scholarly journals The Enchanted self: Individual identity change in fiction and film

2020 ◽  
Vol 50 (3) ◽  
pp. 157-174
Author(s):  
Vladislava Gordić-Petković
Keyword(s):  
Operating System ◽  
Theoretical Background ◽  
Modern World ◽  
Individual Identity ◽  
The Novel ◽  
Identity Change ◽  
Male Gaze ◽  
Modern Age ◽  
Computer Operating System ◽  
Human Need

The paper will focus on the representations of identity, self, fantasy and transformation in seemingly incomparable novels and films. The theoretical background of the analysis is partly based on Laura Mulvey's theory of "male gaze", along with various critical analyses of other processes that radically change the concept of identity, love, emotion, and desire in the modern world. The novel The Enchanted April and the film Her show that the gap dividing the imaginary self and the real world narrows as the protagonists tread into beautiful landscapes as imaginary territories that bring miraculous change of personalities and relationships. In this paper, Theodore Twombly and Lady Caroline Dester are seen primarily as fugitives from their respective realities of the year 2025 and the 1920's: while Theodore seeks solace in connecting to a computer operating system designed to function as a flawless emotional partner, Caroline retreats to a garden of a fascinating mansion San Salvatore in order to find her priorities and define her own identity, with the firm intention to become more than a beautiful object of male gaze and desire. The paper will explore the examples of hunger for intimacy in the modern age, as well as the human need to form romantic obsessive attachments to inanimate objects, places and landscapes.

Epic and Novel

2013 ◽  
Vol 68 (3) ◽  
pp. 396-422 ◽  
Author(s):  
Natasha Moore
Keyword(s):  
Nineteenth Century ◽  
Everyday Life ◽  
Economic Life ◽  
Modern World ◽  
The Novel ◽  
Aurora Leigh ◽  
Big Picture

This essay explores a peculiarly Victorian solution to what was perceived, in the middle of the nineteenth century, as a peculiarly Victorian problem: the fragmentation and miscellaneousness of the modern world. Seeking to apprehend the multiplicity and chaos of contemporary social, intellectual, political, and economic life, and to furnish it with a coherence that was threatened by encroaching religious uncertainty, Victorian poets turned to the resources of genre as a means of accommodating the heterogeneity of the age. In particular, by devising ways of fusing the conventions of the traditional epic with those of the newly ascendant novel, poets hoped to appropriate for the novelistic complexity of modern, everyday life the dignifying and totalizing tendencies of the epic. The essay reevaluates the generic hybridity of Elizabeth Barrett Browning’s Aurora Leigh (1856) as an attempt to unite two distinct kinds of length—the microscopic, cumulative detail of the novel and the big-picture sweep of the epic—in order to capture the miscellaneousness of the age and, at the same time, to restore order and meaning to the disjointed experience of modernity.

Dmenisions of Human Behavior in The Novel “The Foreigner” By Arun Joshi

IJOHMN ◽  
2016 ◽  
Vol 2 (2) ◽  
pp. 4
Author(s):  
Abhishek Verma
Keyword(s):  
Human Behavior ◽  
Upper Class ◽  
Poor People ◽  
The Novel ◽  
Modern Age ◽  
As If ◽  
Available Resources

In the modern age of globalization and modernization, people have become selfish and self-centered.  Feeling of sympathy and kindness towards poor people have almost bolted from the hearts of those who have richly available resources.  They leave needy people running behind their luxurious chauffer-driven cars.  Poor and marginalized people keep shouting for help for their dear ones but upper class people trying to show as if they did not hear any long distant sound crept into their eardrums.  This trauma, agony, pain and sufferings is explored in the novel, The Foreigner.

