scholarly journals Ideal-real beauty in the theurgical creativity: Themes and concepts of visual art aesthetics of the silver age of Russian culture

Artefact ◽  
2020 ◽  
Vol 6 (1) ◽  
pp. 15-32
Author(s):  
Ivica Marković
Keyword(s):  
Fine Arts ◽  
Theological Interpretation ◽  
Religious Philosophy ◽  
Silver Age ◽  
Russian Culture ◽  
Western Art ◽  
Philosophy Of Life ◽  
Art And Culture ◽  
True Knowledge ◽  
Speculative Thought

The paper explores the Christian-intoned philosophical aesthetics of the figurative arts during the silver age of Russian culture. In this period, which covers the second half of the nineteenth and the first two decades of the twentieth century, Russia's speculative thought, based on the Orthodox patristic and philosophical idealism, promoted the original religious philosophy, which highly valorized the importance of comprehensive gnoseology and ontology of "total-unity", true knowledge sought only through the absolute - an ideal which in itself synthesizes a real beauty, truth and goodness. That is why the Christian fine arts and aesthetics of this period in Russia were built only as an organic segment of a holistically interpreted philosophy of life, recapitulated by its essential principle - Christ. In order to systematize various aspirations, ideas and concepts of this artistic aesthetics, the paper singles out and explains three major themes that are intertwined. These are: the beauty (integral with goodness and truth), Christlike according to Dostoevsky, ideal-real according to Soloviev; theurgical creation, viewed both as artistic (free and transformative) and as an ascetic likeness to God; and the icon, which - through a philosophical-theological interpretation of an apophatic-kataphatic antinomy, reverse perspective and symbolism - integrates the issue of beauty and creativity into a common discourse, entering the Orthodox apologetic front before western art and culture, from the renaissance to the modern digital age.

scholarly journals ANTHROPOLOGICAL IDEAS IN THE PHILOSOPHICAL-ART SYNTHESIS OF MIKHAIL MATYUSHIN

2020 ◽  
pp. 188-196
Author(s):  
Елена Васильевна Шахматова
Keyword(s):  
Religious Philosophy ◽  
Silver Age ◽  
Avant Garde ◽  
Philosophy Of Life

В статье обосновывается положение о том, что антропологические модели русского авангарда были тесно связаны с метафизикой Всеединства русской религиозной философии рубежа ХIX-XX вв., теософией, философией жизни и древнеиндийскими учениями. Жизнестроительные тенденции эпохи отражали эсхатологические мотивы культуры и искусства Серебряного века. Органическое направление русского авангарда продолжило линию Всеединства, утверждая равенство между микро- и макрокосмом. Предложенный М. Матюшиным метод «ЗОР-ВЕД» отражал антропологические идеи воспитания совершенного человека средствами искусства. The article substantiates the position that the anthropological models of the Russian avant-garde were closely related to the metaphysics of the unity of Russian religious philosophy at the turn of the 19th-20th centuries, theosophy, the philosophy of life, and ancient Indian teachings. Vital tendencies of the era reflected eschatological motifs of culture and art of the Silver Age. The organic direction of the Russian avant-garde continued the line of Unity, asserting the equality between micro and macrocosm. The «ZOR-VED» method proposed by M. Matyushin reflected the anthropological ideas of educating a perfect person by means of art.

scholarly journals An Archaic Layer of the Russian Revolution in the Ideological Field of Russian Religious Philosophy

2021 ◽  
Vol 163 (4–5) ◽  
pp. 230-237
Author(s):  
E.A. Nagornov ◽  
Keyword(s):  
Historical Development ◽  
Philosophy Of History ◽  
Russian Revolution ◽  
Traditional Society ◽  
Russian History ◽  
Religious Philosophy ◽  
Silver Age ◽  
Russian Culture ◽  
Liberal Philosophy ◽  
Basic Ideas

This paper attempts to find out how the entire preceding course of Russian history predetermined the October Revolution’s outcome. With this aim, the structures and character of the Russian Revolution were analyzed by comparing the basic tenets of the theory of modified inversion cycles of historical development, introduced by the Russian sociologist A.S. Akhiezer, with the philosophical ideas of the representatives of Russian religious philosophy. It was suggested that the dominant Universalist view of revolution, with its idealization, should be replaced by M. Foucault’s singular “intermittent” method. As a result, the ideological affinity between the views of the modern liberal historical project on the Russian Revolution and the basic ideas of the philosophers of the Silver Age of Russian culture was revealed. Particular attention was paid to the “underdeveloped and undisclosed” character of personality in Russia (as understood by N.A. Berdyaev), which manifested itself most clearly in the phenomenon of the Revolution of 1917 and led to the triumph of pre-state and pre-political ideals of a traditional society. The legacy of Russian religious philosophy was reinterpreted by comparing it with the ideas of modern liberal philosophy of history.

