From Text to Work: Digital Tools and the Emergence of the Social Text

2006 ◽  
Author(s):  
Jerome McGann
Keyword(s):  
Digital Technology ◽  
Digital Tools ◽  
Proof Of Concept ◽  
Digital Resources ◽  
Literary Works ◽  
Seminal Work ◽  
Critical Editions ◽  
The Social ◽  
Close Study

Abstract The essay is a study of how critical editions work, whether in paper-based forms or in electronic forms. The first section – more than half the essay – gives a close examination to J. C. C. Mays’s superb recent (Bollingen) edition of Coleridge’s poetry. This analysis establishes the terms for investigating the opportunities that digital technology supplies for scholars pursuing a close study of the socio-historical character of literary works. This investigation pivots around the seminal work of D. F. McKenzie, whose theory of the social-text edition argues for a more comprehensive kind of editorial method. This essay argues that the method can be best realized through digital resources. It concludes with a discussion of The Rossetti Archive as a “proof of concept” experiment to test the social-text approach to editorial method.

scholarly journals “Technology Brings Learning to Life”: Planning Writing Opportunities through Multimodal and Digital Resources

2019 ◽  
Vol 21 (2) ◽  
pp. 52-68
Author(s):  
Carol Doyle-Jones
Keyword(s):  
Qualitative Study ◽  
Elementary Teachers ◽  
Digital Technology ◽  
New Literacies ◽  
Learning Opportunities ◽  
Digital Tools ◽  
Digital Resources ◽  
Writing Curriculum ◽  
Life Planning ◽  
Technology Tools

This paper illustrates how participating elementary teachers plan their literacy-based curriculum and create learning opportunities for writing through multimodal resources and digital technology tools in their classrooms. A theoretical lens of New Literacies (Coiro et al., 2008; Leu et al., 2013) guides this qualitative study. Through comprehensive interviews and an analysis of activity resources and digital tools, how teachers plan and design writing curriculum with a multimodal focus and create opportunities for collaboration and enhancing authorship are discussed.

G.K. Chesterton’s Works in Literary-Critical Review by K.I. Chukovsky

2020 ◽  
pp. 37-47
Author(s):  
Svetlana Morozova ◽  
Dmitrij Zhatkin
Keyword(s):  
Critical Review ◽  
Social Life ◽  
Social Situation ◽  
The Novel ◽  
Social Disorder ◽  
Literary Works ◽  
Critical Attitude ◽  
The Social

The article is devoted to the perception of K.I. Chukovsky’s works by a famous English writer G.K. Chesterton. K.I. Chukovsky was one of the first to point out the ambiguity of the literary works by the English writer and called his journalistic activity more convincing. Describing G.K. Chesterton’s essays, K.I. Chukovsky believed that the writer is second to none in this genre. He praised G.K. Chesterton’s journalistic talent in responding to all the phenomena of contemporary social life. K.I. Chukovsky considered it obligatory for the Russian readers to familiarize themselves with the critical works of the English author. In the essay «Gilbert Chesterton. Manalive» (1924) K.I. Chukovsky substantiated why, for all the variety of genre forms that G.K. Chesterton used, Russian readers were familiar with only a few of his works. K.I. Chukovsky’s critical attitude to the novel «Manalive» is explained by his rejection of G.K. Chesterton’s utopian attitude to the social situation in England at the turn of the XIX–XX centuries. In G.K. Chesterton’s works K.I. Chukovsky saw a simulation of revolutionary pathos that did not solve pressing issues of social disorder.

scholarly journals The use of Facebook in a community pharmacist-led weight management programme – a London-based proof of concept study

2021 ◽  
Vol 29 (Supplement_1) ◽  
pp. i17-i18
Author(s):  
P Crilly ◽  
E Chibueze ◽  
M Khan ◽  
J Modha ◽  
S Satwaha ◽  
...  
Keyword(s):  
Weight Loss ◽  
Waist Circumference ◽  
Digital Technology ◽  
Technology Use ◽  
Management Programme ◽  
Proof Of Concept ◽  
Percentage Weight Loss ◽  
Weight Management Programme ◽  
Percentage Weight ◽  
Adults And Children

