scholarly journals EL DISCURSO SUBVERSIVO DE PATRICIA ESTEBAN ERLÉS EN EL CONTEXTO DE LO FANTÁSTICO FEMINISTA

2022 ◽  
pp. 125-143
Author(s):  
Natalia ÁLVAREZ MÉNDEZ
Keyword(s):  
Narrative Space ◽  
Conservative Ideology ◽  
Its Analysis ◽  
Cultural Imaginary ◽  
Political Perspective ◽  
The Subject ◽  
The Fantastic ◽  
Female Writers

La poética fantástica de Patricia Esteban Erlés (Zaragoza, 1972) constituye una contestación al ideario conservador asumido por nuestro imaginario cultural. Así lo demuestran características relativas a la selección y el tratamiento de los personajes, la temática, la construcción y la significación del espacio narrativo, el modo de abordar la monstruosidad derivada de la realidad sexista, las propuestas formales y la apuesta por el hibridismo genérico. Su análisis estará imbricado con reflexiones sobre la consolidación de esta línea de lo fantástico feminista en las últimas décadas en el ámbito de la narrativa en español y sobre la posible existencia de un canon de autoras, tanto en español como en otras lenguas, que haya podido influir en esa fragua de lo fantástico escrito por mujeres con una clara perspectiva política, en la que lo no mimético se convierte en una herramienta ideológica de denuncia social y genérica.  Abstract: Born Zaragoza, 1972, Patricia Esteban Erlés’s poetics of fantastic represents a contestation to the conservative ideology assumed by our cultural imaginary. This is demonstrated by some characteristics related to the selection and treatment of characters, the subject, the construction and the signification of the narrative space, the approach to monstrosity as derived from sexist reality, the formal proposals and the inclination towards generic hybridism. Its analysis will be interweaved with reflections on the consolidation of this trend of the feminist fantastic in the last decades in the Spanish narrative panorama and the possible existence of a female writers canon, both in Spanish and other languages, that could have influenced the forging of the fantastic written by women with a clear political perspective in which non-mimetic genres have become an ideological tool for gender and social denunciation.

De-Finition

2019 ◽  
Vol 95 (2) ◽  
pp. 231-245
Author(s):  
Erik Ode
Keyword(s):  
Educational Research ◽  
The Other ◽  
Political Perspective ◽  
The World ◽  
The Subject ◽  
Scientific Terms

Abstract De-Finition. Poststructuralist Objections to the Limitation of the Other The metaphysic tradition always tried to structure the world by definitions and scientific terms. Since poststructuralist authors like Derrida, Foucault and Deleuze have claimed the ›death of the subject‹ educational research cannot ignore the critical objections to its own methods. Definitions and identifications may be a violation of the other’s right to stay different and undefined. This article tries to discuss the scientific limitations of the other in a pedagogical, ethical and political perspective.

scholarly journals Aprender mirando: la fotografía como método docente / Learning by Looking: Photography as a Teaching Method

2015 ◽  
Vol 2 (2) ◽  
Author(s):  
Antonia Salvador Benítez ◽  
María Olivera Zaldua ◽  
Juan Miguel Sánchez Vigil
Keyword(s):  
Learning Process ◽  
Teaching Method ◽  
New Method ◽  
Learning Method ◽  
Teaching Innovation ◽  
Its Analysis ◽  
Innovation Projects ◽  
Prior Investigation ◽  
The Subject ◽  
Innovación Docente

ABSTRACTBased on the “Imaginando I” and “Imaginando II” Teaching Innovation Projects, developed in the Documentary Sciences Faculty of the Complutense University of Madrid in 2012 and 2013 with excellent results, an open and universal learning method is proposed with the production and analysis of photographs, that can be applied to all the subject matters and areas of knowledge. The use of a picture in teaching, as well as its analysis (reading and interpretation) is a task pending university study. For this reason, we propose, following prior investigation, the application of a new method which would facilitate the involvement of students in the learning process at the same time that an image bank would be created which could be easily accessed and used in teaching.RESUMENBasándonos en los proyectos de Innovación Docente “Imaginando I” e “Imaginando II”, desarrollados en la Facultad de Ciencias de la Documentación de la Universidad Complutense de Madrid en los años 2012 y 2013 con un resultado excelente, se propone un método de aprendizaje abierto y con carácter universal desde la generación y el análisis de la fotografía aplicable en todas las disciplinas y áreas de conocimiento. El uso de la imagen en la docencia, así como su análisis (lectura e interpretación) es una tarea pendiente de los estudios universitarios. Es por ello que, derivado de una investigación previa, proponemos la aplicación de un nuevo método que facilite la implicación de los alumnos en el proceso de aprendizaje, y al mismo tiempo la creación de bancos de imágenes de acceso libre utilizables en la enseñanza.

