scholarly journals Defamation 2.0: New Threats in Digital Media Era - An Overview on Forensics Approaches in the Social Network Ecosystem

2021 ◽  
Author(s):  
Cristina Nastasi ◽  
Sebastiano Battiato
Keyword(s):  
Social Network ◽  
Digital Media ◽  
The Social

scholarly journals Domestic violence against women amidst the pandemic: coping strategies disseminated by digital media

2021 ◽  
Vol 74 (suppl 1) ◽  
Author(s):  
Lucimara Fabiana Fornari ◽  
Rafaela Gessner Lourenço ◽  
Rebeca Nunes Guedes de Oliveira ◽  
Danyelle Leonette Araújo dos Santos ◽  
Mariana Sbeghen Menegatti ◽  
...  
Keyword(s):  
Domestic Violence ◽  
Social Network ◽  
Digital Media ◽  
Customer Service ◽  
Violence Against Women ◽  
Third Sector ◽  
Thematic Content Analysis ◽  
The Social ◽  
Domestic Violence Against Women ◽  
Service Strategies

ABSTRACT Objective: to know the strategies to cope with domestic violence against women disseminated by digital media at the beginning of the COVID-19 pandemic. Methods: a documentary study with a qualitative approach. The search took place from March 11 to April 30, 2020, from four sources: newspapers and online portals, social network, official government pages and third sector portals. Thematic content analysis of the findings was performed. Results: seventy-seven strategies were identified in the journalistic press, 93 in the social network, 45 in government portals and 40 in third sector organizations. From analysis, three empirical categories emerged: Strategies for communication with women; Strategies adopted by customer service; Strategies to inform the population. Final considerations: most of strategies were adaptations of existing services, centered on the reporting of violence by women

Epatage as a Characteristic Feature of Digital Media

2021 ◽  
pp. 87-92
Author(s):  
Anastasiya Zavadskaya
Keyword(s):  
Social Network ◽  
Social Interaction ◽  
Characteristic Feature ◽  
Digital Media ◽  
Digital Communication ◽  
Figurative Meaning ◽  
Digital Texts ◽  
The Social

The article discusses the features of modern digital communication, which the author understands as social interaction of communicants aimed at informing the addressee and influencing him/her. Digital media genres have a set of features that allow them to be distinguished from many other media genres (intertextuality, hypertextuality, creolization). Competing with each other, the creators of digital texts try to make their texts more vivid, interesting, and memorable. It is for this purpose that many of them turn to such a phenomenon as outrage. After analyzing the texts of digital media (tweet reports, instagram texts and texts posted on the social network Facebook), the author concludes about the ways to create epatage at the lexical level. They included the use of reduced vocabulary, the use of words in a figurative meaning that is not fixed by explanatory dictionaries, the use of occasional and emotive vocabulary.

Technology and Inuit identity: Facebook use by Inuit youth

2018 ◽  
Vol 14 (3) ◽  
pp. 228-236 ◽  
Author(s):  
Alexander Castleton
Keyword(s):  
Social Network ◽  
Digital Media ◽  
Information And Communication Technologies ◽  
Canadian Arctic ◽  
Communication Technologies ◽  
The Arctic ◽  
The Social ◽  
Facebook Use ◽  
Information And Communication ◽  
The Relationship

This article discusses the relationship between technology and Inuit identity. Using interviews, it explores how a group of students from the Arctic College located in the community of Iqaluit in the Canadian Arctic, use the social network Facebook. It was found that in addition to an expected use of the social network associated with the script promoted by the technology, Inuit youth used Facebook to access content related to their identity in various groups, discuss sociocultural issues, and remember traditions. This article argues that Inuit identity is an example of how indigenous cultures have to be understood as something dynamic, constantly changing, for which information and communication technologies are fundamental. Furthermore, this article claims that rather than understanding Facebook as a tool that is adopted by Indigenous people—as previous literature tends to hold—the use of digital media should be conceived as part and parcel of identity.

scholarly journals Digital Lives: Refiguring the recent and distant pasts in new biographical forms

2012 ◽  
Vol 5 (3) ◽  
Author(s):  
Adam Gallimore
Keyword(s):  
Social Network ◽  
Digital Media ◽  
Narrative Structure ◽  
The Past ◽  
Visual Composition ◽  
The Social ◽  
Biographical Film ◽  
The Spectator ◽  
Digital Filmmaking ◽  
The Impact

In the past decade digital media have progressively become the major forms of memorialising figures and events of the past. Memory itself, in the manner by which it is encoded, stored and accessed, has developed into an increasingly digitised medium due to advancing technologies and the proliferation of digital archiving. This article considers the impact of digital filmmaking and digital media forms on contemporary biographical narratives, as well as how digital filmmaking practices have been applied to the biographical film for unique aesthetic, thematic and narrative purposes. The examination of divergent applications of digital techniques in the representation of both recent and distant pasts will allow for greater insight into the modern biographical subject. I focus on The Social Network (2010) in order to investigate the framing of a biographical subject within events of the recent past. I consider the manner in which the film exploits its pastness for unique aesthetic and narrative purposes, highlighting particularities of the generational zeitgeist through its non-linear narrative structure and its employment of what I describe as an “internet aesthetic” that serves to memorialise a previous technological era. This approach examines the film’s emphasis on visual composition and engagement with technology in its representation of its biographical subject. In this manner, the digital can be viewed as adding further forms of stylistic expression as well as having the potential to involve viewers more directly with figures and events of the past. This article also examines how digital representational strategies allow for a more temporally-specific engagement, reflecting the development of new ways in which audiences access and interact with history through biographical narratives. Viewing The Social Network alongside films such as Che (2008), Public Enemies (2009) and 127 Hours (2010) I illustrate how contemporary biopics construct different ways of experiencing their historical figures, with digital aesthetics lending qualities of presentness and propinquity to past events. Digital is frequently employed to enhance the immediacy of the past in order to align the spectator more closely with the experiences of a film’s subject(s), and the issues raised by these representational strategies need to be considered when looking to the future of the biographical film.

