As mulheres de fibra/ Women and fiber

2017 ◽  
Vol 3 (1) ◽  
Author(s):  
Diogo Dubiela

Sinopse: As mulheres e a fibra é um videodocumentário etnográfico com o grupo de mulheres Art&Mãe - vinculado a Cooperativa 20 de Novembro do Movimento Nacional de Luta pela Moradia (MNLM), na cidade Porto Alegre – Brasil. Mostra a dinâmica de trabalho do grupo com a fibra de garrafa PET e sua produção de sentido no mundo contemporâneo, a etnografia como relação de troca, aprendizado e formação de rede. No decorrer do processo etnográfico, a fibra de garrafa PET é alçada ao status de elemento diacrítico-estético, o qual carrega em si a expressividade máxima do encontro de mundos, por isso a fibra é o principal elemento da instalação etnográfica que resulta de todo o processo. A produção audiovisual versa também sobre sociabilidade urbana e feminina, economia solidária, amizade, imagem e arte. Synopsis: Women and fiber is an ethnographic videodocumentary with the group of women Art&Mãe - linked to the November 20 Cooperative of the National Movement for Struggle for Housing (MNLM), in the city of Porto Alegre - Brazil. It shows the work dynamics of the group with PET bottle fiber and its production of meaning in the contemporary world, ethnography as a relation of exchange, learning and formation of network. In the course of the ethnographic process, PET bottle fiber is elevated to the status of a diacritic-aesthetic element, which carries within itself the maximum expressiveness of the meeting of worlds, so fiber is the main element of the ethnographic installation that results from all process. The audiovisual production also deals with urban and feminine sociability, solidarity economy, friendship, image and art. Palavras-chave: imagem, trabalho, etnografia, arte, economia solidária Key-words: image, work, ethnography, art, solidarity economy Ficha técnica: Autor:Diogo Dubiela. Direção: Diogo Dubiela. Câmera e montagem: Diogo Dubiela. Trilha sonora original: Felipe Bischoff. Gravação e mixagem da trilha: Kevin Brezolin. Produção: Diogo Dubiela e Grupo Art&Mãe Participaram do filme: Cenira Vargas da Silva, Neiva Regina Canabarro, Eloina Souza, Eva Lopes, Jussara Costa da Silva, Adriane Fernandes de Melo, Vanilda da Rosa, Marli Klippel Ramos, Maria Conceição Lima, Maria Terezinha Guimarães, Isabel Silva, Marilene Dias, Rosa da Silva Moreno, Lúcia das Graças Soares, Terezinha de Jesus, Eliane Fernandes de Melo. Apoio: Art&Mãe/Cooperativa 20 de Novembro/MNLM e NAVISUAL/PPGAS/UFRGS. Credits: Author:Isabela Andrade de Lima Morais Direction: Diogo Dubiela. Camera and mount:Diogo Dubiela. Soundtrack: Felipe Bischoff. Track recording and mixing:Kevin Brezolin. Production: Diogo Dubiela and Grupo Art&Mãe Participated in the movie: Cenira Vargas da Silva, Neiva Regina Canabarro, Eloina Souza, Eva Lopes, Jussara Costa da Silva, Adriane Fernandes de Melo, Vanilda da Rosa, Marli Klippel Ramos, Maria Conceição Lima, Maria Terezinha Guimarães, Isabel Silva, Marilene Dias, Rosa da Silva Moreno, Lúcia das Graças Soares, Terezinha de Jesus, Eliane Fernandes de Melo. Support:Art&Mãe/Cooperativa 20 de Novembro/MNLM e NAVISUAL/PPGAS/UFRGS.

Author(s):  
Mara Regina do Nascimento

Este artigo propõe-se a ser uma colaboração com os estudos dedicados às irmandades religiosas brasileiras, na sua face regional. A linha de pensamento adotada toma a cidade, a experiência urbana e as ditas associações religiosas como instâncias sociais intimamente relacionadas e interdependentes. Durante o século XIX, a irmandade gestora da Santa Casa de Misericórdia em Porto Alegre cumpria um papel fundamental não apenas para a composição material de seu espaço, mas igualmente para conferir-lhe o status de importante cidade dentro do mosaico urbano que compunha o Império brasileiro. Tomando por base o histórico de ações concretas da irmandade, como a construção do Hospital, as iniciativas para a caridade e filantropia e a promoção das festas litúrgicas, este artigo analisa o vínculo indissociável entre o associativismo católico e o estilo de vida urbano dos setecentos e oitocentos. Palavras-chave: Irmandades Religiosas. Santa Casa de Misericórdia. Cultura Urbana.AbstractThis paper intends to collaborate with other works dedicated to the study of brazilian religious brotherhoods, in their regional aspect. The line of thought  adopted takes the city, the urban experience and the religious associations above mentioned as closely related and interdependent social instances. During the XIX century, the brotherhood in charge of the Holy House of Mercy in the city of Porto Alegre played a fundamental role, not just in the material composition of the urban space, but also in giving it the status of an important city within the urban mosaic comprised by the Brazilian Empire. Based on the (historic of) concrete actions of this brotherhood, as were the construction of the Hospital, the creation of a social representation for the notion of charity, and the promotion of liturgic feasts, this article analyses the unbreakable bond between catholic associativism and the urban lifestyle of the XVIII and XIX centuries.Keywords: Religious Brotherhoods. Holy House of Mercy. Urban Culture. 