scholarly journals Bauhaus Gestaltung as a New Philosophy of Life

2020 ◽  
pp. 52-67
Author(s):  
Sanela Nikolić
Keyword(s):  
Aesthetic Experience ◽  
Fine Arts ◽  
Conceptual Foundation ◽  
Philosophy Of Life ◽  
Living Space ◽  
Reflected Light ◽  
Art And Culture ◽  
Individual Existence ◽  
The Individual ◽  
Architecture And Design

The thesis of this text is that the modernist paradigms of art —work of art, creation, and aesthetic experience—were reinterpreted by the Bauhaus idea of the Gestaltung of life. This unique conceptual foundation implied the theoretical and practical education meant to form ( gestalten) not only art and culture, but also life as a whole, as a dynamic organism consisting of two elements—the individual and the space of the individual existence. Bauhaus architecture and design of objects for everyday use were practiced as the Gestaltung of living space in a postwar world of industrial production. The practices of fine arts were developed to improve the human sensory potential and perceptive relations to space. Gestalt psychologists and the Bauhaus worked out the implications of two different meanings of Goethe’s original idea of the Gestalt. The Preliminary Course (Vorkurs) as well as the reflected-light compositions (Reflektorische Farbenlichtspiele), and the artistic solutions of László Moholy-Nagy and Oskar Schlemmer are considered as the concrete educational and artistic achievements of the Bauhaus Gestaltung.

“The last chord of the Silver Age”: science and culture in Crimea in 1920

2020 ◽  
Vol 2020 (10-4) ◽  
pp. 4-14
Author(s):  
Vladimir Kalinovsky ◽  
Alexander Puchenkov
Keyword(s):  
Civil War ◽  
The South ◽  
Silver Age ◽  
Russian Culture ◽  
Short Period ◽  
The Crimea ◽  
Science And Culture ◽  
History Of ◽  
Russian Intelligentsia

This article is devoted to the development of science and culture in the short period of the Wrangel Crimea - 1920. At this time, the brightest figures of Russian culture of that time worked on the territory of the small Peninsula: O. E. Mandelstam, M. A. Voloshin, B.D. Grekov, G.V. Vernadsky, V.I. Vernadsky and others. The article provides an overview of the life and activities of the Russian intelligentsia in 1920 in the Crimea, based on materials of periodicals as the most important source for studying the history of the Civil war in the South of Russia whose value is to be fully evaluated.

scholarly journals BALINESE ART STUDIOS: THE LEARNING PROCESS OF ART AND CULTURE TO SUPPORT SUSTAINABLE TOURISM

2020 ◽  
Vol 4 (1) ◽  
pp. 68
Author(s):  
I Gde Agus Jaya Sadguna ◽  
I Gusti Agung Mas Krisna Komala Sari ◽  
Kumiko Shishido
Keyword(s):  
Learning Process ◽  
Performing Arts ◽  
Formal Education ◽  
Sustainable Tourism ◽  
Fine Arts ◽  
Education Institution ◽  
Tourism Industry ◽  
Hindu Religion ◽  
Art And Culture ◽  
Negative Impacts

Purpose: A lot of perspectives have been discussed about Bali and this paper will discuss it from the angle of the learning process of art and culture in the Balinese art studios in Gianyar Regency. Research methods: The research was conducted on the months of July and August 2019. Qualitative data was obtained during the research because the method of data collection was interviewing the owner of the dance studio. Results and discussions: One of the A’s in tourism is attraction and Bali have a strong attraction for tourists both domestic and foreign tourists. The art and culture is the breath of tourism in the island of Bali, which is based on the Hindu religion. The resources for these art and culture are nurtured in several forms, which one of them is through sanggar or studios, which is a non-formal education institution for learning Balinese art and culture. Various types of art and culture and developed and nurtured in these studios, such as performing arts, fine arts, and local wisdoms. The tourism industry has given positive and negative impacts for Balinese art and culture, depends on how one may argue if seen through different perspectives. Performing arts have flourished in terms of daily performances taken places in hotels and designated performance theaters. The types which can be easily watched are the music and dance of Bali. Conclusion: Tourism in this sense is not a direct aspect but, in the future, has a direct impact: providing culture resources for performances in tourism objects and destinations. This as a part of social sustainability, also the sanggars, is a part of the sustainable tourism family

scholarly journals Correlation of Image of Holy Trinity and Paradigm of Love in Russian Religious Philosophy

