scholarly journals Metaphysics of a landscape in symbolism

2020 ◽  
pp. 53-70
Author(s):  
Victor Bychkov
Keyword(s):  
Comprehensive Analysis ◽  
Life And Death ◽  
Mediating Role ◽  
The World ◽  
Philosophical Aspect ◽  
Symbolic Meanings ◽  
Expression Characteristic ◽  
Creative Space ◽  
Characteristic Features

This research is dedicated to examination of a specific role of landscape in symbolism. Based on comprehensive analysis of the works of symbolists and artists of their circle – Segantini, Böcklin, Gauguin, Nesterov, Čiurlionis, the author attempts to determine the characteristic features of using the images of nature in the overall system of pictorial artistic-aesthetic expression. Special attention is paid to the problem of inscription of human figures into landscape, as in doing so many symbolists and artists of their circle were bringing the landscape to life, forming a special creative space. Landscape of symbolists is viewed as a peculiar animated space that carries a mediating role between the visually palpable images and indescribable pleroma of metaphysical being. Such approach to symbolism is considered innovative. In the course of this research, it is demonstrated that special artistic space as a carrier of symbolic meanings or a spirit of symbolism in painting emerges in each painters a set of artistic means of expression characteristic only to their works. At the same time, some symbolists view the unreachable in external forms of visible nature by focusing attention of the opposition of earth and sky, life and death, human and divine beginning, reality and its mythological grounds. Some symbolists create the world of practically abstract and musically accented color forms and graphic solutions. While others paint landscape imbued with tranquility, tenderness and picturesque hymns of the Creator. In general, symbolic landscape leans towards a fairly vivid philosophical aspect.

scholarly journals Depression among health care students in the time of COVID-19: the mediating role of resilience in the hopelessness–depression relationship

2021 ◽  
pp. 008124632199445
Author(s):  
Tammy-lee Pretorius
Keyword(s):  
Health Care ◽  
Traumatic Event ◽  
National Level ◽  
Depression Scale ◽  
Health Care Students ◽  
Mediating Role ◽  
First Case ◽  
Hopelessness Depression ◽  
The World

COVID-19 spread rapidly across the world, and by March 2020, the first case of COVID-19 was identified in South Africa. Lockdown-related measures such as restricted movement and isolation were implemented to contain the virus. Combined with these measures, factors such as economic decline, job losses, and food shortages can cause numerous mental health sequelae such as depression. Feelings of hopelessness and helplessness as well as cases of suicide have been reported around the world due to the pandemic and the associated feelings of anxiety and depression. The aims of this study were to investigate levels of hopelessness and depression in a sample of health care students. A random sample of students ( N = 174) enrolled in a health sciences programme at the University of the Western Cape completed the Beck Hopelessness Scale, the Center for Epidemiological Studies Depression Scale, and a three-item Resilience Scale. The results revealed high levels of hopelessness and depression compared to previously reported normative data for these scales. In addition, the indirect effects of hopelessness on depression were significant, demonstrating the mediating role of resilience in the hopelessness–depression relationship. These results highlight a call for universities to take proactive measures in providing students with free and easily accessible resources to help them cope and manage stress during a traumatic event. More importantly, at a national level, preventive measures should be implemented to strengthen resilience in young adults.

scholarly journals “It is not a miracle, but grief...”: representations of Sergey Kozlov's on soteriological mission of the woman (based on the novella “Mother-Masha”)

2021 ◽  
pp. 46-52
Author(s):  
Alena Petrovna Kashkareva
Keyword(s):  
Comprehensive Analysis ◽  
Russian Philosophy ◽  
Russian History ◽  
Female Images ◽  
Textual Space ◽  
The World ◽  
National Salvation

This article analyzes the views of the contemporary Ugric writer Sergey Kozlov pertaining to mission of the women in 1990s – 2000s, which was the turning period for the country. The novella “Mother-Masha” demonstrates that it textual space, namely the woman becomes the symbol of justice of the Christian fabric of life, and is reflected in the sincere desire of the protagonist to establish good and justice in the world. The author contemplates on S. Kozlov's ideological and artistic views upon the role of the woman at the time of major transformations in the Russian history. Reference to the writer’s fictional prose, diaries, and interviews allows revealing the peculiarities of his axiological position in the context of the Russian philosophy of femininity. The scientific novelty of this research is substantiated by the need for articulation of the problem related to the study of specificity of female images in the creative heritage of Siberian writer Sergey Kozlov. Comprehensive analysis of the writer's novella “Mother-Masha” included into the book “Duty Angel” (2011) is carried out. The article introduces the sources, such as diary notes and interview materials, which have not been previously used in studying the works of S. Kozlov. The conclusion is made that soteriological mission was imposed on Mother Masha – the woman who proliferated the Divine Commandments to the world and is associated with the symbol of national salvation.

scholarly journals Descriptions of the cult of the Aztec god Tezcatlipoca in sources of Spanish origin

