scholarly journals Speaking about Reality: Verbatim techniques in contemporary Finnish documentary theatre

2017 ◽  
Vol 28 (2) ◽  
pp. 71
Author(s):  
Laura Gröndahl

During the past years, different modes of documentary theatre have gained popularity. A distinctive feature there is the use of verbatim texts, borrowed directly from authentic documents like recorded interviews or minutes, including sometimes even coincidental stuttering of the original speaker. In this article I analyse the verbatim-technique as part of the post-dramatic performance strategies. It makes it possible to focus on the materiality of language as a texture as well as an instrument for meaning making and communicating contents. It also gives a more active role to the audience. When texts are explicitly framed as authentic, and reiterated with exaggerated precision, the attention is drawn to the performative repetition of the speech acts. Thus, the verbatim performances do not so much refer to reality “as it is”, but rather stage acts of making claims about something we call reality. Borrowing Carol Martin, the contemporary generation of documentary theatre makers aspire to make relevant claims about social reality even if they use postmodern strategies and admit that truth and reality are not within their reach. I will discuss different strategies of using the verbatim techniques in documentary performances. I theorize the subject using well-known international examples, move on to a short overview of recent documentary theatre in Finland, and examine closer four cases: Parliament III in Ryhmäteatteri in 2015, Towards Work at Kouvolan Teatteri in 2014, Ruusula Street 10 at Q-teatteri in 2014, and My Palestine at Teatteri Takomo in 2015.

2017 ◽  
Vol 28 (2) ◽  
pp. 71
Author(s):  
Laura Gröndahl

During the past years, different modes of documentary theatre have gained popularity. A distinctive feature there is the use of verbatim texts, borrowed directly from authentic documents like recorded interviews or minutes, including sometimes even coincidental stuttering of the original speaker. In this article I analyse the verbatim-technique as part of the post-dramatic performance strategies. It makes it possible to focus on the materiality of language as a texture as well as an instrument for meaning making and communicating contents. It also gives a more active role to the audience. When texts are explicitly framed as authentic, and reiterated with exaggerated precision, the attention is drawn to the performative repetition of the speech acts. Thus, the verbatim performances do not so much refer to reality “as it is”, but rather stage acts of making claims about something we call reality. Borrowing Carol Martin, the contemporary generation of documentary theatre makers aspire to make relevant claims about social reality even if they use postmodern strategies and admit that truth and reality are not within their reach. I will discuss different strategies of using the verbatim techniques in documentary performances. I theorize the subject using well-known international examples, move on to a short overview of recent documentary theatre in Finland, and examine closer four cases: Parliament III in Ryhmäteatteri in 2015, Towards Work at Kouvolan Teatteri in 2014, Ruusula Street 10 at Q-teatteri in 2014, and My Palestine at Teatteri Takomo in 2015.


2021 ◽  
Vol 1 (1) ◽  
pp. 141-147
Author(s):  
P. S. Lazarev ◽  

Innovative directorial solutions in modern drama theater are still the subject of active study. Researchers are particularly interested in introducing multimedia technologies in theatre production. However, despite the fact that such performances have already become a common theater practice, many issues and aspects remain poorly understood. One of the most important questions is the functionality of multimedia stage techniques in a theatrical play. On the example of Saratov Drama Theatre's production "A Woman from the Past", staged in 2017 by director A. Sozonov, the author of the article analyzes the work of multimedia technologies, the director's search for the choice of multimedia stage techniques, the influence on the audience, as well as some features of the actor's existence in the play using multimedia. The study reveals the director's methods that enable him to work with stage and virtual space at a new level and influence the audience by creating a certain atmosphere in a play. This work is one of the first experiences in exploring the functions of multimedia stage techniques in modern dramatic performance.


