some areas, especially in Zeeland, country roads performed this role. The majority of country houses were built on or next to a farm, which generally continued to exist and, in many cases, survived the country house.            In a few areas, the evolving density of country houses has been traced in a detailed chronological record. In most cases it reveals progressive growth towards a high point in the first half of the eighteenth century, after which a gradual decline sets in. However, in a number of areas growth was much more rapid, in particular along the River Vecht.            Sustained growth was followed by decline. In the final decade of the eighteenth century and the first decade of the nineteenth, large numbers of country houses were demolished and in many instances the land reverted to agriculture production. It appears that the decline set in earlier in Zeeland than in Holland, but regional differences in decline are not yet entirely clear. The second quarter of the nineteenth century saw the construction of a new generation of country houses, especially in the undulating sandy areas of the Utrechtse Heuvelrug and the southern part of the Veluwezoom, where railway lines provided access. The owners of this new crop of country houses laid out their gardens in the English landscape style. They also bought up vast, neighbouring heathlands from local councils or farmers and planted them with trees. As a result, these country houses are quite different in character from those of the earlier period. In the past the concentrations of country houses dominated the landscape and even today, wherever they have survived to a substantial degree they continue to represent an important landscape quality. As such, protection and management should not be confined to individual country houses but should extend to groups of country houses and their interrelationships (in the form of visual axes, for example). In recent years, a number of provinces have already set a good example by formulating policies for country house biotopes and linear estate landscapes.

Houses as Lieux de Mémoire in Margery Allingham’s Crime Fiction

2021 ◽  
Vol 2 (2) ◽  
pp. 218-233
Author(s):  
Renáta Zsámba
Keyword(s):  
Golden Age ◽  
Crime Fiction ◽  
Great War ◽  
Country House ◽  
Family Secrets ◽  
The Past ◽  
Country Houses ◽  
A Site ◽  
The Great War

This article discusses the house as a site of memory in the novels of Margery Allingham, where it embodies a tension between the past and the present that turns the domestic milieu into a place of horror. Stemming from Susan Rowland’s claim that Golden Age authors did not write ‘unproblematically conservative country house mysteries’ (43), this paper uses Svetlana Boym’s theory of restorative and reflective nostalgia and Pierre Nora’s concept of lieux de mémoire (sites of memory) to read Allingham’s novels, which critically observe the sustainment of a vision of the past after the Great War. In her work, country houses like the eponymous one in The Crime at Black Dudley (1929), are, despite their aristocratic grandeur, perfect scenes for murder. While the countryside is associated with a nostalgic innocence, it is also contaminated by the intrusion of the present, as in Sweet Danger (1933). Family secrets are also reasons for crime, as we see in Police at the Funeral (1931). Hide My Eyes (1958) relocates the nostalgic atmosphere to a suburban house converted into a museum of ‘curios’, which operates as an ironic allegory of a nation wrapped up in its own history.

Improvising potential economic growing rate of china in the new normal based on artificial intelligence with fuzzy integration

2021 ◽  
pp. 1-14
Author(s):  
Jiagen Yu
Keyword(s):  
Economic Growth ◽  
Elastic Model ◽  
Average Growth Rate ◽  
Average Growth ◽  
The Past ◽  
Economic Progress ◽  
Large Numbers ◽  
Countermeasures And Suggestions ◽  
New Generation ◽  
Stable Development

As we know, AI is deeply integrated with all walks of life. While upgrading traditional products and transforming traditional industries, a large number of new products, new industries and new formats have emerged in large numbers, and new industrial space has been further expanded. The potential for steady economic growth remains huge. However, the influence of merelygrowing capital asset and labor force dimension in terms of boosting economic progress has been waning globally. Considering the China’s data panel data outlying areas during 1978–2017 as the research sample, possible economic growing rate of Chinahas been calculated in detail according to the labor-intensive structural time-varying elastic model. It shows a U-shaped development track during 2018–2027, with an average growth rate between 5.00%and 6.00%. There are also great variances in the probable economy growing rates in different regions in China. It shows that relying solely on traditional factors of production to drive potential economic growth, China has been unable to maintain the prosperity of stable development over the past few decades. Based on the experience of typical representative countries, this paper also puts forward some relevant countermeasures and suggestions including focusing on a new round of technological revolutions such as big data, new generation AI, 5 G, IOT, cloud computing, robotics, and blockchain to progress economical growing rate of China in the future.

