scholarly journals Skoven, loven og løgnen. Ikke-læsninger af poesistykker af Pia Juul, Mette Moestrup og Ursula Andkjær Olsen

2013 ◽  
Vol 28 (69) ◽  
Author(s):  
Susanne Kemp
Keyword(s):  
21St Century ◽  
Contemporary Poetry ◽  
Poetic Language ◽  
The World ◽  
The Law

Mette Moestrup og Ursula Andkjær Olsen er højprofilerede skikkelser i nyere dansk lyrik, og som sådan spiller de også en central rolle i Susanne Kemps “Skoven, loven og løgnen. Ikke-læsninger af poesistykker af Pia Juul, Mette Moestrup ogUrsula Andkjær Olsen”, hvor der sættes fokus på den sprogligt fornyende tendens i poesien efter år 2000 og præsenteres en ikke-læsning i den forstand, at det er teksternes sproglige greb, der vægtes, frem for traditionelle læsningers mere indholdsfokuserede optikker.Susanne Kemp: “The Woods, the Law, and the Lie. Non-Readings of Poetry by Pia Juul, Mette Moestrup, and Ursula Andkjær Olsen”Contemporary poetry is mostly described in correlation with reality and the world that surrounds us. The article considers and examines poems by Pia Juul, Mette Moestrup, and Ursula Andkjær Olsen in a different perspective; their innovative use of language. Thus, this study demonstrates how poetry in the 21st century isespecially characterized by language features that are closer to spoken Danish than to traditional poetic language. In the examination of Helt i skoven the article points out how Pia Juul uses the woods to create a poetic space. In the analyses of kingsizethe article argues that Mette Moestrups text acts on several linguistic levels. In the examination of Ægteskabet mellem vejen og udvejen the article shows how Ursula Andkjær Olsen changes the concept of “lie” into a textual “truth”.

scholarly journals About a television for the education in tuning multimedia

Comunicar ◽  
2005 ◽  
Vol 13 (25) ◽  
pp. 33-44 ◽  
Author(s):  
Agustín García-Matilla
Keyword(s):  
21St Century ◽  
Technological Development ◽  
Public Television ◽  
The World ◽  
Broadcasting Policy ◽  
Socialist Government ◽  
A Priority ◽  
The Law ◽  
The Moment

In 2005, the current socialist government has set out to undertake the greatest update in broadcasting policy since 1956, the moment in which television was born in Spain. This transformation is related to the quick digital reconversion that television has suffered in the latest years. Despite the changes in the law and some reasons to be optimistic about technological development in a recent future the television of the 21st century can not do without being profitable in a social, cultural and educative sense. This is a challenge which many countries have not faced yet and Spain is among these countries. Some models of public television in the world have consolidated proposals of broadcasting contents that make a priority out of the cultural and educative role of television. España inició el siglo XXI con un sistema televisivo sometido a una evidente dispersión legislativa, denunciado por infinidad de instancias por la baja calidad de los contenidos ofrecidos por las diversas ofertas televisivas, una televisión pública exageradamente endeudada y que relegaba los objetivos de servicio público a un papel secundario frente a la utilización partidista de los espacios informativos y un irregular desarrollo de las ofertas de televisión de pago. En 2005, el gobierno socialista ha asumido la mayor actualización legislativa coordinada en materia audiovisual. Han pasado casi 50 años desde el inicio de las emisiones televisivas. Este cambio no afecta sólo al ámbito de la televisión pública sino que además lleva aparejada una transformación global del marco de leyes que contribuirá al desarrollo de la radiotelevisión digital que se impondrá tras el apagón analógico previsto para 2010. Los cambios se ven guiados por la convergencia tecnológica y también por la imperiosa necesidad de atajar ese gran lastre que ha significado tener que pensar hasta hace poco tiempo en una radiotelevisión del pasado. La televisión que ya deberíamos estar viviendo en presente continuo debe concebirse desde las potencialidades que abre la transformación digital y el desarrollo de estrategias multimedia.

scholarly journals The experience of phenomenological ontology in the book of Ivan Štrpka “Where the cloak, there is the wind” (2018)

2020 ◽  
pp. 423-441
Author(s):  
Andrea Grominova ◽  
Nina V. Barkovskaya
Keyword(s):  
Key Words ◽  
21St Century ◽  
The Other ◽  
Poetic Language ◽  
Self Identity ◽  
Jean Paul ◽  
Search For Self ◽  
The World ◽  
The Subject

