SUMMARY
The Author separated the visualized time and the time when the painting was created. Both are rooted in the point of history which was important for the artist, in the time of creating the work of art as well as in the internal structure of the painting which is expressed through the theme and the presented figures. The researcher who was deeply influenced by history, browsed it deeply in order to find every “now”, adding it to the timeline of the artist’s life, or to the history he was a part of. The timeline, history, constitutes a basis of the knowledge about the artist’s workshop and it is the basis for the historical-comparative method. The Priest Professor Pasierb knew hermeneutics with the hermeneutic circle of Hans Gadamer and Paul Ricoeur. In his exploration of the temporal structure of his works of art he indicates to the reader the circular structure of the composition, which is typical for the scenes of the greatest masters of the Baroque, e.g. The Coronation of Mary, The Adoration of the Shepherds. The structure of time is particularly important in the portraits of Herman Han in the painting of 17th century. The analysis of the paintings of the master of Gdańsk Herman Han, especially of his painting The Coronation of the Virgin Mary in the main altar in Pelplin is an introduction for discovering the circular structures of time and space. It shows the Author’s concepts as close to the traditional Antique concepts of time: as the two opposites: Chronos – the inevitable time which consumes everything on its way and Kairos, the fugacious moment which can, however, be stopped by wisdom, beauty, the ability of predicting. The sensitivity to time, the Kairos, was expressed by the priest Professor Pasierb who was impressed by a Greek vase painted by Makron (Paris, Louvre) “long-haired boy with a hoop and with a dog, quickly running round an attic goblet, looking back where they are calling you, come back, you didn’t listen, today it is too late, twenty-five centuries passed. The painter Makron whom you passed by so quickly, managed to write kalos – Beautiful”. The basic method used for the analysis of time and space in the painting is the hermeneutic method of Paul Ricoeur and Hans Georg Gadamer.
Herméneutique et traduction : la question de « l’appropriation » ou le rapport du « propre » à « l’étranger »
