Le « serpent de mer du Constitutionnel », « cet admirable et immortel canard ». Examen d’un running gag médiatique

Author(s):  
Jean-Luc Buard

This paper assesses the reality and sources of the Constitutionnel's sea serpent case, attributing to this newspaper the authorship of the invention of this journalist's joke (hoax), circulated as a running gag during the 19th century. The subject is not so much the dissemination of sea serpent stories as this problematic attribution, which became traditional in the history of the French press. At the end of our inquiry, after what might seem like a police investigation, it is established that the first mention of a sea serpent indeed really took place in this newspaper in 1817-18, when it was called the Journal du commerce, a paper that had no exclusivity in the dissemination of this hoax, which had its source in American papers. Before the digitization of newspapers, it was difficult if not impossible to find brief mentions or even articles on these elusive subjects. It was therefore easy to make fun of them without having to provide any proof or justification.

2021 ◽  
Vol 8 (4) ◽  
pp. 297-310
Author(s):  
Marijana Horvat ◽  
Martina Kramarić

In this article, we will present the rich linguistic heritage of the Croatian language and our attempts to ensure its preservation and presentation to the general public by means of the "Retro-digitization and Interpretation of Croatian Grammar Books before Illyrism ‒ RETROGRAM" project. There is a long tradition of grammatical description in the history of the Croatian language. The first grammar book of the Croatian language was written at the beginning of the 17th century and the first grammar book written in Croatian was compiled in the middle of the 17th century. In later years, when literary and linguistic activity were transferred from the Dalmatian area to the northern and eastern part of Croatia, the Latin model for the description of the Croatian language was still present, even though German was also used. There were a large number of grammars written up to the second half of the 19th century, which are considered pre-standard Croatian grammars. They are the subject of research within the project "Pre-standard Croatian Grammars" at the Institute of Croatian Language and Linguistics. This research proposal "Retro-digitization and Interpretation of Croatian Grammar Books before Illyrism" aims to create a model for the retro-digitization of the chosen eight Pre-standard Croatian Grammars (written from the 17th until the 19th century). The retro-digitization of Croatian grammar books implies the transfer of printed media to computer-readable and searchable text. It also includes a multilevel mark-up of transcribed or translated grammar text. The next step of the project is the creation of a Web Portal of Pre-standard Croatian Grammars, on which both the facsimiles and the digitized text of the grammars will be presented. Our aim is to present to the wider and international public the attainments of the Croatian language and linguistics as an important part of Croatian culture in general. Keywords: pre-standard Croatian grammars, history of the Croatian language, retro-digitization, Extensible mark-up language, Text encoding initiative, web portal of pre-standard Croatian grammars


2018 ◽  
Vol 24 (2) ◽  
pp. 85-110
Author(s):  
Joanna Kulwicka-Kamińska

The religious writings of the Tatars constitute a valuable source for philological research due to the presence of heretofore unexplored grammatical and lexical layers of the north borderland Polish language of the 16th-20th centuries and due to the interference-related and transfer-related processes in the context of Slavic languages and Slavic-Oriental contacts. Therefore the basis for linguistic analyses is constituted by one of the most valuable monuments of this body of writing – the first translation of the Quran into a Slavic language in the world (probably representing the north borderland Polish language), which assumed the form of a tefsir. The source of linguistic analyses is constituted by the Olita tefsir, which dates back to 1723 (supplemented and corrected in the 19th century). On the basis of the material that was excerpted from this work the author presents both borderland features described in the subject literature and tries to point the new or only sparsely confirmed facts in the history of the Polish language, including the formation of the north borderland Polish language on the Belarusian substrate. Research involves all levels of language – the phonetic-phonological, morphological, syntactic and the lexical-semantic levels.


2020 ◽  
pp. 180-195
Author(s):  
Renata E. Paliga

Until the 19th century, the factor causing epidemics was not known, and the escape from a place where it occurred as well as isolation of patients was considered to be the only effective way to avoid illness and death. Quarantine in a sense similar to modern times was used in 1377 in Ragusa, today’s Dubrovnik, during the plague epidemic. It was the first administratively imposed procedure in the world’s history. It was later used in Venice and other rich port cities in the Mediterranean. On the territory of today’s Poland, quarantine measures were used by the so-called Mayor of the Air – LukaszDrewno in 1623 during the plague epidemic in Warsaw. The quarantine left its mark on all areas of human activity. It affected all humanity in a way that is underestimated today. Throughout history, it has been described and presented visually. It is omnipresent in the world literature, art and philosophy. However, the isolation and closure of cities, limiting trade, had an impact on the economic balance, and the dilemma between the choice of inhabitants’ health and the quality of existence, i.e. their wealth, has been the subject of discussions since the Middle Ages. Since the end of the 19th century, quarantine has lost its practical meaning. The discovery of bacteria and a huge development of medical and social sciences allowed limiting its range. In the 20th century isolation and quarantine no longer had a global range, because the ability to identify factors causing the epidemic, knowledge about the incubation period, carrier, infectiousness, enabled the rational determination of its duration and territorial range. The modern SARS COV 2 pandemic has resulted in a global quarantine on a scale unprecedented for at least three hundred years. The aim of this paper is to present the history of quarantine from its beginning to the present day, including its usefulness as an epidemiological tool.