scholarly journals III. Preliminary note on a silico-organic compound of a new type

1889 ◽  
Vol 45 (273-279) ◽  
pp. 39-40
Keyword(s):  
Organic Compound ◽  
Crystalline Substance ◽  
Secondary Product ◽  
Preliminary Note ◽  
Its Analysis ◽  
New Type ◽  
The Subject ◽  
Bromo Compound

The subject of this note is a fine crystalline substance, and is the first well-defined compound yet known in which we have reason to believe that silicon is in direct and exclusive union with the nitrogen of amidic groups. Its analysis and mode of formation lead to the conclusion that it is silcotetraphenylamide , —NHC 6 H 5 —NHC 6 H 5 Si—NHC 6 H 5 . —NHC 6 H 5 This body is produced when silicon tetrabromide (or the tetrachloride) is added to excess of aniline, diluted with three or four volumes of benzene. Aniline hydrobromate (or hydrochlorate) is a secondary product of interaction and separates, being insoluble in benzene. If aniline be in excess throughout the operation, the whole of the halogen precipitates as aniline salt, and there remains in solution impure silicotetrapbenylamide. If aniline be not in excess, a bromo-compound is obtained analogous to Harden’s rather ill-defined chlorinated product.

Echoes of the Guillotine: Berlioz and the French Fantastic

2010 ◽  
Vol 34 (2) ◽  
pp. 168-185
Author(s):  
Marianna Ritchey
Keyword(s):  
Nineteenth Century ◽  
Narrative Theory ◽  
Literary Genre ◽  
Important Contributor ◽  
Political Beliefs ◽  
The Past ◽  
Nineteenth Century France ◽  
The Subject ◽  
The Fantastic ◽  
The Many

Abstract The fantastic, theorized as an expression of the anxieties, fears, and political beliefs of the generation of young French writers born in the decades directly following the Revolution and Terror, has long been viewed primarily as a literary genre. Observed in light of this artistic movement, Berlioz's most famous work, Symphonie fantastique, emerges as a musical manifestation of fantastic techniques, and Berlioz himself as an important contributor to the Fantastic culture that swept nineteenth-century France. Using Tzvetan Todorov's narrative theory, I identify two techniques fantastic authors exploit that are most useful in understanding Symphonie Fantastique: an intentional ambiguity of form, and a privileging of ambiguous ““thresholds”” over teleological plot resolution. In pursuing a new explanation of the symphony's strange deviations from musical norms, I highlight the many different ways the symphony has been understood and analyzed by prominent musicologists over the past 180 years. By now, musicologists have effectively demonstrated that Berlioz was not the ““incompetent genius”” (in Charles Rosen's wry formulation) he was long considered to be; however, the fact that there is still disagreement and debate over Symphonie Fantastique's deviations from normative form and content, as well as what those deviations might mean, demonstrates the highly fraught signifying structure of the music. Locating the symphony's use of fantastic tropes and techniques demonstrates that many of its strangest aspects——those ““failures”” that have been the subject of musicological debate since 1835——come into focus when we take its title seriously and regard the work as a symphony in the fantastic genre.

Fantastic Phenomena

2011 ◽  
Vol 41 (2) ◽  
pp. 228-237 ◽  
Author(s):  
Jean-Luc Nancy ◽  
Mark Sentesy
Keyword(s):  
The World ◽  
Thing In Itself ◽  
The Subject ◽  
The Fantastic ◽  
Opening Up

AbstractThe subject of this essay is the thing itself, examined through the fantastic character of phenomenality, that is, through the coming into being or opening up of the world. The world of appearance emerges from a simple, absolute nothing: there is nothing behind or before the world. There are right away many things, a world: one thing implies others, since for one to be it must distinguish itself from another. Thus, if ‘to be’ means ‘to distinguish,’ Being begins with the parting of things that makes their connection possible. Thus the thing in itself is straightaway the undergoing of its own parting; being is a passion. The Imago, then, is not a picture or figure, but the arriving in presence, which imagination elicits or welcomes by advancing in response. Imagination, then, is not first of all open to an image, but to world. It opens itself to the Thing, to the possibility of something, to parting, and in so doing brings itself toward creation.