2017 ◽  
Vol 1 (1) ◽  
pp. 241
Author(s):  
Sônia Maria Fernandes dos Santos

Este artigo pretende suscitar reflexão a respeito das diferentes formas em que a criança é percebida nas produções cinematográficas, particularmente na película O contador de histórias (2009), na tentativa de contribuir para o repertório de investigações sobre infância, bem como tentar compreender padrões sociais e de comportamentos no que se refere à infância e sua história – uma vez que muitos aspectos da infância contemporânea descendem do passado. Os estudos sobre infância alcançaram uma dimensão significativa e, com isso, têm proporcionado contribuições expressivas sob diversos enfoques, neste sentido, faz-se necessário estudar a infância, em perspectivas variadas, para tentarmos perceber os diferentes fenômenos sociais que dizem respeito à construção do sujeito criança. A escolha em repousar nossas análises em um filme é por acreditar que pelos filmes há a possibilidade da construção de representações sociais, bem como um forte potencial para influenciar comportamentos, isto é, os filmes têm a qualidade de registrar o passado e o contexto social e também de criar reminiscências históricas próprias. O aporte teórico para este estudo está baseado na Sociologia da Infância, uma vez que este campo “...insere-se decisivamente na construção da reflexividade contemporânea sobre a realidade social”, e devido ao fato que “as crianças constituem uma porta de entrada fundamental para a compreensão dessa realidade” (SARMENTO, 2009, p. 19). The childhood in the film O Contador de Histórias: a sociological approach. This article aims to encourage reflexion about the differents ways in which children is noticed in cinematographic productions, especially in the film O contador de histórias (Luiz Villaça, Brazil, 2009), in an attempt to contribute to the research's repertoire of childhood, as well as try to understand social and behaviour standarts regarding childhoos and it's history - once that many childhood contemporary's aspects descendants of the past. The studies about childhood reached a significative dimension and, with that, have provided significant contributions under various focuses, in this sense, it's necessary to study childhood, in different perspectives, to try to understand the different social phenomena that relate to the construction of the subject child. The choice to rest our analysis in a movie is to believe that the films are the possibility of social representation's constrution, as well as a strong potential to influence behaviour, that is, films have the quality to record the past and the social context, but also, to create own historical reminiscences. The theoretical basis for this study is based on the Sociology of Childhood, since this field "...inserts decisively in the construction of modern reflexivity of social reality" and, due to the fact that "children form a fundamental gateaway to the understanding of this reality" (SARMENTO, 2009, p. 19). Keywords: Childhood; Cinema; Childhood's Sociology.


1997 ◽  
Vol 36 (4I) ◽  
pp. 321-331
Author(s):  
Sarfraz Khan Qureshi

It is an honour for me as President of the Pakistan Society of Development Economists to welcome you to the 13th Annual General Meeting and Conference of the Society. I consider it a great privilege to do so as this Meeting coincides with the Golden Jubilee celebrations of the state of Pakistan, a state which emerged on the map of the postwar world as a result of the Muslim freedom movement in the Indian Subcontinent. Fifty years to the date, we have been jubilant about it, and both as citizens of Pakistan and professionals in the social sciences we have also been thoughtful about it. We are trying to see what development has meant in Pakistan in the past half century. As there are so many dimensions that the subject has now come to have since its rather simplistic beginnings, we thought the Golden Jubilee of Pakistan to be an appropriate occasion for such stock-taking.


Author(s):  
Daiva Milinkevičiūtė

The Age of Enlightenment is defined as the period when the universal ideas of progress, deism, humanism, naturalism and others were materialized and became a golden age for freemasons. It is wrong to assume that old and conservative Christian ideas were rejected. Conversely, freemasons put them into new general shapes and expressed them with the help of symbols in their daily routine. Symbols of freemasons had close ties with the past and gave them, on the one hand, a visible instrument, such as rituals and ideas to sense the transcendental, and on the other, intense gnostic aspirations. Freemasons put in a great amount of effort to improve themselves and to create their identity with the help of myths and symbols. It traces its origins to the biblical builders of King Solomon’s Temple, the posterity of the Templar Knights, and associations of the medieval craft guilds, which were also symbolical and became their link not only to each other but also to the secular world. In this work we analysed codified masonic symbols used in their rituals. The subject of our research is the universal Masonic idea and its aspects through the symbols in the daily life of the freemasons in Vilnius. Thanks to freemasons’ signets, we could find continuity, reception, and transformation of universal masonic ideas in the Lithuanian freemasonry and national characteristics of lodges. Taking everything into account, our article shows how the universal idea of freemasonry spread among Lithuanian freemasonry, and which forms and meanings it incorporated in its symbols. The objective of this research is to find a universal Masonic idea throughout their visual and oral symbols and see its impact on the daily life of the masons in Vilnius. Keywords: Freemasonry, Bible, lodge, symbols, rituals, freemasons’ signets.


No other talent process has been the subject of such great debate and emotion as performance management (PM). For decades, different strategies have been tried to improve PM processes, yielding an endless cycle of reform to capture the next “flavor-of-the-day” PM trend. The past 5 years, however, have brought novel thinking that is different from past trends. Companies are reducing their formal processes, driving performance-based cultures, and embedding effective PM behavior into daily work rather than relying on annual reviews to drive these. Through case studies provided from leading organizations, this book illustrates the range of PM processes that companies are using today. These show a shift away from adopting someone else’s best practice; instead, companies are designing bespoke PM processes that fit their specific strategy, climate, and needs. Leading PM thought leaders offer their views about the state of PM today, what we have learned and where we need to focus future efforts, including provocative new research that shows what matters most in driving high performance. This book is a call to action for talent management professionals to go beyond traditional best practice and provide thought leadership in designing PM processes and systems that will enhance both individual and organizational performance.