Based on the material of the poetry book of one of the major modern Slovak poets — Ivan Štrpka, the article examines the features of poetics and author’s world-attitude. A hypothesis is expressed about the fi nal character of the book “Where the cloak, there is the wind”, relying on the genre model of the fi nal book of poems proposed by O. V. Miroshnikova. The complexity of the poetic language is due to the author’s desire to show “what cannot be seen”, to express the feeling of “empty forms”. The key words in the book are emptiness and light. The initial text in the book, which is a “long vers libre”, is analyzed in detail. The seman-tic dominant is defi ned by the allusion to the suprematism of Kazimir Malevich, whose painting “White on White” proclaims pointlessness as a condition of freedom of consciousness. Further, an empty world, “not a place”, is revealed through an attempt to articulate, produce speech and meaning. The subject of speech in the poem is fundamentally lone-ly — it is a “naked” consciousness, trying to realize itself. This is not a person, but a kind of pulsating point from which an attempt at speech comes. Thus, the extremely generalized form of the poetic subject is investigated, the “landscape” of the pointless space is drawn, in which the very possibility of poetry arises. Štrpka conveys the phenomenol-ogy of consciousness of the subject, trying to fi nd himself from himself, and through himself — and the world, the “other”, conveys the eff ort of consciousness to give meaning to the “empty” world. The phenom-enology of consciousness represented by Štrpka is comparable with the categorical apparatus substantiated in Jean-Paul Sartre philosophy. The search for self-identity in a God-given world ends with the image of a comprehensive ocean, with the rhythm of movement of which thespeaker’s breathing and speech eff ort merge. It is concluded that Štrpka retained the role of a “lone runner” in completely new sociocultural circumstances of the fi rst decades of the 21st century.

Psychology from Egyptian, Arab, and Islamic Perspectives

1997 ◽  
Vol 2 (4) ◽  
pp. 356-365 ◽  
Author(s):  
Fouad A-L.H. Abou-Hatab
Keyword(s):  
Professional Identity ◽  
21St Century ◽  
The West ◽  
Islamic Perspective ◽  
National Heritage ◽  
Western Psychology ◽  
The World ◽  
The One

This paper presents the case of psychology from a perspective not widely recognized by the West, namely, the Egyptian, Arab, and Islamic perspective. It discusses the introduction and development of psychology in this part of the world. Whenever such efforts are evaluated, six problems become apparent: (1) the one-way interaction with Western psychology; (2) the intellectual dependency; (3) the remote relationship with national heritage; (4) its irrelevance to cultural and social realities; (5) the inhibition of creativity; and (6) the loss of professional identity. Nevertheless, some major achievements are emphasized, and a four-facet look into the 21st century is proposed.

Dancing Across the World Wide Web: Advocacy in the 21st Century

2009 ◽  
Author(s):  
Blair Williams Cronin ◽  
Ty Tedmon-Jones ◽  
Lora Wilson Mau
Keyword(s):  
World Wide Web ◽  
21St Century ◽  
World Wide ◽  
The World

Globalization and interconfessional communications

2001 ◽  
pp. 13-17
Author(s):  
Serhii Viktorovych Svystunov
Keyword(s):  
21St Century ◽  
Global Economy ◽  
Modern World ◽  
The World ◽  
Target Set ◽  
Almost All ◽  
Over Time ◽  
Rapid Appearance

In the 21st century, the world became a sign of globalization: global conflicts, global disasters, global economy, global Internet, etc. The Polish researcher Casimir Zhigulsky defines globalization as a kind of process, that is, the target set of characteristic changes that develop over time and occur in the modern world. These changes in general are reduced to mutual rapprochement, reduction of distances, the rapid appearance of a large number of different connections, contacts, exchanges, and to increase the dependence of society in almost all spheres of his life from what is happening in other, often very remote regions of the world.