2013 ◽  
pp. 245-246
Author(s):  
N. V. Mikhaylova
Keyword(s):  
Religious Philosophy ◽  
Russian Culture ◽  
Holy Trinity ◽  
Basic Characteristics ◽  
First Time

Holy Trinity in Russian religious philosophy through category of catholicity image of the and paradigm of the manifestation of the love. Trinitarian stated as one of the characteristics of traditional Russian culture. For the first time determined three plans of exist of the basic characteristics of culture.

The Image of a Russian Writer in Magazine Caricatures of the Silver Age

2021 ◽  
pp. 342-356
Author(s):  
Elena S. Sonina ◽  
Keyword(s):  
Civil Society ◽  
Russian Literature ◽  
Russian Empire ◽  
Silver Age ◽  
Russian Culture ◽  
History Of ◽  
The Russian Empire ◽  
Printed Word

Due to the literary-centric nature of Russian culture and the performance of the functions of civil society by the printed word, the role of the writer in the history of Russian literature and journalism of the Russian Empire was traditionally high. Therefore, satirical graphics constantly turned to the image of the Russian writer. The study compares the methods of depicting writers in the 19th and early 20th centuries and isolates the traditions of referring to the literary past and present. Caricature in connection with new trends in literature showed writers in the role of heroes of low and elite cultures, “tramps” (bossjaki) and modernists.

Tantisuk, Sawasdi (1925--)

2018 ◽  
Author(s):  
Charlotte Galloway
Keyword(s):  
Fine Arts ◽  
Natural World ◽  
Buddhist Philosophy ◽  
Urban Life ◽  
Art Practice ◽  
Oil Paintings ◽  
Western Art ◽  
Outdoor Scenes ◽  
The 1960S

Born in Thonburi, Thailand, Sawasdi Tantisuk is a contemporary of Tawee Nandakwang; both artists were trained at Silpakorn University and the Academy of Fine Arts in Rome. As a prominent figure in early Thai modernism, Tantisuk favored watercolor, as its unforgiving and immediate characters resonated with his approach to art practice, which drew on the Buddhist philosophy wherein each action—in this case, brushstroke—cannot be undone. Tantisuk’s early works were in the impressionist genre, but following his four years in Rome, his work became more abstracted and geometric as he absorbed some of the major trends in Western art, with color and texture being characteristics of many oil paintings of the 1960s. As his career progressed, abstraction remained his favored approach to painting, though he maintained some realist elements in his watercolor outdoor scenes. Tantisuk used color to evoke emotion in his works, depicting both the serenity and wonder of the natural world and the bustle of Thai urban life. A consistent painter, he has received many awards throughout his career and has remained involved with the art profession. He received an Honorary PhD from Silpakorn University in 1991, and was Thailand’s National Artist (painting) that same year.

Ku Ponung (구본웅, 具本雄) (1906–1953)

2018 ◽  
Author(s):  
Jungsil Jenny Lee
Keyword(s):  
Korean War ◽  
Fine Arts ◽  
Colonial Period ◽  
Korean Art ◽  
Oil Paintings ◽  
Western Art ◽  
Literary Magazine ◽  
The Korean War ◽  
Japanese Colonial ◽  
Spine Curvature

Ku Ponung was a modern artist and critic active during the Japanese colonial period and the Korean War. Due to his spine curvature and eccentric personality, Ku was likened to the French painter Henri de Toulouse-Lautrec (1864–1901) and called "The Seoul Lautrec." Ku attended the Taiheiyō School of Fine Arts in Tokyo, where he was introduced to Fauvism, Expressionism, Surrealism, Cubism, and other modern Western art styles. He later pioneered the acceptance of these styles in Korea. Many of Ku’s oil paintings were lost during the Korean War, but several portraits and still lifes survive. Ku worked closely with contemporaneous writers, and his friendship with the modern poet Yi Sang is well known. Ku also edited and published the literary magazine Ch’ŏngsaekchi. After the liberation of Korea from Japan in 1945, Ku worked to revitalize Korean art by experimenting with various formats and media, including traditional ink painting and newspaper illustration. His attempt at artistic revival continued, even during the turmoil of the Korean War.

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