scholarly journals ”Qui est Dominique Lambert?”

2019 ◽  
Vol 47 (127) ◽  
pp. 71-90
Author(s):  
Maja Bak Herrie

Comparison as a methodological or technical tool to perceive something that was not perceptible beforehand is a complex manoeuvre that gives rise to both potentials and challenges. While emphasising concealed or unseen similarities in artworks or literature, comparison also risks operating on the expense of the potential distance between the two subject matters compared. This article argues that the complex and curious art project Dominique Lambert (2004-2016) by the French artist Stéphanie Solinas offers itself as a valuable starting point for a discussion of a range of meta-theoretical and methodological questions related to ideas of comparison in a broader theoretical framework. The project not only questions how or when a comparison is possible, but also what the nature of comparisons is, and how comparisons are legitimised as such in humanistic knowledge production. Thus, it is the central hypothesis of the article that modes of comparing build upon ideas of virtuality, that is, that the ‘object’ of the comparison is produced as a manoeuvre connecting or relating two previously separated subject matters. Accordingly, Gilles Deleuze’ idea of virtuality is applied in order to understand and discuss prevailing uses of comparison, e.g. in the recent field of Digital Humanities.

2019 ◽  
Vol 63 (4) ◽  
pp. 1181-1195 ◽  
Author(s):  
Rosi Braidotti ◽  

Transversal Posthumanities emerge within the posthuman convergence of posthumanism and postanthropocentrism. Environmental, medical, and digital humanities reposition academic practice towards advanced technologies and climate change issues. A neomaterialist theoretical framework will help distinguish different kinds of Posthumanities: from the profit-oriented knowledge production practices of cognitive capitalism, to community-driven, non-profit experiments with minor knowledges.


2020 ◽  
pp. 147402222096175
Author(s):  
Urszula Pawlicka-Deger

This essay reflects on the role of place for humanities practices and contributes to emerging discussions on infrastructure for the humanities and socio-material conditions of scholarly knowledge production. I provide a theoretical framework for studying venues for humanities work drawing on the phenomenological approach to the concepts of place and space, the pedagogical perspective on learning spaces in higher education, and epistemological studies of scientific places. Next, I analyse the landscape for the reconfiguration of humanities venues and present arguments for engaging with space by referring to the functioning of digital humanities. This essay shows that place is an extremely important resource, seeing as it is endowed with the power to drive new practices, institutionalize a community, and consolidate a discipline. Therefore, humanists should reflect critically on the ‘architecture of the humanities’ and engage in making their own spaces that determine practices, communication, and well-being.


Multilingua ◽  
2020 ◽  
Vol 0 (0) ◽  
Author(s):  
Rafael Lomeu Gomes

AbstractThis article derives from a three-year ethnographic project carried out in Norway focusing on language practices of Brazilian families raising their children multilingually. Analyses of interview data with two Brazilian parents demonstrate the relevance of examining intersectionally the participants’ orientation to categorisations such as social class, gender, and race/ethnicity. Additionally, I explore how parents make sense of their transnational, multilingual experiences, and the extent to which these experiences inform the language-related decisions they make in the home. Advancing family multilingualism research in a novel direction, I employ a southern perspective as an analytical position that: (i) assumes the situatedness of knowledge production; (ii) aims at increasing social and epistemic justice; (iii) opposes the dominance of Western-centric epistemologies; and (iv) sees the global South as a political location, not necessarily geographic, but with many overlaps. Finally, I draw on the notions of intercultural translation and equivocation to discuss the intercultural encounters parents reported. The overarching argument of this article is that forging a southern perspective from which to analyse parental language practices and beliefs offers a theoretical framework that can better address the issues engendered by parents engaged in South–North transnational, multilingual practices.


2021 ◽  
pp. 009145092110354
Author(s):  
Jennifer J. Carroll

Drug checking is an evidence-based strategy for overdose prevention that continues to operate (where it operates) in a legal “gray zone” due to the legal classification of some drug checking tools as drug paraphernalia—the purview of law enforcement, not public health. This article takes the emergence of fentanyl in the U.S. drug supply as a starting point for examining two closely related questions about drug checking and drug market expertise. First, how is the epistemic authority of law enforcement over the material realities of the drug market produced? Second, in the context of that authority, what are the socio-political implications of technologically advanced drug checking instruments in the hands of people who use drugs? The expertise that people who use drugs maintain about the nature of illicit drug market and how to navigate the illicit drug supply has long been discounted as untrustworthy, irrational, or otherwise invalid. Yet, increased access to drug checking tools has the potential to afford the knowledge produced by people who use drugs a technological validity it has never before enjoyed. In this article, I engage with theories of knowledge production and ontological standpoint from the field of science, technology, and society studies to examine how law enforcement produces and maintains epistemic authority over the illicit drug market and to explore how drug checking technologies enable new forms of knowledge production. I argue that drug checking be viewed as a form of social resistance against law enforcement’s epistemological authority and as a refuge against the harms produced by drug criminalization.


