Introduction: conceptualising Curatopia

Curatopia ◽  
2019 ◽  
pp. 1-16 ◽  
Author(s):  
Philipp Schorch ◽  
Conal McCarthy ◽  
Eveline Dürr

As museums continue to change in the twenty-first century, the ‘figure of the curator’ is in flux. This introduction explores how curating globally is being (re)conceptualised through engagement with Indigenous people in the Pacific, and collections and exhibitions in Euro-American institutions. It provides an overview of this book, which brings together curators, scholars, and critics from a range of fields in international institutions to engage in debates about curatorial histories, theories, and practices. The introduction ponders the past, present and future of museums and curatorship. It identifies, in the plurality of approaches evident in this collection, an emerging curatorial ‘heterotopia’, a critical but ethical approach to curating. This new vision of curatorial practice, Curatopia, facilitates the reinvention of museums with ethnographic collections from the colonial period, and offers pathways for future development, research and experimentation.

Author(s):  
Nicole Tarulevicz

This chapter provides an account of Singapore's recent history, interwoven with key culinary and gastronomic developments. The conventional periodization of Singapore's history into the pre-colonial, Japanese occupation, merger, and independence eras highlights some of the forces that have shaped the nation, but it also privileges state actors. From the early colonial period onward, the ordering of space and place has been a priority that has been demonstrated at the bureaucratic, regulatory, and physical levels. In the past 200 years, Singapore has been radically remade; technological innovation has been one of the mechanisms by which order is achieved. Indeed, Singapore's engagement with the global economy—be that the economy of the British Empire or of the twenty-first-century world of food security fears—has been relentless, and food has been central to the process.


Author(s):  
Lindy Allen

Museums continue to be cast as anachronistic—‘weary’, ‘tired’, and ‘out of touch’—trophy houses embedded in the colonial past, with object collections considered hollow remnants of that past. This article contests this notion and reveals how museums have emerged over the past fifty years as active field sites where Indigenous communities, scholars, artists, and artisans in the Pacific have been and are engaging with their cultural patrimony. This approach has seen new meanings and readings of, and new life breathed into, these collections in ways never imagined or anticipated. The museum is a space where differing epistemologies have engaged, conflicted, and negotiated, enabling the reshaping and recovery of meanings within the things held in collections; a process that sits at the centre of the current decolonizing discourse. For Indigenous people, these museum holdings are a unique and tangible link to the past that can perhaps be found only in memory. This article provides a nuanced understanding of the complexities associated with museum collections and their enduring legacies realized through the engagement of Indigenous people with their cultural patrimony.


Author(s):  
Richard Hingley

This chapter addresses the ways in which Roman colonization operated within the Roman Empire’s province of Britannia during the first century CE, and analyzes theoretical aproaches to colonialism, colonisation, Romanisation, and imperalism. Roman colonies were formally established settlements of Roman citizens and several existed in Britain. But Britain was also colonized through additional mechanisms, including large-scale migration, a substantial military presence, and an incorporative imperial culture. Questions about the extent to which the indigenous people became Romanized or retained native ways are explored, and the chapter questions how thoroughly indigenous frontier populations adopted colonists’ ideologies and material culture. The evidence suggests a wide range of different responses to colonial contact and control, issues that have been drawn upon by the British in their colonial activities over the past centuries.


2017 ◽  
Vol 30 (13) ◽  
pp. 4891-4896 ◽  
Author(s):  
Feng Zhang ◽  
Yadong Lei ◽  
Qiu-Run Yu ◽  
Klaus Fraedrich ◽  
Hironobu Iwabuchi

Slow feature analysis is used to extract driving forces from the monthly mean anomaly time series of the precipitation in the southwestern United States (1895–2015). Four major spectral scales pass the 95% confidence test after wavelet analysis of the derived driving forces. Further harmonic analysis indicates that only two fundamental frequencies are dominant in the spectral domain. The frequencies represent the influence of the Pacific decadal oscillation (PDO) and solar activity on the precipitation from the southwestern United States. In addition, solar activity has exerted a greater effect than the PDO on the precipitation in the southwestern United States over the past 120 years. By comparing the trend of droughts with the two fundamental frequencies, it is found that both the droughts in the 1900s and in the twenty-first century were affected by the PDO and solar activity, whereas the droughts from the 1950s to the 1970s were mainly affected by solar activity.