2004 ◽  
Vol 30 (2) ◽  
Author(s):  
Cláudio Pereira Elmir

O texto compreende uma discussão sobre o processo de modernização na cidade de Porto Alegre em vários momentos de sua história, articulando as transformações e modificações havidas no espaço urbano com uma paralela segregação social operada e/ou desejada na cidade. São recolhidos vários exemplos para demonstrar a vontade de se construir uma “cidade una”, na qual não se admite o convívio com os indesejados sociais. A combinação modernização/exclusão social, tantas vezes já abordada em diversos estudos da historiografia brasileira, encontra neste artigo mais um exercício de aproximação, a partir do qual pode-se vislumbrar momentos distintos – sem traçar uma linha de continuidade – desta operação específica da modernidade. Abstract The text discusses the process of modernization in the city of Porto Alegre during various moments of its history, debating both transformations and modifications in the city’s urban space along with a social segregation that was either going on or being wished for at that time. Many exemples are given so as to demonstrate the desire to build a “united city” in which those who were socially unwished were not allowed. The combination of modernization with social exclusion, so often discussed in many other studies of Brazilian history, is shown in this article as another approach to the issue of modernization with its distinct moments. Palavras-chave: Rio Grande do Sul. Séculos XIX e XX. Identidade. Key words: Rio Grande do Sul. XIX & XX centuries. Identity.


2006 ◽  
Vol 32 (1) ◽  
Author(s):  
Núncia Santoro de Constantino

O presente texto propõe reflexão sobre História Oral e sobre mulheres imigrantes na cidade de Porto Alegre. Pretendo continuar tal reflexão, dialogando com personagens das pesquisas que desenvolvo, pessoas que colaboram à reconstrução de processos históricos, com seus depoimentos. As reflexões que pretendo desenvolver dizem respeito, sobretudo, à memória e à subjetividade e faz-se necessário retomar algumas questões teóricas fundamentais. Abstract The present text proposes a reflection about Oral History and about immigrant women in the city of Porto Alegre. I intend to continue this reflection, dialoguing with the “characters” of the research I develop − people who collaborate to the reconstruction of historical processes with their testimony. These reflections have to do, mainly, with memory and subjectivity, and it is necessary to retake some theoretical basic questions. Palavras-chave: História Oral. Narrativa. Imigração. Key words: Oral history. Narrative. Immigration.


ILUMINURAS ◽  
2013 ◽  
Vol 14 (34) ◽  
Author(s):  
Michelle Nascimento da Silva

Este artigo busca contribuir para os estudos sobre percepção urbana elaborando uma narrativa das formas de ocupação e usos de uma parcela do território urbano da Cidade de Porto Alegre, de importante perceptibilidade local, o bairro Cidade Baixa, um cenário marcado pela diversidade de atores.Procura-se compreender os conceitos e os sentimentos de pertencimento, identidade e sociabilidade vivenciados pelos moradores e freqüentadores locais através de suas narrativas enquanto informantes dessa parcela de território urbano. Palavras-chave: Identidade. Pertencimento. Sociabilidade. Bairro. Cidade Baixa. Identity, Belonging and Sociability in the Urban Space: Comments on the users' perception of the Lower Town neighborhood in Porto Alegre AbstractThis article seeks to contribute to the studies on urban perception elaborating a narrative of occupancy forms and uses a portion of the urban territory of the City of Porto Alegre, the perceptibility important location, the Lower Town neighborhood, a scenario marked by a diversity of actors.It seeks to understand the concepts and feelings of belonging, identity and sociability experienced by local residents and patrons through their narratives as informants of this portion of urban territory. Key-words: Identity. Belonging. Sociability. Neighborhood. Cidade Baixa. 


2013 ◽  
Vol 1 (43) ◽  
pp. 250-258
Author(s):  
I. Posokhov
Keyword(s):  

The article reviews the status and prospects of the development of Kharkiv souvenir market. The main problems and prospects of the development of souvenir market of the city are highlighted. The proposals to implement a policy of the development and sales of souvenirs are given. Key words: tourism, souvenirs, Euro-2012.