2019 ◽  
Vol 16 (28) ◽  
pp. 48-71
Author(s):  
ANTONIO NELORRACION GONÇALVES FERREIRA

Este artigo busca abordar algumas das principais reflexões teórico-metodológicas (algumas com um caráter mais nitidamente político) sobre o tempo no campo das ciências humanas na contemporaneidade. Tem-se como ponto de partida um breve esboço da concepção moderna de tempo. Já que é a constituição e “crise” dessa noção em seus vários desdobramentos que aparece como condição de possibilidade das reflexões que serão aqui abordadas, como: o “campo de experiência” e o “horizonte de expectativa” de Reinhart Koselleck, o tempo redimido em Walter Benjamin e o devir e o acontecimento no tempo não-reconciliado de Gilles Deleuze. Palavras-chave: Tempo. Modernidade.Político.   THE EMERGENCE AND “CRISIS” OF THE MODERN CONCEPTION OF TIME AND ITS IMPLICATIONS FOR CONTEMPORANY HISTORIOGRAPHICAL AND PHILOSOPHICAL REFLECTION Abstract: This article tries to address some of the main theoretical-methodological reflections (some with a more clearly political character) about the time in the field of the human sciences in the contemporaneity. The starting point is a brief outline of the modern conception of time. Since it is the constitution and "crisis" of this notion in its various unfoldings that appears as a condition of possibility of the reflections that will be addressed here, such as Reinhart Koselleck's "field of experience" and the "horizon of expectation", the redeemed time in Walter Benjamin and the becoming and the event in the unreconciled time of Gilles Deleuze. Keywords: Time. Modernity. Political. LA EMERGENCIA Y “CRISIS” DE LA CONCEPCIÓN MODERNA DE TIEMPO Y SUS IMPLICACIONES EN LA REFLEXIÓN HISTORIOGRÁFICA Y FILOSÓFICA CONTEMPORÂNEAS Resumen: Este artículo busca abordar algunas de las principales reflexiones teórico-metodológicas (algunas con un carácter más nítidamente político) sobre el tiempo en el campo de las ciencias humanas en la contemporaneidad. Se tiene como punto de partida un breve esbozo de la concepción moderna de tiempo. En cuanto a la constitución y “crisis” de esa noción en sus diversos desdoblamientos que aparece como condición de posibilidad de las reflexiones que se abordarán aquí, como: el "campo de experiencia" y el "horizonte de expectativa" de Reinhart Koselleck, el tiempo redimido en Walter Benjamin y el devenir y el acontecimiento en el tiempo no reconciliado de Gilles Deleuze. Palabras clave: Tiempo. Modernidad. Político.


2017 ◽  
Vol 16 (16) ◽  
pp. 87
Author(s):  
Patricia Fernández Martín

El objetivo del presente trabajo es profundizar en la historia del funcionamiento de las construcciones castellanas {tener/llevar} + participio, tomando como centro de estudio la lengua de los siglos xvi y xvii y estableciendo ciertas comparaciones, a lo largo del texto, con otras lenguas romances, en especial el asturiano. El punto de partida se encuentra en la idea de que los problemas que crean estas construccionesse deben esencialmente a la doble naturaleza del participio (adjetival y verbal), solo comprensible inserta en un continuum entre el puro adjetivo y el puro verbo. Para ello, comenzaremos estableciendo, en el marco teórico, nuestro concepto de perífrasis verbal de participio y su aplicación a las construcciones que nos ocupan en el español de los Siglos de Oro. En una segunda parte, analizaremos el funcionamiento de dichas estructuras en el español clásico, empleando un corpus formado por tres génerosdiscursivos, escritos entre 1519 y 1656, que componen sendos subapartados (novelas picarescas, epístolas y crónicas de Indias). La principal conclusión es que los géneros discursivos no afectan a las construcciones de participio en la misma medida en que puede afectar a otros fenómenos gramaticales, como los pronombres personales.The aim of this work is to deepen in the history of the Spanish structures{tener/llevar} + participle, taking into account the language of the 16th and 17th centuries and offering certain comparisons with other Romance languages, specially Asturian. The starting point lies in the idea that the problems that create these constructions are essentially due to the dual nature of the participle (between a verb and an adjective), which can be only understood into a continuum, whose ends are the pure adjective and the pure verb. For that, we will start setting our concept of participial periphrases in the theoretical framework, as well as its applicationto the Spanish language spoken in the Golden Age. Then, we analyze how these structures work in that Spanish, using a corpus formed by three discourse genres (picaresque novels, letters and chronicles of the Indies), whose texts were written between 1519 and 1656. Finally, all of which allows to conclude that the discourse genres do not affect the appearance of the constructions of participle in the same extent that it may affect other grammatical phenomena, such as personal pronouns.


