A nostalgic return to the past or sound searching? On the use of contemporary harpsichords in early music performance
The article is based on the materials used for the author’s doctoral dissertation entitled Contemporary performance of 17th century German harpsichord toccatas in the context of instrument selection. Its main part is an analysis of the changes which occured in the harpsichord builiding before the end of the 19th century and the change in approach to early music at the beginning of the 20th century. The article is an attempt to answer the question to which extent instrument selection determines our today’s performance. Is it only a harpsichord being an exact copy of historical instruments that allows us to deliver an authentic and fresh interpretation? While listening to 20th century harpsichordists playing 20th century instruments (i.e., using contemporary models, not historically-based), we discover a different world of early music, which may even be more experimental than today’s performance sound-wise. It seems that the openness towards contemporary harpsichords while preserving historical practices at the same time may help discover new sound qualities in early music pieces.