2019 ◽  
Vol 2 (1) ◽  
Author(s):  
Alwi Musa Muzaiyin

Trade is a form of business that is run by many people around the world, ranging from trading various kinds of daily necessities or primary needs, to selling the need for luxury goods for human satisfaction. For that, to overcome the many needs of life, they try to outsmart them buy products that are useful, economical and efficient. One of the markets they aim at is the second-hand market or the so-called trashy market. As for a trader at a trashy market, they aim to sell in the used goods market with a variety of reasons. These reasons include; first, because it is indeed to fulfill their needs. Second, the capital needed to trade at trashy markets is much smaller than opening a business where the products come from new goods. Third, used goods are easily available and easily sold to buyer. Here the researcher will discuss the behavior of Muslim traders in a review of Islamic business ethics (the case in the Jagalan Kediri Trashy Market). Kediri Jagalan Trashy Market is central to the sale of used goods in the city of Kediri. Where every day there are more than 300 used merchants who trade in the market. The focus of this research is how the behavior of Muslim traders in the Jagalan Kediri Trashy Market in general. Then, from the large number of traders, of course not all traders have behavior in accordance with Islamic business ethics, as well as traders who are in accordance with the rules of Islamic business ethics. This study aims to determine how the behavior of Muslim traders in the Jagalan Kediri Trashy Market in buying and selling transactions and to find out how the behavior of Muslim traders in the Jagalan Kediri Trashy Market in reviewing Islamic business ethics. Key Words: Trade, loak market, Islamic business


2015 ◽  
Vol 2 (1) ◽  
Author(s):  
Casey Shea Pollon

Type as Image: Eliciting Emotions is a project of VCDE233 Typography II (Constanza Pacher) and VCDI223 Design and Pre-Press Production (Jess Dupuis), both courses in the Design Studies Diploma Program at MacEwan University. Students were asked to capture the essence of the book Indian Horse, by Richard Wagamese, and translate it into a three-poster series using typography as the main element. Under the premise that the visual form is dictated by the content, students were encouraged to analyze plot, characters, point of view, imagery, tone, themes and symbolism to extract key words, sentences and passages as the basis for their designs. Students were asked to challenge literal interpretations by exploring the use of expressive typography and text and image relationships.


Author(s):  
Е. N. Polyakov ◽  
M. I. Korzh

The article presents a comparative analysis of fortification art monuments in such East countries from Ancient Egypt to medieval China. An attempt is made to identify the main stages of the fortification development from a stand-alone fortress (citadel, fort) to the most complex systems of urban and border fortifications, including moats, walls and gates, battle towers. It is shown that the nature of these architectural structures is determined by the status of the city or settlement, its natural landscape, building structures and materials, the development of military and engineering art. The materials from poliorceticon (Greek: poliorketikon, poliorketika), illustrate the main types of siege machines and mechanisms. The advantages and disadvantages of boundary shafts and long walls (limes). The most striking examples are the defensive systems of Assyria, New Babylon, Judea and Ancient China.


Author(s):  
S. E. Sidorova ◽  

The article concentrates on the colonial and postcolonial history, architecture and topography of the southeastern areas of London, where on both banks of the River Thames in the 18th–20th centuries there were located the docks, which became an architectural and engineering response to the rapidly developing trade of England with territories in the Western and Eastern hemispheres of the world. Constructions for various purposes — pools for loading, unloading and repairing ships, piers, shipyards, office and warehouse premises, sites equipped with forges, carpenter’s workshops, shops, canteens, hotels — have radically changed the bank line of the Thames and appearance of the British capital, which has acquired the status of the center of a huge empire. Docks, which by the beginning of the 20th century, occupied an area of 21 hectares, were the seamy side of an imperial-colonial enterprise, a space of hard and routine work that had a specific architectural representation. It was a necessary part of the city intended for the exchange of goods, where the usual ideas about the beauty gave way to considerations of safety, functionality and economy. Not distinguished by architectural grace, chaotically built up, dirty, smoky and fetid, the area was one of the most significant symbols of England during the industrial revolution and colonial rule. The visual image of this greatness was strikingly different from the architectural samples of previous eras, forcing contemporaries to get used to the new industrial aesthetics. Having disappeared in the second half of the 20th century from the city map, they continue to retain a special place in the mental landscape of the city and the historical memory of the townspeople, which is reflected in the chain of museums located in this area that tell the history of English navigation, England’s participation in geographical discoveries, the stages of conquering the world, creating an empire and ways to acquire the wealth of the nation.


2021 ◽  
Vol 10 (5) ◽  
pp. 155
Author(s):  
Gilda L. Ochoa

By 10 January 2017, activists in the predominately Latina/o working class city of La Puente, California had lobbied the council to declare the city a sanctuary supporting immigrants, people of color, Muslims, LGBTQ people, and people with disabilities. The same community members urged the school district to declare itself a sanctuary. While community members rejoiced in pushing elected officials to pass these inclusive resolutions, there were multiple roadblocks reducing the potential for more substantive change. Drawing on city council and school board meetings, resolutions and my own involvement in this sanctuary struggle, I focus on a continuum of three overlapping and interlocking manifestations of white supremacist heteronormative patriarchy: neoliberal diversity discourses, institutionalized policies, and a re-emergence of high-profiled white supremacist activities. Together, these dynamics minimized, contained and absorbed community activism and possibilities of change. They reinforced the status quo by maintaining limits on who belongs and sustaining intersecting hierarchies of race, immigration status, gender, and sexuality. This extended case adds to the scant scholarship on the current sanctuary struggles, including among immigration scholars. It also illustrates how the state co-opts and marginalizes movement language, ideas, and people, providing a cautionary tale about the forces that restrict more transformative change.


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