Abstract Introduction In the United Kingdom (UK), 63% of adults are overweight,(1) costing the NHS £6.1 billion/year. With the public using digital technology over healthcare professionals (HCPs) for health advice, this warrants an investigation of technology use in community pharmacy, given its previous successful use.(2) Aim To determine the feasibility and perceptions of a community pharmacist (CP)-led weight management programme (WMP), enhanced by a Facebook support group (FSG). Methods A proof of concept study was conducted between January-March 2020. Recruitment was via a pharmacy, the university and a community Facebook group. Inclusion criteria: over 18 years; overweight; no medical conditions. Participants attended face-to-face meetings (ftf) with a CP and final year pharmacy student (PS) on two occasions (0 (baseline) and 4 weeks). At baseline, participants were given the NHS weight loss programme and set weight loss goals. During ftf, participants had height, weight, and waist circumference (WC) measurements by a CP/PS and discussed eating habits, exercise and alcohol. In between ftf, participants accessed the FSG (created (December 2019) and moderated by a CP). Here, they received posts about diet, exercise and motivation. Participants were to have their measurements taken ftf at 8-weeks, however, COVID-19 meant participants had to self-declare these via video call. Following the 8-week programme, participants completed a 4-section survey about their experience (signing up to the service; comparison to previous weight loss attempts; the FSG and overall perceptions). Question types included multiple choice, Likert scale and free text comments. Data were analysed in Excel (Microsoft Corporation 2016) with changes in height, weight, waist circumference, alcohol and exercise being calculated. Results Fifty-five participants were recruited. 18 were lost to follow-up, most (n=12/18) citing COVID-19. Of the 37 participants remaining (70.3% female, mean age=37 years), 22 were obese, the rest overweight. Mean weight loss, mean percentage weight loss and mean WC reduction at 4-weeks was 1.6 kg (SD+/- 1.7 kg), 1.8% (SD+/- 1.9%) and 2 cm (SD+/- 1.96 cm) respectively. At week 8 measurements were self-declared. Mean weight loss at 8-weeks from baseline was 2.7 kg (SD +/- 2.6 kg) and mean percentage weight loss was 3% (SD+/- 3%). Only five participants’ self-declared WC measurements at 8-weeks with mean reduction being 3.6 cm. Five participants moved to healthier BMI classifications by week 8. All participants accessed the FSG at least weekly with 13 accessing it daily. Diet posts were the most popular (n=20/37). Participants learned about portion control and increasing fruits/vegetables intake. All participants would recommend the programme to their friends/family. Conclusion An 8-week CPWMP, enhanced with FSG, supported participants to lose a mean of 3% body weight. Participants accessed the page regularly and were positive about its usefulness. One limitation was that the COVID-19 lockdown prevented the 8-week ftf, therefore, self-declared measurements were used. The pandemic has highlighted the importance of pharmacy embracing technology for service delivery, particularly when in-person contact is limited. The implication of this study is that it provides proof that the concept of digital service delivery could work in practice. References 1. GOV.UK. Tackling obesity: empowering adults and children to live healthier lives [Internet]. Department of Health and Social Care. 2020 [cited 2020 Aug 18]. Available from: https://www.gov.uk/government/publications/tackling-obesity-government-strategy/tackling-obesity-empowering-adults-and-children-to-live-healthier-lives 2. Crilly P, Kayyali R. A Systematic Review of Randomized Controlled Trials of Telehealth and Digital Technology Use by Community Pharmacists to Improve Public Health. Pharmacy 2020;8(3):137. Available from: https://www.mdpi.com/2226–4787/8/3/137

scholarly journals SERVICE CREATION FOR RE-NORMALISING ESSENTIAL BUSINESS ENVIRONMENT: A PREVENTION BASED DIGITAL TECH APPROACH

2021 ◽  
Vol 1 ◽  
pp. 2631-2640
Author(s):  
Santosh Maurya ◽  
Tezuka Shin ◽  
Kentaro Watanabe ◽  
Hiroshi Nakagoe
Keyword(s):  
Work Environment ◽  
Digital Technology ◽  
Business Environment ◽  
Business Owners ◽  
Proof Of Concept ◽  
Business Environments ◽  
Digital Services ◽  
Service Creation ◽  
Prevention Through Design ◽  
After Effect