Antiquities and Political Prestige in the Early Modern Era

2007 ◽  
Author(s):  
Margarita Diaz-Andreu
Keyword(s):  
Eighteenth Century ◽  
Seventeenth Century ◽  
Urban Landscape ◽  
Country House ◽  
The Past ◽  
The Arts ◽  
The World ◽  
The One ◽  
Early Modern Era ◽  
Modern Era

Television programmes about archaeology, the Asterix series on many children’s bookshelves, Celtic-flavoured holidays in Ireland, the megalomaniacal classical style in the business buildings erected since the late 1980s—all these tell us about the enduring popularity of the past in people’s minds. The intellectual ‘other side of the coin’ are the departments of archaeology, museums of archaeology, and heritage departments operating all over the world. This interest in the past is certainly not new. Whereas the latter—the museums, university and heritage departments—only appeared in the urban landscape less than two hundred years ago, by then several generations of intellectuals with knowledge in the arts had been aware of the existence of an ancient past. A Doric folly on the bank of the river overlooked by the cathedral in the pretty city of Durham was built in 1830 by a Polish count and the eighteenth-century estate of La Alameda de Osuna on the outskirts of Madrid, with its Greek-inspired temple of love with a statue of Bacchus (substituting the original Venus statue that had been taken by the Napoleonic troops on their withdrawal to France)—are only two examples of my own personal daily encounter with the past I have had at diVerent periods in my life. Yet, a different type of past is also familiar to me, a past that is more related to the nation’s past. In La Alameda de Osuna estate, in addition to its many classical features, there is an eighteenth-century copy of a medieval hermit’s chapel, and a country house which used to have displayed automatons in traditional dress. In the seventeenth century a beautiful Gothic-style font cover was made for Durham cathedral illustrating a continuity with a medieval past. Many other examples could be added. All of them illustrate an obsession with the past which on the one hand has lasted at least several centuries. On the other, however, they also appear to indicate an initial quasi-fixation with the classical period, which gradually became counter-balanced by an appeal to each country’s past. This reveals a continuous transformation in time and space in the discourse of the past.

The English Landscape Garden in the Eighteenth Century: The Cultural Importance of an English Institution

1979 ◽  
Vol 11 (1) ◽  
pp. 15-32 ◽  
Author(s):  
Joan Bassin
Keyword(s):  
Eighteenth Century ◽  
Country House ◽  
Cultural Importance ◽  
The Enlightenment ◽  
Art Historians ◽  
Country Houses ◽  
History Of ◽  
The Senses ◽  
Universal Order ◽  
Apparent Conflict

Art historians and cultural historians have noted what appears to be a puzzle in eighteenth-century history, a puzzle which emerges from an apparent conflict of the following trend: as English country houses became more and more classical, the gardens around them became less so. That is, as architecture progressively conformed to the principles of universal order and mathematical geometry embodied in the Palladian ideal, gardens seemed to repudiate those same principles, embracing irregularity and particularity. Another apparently contradictory trend is noteworthy: as country houses became smaller through the eighteenth century, the gardens around them became larger. By the later eighteenth century people of means seem to have preferred smallish houses in acres of parkland, rather than enormous houses in small, formal gardens.There are two possible ways of approaching this problem. The first is simply to ignore the contradiction and accept the houses and gardens as products of separate traditions. Most art historians have done this, fitting the houses and gardens respectively into the classical and romantic traditions. The houses are said to be classical in style because they were intended to appeal to the reasoning faculties of the Enlightenment mind, while the gardens are called romantic because they were designed to appeal principally to the subjective and non-rational faculties, the senses and the emotions. The puzzle of classical houses in romantic gardens simply does not arise when an author such as Hussey, for example, examines the history of gardens, or when Summerson writes about the classical country house.

