Engendering a New Age: Isabella Ford and Alfred Orage

Author(s):  
Ruth Livesey

This chapter analyses the dissemination of socialist aesthetics in the press up until 1914. During the 1890s, the rise of the ILP shifted the locus of such debates from London to northern manufacturing towns, as is evident from the contributions of Isabella Ford, Margaret McMillan, Robert Blatchford, and Alfred Orage to the Clarion, Labour Leaden and the Leeds Arts Club. The discussion focuses on the development of Orage's politics and aesthetics from his early work with Isabella Ford and Edward Carpenter in Leeds to the peak of his influence as editor of the New Age in 1914. Orage came to reject both the ‘sentimental’ aesthetics of the ILP and the compromises of the Parliamentary Labour Party in the early twentieth century; turning instead to the model of guild socialism.

2012 ◽  
Vol 14 ◽  
pp. 236-247
Author(s):  
Stuart Mews

Two names stand out in the wealth of young talent which forged the networks which came together in what has come to be called the ecumenical movement, John R. Mott (1865–1955) and his contemporary Nathan Söderblom (1866–1931). For his fellow American Robert Schneider, Mott was ‘undoubtedly the most famous Protestant ecumenist of the early twentieth century’. To his fellow Swede Bengt Sundkler, Söderblom provided the spark of innovation in 1919–20 which was ‘the beginnings in embryo of what later became the ecumenical movement in its modern form’. The purpose of this paper is to consider their contributions in the period from 1890 to 1922, and the overlap and divergences of their roles in the movements contributing to ecumenical thinking and action. Amongst those disparate though sometimes overlapping strands were the concerns of foreign missions, students and peace. A subsidiary theme is that of mischief-making, sometimes out of ignorance, sometimes by design of the press.


2021 ◽  
Vol 24 (3) ◽  
pp. 71-79
Author(s):  
Serhii Svitlenko

The relevance of this topic is seen in the fact that its study provides an opportunity to deepen the understanding of the underdeveloped problem of perpetuating the historical memory of Taras Shevchenko – a symbol of the Ukrainian nation's struggle for social and national freedom as an important factor in opposing the imperial regime. Tsarism by methods of ideological, gendarmerie-police, censorship pressure in every way prevented the activation of conscious Ukrainians in the early twentieth century. The aim of the study is to study the perpetuation of the memory of Taras Shevchenko in the Ukrainian national movement of the Dnieper region in the early twentieth century. The results of the article are that based on the study of archival and published documents, journalistic materials of the press and memoirs, various methods of legal and illegal activity of the Ukrainian national movement in preserving the historical memory of Taras Shevchenko were reconstructed. It is emphasized that the progressive public widely celebrated the 40th anniversary of Kobzar's death in the press. In the early twentieth century Ukrainian activists raised the issue of erecting a monument to Shevchenko, continued the tradition of visiting the tomb of the Ukrainian poet, tried to perpetuate his memory in toponymy, participated in Shevchenko's memorial services, resorted to illegal gatherings in honor of Kobzar, mentioned him during meetings and communication in among the intelligentsia. The originality and scientific novelty of the article in the production and development of insufficiently researched plot on historical Shevchenko studies, actualization and conceptualization of various concrete-historical material. Conclusions were made on various forms and methods of struggle to preserve the memory of Taras Shevchenko, which contributed to the establishment of national consciousness among Ukrainians, strengthened the political tendency in the Ukrainian national movement.


Author(s):  
Mona Hassan

This chapter analyzes the vibrant discussions of the early twentieth century over how to revive a caliphate best suited to the post-war era. While some advocated preservation of a traditional caliphal figurehead, many Muslim intellectuals were greatly persuaded by new models of internationalism embracing the nation-state and proposed international caliphal councils and organizations, similar to the League of Nations, or other purportedly spiritual institutions, similar to the refashioned papacy, to preserve the bonds of a transregional religious community. To varying degrees, all the participants in the debate over reviving a twentieth-century caliphate were influenced by an intriguing confluence of both the historic transregionalism of the Muslim community as well as the modern thrust of the new age of global internationalism.


Author(s):  
Finn Fordham

As a queer bildungsroman, Maurice has a particular way of managing the relation between the body and the soul. Forster's exploration of the queer relationship between body and soul took place at a time when there was a battle over the nature of the soul, often defensive against materialism: concepts of identity and selfhood were undergoing radical contestations and the word 'soul' is a resonant term in modernist novels. How did emerging discourses, such as those of Havelock Ellis, Edward Carpenter, and many others, about homosexual orientation relate to these contemporary discourses around the self? The chapter focuses on two passages about body and soul, whose textual genesis reveals problems of phrasing, as Forster’s unprecedented investigation of sexuality takes him to the edge of identity. It then examines how certain spaces, such as windows and thresholds, become symbolic zones of transgressive encounters between inner and outer, soul and body. It concludes by showing how Forster avoids drawing up any consistent ‘doctrine’ of body and soul. As a work of fiction in which different visions of the world come into conflict with each other, Maurice is a unique and vital witness of transforming discourses about homosexuality in the early twentieth century.


Sweet Mystery ◽  
2020 ◽  
pp. 1-14
Author(s):  
Ellen M. Peck

This chapter introduces some of the female playwrights of the early twentieth century and examines some of the social conditions under which they worked. It argues that many of them represented a major cultural change for women of the period who were leaving the Victorian era behind and forging new paths in the young century. But the press frequently undermined their efforts by presenting them as wives instead of individuals, scrutinizing their physical attractiveness, and implying that playwriting was a hobby on the same level as gardening or homemaking. The chapter then shifts to the challenges of writing for the musical theater and collaborating with other writers. It concludes with examples of Young’s correspondence with the Shuberts and demonstrates her ability to navigate the business side of the theater.


