scholarly journals Fortæller og tema. Pontoppidans Mimoser læst igen

2006 ◽  
Vol 34 (102) ◽  
pp. 10-31
Author(s):  
Jørgen Holmgaard
Keyword(s):  
Literary Criticism ◽  
Close Reading ◽  
Thematic Structure ◽  
Vertical Relationships ◽  
Short Novel ◽  
Life Projects ◽  
The Way

Narration and thematics. Pontoppidan’s Mimoser read once againIn Danish literary criticism Pontoppidan’s short novel Mimoser (1886) has maintained a reputation for being an enigmatic piece of fiction. What is it really about, and what is its point in the end? This paper approaches the text by close-reading the oblique, changing relationships between the implied narrator, the characters he presents, and the grim story he tells about how their life projects are ruined. In contrast to the elusive enunciation of the text, its thematic structure is very stable, however. The ‘vertical’ relationships between parents and their children persistently dominate the grown-up children’s wishes and futile attempts to form permanent ‘horizontal’ matrimonial relationships. Especially the dominance of the mother in relation to the son is decisive for the outcome of these conflicts. Eventually, the paper sketches what happens to the way Pontoppidan narrates in his long, monumental novels later on. 

scholarly journals Consumption and the Indian Diaspora: A Study of Jhumpa Lahiri’s The Namesake

2021 ◽  
Vol 13 (1) ◽  
Author(s):  
Rashmi Das ◽  
Keyword(s):  
Literary Criticism ◽  
Food Studies ◽  
Close Reading ◽  
Indian Diaspora ◽  
Paper Briefly ◽  
The Way ◽  
The Grotesque ◽  
Grotesque Body

For the diaspora, consumption remains a significant exercise, as it acts as a means of appropriation of the host land, while also being an agency of assimilation and categorisation. Moreover, the fact remains that consumption or eating simultaneously entails regeneration and violence. As such, this paper justifies how the locus of consumption is multifaceted, being not only physical, but also metaphorical, and at times hyperreal, whereby the diaspora exists not only as consumers, but also as an item of consumption by the hosts. For this purpose, Jhumpa Lahiri’s The Namesake (2003) has been analysed through the methodology of close reading, to present how food and its narrative is used as a repetitive metaphor and an ideological implement, which further illuminates the technicalities of consumption among the Indian diaspora. To set the stage, this paper briefly summarises the development of food studies as a genre, which has successfully enlarged the scope of literary criticism and research. Theoretically, this paper draws on Mikhail Bakhtin’s discourse of food and eating as presented in his work Rabelais and His World (1965). By examining the unifying trope of food, this paper attempts to study the numerous dichotomies between the diasporic body and the concept of the grotesque body, as put forward by Bakhtin. This paper also attends to the concept of “culinary citizenship” (Mannur, 2010, p. 20) and traces the way it is overturned in favour of culinary “interorientation” (Bakhtin, 1965/1984, p. 317).

Outlaws and Misfits: The Identities of Modernist Criticism

2019 ◽  
Vol 14 (3) ◽  
pp. 337-356
Author(s):  
Ben Knights
Keyword(s):  
Literary Criticism ◽  
Close Reading ◽  
Industrial Capitalism ◽  
Emotional Maturity ◽  
English Departments ◽  
Emotional Autonomy ◽  
And Gender ◽  
Implicit Identity ◽  
The University ◽  
Cultural Positioning

The images of the writer as exile and outlaw were central to modernism's cultural positioning. As the Scrutiny circle's ‘literary criticism’ became the dominant way of reading in the University English departments and then in the grammar-schools, it took over these outsider images as models for the apprentice-critic. English pedagogy offered students not only an approach to texts, but an implicit identity and affective stance, which combined alert resistance to the pervasive effects of mechanised society with a rhetoric of emotional ‘maturity’, belied by a chilly judgementalism and gender anxiety. In exchanges over the close reading of intransigent, difficult texts, criticism's seminars sought a stimulus to develop the emotional autonomy of its participants against the ‘stock response’ promulgated by industrial capitalism. But refusal to reflect on its own method meant such pedagogy remained unconscious of the imitative pressures that its own reading was placing on its participants.

