scholarly journals Cuentistas mexicanos modernos, entre tópicos, cánones y creación crítica

2018 ◽  
Vol 8 (1) ◽  
Author(s):  
Lourdes Castañón
Keyword(s):  
Twentieth Century ◽  
Short Story ◽  
Theoretical Basis ◽  
Mexican Literature ◽  
Literary Critic ◽  
Alfonso Reyes

Cuentistas mexicanos modernos is a short story anthology of fiction stories that bring together Mexican authors of the 1950’s. This anthology was compiled by Emmanuel Carballo, a Mexican literary critic, journalist and promotor of cultural affairs during the second half of the twentieth century. This analysis focuses on the prologue and profiles broached in the anthology, as well as on the very concept of anthology. Alfonso Reyes, Alberto Porqueras, and Justo Serna provide the theoretical basis for the study, which sets aside the stories gathered in the publication and concentrates mainly on topics which Carballo treated, like Mexicanism and tradition. In addition, he established a canon: the division of Mexican literature into realist and fantastic veins. At the same time, he practiced what became known as critical creation on the authors anthologized in this 1956 publication.

“SastraKoran Bekas”: Problem Komunikasi Sastra di Dunia Jurnalistik

1970 ◽  
Vol 2 (2) ◽  
pp. 194-203
Author(s):  
Abdul Wachid
Keyword(s):  
Short Story ◽  
Social Problem ◽  
Literary Critic ◽  
Human Reality ◽  
Space Limit

Journalistic influence, originally only at actuality and space limit of newspaper literary rubric that affect the lengthof short story, poem, and literary critic. However, because intense state hegemony on every line, include press, literarypositioning itself to participate on social problem. Journalistic still important for literary development in Indonesia, but its formulahas been questioned by literary. Therefore, literary will attract “crowd”, by doing sublimation again, by transcend humanproblems from “crowd” view to human Reality.

TRADITION AND INNOVATION IN USMON KUCHKOR'S POEMS

2021 ◽  
Vol 5 (3) ◽  
pp. 100-111
Author(s):  
Nasiba Norova ◽  
Keyword(s):  
Twentieth Century ◽  
Human Heart ◽  
Visual Features ◽  
Spiritual Experiences ◽  
Literary Critic ◽  
Special Significance ◽  
Specific Product ◽  
Political Views ◽  
Way Of Thinking ◽  
The Way

Introduction. The article discusses the poetic innovations, formal and stylistic peculiarities in the work of the talented poet Usmon Kuchkor. The poet's “muqarnas” are analyzed. The second half of the twentieth century and the period of independence have a special significance with Uzbek poetry, its charm, new tones and visual features. Methodological and formal research, the renewal of artistic thinking, the human heart and spiritual experiences, the vivid depiction of emotions form the basis of this poetry. In this, the importance of artistic thinking in particular is immeasurable. As the literary critic N. Rakhmonov noted: "The multifaceted and multilayered phenomenon - the concept of artistic thinking is a specific product of philosophical, ethical and political views, manifested in the way of thinking of the artist" [7,4]. Methods.

Iraq

2017 ◽  
Author(s):  
Haytham Bahoora
Keyword(s):  
Twentieth Century ◽  
Short Story ◽  
Social Issues ◽  
Social Realism ◽  
Self Awareness ◽  
Historical Novels ◽  
The Novel ◽  
War In Iraq ◽  
Critical Social

This chapter examines the development of the novel in Iraq. It first considers the beginnings of prose narrative in Iraq, using the intermingling of the short story and the novel, particularly in the first half of the twentieth century, as a framework for reassessing the formal qualities of the Arabic novel. It then turns to romantic and historical novels published in the 1920s, as well as novels dealing with social issues like poverty and the condition of peasants in the countryside. It discusses the narrative emergence of the bourgeois intellectual’s self-awareness and interiority in Iraqi fiction, especially the novella; works that continued the expression of a critical social realism in the Iraqi novelistic tradition and the appearance of modernist aesthetics; and narratives that addressed dictatorship and war in Iraq. The chapter concludes with an overview of the novel genre in Iraq after 2003.

scholarly journals RIAK-RIAK POSMODERN DALAM CERPEN ABRACADABRA KARYA DANARTO

2010 ◽  
Vol 4 (1) ◽  
pp. 18
Author(s):  
Dudy Syafruddin
Keyword(s):  
Twentieth Century ◽  
Short Story ◽  
Human Mind ◽  
Social Phenomenon ◽  
Literary Works ◽  
Historiographic Metafiction ◽  
The Social ◽  
The 1960S