2018 ◽  
Vol 15 (4) ◽  
pp. 532-552 ◽  
Author(s):  
Ana Cristina Mendes

The process of screen adaptation is an act of ventriloquism insofar as it gives voice to contemporary anxieties and desires through its trans-temporal use of a source text. Screen adaptations that propose to negotiate meanings about the past, particularly a conflicted past, are acts of ‘trans-temporal ventriloquism’: they adapt and reinscribe pre-existing source texts to animate contemporary concerns and anxieties. I focus on the acts of trans-temporal ventriloquism in Ian Iqbal Rashid's Surviving Sabu (1998), a postcolonial, turn-of-the-twenty-first century short film that adapts Zoltan and Alexander Korda's film The Jungle Book (1942), itself an adaptation of Rudyard Kipling's collection of short stories by the same name. Surviving Sabu is about the survival and appropriation of orientalist films as a means of self-expression in a postcolonial present. Inherent in this is the idea of cinema as a potentially redemptive force that can help to balance global power inequalities. Surviving Sabu's return to The Jungle Book becomes a means both of tracing the genealogy of specific orientalist discourses and for ventriloquising contemporary concerns. This article demonstrates how trans-temporal ventriloquism becomes a strategy of political intervention that enables the film-maker to take ownership over existing media and narratives. My argument examines Surviving Sabu as an exemplar of cultural studies of the 1980s and 1990s: a postcolonial remediation built on fantasy and desire, used as a strategy of writing within rather than back to empire.


Author(s):  
Josh Kun

Ever since the 1968 student movements and the events surrounding the Tlatelolco massacre, Mexico City rock bands have openly engaged with the intersection of music and memory. Their songs offer audiences a medium through which to come to terms with the events of the past as a means of praising a broken world, to borrow the poet Adam Zagajewski’s phrase. Contemporary songs such as Saúl Hernández’s “Fuerte” are a twenty-first-century voicing of the ceaseless revolutionary spirit that John Gibler has called “Mexico unconquered,” a current of rebellion and social hunger for justice that runs in the veins of Mexican history. They are the latest additions to what we might think about as “the Mexico unconquered songbook”: musical critiques of impunity and state violence that are rooted in the weaponry of memory, refusing to focus solely on the present and instead making connections with the political past. What Octavio Paz described as a “swash of blood” that swept across “the international subculture of the young” during the events in Tlatelolco Plaza on October 2, 1968, now becomes a refrain of musical memory and political consciousness that extends across eras and generations. That famous phrase of Paz’s is a reminder that these most recent Mexican musical interventions, these most recent formations of a Mexican subculture of the young, maintain a historically tested relationship to blood, death, loss, and violence.


2019 ◽  
Vol 7 (3) ◽  
pp. 3-23
Author(s):  
Viara Gyurova

Since the beginning of the last decade of the past 20th century, Bulgaria has entered a new, complex stage of its development, with many reforms. Education and teacher training reforms are influenced by the global and European trends, as well as by the national changes (political, economical, social, and technological). The author analyses the main characteristics of the changed teacher training system and teacher qualification and development system. Some of the challenges and directions of the transformation and future development of the teacher education and qualification in Bulgaria are discussed.


2014 ◽  
Vol 5 (3) ◽  
pp. 368-392
Author(s):  
Matthew E. Gordley

This article examines Psalms of Solomon with an eye toward how these compositions may have functioned within the setting of a first-century B. C. E. Jewish community in Jerusalem. Several of these psalms should be understood as didactic hymns providing instruction to their audience through the medium of psalmody. Attention to the temporal register of Pss. Sol. 8, 9, and 17 shows how the poet’s use of historical review and historical allusion contributed to a vision of present reality and future hope, which the audience was invited to embrace. Issues relating to the place of these psalms in the tradition of Solomonic discourse are also addressed insofar as they contribute to the didactic function of this psalm collection.


Author(s):  
William R. Thompson ◽  
Leila Zakhirova

In this final chapter, we conclude by recapitulating our argument and evidence. One goal of this work has been to improve our understanding of the patterns underlying the evolution of world politics over the past one thousand years. How did we get to where we are now? Where and when did the “modern” world begin? How did we shift from a primarily agrarian economy to a primarily industrial one? How did these changes shape world politics? A related goal was to examine more closely the factors that led to the most serious attempts by states to break free of agrarian constraints. We developed an interactive model of the factors that we thought were most likely to be significant. Finally, a third goal was to examine the linkages between the systemic leadership that emerged from these historical processes and the global warming crisis of the twenty-first century. Climate change means that the traditional energy platforms for system leadership—coal, petroleum, and natural gas—have become counterproductive. The ultimate irony is that we thought that the harnessing of carbon fuels made us invulnerable to climate fluctuations, while the exact opposite turns out to be true. The more carbon fuels are consumed, the greater the damage done to the atmosphere. In many respects, the competition for systemic leadership generated this problem. Yet it is unclear whether systemic leadership will be up to the task of resolving it.


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