The Contribution of Intermediate-Voltage, High-Resolution Electron Microscopy In Materials Science: An Appraisal

1990 ◽  
Vol 48 (1) ◽  
pp. 478-479
Author(s):  
John L. Hutchison
Keyword(s):  
High Resolution ◽  
Materials Science ◽  
High Resolution Electron Microscopy ◽  
Optical Diffraction ◽  
The Past ◽  
Resolution Electron ◽  
Extreme Sensitivity ◽  
Electron Microscopes ◽  
New Generation ◽  
Small Metal Particles

Over the past five years or so the development of a new generation of high resolution electron microscopes operating routinely in the 300-400 kilovolt range has produced a dramatic increase in resolution, to around 1.6 Å for “structure resolution” and approaching 1.2 Å for information limits. With a large number of such instruments now in operation it is timely to assess their impact in the various areas of materials science where they are now being used. Are they falling short of the early expectations? Generally, the manufacturers’ claims regarding resolution are being met, but one unexpected factor which has emerged is the extreme sensitivity of these instruments to both floor-borne and acoustic vibrations. Successful measures to counteract these disturbances may require the use of special anti-vibration blocks, or even simple oil-filled dampers together with springs, with heavy curtaining around the microscope room to reduce noise levels. In assessing performance levels, optical diffraction analysis is becoming the accepted method, with rotational averaging useful for obtaining a good measure of information limits. It is worth noting here that microscope alignment becomes very critical for the highest resolution.In attempting an appraisal of the contributions of intermediate voltage HREMs to materials science we will outline a few of the areas where they are most widely used. These include semiconductors, oxides, and small metal particles, in addition to metals and minerals.

Holism, Chinese Medicine and Systems Ideologies: Rewriting the Past to Imagine the Future

2018 ◽  
Author(s):  
Volker Scheid
Keyword(s):  
Eighteenth Century ◽  
Chinese Medicine ◽  
Medical Humanities ◽  
Science And Technology Studies ◽  
Human Beings ◽  
The Past ◽  
Starting Point ◽  
The Us ◽  
Shared Objective ◽  
Definition Of

This chapter explores the articulations that have emerged over the last half century between various types of holism, Chinese medicine and systems biology. Given the discipline’s historical attachments to a definition of ‘medicine’ that rather narrowly refers to biomedicine as developed in Europe and the US from the eighteenth century onwards, the medical humanities are not the most obvious starting point for such an inquiry. At the same time, they do offer one advantage over neighbouring disciplines like medical history, anthropology or science and technology studies for someone like myself, a clinician as well as a historian and anthropologist: their strong commitment to the objective of facilitating better medical practice. This promise furthermore links to the wider project of critique, which, in Max Horkheimer’s definition of the term, aims at change and emancipation in order ‘to liberate human beings from the circumstances that enslave them’. If we take the critical medical humanities as explicitly affirming this shared objective and responsibility, extending the discipline’s traditional gaze is not a burden but becomes, in fact, an obligation.

Reframing the Sciences of the Long Eighteenth Century

2020 ◽  
Vol 50 (1-2) ◽  
pp. 58-66
Author(s):  
Giuliano Pancaldi
Keyword(s):  
Eighteenth Century ◽  
History Of Science ◽  
Science Policy ◽  
Special Issue ◽  
Half Century ◽  
The Past ◽  
Past Half Century ◽  
History Of ◽  
Long Eighteenth Century ◽  
Past Half

Here I survey a sample of the essays and reviews on the sciences of the long eighteenth century published in this journal since it was founded in 1969. The connecting thread is some historiographic reflections on the role that disciplines—in both the sciences we study and the fields we practice—have played in the development of the history of science over the past half century. I argue that, as far as disciplines are concerned, we now find ourselves a bit closer to a situation described in our studies of the long eighteenth century than we were fifty years ago. This should both favor our understanding of that period and, hopefully, make the historical studies that explore it more relevant to present-day developments and science policy. This essay is part of a special issue entitled “Looking Backward, Looking Forward: HSNS at 50,” edited by Erika Lorraine Milam.

Molecular Epidemiology and Biomarkers in Etiologic Cancer Research: The New in Light of the Old

2020 ◽  
Author(s):  
Lungwani Muungo
Keyword(s):  
Gene Expression ◽  
Cancer Research ◽  
Molecular Epidemiology ◽  
Exposure Assessment ◽  
Large Scale ◽  
First Generation ◽  
Cancer Epidemiology ◽  
Policy Changes ◽  
The Past ◽  
New Generation