Magical Realism: Language World Picture in the novel «One Hundred Years of Solitude» of Gabriel Garcia Márquez

2021 ◽  
Vol IX(257) (75) ◽  
pp. 21-26
Author(s):  
N. V. Chorna
Keyword(s):  
Magical Realism ◽  
Gabriel Garcia Marquez ◽  
Modern World ◽  
The Novel ◽  
World Picture ◽  
Realistic View ◽  
Way Of Thinking

The article focuses on the study of language world picture of the magical realism discourse in the novel «One Hundred Years of Solitude» of Gabriel Garcia Marquez. The magical realism discourse depicts a realistic view of the modern world through the prism of mythological way of thinking and supplements mysterious, farial and mystical elements. The main conceptual characteristics of magical realism discourse are considered to be: fantastical elements, unity of reality and magic, possible words, mythical chronotope, author’s reticence, hyperbolization of the secret and metadiscourse

DEVS OS (Discrete Even Visualization and Simulation Operating System)

2018 ◽  
Author(s):  
Adnan Hajar
Keyword(s):  
Operating System ◽  
Operating Systems ◽  
Scheduling Algorithm ◽  
The Novel ◽  
Priority Scheduling ◽  
First Come First Serve ◽  
Multiple Cycles ◽  
Visualization And Simulation ◽  
Traditional Approaches

The use of traditional approaches to teach Operating Systems usually lacks the visual aspect. The following research investigates the novel use of DEVS (Discrete Even Visualization and Simulation) in simulating the operation of an operating system. Cd boost++ was the framework of choice for this project. The simulation successfully mimicked the work of an operating system by simulating multiple cycles of program requests. This simulation is capable of further enhance the explanation of how an operating system works. The cases studied in this work include: 1- two processes running concurrently doing multiple IO’s, 2-four processes running concurrently based on a first come first serve scheduling algorithm, and 3- 20 processes running concurrently using highest priority scheduling algorithm. Output observation of the last case show promising results of successful use of DEVS and cd boost++ as a framework to build an operating system.

“Earth has clear call of daily bells”: Nature’s Apocalyptic Liturgy in Christina Rossetti’s Verses

2011 ◽  
Vol 15 (1-2) ◽  
pp. 172-171 ◽  
Author(s):  
Chene Heady Faulstick
Keyword(s):  
Religious Experience ◽  
Religious Conversion ◽  
Emotional Experience ◽  
Modern World ◽  
The Novel ◽  
Broad Definition ◽  
Emotional Interaction ◽  
Baroque Art ◽  
Definition Of ◽  
Religious Understanding

AbstractThis essay reconsiders Charles Ryder’s religious conversion in Brideshead Revisited in terms of a primarily emotional conversion. When reading the novel as a pilgrimage to passion, readers can see in Charles a legitimate, convincing emotional conversion, which should—when emphasizing traditional Catholic ideals—ultimately also be understood as a religious conversion. Charles’s emotional interaction with Catholicism includes his intimate, formative relationship with the Catholic Flyte family, especially Sebastian, and aspects of his career as a Baroque artist, as Baroque art is often identified with Catholicism. It also includes Charles’s disenchantment with both the soullessness of war, which drains its participants of any emotional experience, and the modern world, which lacks connection to depth and tradition. Finally, the emotive power of his inadvertent pilgrimage to Brideshead also connects Charles to Catholicism as the house facilitates Charles’s memories of his religious experience at Lord Marchmain’s deathbed, his artistic conversion to Baroque art, and his passionate friendship with Sebastian. Such a broad definition of Catholicism calls for an expansive understanding of religion, but it is this kind of a religious understanding that Brideshead Revisited recommends.

scholarly journals UNBEATEN TRACKS IN JAPAN : LETTER I Tinjauan Women Travellers and Travel Writing

2018 ◽  
Vol 6 (2) ◽  
pp. 97
Author(s):  
Akmal Jaya
Keyword(s):  
Travel Writing ◽  
Secondary Data ◽  
Theoretical Background ◽  
Primary Data ◽  
The Novel ◽  
The Way

This research aims to show the influences of the power of discourse: genre, gender, and colonialism in Unbeaten Tracks in Japan by Isabella Lucy Bird. Some travel writing’s paradigms were used as theoretical background in this research, such Sara Mills and Carl Thompson. As an object of the research, the novel became the source of primary data. Another historical and cultural literary and also literary review of Unbeaten Tracks in Japan as secondary data. The result of the research examined that contestation of discourses implied the way of the author to preserve his stories.