AbstractThis research investigates service creation in/after effect of coronavirus pandemic targeting the essential business environment. It follows prevention through design approach to facilitate business owners to maintain their business environments at low COVID contraction risks, for both customers and staff. The effectiveness of recommended prevention practices (like social distancing and hand-sanitising) is uncertain at public workplaces, simply due to inevitable workers and customers interactions. Such uncertainty, especially in cases of retail stores and hospitals, raises a need for the design of services and support systems for common/necessary public business activities to reduce the burden on people involved. This research investigates the risk-related metrics to realise such digital services, focussing on three types: congestion at the work environment, disinfection of store area/objects, and sanitisation of people and staffs involved. Based on this, a digital technology-based service COVSAFE was created and tested through a proof-of-concept implementation for a supermarket business environment. This implementation and its evaluations highlight the bottlenecks/challenges for realising this system in everyday scenarios.

Using digital technology for collective ethnographic observation: an experiment on ‘coming home’

2010 ◽  
Vol 49 (3) ◽  
pp. 445-463 ◽  
Author(s):  
Antoine Cordelois
Keyword(s):  
Digital Technology ◽  
Digital Tools ◽  
Functional Coupling ◽  
Home Automation ◽  
Ethnographic Approach ◽  
Ethnographic Observation ◽  
The Subject ◽  
Collaborative Analysis ◽  
The Impact ◽  
At Home

In this article, we use digital technologies (the Subcam and Webdiver) to capture, share and analyze collectively specific user experience. We examine the transition between ‘outside’ and ‘inside’ when people come home, and the steps needed to build the ‘being-at-home’ feeling. Understanding what ‘being at home’ means for the subject is part of our larger project of analyzing the impact of home automation. We provide a model which describes the relation between the home and its inhabitant as instrumental ‘functional coupling’, which, when achieved, provides the ‘at home’ feeling. This article illustrates how digital tools can make the ethnographic approach a collaborative analysis of human experience.

Class Formation and Ideological Practice: A Case from Sri Lanka

1981 ◽  
Vol 40 (4) ◽  
pp. 703-718 ◽  
Author(s):  
James Brow
Keyword(s):  
Sri Lanka ◽  
Social Relations ◽  
Social Life ◽  
Group Formation ◽  
Class Formation ◽  
Historical Approach ◽  
Seminal Work ◽  
Recent Scholarship ◽  
The Social ◽  
Adequate Understanding

An adequate understanding of the complex connections between changes in the social relations of production and changes in the bases of group formation demands an historical approach in which consciousness and its ideological products are viewed dynamically, not as the mechanically determined superstructural reflections of material relations but as an active and constituent components of everyday social life. The concepts required for such an analysis are developed here, drawing on the seminal work of both Marx and Weber, as well as on more recent scholarship, and are applied to recent changes in agrarian relations and ideological practice in Anuradhapura District, Sri Lanka.

The Younghusband-Waddell Collection and Its People: the Social Life of Tibetan Books Gathered in a Late-colonial Enterprise

Inner Asia ◽  
2012 ◽  
Vol 14 (1) ◽  
pp. 131-171
Author(s):  
Hildegard Diemberger
Keyword(s):  
Digital Technology ◽  
Social Life ◽  
First Century ◽  
The Political ◽  
Academic Institutions ◽  
Cultural Biography ◽  
The Social ◽  
Twenty First Century ◽  
New Perspective ◽  
Insight Into

AbstractIn this paper I follow the social life of the Tibetan books belonging to the Younghusband-Waddell collection. I show how books as literary artefacts can transform from ritual objects into loot, into commodities and into academic treasures and how books can have agency over people, creating networks and shaping identities. Exploring connections between books and people, I look at colonial collecting, Orientalist scholarship and imperial visions from an unusual perspective in which the social life and cultural biography of people and things intertwine and mutually define each other. By following the trajectory of these literary artefacts, I show how their traces left in letters, minutes and acquisition documents give insight into the functioning of academic institutions and their relationship to imperial governing structures and individual aspirations. In particular, I outline the lives of a group of scholars who were involved with this collection in different capacities and whose deeds are unevenly known. This adds a new perspective to the study of this period, which has so far been largely focused on the deeds of key individuals and the political and military setting in which they operated. Finally, I show how the books of this collection have continued to exercise their attraction and moral pressure on twenty-first-century scholars, both Tibetan and international, linking them through digital technology and cyberspace.