The purpose of this review is to evaluate progress inmolecular epidemiology over the past 24 years in canceretiology and prevention to draw lessons for futureresearch incorporating the new generation of biomarkers.Molecular epidemiology was introduced inthe study of cancer in the early 1980s, with theexpectation that it would help overcome some majorlimitations of epidemiology and facilitate cancerprevention. The expectation was that biomarkerswould improve exposure assessment, document earlychanges preceding disease, and identify subgroupsin the population with greater susceptibility to cancer,thereby increasing the ability of epidemiologic studiesto identify causes and elucidate mechanisms incarcinogenesis. The first generation of biomarkers hasindeed contributed to our understanding of riskandsusceptibility related largely to genotoxic carcinogens.Consequently, interventions and policy changes havebeen mounted to reduce riskfrom several importantenvironmental carcinogens. Several new and promisingbiomarkers are now becoming available for epidemiologicstudies, thanks to the development of highthroughputtechnologies and theoretical advances inbiology. These include toxicogenomics, alterations ingene methylation and gene expression, proteomics, andmetabonomics, which allow large-scale studies, includingdiscovery-oriented as well as hypothesis-testinginvestigations. However, most of these newer biomarkershave not been adequately validated, and theirrole in the causal paradigm is not clear. There is a needfor their systematic validation using principles andcriteria established over the past several decades inmolecular cancer epidemiology.

Vēsturiskā atmiņa Latvijas teātra jaunās paaudzes mākslinieku darbos: izrādes „Dvēseļu utenis” piemērs

2020 ◽  
pp. 269-275
Author(s):  
Ieva Rodiņa
Keyword(s):  
Historical Memory ◽  
Intergenerational Relationships ◽  
Phenomenological Approach ◽  
Political Theater ◽  
Hermeneutic Phenomenological ◽  
The Past ◽  
The Social ◽  
Humanistic Study ◽  
New Generation ◽  
Flea Market

The aim of the research “Historical Memory in the Works of the New Generation of Latvian Theater Artists: The Example of “The Flea Market of the Souls” is to focus on the current but at the same time little discussed topic in Latvian theater – the change of generations and the social processes connected to it, that are expressed on the level of world views, experiences, intergenerational relationships. Most directly, these changes are reflected in the phenomenon of historical memory. The concept of “postmemory” was defined by German professor Marianne Hirsch in 1992, suggesting that future generations are closely related to the personal and collective cultural traumas of previous generations, which are passing on the past experience through historical memory, thus affecting the present. Grotesque, self-irony, and focusing on socio-political, provocative questions and themes are the connecting point of the generation of young Latvian playwrights born in the late 1980s and early 1990s, including such personalities as Jānis Balodis, Rasa Bugavičute-Pēce, Matīss Gricmanis, Justīne Kļava, etc. However, unlike Matīss Gricmanis or Janis Balodis who represent the aesthetics of political theater, in Justīne Kļava’s works, sociopolitical processes become the background of a generally humanistic study of the relationships between generations. This theme is represented not only in “The Flea Market of the Souls”, but also in other plays, like “Jubilee ‘98” and “Club “Paradise””. The tendency to investigate the traces left by the Soviet heritage allows to define these works as autobiographical researches of the identity of the post-Soviet generation, analyzing life in today's Latvia in terms of historical memory. Using the semiotic, hermeneutic, phenomenological approach, the play “The Flea Market of the Souls” and its production in Dirty Deal Teatro (2017) are analyzed as one of the most vivid works reflecting the phenomenon of historical memory in recent Latvian original drama.

Searching for Political Parties in the Past

2017 ◽  
Author(s):  
Piero Ignazi
Keyword(s):  
Eighteenth Century ◽  
Political Parties ◽  
Political Party ◽  
Ancient Greece ◽  
Political Community ◽  
Democratic Politics ◽  
The Political ◽  
The Past ◽  
The Common

Chapter 1 introduces the long and difficult process of the theoretical legitimation of the political party as such. The analysis of the meaning and acceptance of ‘parties’ as tools of expressing contrasting visions moves forward from ancient Greece and Rome where (democratic) politics had first become a matter of speculation and practice, and ends up with the first cautious acceptance of parties by eighteenth-century British thinkers. The chapter explores how parties or factions have been constantly considered tools of division of the ‘common wealth’ and the ‘good society’. The holist and monist vision of a harmonious and compounded society, stigmatized parties and factions as an ultimate danger for the political community. Only when a new way of thinking, that is liberalism, emerged, was room for the acceptance of parties set.

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