scholarly journals COVID-19 and the Courts. The case of the CJEU

2020 ◽  
Vol 3 (2-3) ◽  
pp. 160-171
Keyword(s):  
Operating System ◽  
Portable Devices ◽  
Positive Experience ◽  
The European Union ◽  
Modern Computer ◽  
Court Of Justice ◽  
Desktop Computers ◽  
Computer Operating System ◽  
Court Administration ◽  
Administrative Procedures

The article describes the generally positive experience of Court of Justice of the European Union in managing the Covid-19 crisis. Before the outbreak of the Covid-19 crisis the Court had established an effective structure to cope with risks and issues related to pandemics. It benefited from an extensive migration to a modern computer operating system and the replacement of traditional desktop computers by portable devices capable of remotely connecting to the Court’s network. Appropriate teleworking and extensive dematerialisation and simplification of standard administrative procedures took place and proved their effectiveness. The disruptive dimensions of COVID-19 pandemic forced the CJEU to accelerate transformations – not only digital but managerial and judicial processes The author analyses several phases of organising the functioning of the Court during the pandemic and comes to the conclusion that that the Court proved to be well prepared to tackle the issues raised by the COVID-19 pandemic. However, the quest of the future organisation will also have to do more with smart management and the new modes of working. Keywords: Justice, Court Administration, COVID-19, CJEU.

scholarly journals Investigating the Use of Ancient Fertility Themes in Malcolm Bradbury’s Eating People Is Wrong

2019 ◽  
Vol 10 (2) ◽  
pp. 1
Author(s):  
Noureddine Friji
Keyword(s):  
Theoretical Background ◽  
The Novel ◽  
Academic Novel ◽  
Modes Of Thought

Employing James George Frazer’s anthropological book The Golden Bough (1890) as a theoretical background, this paper examines the ways in which Malcolm Bradbury’s academic novel Eating People Is Wrong (1959) builds on ancient fertility rituals to delineate the divide between past and present moods and modes of thought and to illuminate the emotional and intellectual sterility afflicting the modern academy and its population. It will be clear that although their names and conduct resonate with echoes of the celebrations and rites of savage tribes and subsequent societies, Bradbury’s characters fail to enact the roles of ancient fertility divinities and to maintain the essential flavour of remote antiquity’s culture. This is best illustrated by the vain attempts of a number of ardent suitors to marry the leading but misleading character Emma Fielding, a latter-day fertility goddess who heartlessly hurts their hearts. While ancient fertility goddesses’ suitors or consorts were concerned about the welfare of the community on the whole, alongside their own welfare, their modern counterparts merely seek to enhance their narrow interests. Predictably, all the characters in the novel finish up helpless and hopeless. Finally, grounded on the premise that scholarly disciplines tend to crisscross in a mutually enriching manner, this investigation aims to prove how helpful it is for Bradbury to explore the academic soul and soil through the employment of studies from other fields and how interesting it is for the researcher to spot out this cultural trend and to bring it to the attention of the reader.

The Modern Image, I

2019 ◽  
pp. 262-292
Author(s):  
Thomas Nail
Keyword(s):  
Steel Frames ◽  
The Novel ◽  
Photographic Image ◽  
Modern Age ◽  
Modern Period ◽  
Aesthetic Field ◽  
The Aesthetic ◽  
Kinetic Pattern ◽  
Modern Image ◽  
Similar Kinetic

The argument in this chapter and the next is that the aesthetic field during the modern period is defined by an elastic and differential regime of motion. These two chapters marshal support for this thesis by looking closely at major arts of the modern age: steel, photographic image, and the novel in Chapter 13, and meter, the action arts, and molecular arts in the next chapter. Although empirically quite different and distributed over hundreds of years, each follows a similar kinetic pattern or regime. This chapter looks at the way in which steel architecture, photography, and the novel move elastically by expanding and contracting and open series of frames (steel frames, photographic frames, and print frames).

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