The Korean 3T practice: A New Biosurveillance Model utilizing New IT and Digital Tools (Preprint)

2021 ◽  
Author(s):  
HyunJung Kim
Keyword(s):  
Population Control ◽  
Digital Tools ◽  
Big Brother ◽  
Self Help ◽  
Ex Post ◽  
The Social ◽  
Epidemic Intelligence ◽  
Pandemic Response ◽  
The Government ◽  
Event Based

UNSTRUCTURED South Korea COVID-19 pandemic responses, namely the 3T (testing, tracing, and treating) strategy, come to the fore as a new biosurveillance regime utilizing new IT and digital tools actively. The 3T biosurveillance system is a developed version of the traditional biosurveillance systems (indicator-based or event-based systems), which can provide epidemic intelligence capabilities for both ex ante prevention/preparedness or ex post response/recovery missions. Epidemiological investigation efforts exploiting the use of new digital and IT tools are the ground of the Korean 3T system practicing test, trace, and treatment mission, which can be referred to as ‘contact-based biosurveillance system.’ However, critics argue that the Korea’s 3T strategy may violate individuals’ privacy and human rights in addressing that the Korean biosurveillance system would strengthen the social surveillance and population control by the government as a “digital big brother” in the cyber age. However, closer scrutiny reveals that the Korea’s digital-based biosurveillance system for pandemic response has evolved since the experience of the 2015 Middle East Respiratory Syndrome (MERS) outbreak, by citizen’s requests and self-help behaviors

Image in the Making

2021 ◽  
Author(s):  
Katherine Thomson-Jones
Keyword(s):  
Digital Technology ◽  
Digital Age ◽  
Digital Art ◽  
Digital Tools ◽  
Human Beings ◽  
Video Installation ◽  
Art Form ◽  
Fundamental Distinction ◽  
Net Art ◽  
Do So

Human beings have always made images, and to do so they have developed and refined an enormous range of artistic tools and materials. With the development of digital technology, the ways of making images—whether they are still or moving, 2D or 3D—have evolved at an unprecedented rate. At every stage of image making, artists now face a choice between using analog and using digital tools. Yet a digital image need not look digital; and likewise, a handmade image or traditional photograph need not look analog. If we do not see the artist’s choice between the analog and the digital, what difference can this choice make for our appreciation of images in the digital age? Image in the Making answers this question by accounting for the fundamental distinction between the analog and the digital; by explicating the technological realization of this distinction in image-making practice; and by exploring the creative possibilities that are distinctive of the digital. The case is made for a new kind of appreciation in the digital age. In appreciating the images involved in every digital art form—from digital video installation to net art to digital cinema—there is a basic truth that we cannot ignore: the nature and technology of the digital expands both what an image can be as an image and what an image can be for us.

Improvements on the truth

2020 ◽  
Vol 8 (1) ◽  
pp. 63-83
Author(s):  
Damian Gascoigne
Keyword(s):  
New Media ◽  
Digital Technology ◽  
Digital Tools ◽  
Digital Animation ◽  
2D Animation ◽  
Analogue To Digital

My drawn animation practice has always focused on the gestural mark and messy materiality. This article is about what happened to that practice in the transition from analogue to digital animation, questioning what was lost forever and what might still be worth fighting for. This practitioner’s account of a ‘before digital, after digital’ career describes the experience of making work, as work itself changed forever. Ushered in with little reflection or resistance in the mid-1990s, the new digital doctrine slowly consumed hand-drawn 2D animation production to the point where few but the most determined independent makers keep this vital practice alive. My contention is that a reckoning on why and how we engage with digital technology is long overdue. The article will set out why – after working with digital tools for more than twenty years – I have now abandoned all but the most cursory engagement with new media tools and taken the long walk back to a material analogue practice. The ideas under discussion here can be traced back to one overriding concern – the unsolvable relationship between movement in drawing and drawing for movement. This dichotomy is unique to 2D animation, because freedom of gesture in drawing does not produce continuity of movement in animation. Mining this seam drives my independent animation practice as I try to reconcile the page and the frame.

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