2015 ◽  
Vol 8 (2-3) ◽  
pp. 192-214 ◽  
Author(s):  
Murat C. Yıldız

This article examines the emergence and spread of the ‘sportsman’ genre of Ottoman photography in late-nineteenth and early-twentieth-century Istanbul. The ‘sportsman photograph’ depicted young men posing shirtless or wearing tight-fitting athletic attire, flexing their muscles and exhibiting their bodies. These images were embedded in a wider set of athletic and leisure activities and constituted novel social and photographic practices. By tracing the deployment of ‘sportsman’ photographs in sports clubs and the press, I argue that they cemented homosocial bonds, normalized and popularized new notions of masculinity, confessionalized the male body and reconfigured the ways in which Ottoman Muslims, Christians and Jews performed and conveyed their commitment to middle-class notions of masculinity and the self.


2005 ◽  
Vol 15 (2) ◽  
pp. 209-243 ◽  
Author(s):  
Kristin Kobes Du Mez

AbstractIn the 1920s, a child evangelist by the name of Uldine Utley toured the United States, attracting large crowds and captivating the press. She enjoyed the support of ministers from a wide variety of denominations, though her most ardent proponent was the famous fundamentalist preacher John Roach Straton. In many ways, Utley's success seems to counter existing narratives of early-twentieth-century religious history. Her revivalist ministry developed in an era that saw the decline of revivalism, and she rose to prominence during the height of the fundamentalist-modernist controversy. Claiming to adhere to biblical “literalism,” she nonetheless affirmed the appropriateness of female preaching. And, in the wake of efforts to masculinize American Protestantism and rediscover a “muscular” Christianity, Utley was known and celebrated for her femininity and beauty.Utley's femininity was, in fact, central to her appeal. She preached a “sweet and kindly gospel” and fashioned an elaborate feminine persona. Her diminutive size, her blond hair and blue eyes, and her white attire seemed to give her an “angelic” appearance, and her persistent association with flowers, both allegorical and real, further contributed to her aura of femininity. In the context of shifting gender arrangements and changing constructions of sexuality and morality in early-twentieth-century America, Utley's femininity and innocence provided a soothing alternative to the uncertain times. But the model of femininity Utley displayed was fraught with ambivalence and proved difficult to maintain as she matured from child to young woman. In addition to illuminating a frequently overlooked strand of conservative Protestantism during this time, attention to Utley's life and ministry also reveals a powerful yet ambivalent script that remains available to modern Protestant women to this day.


2018 ◽  
Vol 17 (1) ◽  
pp. 213 ◽  
Author(s):  
Luiz Carlos Barreira

Este artigo focaliza as ações de um grupo de intelectuais portugueses no início do século XX que se apresentava como anarcossindicalista. Autodenominado Grupo Lumen, suas ações visavam à formação do ser social. Dentre tais ações, o texto destaca a criação de uma revista, intitulada Lumen, por meio da qual o Grupo publicou suas teses sobre o educar e o instruir, tendo como referência as experiências da Escola Oficina Nº 1 de Lisboa e da Escola Moderna de Ferrer y Guardia, em Barcelona. A perspectiva de análise adotada pelo autor situa a imprensa no terreno da história social, no âmbito do qual ela é concebida como um conjunto de práticas constitutivas do social. Por meio da imprensa, o Grupo Lumen propôs um programa de instrução laica, científica e livre como condição necessária à criação de uma sociedade ácrata.Palavras-chave: Anarcossindicalismo, Formação libertária, Revista Lumen. Portugal. AbstractThis article focuses on the actions of a group of Portuguese intellectuals in the early twentieth century who presented itself as anarcho-syndicalist. Calling itself Lumen Group, its actions aimed at the formation of the human being. Among such actions, the text highlights the creation of a magazine, entitled Lumen, through which the Group published its thesis on educating and instructing, choosing as a reference the experiences of the Escola Oficina Nº 1 of Lisbon and the Escola Moderna, directed by Ferrer y Guardia, in Barcelona. The analytical perspective adopted by the author puts the press in the field of social history, under which it is conceived as a set of constitutive social practices. Through the press, the Lumen Group proposed a secular, scientific and free education program as a necessary component to create a self-governed (stateless) society.Keywords: Anarcho-syndicalism, Libertarian formation, Lumen Magazine. Portugal.ResumenEste artículo se centra en las acciones de un grupo de intelectuales portugueses a principios del siglo XX que se presentaba como anarcosindicalista. Autodenominado Grupo Lumen, sus acciones apunta a la formación del ser social. Entre estas acciones, el texto destaca la creación de una revista, titulada Lumen, por medio de la cual el Grupo publicó sus tesis sobre el educar y el instruir, eligiendo como referencia las experiencias de la Escuela Oficina Nº 1 de Lisboa y de la Escuela Moderna de Ferrer y Guardia, en Barcelona. La perspectiva de análisis adoptada por el autor sitúa a la prensa en el terreno de la historia social, en el marco del cual ella es concebida como un conjunto de prácticas constitutivas de lo social. A través de la prensa, el Grupo Lumen propuso un programa de instrucción laica, científica y libre como condición necesaria a la construcción de una sociedad ácrata.Palabras clave: Anarcosindicalismo; Formación libertaria, Revista Lumen. Portugal.


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