Literature is a product of culture keeping abreast of human mind. Literary works is a means for the authors to express the social phenomenon in his life. The discourses about postmodernism in the second half of twentieth century, as a part of the story of human mind, was a profound interest for the Authors. In Indonesia, the postmodern discourse has come up in the 1960s. This paper involves the elements of Postmodernism in the short story “Abacadabra” written by Danarto. The dominant elements in this short story are parody, fragmentary, and historiographic metafiction.

scholarly journals Condemnation of Religious Concepts: An Examination of Chubak's "An Afternoon in Late Autumn" through Bakhtin's Theory of Grotesque Realism

2018 ◽  
Vol 21 (1) ◽  
pp. 53-67
Author(s):  
Sayed Mohammad Anoosheh ◽  
Muhammad Hussein Oroskhan
Keyword(s):  
Twentieth Century ◽  
Short Stories ◽  
Short Story ◽  
Lower Section ◽  
Persian Literature ◽  
Social Hierarchies ◽  
Late Autumn ◽  
New Perspective ◽  
Style Of Writing ◽  
A Site

The first traces of modernism in Iranian society can be found in the second decade of twentieth century which was deeply embedded with religious concepts. With regard to Persian literature, short story was developed as a new genre and a sign of modernism of that period by prominent Iranian writers such as Sadeq Hedayat (1903-1951), Mohammad Ali Jamalzadeh (1892-1997) and Sadegh Chubak (1916-1998). In this way a cultural clash was broken out between the traditional religious concepts and the new modern ideas. Among these writers, Chubak was more influenced by the doctrine of modernism. He expressed his message colloquially through his short stories to instigate the lower part of society. His naturalistic style of writing delved into the most gruesome details of people's life with the aim of shocking his reader in experiencing a new perspective previously ignored. To highlight Chubak's style of writing attempt is made to explore one of the highly praised short stories entitled "An Afternoon in Late Autumn" on the ground of the Bakhtin's theory of grotesque realism cited in Rabelais and His World. Grotesque realism is a site upon which religious and social hierarchies can be subverted and renewed. This study tries to reveal that Chubak followed the Bakhtin's grotesque realism to evoke a new outlook particularly in the lower section of society.

The Stone Dreams scandal: the Nagorny Karabakh conflict and Armenian-Azerbaijani relations in contemporary literature

2014 ◽  
Vol 2 (1-2) ◽  
pp. 42-59
Author(s):  
Mikail Mamedov
Keyword(s):  
Twentieth Century ◽  
Short Story ◽  
Contemporary Literature ◽  
Traumatic Events ◽  
Democratic Institutions ◽  
Recent Past ◽  
Ruling Elite ◽  
Home Village ◽  
Conflict Reconciliation ◽  
Armenian Population

This article analyses the scandal that broke out in Azerbaijan after the publication of Stone Dreams, a novel by Azerbaijani writer Akram Aylisli. Stone Dreams depicted and condemned the persecution against the Armenian population in Baku and Sumgait in 1988-1990, as well as the early twentieth century massacre of the Armenian community in the writer’s home village, Aylis in Nakhichevan. Akram Aylisli touched on a taboo and in a context with weak civic and democratic institutions, the discussion of such traumatic events in Azerbaijan’s recent past proved unacceptable to both society and the ruling elite. This article reaches beyond contemporary debates, however, to cover earlier and less well-known works with Armenian-Azerbaijani themes such as Evgeniy Voyskunskiy’s novel Maiden Dreams, Seymur Baycan’s Gugark, Maria Martirosova’s Photos To Remember Me By and Levon Javakhian’s short story “Kirve”. These works are reviewed here in terms of how they address issues of conflict, reconciliation and responsibility. This article underscores the importance of literary works dealing with conflict, as they usually reach a much broader audience than academic books.