Bad Dreams and Secret Artists: Translating Freud into Literature

2002 ◽  
Vol 4 (2) ◽  
pp. 127-139 ◽  
Author(s):  
Ian Patterson
Keyword(s):  
Sigmund Freud ◽  
Ordinary Language ◽  
Close Reading ◽  
Careful Attention ◽  
Popular Approach ◽  
English Reader ◽  
Creative Writer ◽  
The Many ◽  
The Way

This article addresses the increasingly popular approach to Freud and his work which sees him primarily as a literary writer rather than a psychologist, and takes this as the context for an examination of Joyce Crick's recent translation of The Interpretation of Dreams. It claims that translation lies at the heart of psychoanalysis, and that the many interlocking and overlapping implications of the word need to be granted a greater degree of complexity. Those who argue that Freud is really a creative writer are themselves doing a work of translation, and one which fails to pay sufficiently careful attention to the role of translation in writing itself (including the notion of repression itself as a failure to translate). Lesley Chamberlain's The Secret Artist: A Close Reading of Sigmund Freud is taken as an example of the way Freud gets translated into a novelist or an artist, and her claims for his ‘bizarre poems' are criticized. The rest of the article looks closely at Crick's new translation and its claim to be restoring Freud the stylist, an ordinary language Freud, to the English reader. The experience of reading Crick's translation is compared with that of reading Strachey's, rather to the latter's advantage.

When Is a Religion Like a Weed?

2016 ◽  
Vol 44 (4) ◽  
pp. 10-18
Author(s):  
Nathan Rein
Keyword(s):  
Analytical Study ◽  
Religious Studies ◽  
Close Reading ◽  
Focus Attention ◽  
The Way

Caroline Schaffalitzky de Muckadell's 2014 article, "On Essentialism and Real Definitions of Religion," offers a comprehensive rationale for the use of real, essentialist definitions of religion in the field of religious studies. In this article, I examine her arguments and the proposed definition she supplies. I argue that a close reading of Schaffalitzky's piece, concentrating especially on the way she uses examples, helps to demonstrate that she and her anti-essentialist opponents view the field of religious studies in incommensurable ways. While Schaffalitzky views definitions as serving the analytical study of religion as an object, her opponents view definitions primarily rhetorically and seek to focus attention on the process of defining.

César Hautot – ein naturalistischer Ödipus? Guy de Maupassants Hautot père et fils auf der Schwelle zur Psychoanalyse

2018 ◽  
Vol 69 (1) ◽  
pp. 184-197
Author(s):  
Claudia Jacobi
Keyword(s):  
Literary Criticism ◽  
Literary Work ◽  
Oedipus Complex ◽  
Historical Process ◽  
Literary Representation ◽  
Short Novel ◽  
Scientific Approach

Abstract Literary criticism has mentioned some affinities between Guy de Maupassant’s literary work and Freud’s psychoanalysis, without ever reflecting on Maupassant’s literary anticipation of the Oedipus complex. The latter is particularly evident in the short novel Hautot père et fils (1889), which has not received much attention to date. The article aims to illustrate some evident parallels between Maupassant’s literary representation of a father-son conflict and Freud’s scientific approach. In doing so, it does not intend to deliver a demonstration of the emergence of Freudian concepts from naturalistic fiction. It shall rather be considered as a literary case study, which illustrates the discourse-historical process of transformation from the physiological paradigm of naturalism to the psychological paradigm of the arising psychoanalysis.

The Justified Body: Hauerwas, Luther and the Christian Life

2017 ◽  
Vol 31 (1) ◽  
pp. 65-78
Author(s):  
Justin Nickel
Keyword(s):  
The Body ◽  
Close Reading ◽  
Sacramental Theology ◽  
Christian Life ◽  
Stanley Hauerwas ◽  
The One ◽  
God's Grace ◽  
Ethical Significance ◽  
The Way

Stanley Hauerwas and others argue that Luther’s understanding of justification denies the theological and ethical significance of the body. Indeed, the inner, spiritual person is the one who experiences God’s grace in the gospel, while the outer, physical (read: bodily) person continues to live under law and therefore coercion and condemnation. While not denying that Luther can be so read, I argue that there is another side of Luther, one that recognizes the body’s importance for Christian life. I make this argument through a close reading of Luther’s reflections on Adam and Eve’s Fall in his Lectures on Genesis (1545) and the sacramental theology in ‘Against the Heavenly Prophets’. For this Luther, disconnection from our bodies is not a sign of justification but rather the sin from which justification saves us. Accordingly, justification results in a return to embodied creatureliness as the way we receive and live our justification.

scholarly journals Art (and) Criticism: Hart Crane and David Siqueiros

Text Matters ◽  
2018 ◽  
pp. 229-243
Author(s):  
Alicja Piechucka
Keyword(s):  
Twentieth Century ◽  
Literary Criticism ◽  
Present Article ◽  
Art Criticism ◽  
Hart Crane ◽  
Historical Texts ◽  
Art And Literature ◽  
History Of ◽  
The Way

