“The Mountain of the Mind”: The Politics of the Gaze in Andrei Platonov'sDzhan
This article explores the prominent role played by visual tropes in Andrei Platonov's Turkmen novella,Dzhan(Soul). While acknowledging Platonov's literary inventiveness, it seeks to identify the equal importance of the gaze as a means of emotional and ideological cognition, thereby arguing that the shift in emphasis in his prose in the mid-1930s entailed not just a move away from explicitly linguistic experimentation but also a greater embrace of visual imagery. With reference to bothDzhanand the author's letters and notebooks, this essay examines how the geographical relocation to Central Asia is accompanied by a heightened engagement with the world through the gaze, which functions principally in terms of gender and national identity. It concludes with a consideration of how the gaze is integral to a theory of Platonov's understanding of language, arguing that the “situatedness” of the individual is predicated on his or her being seen in a visual context by an interlocutor.