The social network

2013 ◽  
Vol 44 (2) ◽  
pp. 22
Author(s):  
ALAN ROCKOFF
Keyword(s):  
Social Network ◽  
The Social

The Multilevel p2 Model

Methodology ◽  
2006 ◽  
Vol 2 (1) ◽  
pp. 42-47 ◽  
Author(s):  
Bonne J. H. Zijlstra ◽  
Marijtje A. J. van Duijn ◽  
Tom A. B. Snijders
Keyword(s):  
Social Network ◽  
Network Data ◽  
Mcmc Algorithm ◽  
Independent Observation ◽  
Single Observation ◽  
Multiple Networks ◽  
Social Network Data ◽  
Multiple Observations ◽  
Practical Support ◽  
The Social

The p 2 model is a random effects model with covariates for the analysis of binary directed social network data coming from a single observation of a social network. Here, a multilevel variant of the p 2 model is proposed for the case of multiple observations of social networks, for example, in a sample of schools. The multilevel p 2 model defines an identical p 2 model for each independent observation of the social network, where parameters are allowed to vary across the multiple networks. The multilevel p 2 model is estimated with a Bayesian Markov Chain Monte Carlo (MCMC) algorithm that was implemented in free software for the statistical analysis of complete social network data, called StOCNET. The new model is illustrated with a study on the received practical support by Dutch high school pupils of different ethnic backgrounds.

ПРАГМАТИЧНИЙ ПОТЕНЦІАЛ НАТИВНОЇ РЕКЛАМИ: ФОРМИ, ТРЕНДИ (НА ПРИКЛАДІ НАТИВНОГО КОНТЕНТУ В СОЦІАЛЬНІЙ МЕРЕЖІ FACEBOOK ЩОДО БРЕНДА ФАКУЛЬТЕТУ ЖУРНАЛІСТИКИ ЗНУ)

2020 ◽  
pp. 113
Author(s):  
V. Kovpak ◽  
N. Trotsenko
Keyword(s):  
Social Network ◽  
Professional Training ◽  
Educational Process ◽  
Communication Strategy ◽  
Student Centered ◽  
Teacher Student ◽  
The Social ◽  
National University ◽  
High Level ◽  
The Impact

<div><p><em>The article analyzes the peculiarities of the format of native advertising in the media space, its pragmatic potential (in particular, on the example of native content in the social network Facebook by the brand of the journalism department of ZNU), highlights the types and trends of native advertising. The following research methods were used to achieve the purpose of intelligence: descriptive (content content, including various examples), comparative (content presentation options) and typological (types, trends of native advertising, in particular, cross-media as an opportunity to submit content in different formats (video, audio, photos, text, infographics, etc.)), content analysis method using Internet services (using Popsters service). And the native code for analytics was the page of the journalism department of Zaporizhzhya National University on the social network Facebook. After all, the brand of the journalism department of Zaporozhye National University in 2019 celebrates its 15th anniversary. The brand vector is its value component and professional training with balanced distribution of theoretical and practical blocks (seven practices), student-centered (democratic interaction and high-level teacher-student dialogue) and integration into Ukrainian and world educational process (participation in grant programs).</em></p></div><p><em>And advertising on social networks is also a kind of native content, which does not appear in special blocks, and is organically inscribed on one page or another and unobtrusively offers, just remembering the product as if «to the word». Popsters service functionality, which evaluates an account (or linked accounts of one person) for 35 parameters, but the main three areas: reach or influence, or how many users evaluate, comment on the recording; true reach – the number of people affected; network score – an assessment of the audience’s response to the impact, or how far the network information diverges (how many share information on this page).</em></p><p><strong><em>Key words:</em></strong><em> nativeness, native advertising, branded content, special project, communication strategy.</em></p>

Emotive Trending And Tracking of Tweets

2017 ◽  
Vol 7 (11) ◽  
pp. 25
Author(s):  
Sanjay Chhataru Gupta
Keyword(s):  
Social Networks ◽  
Social Media ◽  
Social Network ◽  
The Social ◽  
The World ◽  
Complex Events

Popularity of the social media and the amount of importance given by an individual to social media has significantly increased in last few years. As more and more people become part of the social networks like Twitter, Facebook, information which flows through the social network, can potentially give us good understanding about what is happening around in our locality, state, nation or even in the world. The conceptual motive behind the project is to develop a system which analyses about a topic searched on Twitter. It is designed to assist Information Analysts in understanding and exploring complex events as they unfold in the world. The system tracks changes in emotions over events, signalling possible flashpoints or abatement. For each trending topic, the system also shows a sentiment graph showing how positive and negative sentiments are trending as the topic is getting trended.

Sign in / Sign up

Export Citation Format

Share Document