2020 ◽  
Author(s):  
Marlena Hajduk

THE HISTORY OF THE BISHOP’S PALACE IN THE 19TH CENTURY KRAKOW The subject of my doctoral dissertation is the history of the Bishop’s Palace in Krakow in the 19th Century. The main issue I tried to solve in my thesis was to establish what kind of function had the Bishop’s Palace in Krakow in the 19th Century. In order to gather relevant information I searched archival documents in 26 archives, including in particular: The Archive of the Metropolitan Curia in Krakow, The Archive of the Chapter of the Cathedral in Krakow, The National Archive in Krakow, The Jagiellonian Library, The Central Archive of Historical Records in Warsaw, The Secret Vatican Archive in Rome, The National Archive in Vienna.


Author(s):  
Shirap Tsydene ◽  

With the inclusion of Buryats in the Russian state, the need arose to create management mechanisms and inclusion are of the Buryats in Russian culture. This need became the subject of research by theoreticians of scientific thought and state building, which formed over the 19th century, the historiographic foundation. The article highlights the issues formed and the development of historiography on the history of local self-government.


2019 ◽  
Vol 13 (4) ◽  
pp. 633-642
Author(s):  
Lidiya Egorovna Surnina

I. A. Kuratov’s creative activity has been an outstanding phenomenon in the history of Komi and Finno-Ugrian literatures. In the period of the democratic enlightenment the incipient Komi literature which was written by I. A. Kuratov in terms of the real illustration of the nation’s life was in line with literatures with old traditions. It is known, that I. A. Kuratov was not the sole writer of the 19th century, such names as G. Lytkin, P. Rasputin, P. Klochkov, M. Istomin and others are also well known. I. Kuratov knew about literary experiments by the Komi writers of the beginning of the 19th century. The critical perception of the works by these authors helped him to a certain degree to comprehend which targets must the poet solve, who represents a small nation of Russia. This article deals with the study of I. Kuratov’s lyric system, which is multi-subject, containing different ways of expressing the author’s consciousness. The relevance of the work is due to research opportunities that open up the study of the subjective system of works to reveal the individual author's system of the Komi poet. Poems of peasant themes by I. Kuratov are analyzed. The subject of the research is the subject organization as one of the most important ways of expressing the author's consciousness. I. Kuratov strives to embody the idea of the internal unity of the rural collective both at the heroic and at the structural and subjective level. Such a task materializes both in the sphere of subject organization and in the structure of the text itself, each element of which (artistic space, imagery series, motive complex, objective world, composition, plot) somehow becomes a means of representing the author's discourse.


Author(s):  
Кalyna-Theodora Gavryliv

The article reveals the history of the restoration activity formation on the example of the castle ruins restoration in Ukraine and Europe during the 19th-20th centuries. Castles have been constantly transforming since their foundation. Each subsequent owner of the castle strengthened it, restored it after its destruction, made changes to the building architecture. And in the 19th century, an understanding of the value of such architectural objects was developed, and various methods for their preservation began to be proposed. Stylistic restorations are considered on the example of Trakai Island Castle (Lithuania) and Pierrefonds castle (France). Archaeological restorations aimed at conserving objects reflect the Upper Castle in Vilnius (Lithuania) and Heidelberg Castle (Germany). Scientifically based, the restoration is presented at facilities in Olesko Castle (Ukraine) and in Warsaw, Inovlodz (Poland). Woodstock Palace (England) is an example of the architectural monument destruction, and Tatar Tower of Ostroh Castle (Ukraine) is a symbol of a good future which is revealed in front of the castles in a state of long ruin. Positions on the restoration of architectural monuments have been analyzed by a number of scientists such as Eugène Emmanuel Viollet-le-Duc, Alois Riegl, Camillo Boito, Yan Zakhvatovich. It was the restoration of the castle ruins that sparked a discourse on how to preserve architectural monuments. After all, a castle is one of the most complex types of structures, including its structure, location, and function. Since the beginning of their founding, castles have been the subject to constant interference with their material structure, which in the 19th century became more important than their utilitarian purpose. The conservation method comes out on top, but it is often paired with fragmentary restoration. In any case, the object must function and be visited, regardless of whether it is compositionally complete or fragmentarily preserved, because the interest in it ensures its further existence.