The New Terrain of International Law

2014 ◽  
Author(s):  
Karen J. Alter
Keyword(s):  
International Law ◽  
Case Studies ◽  
Domestic Politics ◽  
Political Influence ◽  
The Political ◽  
International Courts ◽  
Constitutional Review ◽  
Delegation Of Authority ◽  
The World ◽  
The Law

In 1989, when the Cold War ended, there were six permanent international courts. Today there are more than two dozen that have collectively issued over thirty-seven thousand binding legal rulings. This book charts the developments and trends in the creation and role of international courts, and explains how the delegation of authority to international judicial institutions influences global and domestic politics. The book presents an in-depth look at the scope and powers of international courts operating around the world. Focusing on dispute resolution, enforcement, administrative review, and constitutional review, the book argues that international courts alter politics by providing legal, symbolic, and leverage resources that shift the political balance in favor of domestic and international actors who prefer policies more consistent with international law objectives. International courts name violations of the law and perhaps specify remedies. The book explains how this limited power—the power to speak the law—translates into political influence, and it considers eighteen case studies, showing how international courts change state behavior. The case studies, spanning issue areas and regions of the world, collectively elucidate the political factors that often intervene to limit whether or not international courts are invoked and whether international judges dare to demand significant changes in state practices.

Desecularization as Phenomenon at the Turn of 21st Century

2019 ◽  
Vol 29 ◽  
pp. 49-57
Author(s):  
Sergey V.  Lebedev ◽  
Galina N.  Lebedeva
Keyword(s):  
21St Century ◽  
Social Problems ◽  
European Countries ◽  
Islamic Revolution ◽  
Islamic Movement ◽  
The World ◽  
Rational Alternative ◽  
Role Of Religion

In the article the authors note that since the 1970s, with the rise of the Islamic movement and the Islamic revolution in Iran, philosophers and political scientists started to talk about religious renaissance in many regions of the world. In addition, the point at issue is the growing role of religion in society, including European countries that have long ago gone through the process of secularization. The reasons for this phenomenon, regardless of its name, are diverse, but understandable: secular ideologies of the last century failed to explain the existing social problems and give them a rational alternative.

A Compact Embodiment of Pluralities and Denial of Origins: Atwood’s The Year of The Flood

2016 ◽  
Vol 1 (3) ◽  
pp. 141
Author(s):  
Rana Sağıroğlu
Keyword(s):  
Science Fiction ◽  
21St Century ◽  
Social Order ◽  
Margaret Atwood ◽  
Rapid Change ◽  
The Novel ◽  
The World ◽  
Narrative Techniques ◽  
Why Questions ◽  
Near Future

Margaret Atwood, one of the most spectacular authors of postmodern movement, achieved to unite debatable and in demand critical points of 21st century such as science fiction, postmodernism and ecocriticism in the novel The Year of The Flood written in 2009. The novel could be regarded as an ecocritical manifesto and a dystopic mirror against today’s degenerated world, tending to a superficial base to keep the already order in use, by moving away from the fundamental solution of all humanity: nature. Although Atwood does not want her works to be called science fiction, it is obvious that science fiction plays an introductory role and gives the novel a ground explaining all ‘why’ questions of the novel. However, Atwood is not unjust while claiming that her works are not science fiction because of the inevitable rapid change of 21st century world becoming addicted to technology, especially Internet. It is easily observed by the reader that what she fictionalises throughout the novel is quite close to possibility, and the world may witness in the near future what she creates in the novel as science fiction. Additionally, postmodernism serves to the novel as the answerer of ‘how’ questions: How the world embraces pluralities, how heterogeneous social order is needed, and how impossible to run the world by dichotomies of patriarchal social order anymore. And lastly, ecocriticism gives the answers of ‘why’ questions of the novel: Why humanity is in chaos, why humanity has organized the world according to its own needs as if there were no living creatures apart from humanity. Therefore, The Year of The Flood meets the reader as a compact embodiment of science fiction, postmodernism and ecocriticism not only with its theme, but also with its narrative techniques.

The beginning of phygital world

2020 ◽  
Vol 10 (2) ◽  
pp. 1-4
Author(s):  
Evgeny Soloviov ◽  
Alexander Danilov
Keyword(s):  
Big Data ◽  
Learning Styles ◽  
21St Century ◽  
Digital Technology ◽  
Aviation Education ◽  
Digital World ◽  
The World ◽  
Unique Experience ◽  
Smart Data

The Phygital word itself is the combination pf physical and digital technology application.This paper will highlight the detail of phygital world and its importance, also we will discuss why its matter in the world of technology along with advantages and disadvantages.It is the concept and technology is the bridge between physical and digital world which bring unique experience to the users by providing purpose of phygital world. It is the technology used in 21st century to bring smart data as opposed to big data and mix into the broader address of array of learning styles. It can bring new experience to every sector almost like, retail, medical, aviation, education etc. to maintain some reality in today’s world which is developing technology day to day. It is a general reboot which can keep economy moving and guarantee the wellbeing of future in terms of both online and offline.

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