Urban Science ◽  
2020 ◽  
Vol 4 (4) ◽  
pp. 70
Author(s):  
Till Koglin ◽  
Lucas Glasare

This paper evaluates the history and cycling accessibility of Nova, a shopping centre established in Lund, Sweden, in 2002. The current situation was also analysed through observation and a literature review. Moreover, the study conducted a closer analysis of the history and role of the municipality based on further literature study and interviews with officials. The conclusion of the analysis indicates poor and unsafe bikeways caused by conflicts of interest between politicians, officials, landowners and the general public. It also depicts a situation in which the municipality’s master plan has been ignored, and, in contrast to the local goals, cycling accessibility at Nova has seen no significant improvement since the shopping centre was first established. The reasons for this, arguably, are a relatively low budget for bikeway improvements in the municipality, as well as a situation in which decision-makers have stopped approaching the subject, as a result of the long and often boisterous conflicts it has created in the past. Lastly, it must be noted that it is easy to regard the whole process of Nova, from its establishment to the current situation, as being symptomatic of the power structures between drivers and cyclists that still affect decision-makers at all levels.


Universe ◽  
2021 ◽  
Vol 7 (6) ◽  
pp. 169
Author(s):  
Cristina Lazzeroni ◽  
Sandra Malvezzi ◽  
Andrea Quadri

The rapid changes in science and technology witnessed in recent decades have significantly contributed to the arousal of the awareness by decision-makers and the public as a whole of the need to strengthen the connection between outreach activities of universities and research institutes and the activities of educational institutions, with a central role played by schools. While the relevance of the problem is nowadays unquestioned, no unique and fully satisfactory solution has been identified. In the present paper we would like to contribute to the discussion on the subject by reporting on an ongoing project aimed to teach Particle Physics in primary schools. We will start from the past and currently planned activities in this project in order to establish a broader framework to describe the conditions for the fruitful interplay between researchers and teachers. We will also emphasize some aspects related to the dissemination of outreach materials by research institutions, in order to promote the access and distribution of scientific information in a way suited to the different age of the target students.


2020 ◽  
Author(s):  
Léon E Dijkman

Abstract Germany is one of few jurisdictions with a bifurcated patent system, under which infringement and validity of a patent are established in separate proceedings. Because validity proceedings normally take longer to conclude, it can occur that remedies for infringement are imposed before a decision on the patent’s validity is available. This phenomenon is colloquially known as the ‘injunction gap’ and has been the subject of increasing criticism over the past years. In this article, I examine the injunction gap from the perspective of the right to a fair trial enshrined in Art. 6 of the European Convention on Human Rights. I find that the case law of the European Court of Human Rights interpreting this provision supports criticism of the injunction gap, because imposing infringement remedies with potentially far-reaching consequences before the validity of a patent has been established by a court of law arguably violates defendants’ right to be heard. Such reliance on the patent office’s grant decision is no longer warranted in the light of contemporary invalidation rates. I conclude that the proliferation of the injunction gap should be curbed by an approach to a stay of proceedings which is in line with the test for stays as formulated by Germany’s Federal Supreme Court. Under this test, courts should stay infringement proceedings until the Federal Patent Court or the EPO’s Board of Appeal have ruled on the validity of a patent whenever it is more likely than not that it will be invalidated.


2021 ◽  
Vol 33 (1) ◽  
pp. 106-140
Author(s):  
Fabio D’Orlando ◽  
Sharon Ricciotti

Escalation is a key characteristic of many consumption behaviors that has not received theoretical attention. This paper aims to propose both a definition and a theoretical treatment of escalation in consumption. We define escalation as a subject’s attempt to obtain “more” or engage in consumption behaviors that are “more intense” on a measurable, quantitative or qualitative, objective or subjective, scale (more difficult ski slopes, stronger drugs, harder sex, better restaurants etc.), even if the subject preferred less intense consumption behaviors in the past. Further, this evolution in behavior also occurs if the budget constraint does not change. We will find endogenous and exogenous theoretical microfoundations for escalation in models of hedonic adaptation, desire for novelty, acquisition of consumption skills, rising aspirations, positional effects, and envy. However, we will also discuss the possibility that the tendency to escalate is a specific innate behavior inherent to human nature. Finally, we will propose a preliminary theoretical formalization of such behavior and indicate the possible implications of taking escalation into adequate consideration. JEL codes: B52, D11, D90, D91, I31


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