2021 ◽  
Vol 18 (4) ◽  
pp. 409-415
Author(s):  
Anna E. Zavyalova

The article reveals literary (Emile Zola’s novel “L’Œuvre”, Richard Muther’s work “History of Painting in the 19th Century”), literary and artistic (magazines “Mercure de France”, “L’Ermitage”, “La Revue Blanche”, “La Plume”) and artistic (exhibits of the French art exhibition of 1896) sources of Konstantin Somov’s acquaintance with the art of French impressionism at the beginning of his independent activity (before leaving for Paris in the late 1890s). There are also identified sources of phenomena in his work that are similar to impressionism only externally. These issues become the subject of special consideration for the first time. The scientific novelty of the work lies in the fact that it first reveals that the artist did not address to impressionism in the period before his departure to France, as it has been long believed. To study the tasks set, the article involves sources of personal origin (letters and diaries of K.A. Somov and his friend A.N. Benois), as well as A.N. Benois’s articles of the 1890s, published on the pages of the magazine “World of Art”. The author comes to the conclusion that K.A. Somov did not turn to the artistic method of the impressionists in his work at that time, since the information he had been able to get from the identified sources was of a verbal and theoretical nature. Black-and-white reproductions of impressionist paintings in literary and art magazines and in Muther’s “History of Painting in the 19th Century” had not provided sufficient information for the artist. The phenomena similar to impressionism in Somov’s works are based on the study of nature, the heritage of the old European artists, the art of the Barbizonians, J.-F. Millet, W. Turner.


2007 ◽  
Vol 30 (4) ◽  
pp. 43
Author(s):  
C. Schram

The 19th Century in North America was a time of many social and scientific changes that impacted the field of medicine. A result of one such change was the medicalization of childbirth, as the primary care of women during labour shifted from midwives to physicians. While there is ample discourse on the many factors that contributed to this shift, there is very little discussion on the role played by abortion. Studying abortion in the 19th Century is often limited by a paucity of primary sources from the physicians who performed abortions and women who obtained them. Although most authors who discuss the midwifery shift do not make any mention of a role played by the issue of abortion, it has been addressed and supported by primary sources. This raises the question, why is abortion not discussed in histories on the medicalization of childbirth by other authors? The objectives of this paper are historical and histographic. First, it will present the evidence on the use of abortion as a political tool employed by some policy makers, physicians and the media to discourage women from choosing midwives for their childbirth care. Second, it will analyze possible reasons why this topic is not addressed by the majority of historians of childbirth in 19th Century North America. Are the authors concerned about the varying social views of abortion, the associated politics, the lack of primary sources, or are they personally uncomfortable with the subject? Only the authors themselves can truly know their reasons for neglecting the subject of abortion in their work, but this analysis will show how issues that influence historians determine the version of the past that is produced and propagated into the present and the future. Borst CG. Catching Babies: the Professionalization of Childbirth, 1870-1920. Cambridge, Mass.: Harvard University Press, 1995. Bourgeault B, Davis-Floyd R, eds. Reconceiving Midwifery. Montreal & Kingston: McGill-Queen’s University Press, 2004. Dodd DE, Gorham D, eds. Caring and Curing: Historical Perspectives on Women and Healing in Canada. Ottawa: University of Ottawa Press, 1994. Wertz DC, Wertz RW. Lying In; a History of Childbirth in America (expanded edition published 1989 by Richard W. Wertz and Dorothy C. Wertz) New York: Free Press; London: Macmillan, 1977. Reagan LJ. Linking midwives and abortion in the Progressive Era. Bulletin of the History of Medicine 1995; 69(4):569-98. Reagan LJ. When Abortion Was a Crime, Women, Medicine, and Law in the United States, 1867-1973. London: University of California Press, 1997.


Author(s):  
D. Ch. Matveichyk

The Uprising of 1863–1864 is one of the most controversial issues in Belarusian history of the period when Belarus was a part of the Russian Empire. This issue started being controversial in the 19th century; one of the important reasons for discussions was the source study factor. One of the most commonly used sources on the events of 1863–1864 was the memoirs of the Vilna Governor-General Mikhail Muravyov, published in the Russian Antiquity (Russkaya Starina) magazine. They sparked heated debate among historians and publicists; the subject of the debate was numerous cases of biased interpretation of historical facts by M. Muravyov; self-glorification and lies. Such figures as Mikhail Semevsky (the publisher of the memoirs); Nikolai Berg; Yevgeniy Karnovich; Pyotr Valuev; Sergei Yuzhakov; Alexandr Pavlov; Ivan Aksakov; Alexandr Mosolov and others were the participants of the discussion. In general; the participants were divided into two groups – critics and supporters of Muravyev. The firsts sought; based on the critic of the Muravyov postulates; to reveal the distortions and to present more objective picture of what had been happening; the seconds supported and justified everything that had been written in every possible way. The discussion confirmed the presence in the Russian historiography of the polar views and assessments of M. Muravyov as a person and as a statesman in the position of the Governor-General of Vilna; as well as attracted additional attention of historians to the issue of the Uprising in general.


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