scholarly journals The Narrative Axis and Narrative Space of Jeriji Kasih: A Text Analysis Based on Genuine Literature Literature of Malaysia

2013 ◽  
Vol 26 (1) ◽  
pp. 65-79
Author(s):  
Shamsudin Othman ◽  
◽  
Muhammad Zarif Hassan@Zulkifli
Keyword(s):  
Education Policy ◽  
Text Analysis ◽  
Main Idea ◽  
Literary Texts ◽  
The Novel ◽  
Narrative Space ◽  
National Education ◽  
National Education Policy ◽  
The Subject ◽  
Interesting Story

The change of literary texts for the subject of Malay Literature i n schools brings with it the hope that the text chosen is one of “quality” in order to successfully reach the aims of the National Education Policy. This article is an analysis of the novel Jeriji Kasih (The Confines of Love) which supposedly is written with “an interesting story-telling technique” and is said to be able to impart “knowledge” as well as to shape students into people conscious of goodness, truth and a refined character. The analysis is based on the locally- developed framework of Genuine Literature ( Persuratan Baru ) which aims to examine the extent to which both these claims are true. The main idea in Genuine Literature is the emphasis on “knowledge” as opposed to “narrative”. This analysis shows how the text shapes a “narrative axis” and comes together in a “narrative space”. The analysis of this text also shows that the “narrative space” has been occupied with the “contents of the narrative” through the manipulation of a number of elements such as character and plot. This analysis reveals that the “knowledge” claimed to be contained in this text diverges from the idea of “knowledge” as put forth by Genuine Literature. Keywords: Genuine Literature, narrative axis, narrative space, knowledge, narrative

scholarly journals MENGUKUR EFEKTIVITAS TAGLINE IKLAN TELEVISI MINUMAN RINGAN TEH BOTOL SOSRO DENGAN METODE CUSTOMER RESPONSE INDEX (CRI) (Studi pada Mahasiswa Program Studi Manajemen Universitas Nusantara PGRI Kediri Angkatan 2014)

2017 ◽  
Vol 2 (2) ◽  
pp. 112
Author(s):  
Gesty Ernestivita
Keyword(s):  
Marketing Management ◽  
Analysis Tool ◽  
Response Level ◽  
Response Elements ◽  
Response Index ◽  
Its Analysis ◽  
Cri Method ◽  
The Subject

Abstract                    Tagline is one way to make the customer always remember the product with the catchprase. Teh Botol Sosro is one of the products whose ads have a catchy tagline or catch phrase. In 2000 Teh Botol Sosro replaced his tagline with "Apapun Makanannya Minummnya Teh Botol Sosro" .This new line of Teh Botol Sosro creates a new image of the brand. The persuasive effects of this ad tagline are well attached to the Indonesian people. The subjects of this study are students of the Faculty of Economics Force 2014 because it has taken the subject of Marketing Management so it is considered the most appropriate to be a respondent. The sample of this study amounted to 76 students. The effectiveness of Teh Botol Sosro advertisement is very important to be researched and in this research the researcher chose Customer Response Index (CRI) method as its analysis tool. The response elements in CRI are awareness, comprehend, interest, intention, and action. In CRI, these five responses are interconnected and form a level or hierarchy. That is, the ad audience in generating a response is by passing level by response level starting from awareness as the basic response. The conclusions of this study indicate that according to CRI analysis, the Bottom Sosro Tea Bottle tagline version of "whatever the food is drinking sosro bottle tea" is considered very effective because the results show almost 100% valuation.Keywords: Advertisement, Tagline, Customer Response Index AbstrakTagline merupakan salah satu cara untuk membuat customer selalu mengingat produk dengan catchprasenya. Teh Botol Sosro adalah salah satu produk yang iklannya memiliki tagline atau catch phrase yang cukup menarik. Pada tahun 2000 Teh Botol Sosro mengganti tagline nya dengan “Apapun makanannya, minumnya Teh Botol Sosro”.Tagline baru Teh Botol Sosro ini membuat image baru terhadap brandnya. Efek persuasif dari tagline iklan ini cukup melekat baik di masyarakat Indonesia. Subyek dari penelitian ini adalah mahasiswa Fakultas Ekonomi Angkatan 2014 karena sudah menempuh mata kuliah Manajemen Pemasaran sehingga dianggap paling sesuai untuk dijadikan responden. Sampel dari penelitian ini berjumlah 76 mahasiswa. Efektivitas iklan Teh Botol Sosro sangat penting untuk diteliti dan dalam penelitian ini peneliti memilih metode Customer Response Index (CRI) sebagai alat analisisnya. Elemen-elemen respon dalam CRI adalah awareness (kesadaran), comprehend (pemahaman), interest (ketertarikan), intention (niat), dan action (tindakan). Dalam CRI, kelima respon ini saling berhubungan dan membentuk tingkatan atau hirarki. Artinya, audiens iklan dalam menimbulkan respon adalah dengan melewati tingkat demi tingkat respon mulai dari awareness sebagai respon dasar. Kesimpulan dari penelitian ini menunjukkan bahwa menurut analisis CRI, tagline iklan Teh Botol Sosro versi “apapun makanannya minumnya teh botol sosro” dinilai sangat efektif karena hasil menunjukkan penilaian hampir 100%. Kata Kunci: Iklan, Tagline, Customer Response Index