The article focuses on an analysis of Hart Crane’s essay “Note on the Paintings of David Siqueiros.” One of Crane’s few art-historical texts, the critical piece in question is first of all a tribute to the American poet’s friend, the Mexican painter David Siqueiros. The author of a portrait of Crane, Siqueiros is a major artist, one of the leading figures that marked the history of Mexican painting in the first half of the twentieth century. While it is interesting to delve into the way Crane approaches painting in general and Siqueiros’ oeuvre in particular, an analysis of the essay with which the present article is concerned is also worthwhile for another reason. Like many examples of art criticism—and literary criticism, for that matter—“Note on the Paintings of David Siqueiros” reveals a lot not only about the artist it revolves around, but also about its author, an artist in his own right. In a text written in the last year of his life, Hart Crane therefore voices concerns which have preoccupied him as a poet and which, more importantly, are central to modernist art and literature.

scholarly journals Ruin philosophy, poetic discourse and the collapse of meta-narratives in Aleksandr Kushner's poetry of the 1970s

Nordlit ◽  
2017 ◽  
Author(s):  
Andreas Schönle
Keyword(s):  
The Self ◽  
Close Reading ◽  
Poetic Discourse ◽  
Philosophical Background ◽  
The Face ◽  
Creative Forces ◽  
Bear Witness ◽  
Shed Light ◽  
The Way

This article offers an analysis of the trope of ruin in the poetry of Aleksandr Kushner (born 1936), in particular through a close reading of two of his poems: “In a slippery graveyard, alone” and “Ruins”. The analysis of these poems is preceded by an overview of ruin philosophy from Burke and Diderot to Simmel and Benjamin, with particular emphasis on the way the trope of ruin contemplation stages a confrontation between the self and what transcends it (death, history, nature, etc.). This philosophical background serves as a heuristic tool to shed light on the poetry of Kushner. Through the trope of ruin, Kushner explores the legitimacy of poetic speech after the collapse of all meta-narratives. Kushner has no truck with Diderot's solipsism, nor with Hegel's bold narrative of progress, nor with Simmel's peaceful reconciliation with the creative forces of nature. Nor, really, does he intend to bear witness to history, the way Benjamin does in the faint anticipation of some miracle. Instead, Kushner posits the endurance of a community united not around a grand project, but around the idea of carrying on in the face of everything, muddling through despite the lack of hopes for a transformational future and making the most of fleeting moments of positivity that emerge out of the fundamental serendipity of history.

scholarly journals The Implementation of Ecocriticism Approach for Healthy Earth and strengthen the English skill of Literary Appreciation Class at Islamic University of Majaphit – Mojokerto AHMAD IKLIL SAIFULLOH, S.S., M.PD

2019 ◽  
Vol 1 (2) ◽  
pp. 10-17
Author(s):  
Ahmad Iklil Saifulloh
Keyword(s):  
Air Quality ◽  
Literary Criticism ◽  
Educational System ◽  
Educational Method ◽  
Environmental Care ◽  
The Media ◽  
The Way

Due to the research by Greenpeace and Air Visual IQ published on March 5 2019, monitored air quality in hundreds of cities across the globe, Jakarta was ranked first. In accordance with educational character based on Indonesian curriculum about 18 standard characters interpreted, and one of them was environmental care. The problem was the way a teacher to blend those characters into a good educational system in the class. In fact there were no definite process to transfer that character to the student in term of plan, proses, content, and evaluation. It proofed that there were many difficulties by the teacher to conduct evaluation to the student about their character because the teacher only focuses on a cognitive area. So that’s why this research try to transform the area of ecology and education to solve those conditions. Due to the condition, the researcher tends to strengthen the educational method on the field of Ecology with Literary Criticism as the media with the title The Implementation of Ecocriticism Approach for Healthy Earth and strengthen the English skill of Literary Appreciation Class at Islamic University of Majaphit – Mojokerto.

Reading

Overwhelmed ◽  
2019 ◽  
pp. 19-56
Author(s):  
Maurice S. Lee
Keyword(s):  
Literary Criticism ◽  
Ralph Waldo Emerson ◽  
Samuel Taylor Coleridge ◽  
Close Reading ◽  
Robinson Crusoe ◽  
Main Concept ◽  
Interpretive Practices ◽  
The Relationship ◽  
Literary Experience

This chapter reviews some roots of modern literary criticism by showing how some romantics respond to textual excess by variously resisting and adopting informational strategies of skimming and excerpting. A main concept of the chapter is “deserted island reading,” an ideal of immersive literary experience formed in opposition to mass print. The fantasy of losing oneself in a book unfolds across the legacy of Robinson Crusoe, which projects an account of intensive hermeneutics from the eighteenth through the nineteenth centuries. Deserted island reading was especially attractive to romantics such as Samuel Taylor Coleridge, a founding figure of modern close reading whose aesthetics and interpretive practices were formed under the pressures of information. But whereas Coleridge offers an agonistic example of the relationship between information and literature, Ralph Waldo Emerson presents a more modulated case in which the prophet of subjectivity, intuition, and motility that proves surprisingly open to informational modes of reading.

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