Heroism in the Age of Consumerism: The Emergence of a Moral Don Quixote in John Updike’s “A & P”

2020 ◽  
Vol 23 (3) ◽  
pp. 75-85
Author(s):  
Zakarya Bezdoode ◽  
Eshaq Bezdoode
Keyword(s):  
Decision Making ◽  
Short Stories ◽  
Short Story ◽  
Shopping Mall ◽  
Moral Decision ◽  
Literary Critic ◽  
Moral Decision Making ◽  
Middle Classes ◽  
Moral Problems ◽  
Story Writer

This paper analyzes John Updike’s short story “A & P” in the light of Max Weber’s notion of moral decision-making. A prominent contemporary American story-writer and literary critic, Updike has devoted his fiction to subjects’ rational and moral problems in the contemporary consumerist society. Updike’s lifelong probing into the middle classes’ lives is a body of fiction that raises questions about determinism, moral decision, and social responsibility, among others. “A & P” is a revealing example of such fiction and one among Updike’s most frequently anthologized short stories. The story, titled after a nationwide American shopping mall in the early twentieth century, investigates the possibility of decision-making within consumerist society. This paper demonstrates how Updike’s portrayal of his characters’ everyday lives reveals the predicament of intellectual thinking and moral decision-making in a consumerist society and warns against the loss of individual will in such societies.

Fictions of Irregular Post-Soviet Migration

2018 ◽  
Author(s):  
Claudia Sadowski-Smith
Keyword(s):  
Twentieth Century ◽  
Short Story ◽  
The United States ◽  
Comparative Approach ◽  
Abraham Cahan ◽  
Short Story Collection ◽  
Mary Antin ◽  
Cultural Productions ◽  
European Immigrants ◽  
Eastern European Immigrants

This chapter explores Sana Krasikov’s short story collection One More Year (2008) and Anya Ulinich’s novel Petropolis (2007) in order to develop a comparative approach to representations of irregular and unauthorized migration, a form of movement that has been largely identified with migrants from Mexico and Central America. The fiction by Krasikov and Ulinich represents ethnically and racially diverse protagonists from Russia, Georgia, and Uzbekistan, who arrive in the United States on nonimmigrant visas and become irregular or undocumented. These two works move beyond the themes of assimilation and family migration that dominated twentieth-century cultural productions by eastern European immigrants of Jewish descent, such as Mary Antin, Abraham Cahan, and Anzia Yezierska. Their work laid the foundation for a literature of assimilation to a middle-class white US racial identity that became fully available to European immigrants by the mid-twentieth century. The fiction by Krasikov and Ulinich emphasizes post-Soviet characters’ experiences of diminished access to the US labor market, residency, and citizenship rights, and thus positions itself in the larger context of contemporary US immigrant writing.

Jovita Gonzalez Stakes a Claim in Tejas History

2017 ◽  
Author(s):  
Karen R. Roybal
Keyword(s):  
Twentieth Century ◽  
Race Relations ◽  
Short Story ◽  
Cultural Memory ◽  
Historical Novel ◽  
The Novel ◽  
Growing Body ◽  
Master's Thesis ◽  
Mexico Border ◽  
Nineteenth And Twentieth Centuries

This chapter examines the short story, "Shades of the Tenth Muses," the novel, Caballero: A Historical Novel, and a master's thesis – each narrative written by Tejana folklorist and author, Jovita González – to reveal how she contributed to an alternative archive about the Texas/Mexico borderlands. As a member of the Texas folklore society, González participated alongside what were considered prominent Texas folklorists and historians (mainly Anglo males) of the twentieth century, in an effort to (re)tell her own version of Tejano history. The chapter argues that González uses her literary and academic work to create an alternative archive about gender and race relations along the Texas/Mexico border in the nineteenth and twentieth centuries. Her work contributes to an ever-growing body of Chicana/o work that recuperates Mexicana/o cultural memory.

Old Testament Realism in the Writings of Erich Auerbach

2018 ◽  
pp. 187-224
Author(s):  
James I. Porter
Keyword(s):  
Twentieth Century ◽  
Old Testament ◽  
Historical Consciousness ◽  
Literary Genre ◽  
Human Consciousness ◽  
Literary Critic ◽  
Social Worlds ◽  
The West ◽  
The Real ◽  
Historical Thought

This chapter studies the work of the German literary critic Erich Auerbach, who wrote in response to the historical upheaval of the mid-twentieth century as a form of historical engagement. In his work, Auerbach endeavors to portray the evolution of historical consciousness in the West and the discovery of the human and social worlds it yielded. He reflects on this evolution in relating the narrative of realism. In this account, realism is not a literary genre, but rather the evolving recognition of human consciousness of its own conditions, the growing awareness, that is, that reality and the real inhere in the sensuous, the mundane, and the human. At the center of this narrative, Auerbach places Judaism and its heritage rather than Christianity. For Auerbach, history and historical consciousness first appear in the Jewish biblical stories, which provide in turn the structure and the framework for all subsequent expressions of historical thought and experience.

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