Sub-National Politics

2013 ◽  
Author(s):  
Bertram Johnson
Keyword(s):  
Public Administration ◽  
Fiscal Federalism ◽  
Career Goals ◽  
National Politics ◽  
System A ◽  
Political Perspective ◽  
Institutional Structures ◽  
The Subject ◽  
Political Entrepreneurs ◽  
Intergovernmental Policy

The U.S. system of layered governments encompasses states, cities, and other entities such as counties and special districts. Most scholars have adopted one of three major approaches to studying this complex system: a legal approach that emphasizes a lack of formal powers at lower levels; a fiscal federalism tradition that focuses on considerations of efficiency; or a focus on intergovernmental policy and public administration. Each literature has much to offer, but none provides a comprehensive political perspective on federalism. Such an approach would view the various governments in the intergovernmental system as institutional structures that have claims on each other, occupied by political entrepreneurs motivated by their own career goals that succeed or fail largely because of how they respond to constituent interests. Each component of this approach has been the subject of substantial research that can be brought to bear on the topic of sub-national politics.

The time of the (orphan) child: Viewing Carla Simón’s Estiu 1993/Summer 1993 (2017) with Carlos Saura’s Cría cuervos/Raise Ravens (1976)

2020 ◽  
Vol 17 (1) ◽  
pp. 117-136
Author(s):  
Stuart Davis
Keyword(s):  
Subject Matter ◽  
Rural Family ◽  
Cultural Imaginary ◽  
Parental Figures ◽  
The Subject ◽  
Family Home ◽  
Three Sisters

The archetype of the orphan has a long history in the western cultural imaginary. In need of culturally and politically legitimized familial structures to ensure the child’s moral and physical needs are met, substitute parental figures loom large in narratives of orphanhood where the (anti-)hero comes good. This article will consider the presentation of female orphans in two films: Carla Simón’s Catalan film Estiu 1993/Summer 1993 (Simón, 2017) presents the story of Frida, who has just lost her parents to AIDS and is relocated to her aunt and uncle’s rural family home, while Saura’s celebrated Cría cuervos/Raise Ravens (Saura, 1976) focuses on Ana, one of three sisters recently orphaned and now under the care of their aunt in late-Francoist Madrid. The article will examine the similarities between the two films’ thematic and formal approaches to the subject matter, attending to their respective socio-historical contexts.

Challenging the Absurd?

2018 ◽  
Vol 24 (1) ◽  
pp. 15-33
Author(s):  
Jo Bogaerts
Keyword(s):  
Literary Criticism ◽  
Franz Kafka ◽  
Jean Paul ◽  
The Face ◽  
The Subject ◽  
The Fantastic

In 1943, Jean-Paul Sartre published several important articles of literary criticism on Blanchot, Camus and Bataille. In addition to propounding his own literary views, these articles functioned as a means of marking out his own version of existentialism, which risked being conflated with the Camusian absurd. Whereas Camus, according to Sartre, advocated a detached attitude in the face of the meaninglessness of existence, Sartre maintained that the subject cannot withdraw from the (historical) situation and that existence is ultimately meaningful. One author in particular, Franz Kafka, acts as the figurative ‘prism’ through which Sartre challenges rival versions of existential thinking. He does so by introducing the concept of le fantastique (the fantastic) on account of Kafka’s work. In so doing, Sartre not only rebutted the dominant interpretation, according to which Kafka was an absurd author, but also uncovered a historical critique implicit in the Prague author’s work.

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