Scene ◽  
2020 ◽  
Vol 8 (1-2) ◽  
pp. 213-228
Author(s):  
Garrett Lynch IRL

This article discusses a selection from a series of performances created between 2008 and 2019 that as practice as research (PaR) explore ideas of identity, representation and place as they relate to the intersection of what are termed ‘virtual’ and ‘real’ spaces. These include I’m Garrett Lynch (IRL) (2010), I’m Not Garrett Lynch (IRL) – Identity Badge Performance (2018–19), I’m Not Garrett Lynch (IRL) – Zazzle Store (2019), the three complementary performances of Three Wearable Devices for Augmented Virtuality (2011) and As Yet Unnamed (2019). The performance series initially occurred online and later incorporated gallery spaces and sites in six countries. From the outset, my Irish identity formed a crucial background to my practice but remained an implied rather than directly discussed perspective. This article’s purpose is to discuss practice from an Irish perspective and in so doing foreground and clarify how nationality and place were in fact essential to its development. Examining the use of written and to a lesser extent spoken language in performances, discussion explores how language is a problematizing starting point but equally enables an extension of my identity by implying my Irish nationality and Ireland as place. Irish nationality is described in this article as comparable to what is defined as ‘real’ and forms a component in the territorialization of both ‘virtual’ space and places of the phenomenological Other. Methods of moving between ‘virtual’ and ‘real’ spaces, influenced by the philosophical theory of Gilles Deleuze, are described in detail and performances are employed to demonstrate how this occurs. Finally, the use of naming and how it has impacted my identity in ‘real’ space and ongoing life is explored through the discussion of a performance in 2019.


Author(s):  
Megan Elizabeth Morrissey

Deriving from José Esteban Muñoz’s foundational 1999 text Disidentifications: Queers of Color and the Performance of Politics, disidentification is a theoretical heuristic and performative practice that is an essential framework for thinking through, and living in, intersecting sites of marginality and oppression. In particular, disidentification is a heuristic that provides critical scholars with a framework for theorizing the relationships between subject formation, ideology, politics, and power while also offering people from marginalized communities a way to navigate intersecting forms of oppression and enact agency. Scholars use disidentification to refer to performances that minoritarian subjects engage in to survive within inhospitable spaces, while nevertheless working to subvert them. Thus, as both a theoretical framework and a performative practice, disidentification is an antiracist tool that can be utilized to theorize and respond to normative power structures including Communication Studies’ modes of disciplinary knowledge production. Indeed, the discipline of Communication Studies is diverse, but in spite of this, what coheres this expansive body of scholarship is an investment in understanding how communication produces, scaffolds, organizes, and potentially revises our world. Disidentification, by foregrounding identities and experiences of difference, offers Communication Studies researchers a way to consider how one’s life can be understood in relation to others, within the social structures that govern daily life, and within the ideological commitments that organize our experiences.


Author(s):  
Alice B. M. Vadrot

This paper is interested in raising the question to which extent the epistemological implications of the Mode 3 concept coincide with the respective knowledge understanding. The argumentation focuses on the article from David F. J. Campbell and Elias G. “Mode 3” and “Quadruple Helix”: Toward a 21st Century Fractal Innovation Ecosystem (2009) and aims to illuminate it from a theoretical perspective. The starting point is the elaborated basic understanding of knowledge as well as the interpretation of knowledge production.


Author(s):  
Göknur Kaplan Akilli

Computer games and simulations are considered powerful tools for learning with an untapped potential for formal educational use. However, the lack of available well-designed research studies about their integration into teaching and learning leaves unanswered questions, despite their more than thirty years’ existence in the instructional design movement. Beginning with these issues, this chapter aims to shed light on the definition of games and simulations, their educational use, and some of their effects on learning. Criticisms and new trends in the field of instructional design/development in relation to educational use of games and simulations are briefly reviewed. The chapter intends to provide a brief theoretical framework and a fresh starting point for practitioners in the field who are interested in educational use of games and simulations and their integration into learning environments.


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