2020 ◽  
pp. 68-73
Author(s):  
Oleksii Otkydach
Keyword(s):  
Comprehensive Analysis ◽  
The Other ◽  
Central Mexico ◽  
The World ◽  
Problematic Issue ◽  
History Of ◽  
Autochthonous Population ◽  
Further Development ◽  
Different Sources

The author of the article aims to conduct a comprehensive analysis of sources of Spanish origin, since they constitute the most significant category of documents used by Amerindologists. At the same time, it draws attention to the historiography of the topic. Conditionally, it is divided into two groups: works that highlight the general features of the entire pantheon of Aztecs and those that analyze the cult of Tezcatlipoca itself and its characteristics. The use of the linguistic method in connection with the names of Tezcatlipoca allows us to understand the functions that the Aztecs bestowed on this god and more accurately interpret the mentioned deity. Particular attention is paid to the translation of Nahuatl names and the explanations given by the authors of the sources. Comparing the names of the god and the descriptions of his cult, created after the conquest, allows us to trace how the Europeans could at their own discretion treat Tezcatlipoca as an individual representative of the pantheon and how the autochthonous population of central Mexico saw it. In addition to the analysis of names, the paper reviews the main holidays in honor of Tezcatlipoca, compares the testimony of different sources on this occasion. In this context, the prayers and typical sacrifices of the worship of this god are analyzed. This allows to expand the range of ideas about the essence and functions of Tezcatlipoca, as well as to trace the various local variants of his cult within central Mexico The article also explores the legends that cite sources of Spanish descent about Tezcatlipoca. Because of this, two different traditions of mythological tradition about the mentioned god were distinguished. One is likely to relay events in the history of Tollan in the form of a legend, while the other reflects representations of the creating of the world and the role of Tezcatlipoca in this. Moreover, the first variant of the myth of the mentioned god has differences in different sources of Spanish origin, which allows for a more thorough analysis of these testimonies. Further development of the problematic issue is to attract sources of pre-colonial age, which will help to create a more thorough understanding of this cult.

scholarly journals On the technique of artistic parallelism in Dargin quatrains

Litera ◽  
2021 ◽  
pp. 126-133
Author(s):  
Fatyma Khamzaevna Mukhamedova ◽  
Fatima Abdulovna Alieva
Keyword(s):  
Emotional State ◽  
Natural World ◽  
Comprehensive Analysis ◽  
Text Structure ◽  
Emotional Perception ◽  
The World ◽  
Poetic Expression ◽  
Song Lyrics ◽  
The Subject

The subject of this research is the quatrains – a variety of lyrical songs, one of widespread and popular poetic genres in the folklore of the peoples of Dagestan. The object of this research is the method of artistic parallelism in Dargin quatrains, which plays an important compositional role within the text structure, which is reflected in juxtaposition of images from the natural world and the psychological affections of the lyrical hero. The goal of this article lies in demonstrating the functional peculiarities of artistic parallelism technique in each particular case; as well as in determining the basic principle of juxtaposition of the images of nature with the world of human feelings and degree of their convergence, which reveals the emotional state of a person. The research methods of comparative-historical and philological analysis of the lyrical songs are based on the ideas advanced by V. G. Belinsky, A. N. Veselovsky, A. M. Novikova, S. G. Lazutin, Y. M. Sokolov, and others. The method of analysis allows determining the role of artistic parallelism in conveying the emotional state of the heroes. The novelty[WU1]  of this research consists in comprehensive analysis of the structure and content of texts that are structured on the technique artistic parallelism; identification of the peculiarities of its application on the material of Dargin song lyrics, which have not been previously introduced into the scientific discourse. The author demonstrates that the technique of artistic parallelism carries a vast ideological meaning, performs an important compositional function in disclosure of the content of the song, contributing to a vivid and imagery expression of thoughts and feelings of the hero. The article is first to explore the commonly used in Dargin folklore technique of artistic parallelism, when a single principle of syntactic construction is characteristic for two quatrains of the same theme. It is established that the idea laid down in the first quatrain is being further developed, enriching its content and acquiring new details that enhance the emotional perception of the poetic expression.  [WU1]

scholarly journals SPACE AND TIME RELATIONSHIP IN METAPHYSICAL PAINTINGS OF THE 20TH CENTURY

2020 ◽  
Vol 9 (71) ◽  
Keyword(s):  
20Th Century ◽  
Space Time ◽  
Time And Space ◽  
Life And Death ◽  
Making Sense ◽  
Social Events ◽  
Time Space ◽  
The World ◽  
The Universe

Metaphysics, which deals with concepts such as existence, existentialism, space and god in its general content, is a branch of philosophy. It sought answers to questions related to these concepts through methods and perspectives different from science. The reason for all these questions is the effort to define the universe. Metaphysical philosophy has been the search for a solution to helplessness caused by the uncertainties caused throughout the history by life and death. Perspectives developed in parallel with the perception of the period have also shaped the questions and propositions. All these metaphysical approaches do not contain a definition that is independent of time and space. Time and space, as one of the most fundamental problematics of metaphysics, are accepted as the most important elements in placing and making sense of the human into the universe. In this context, metaphysics, which has a transphysical perspective as well as the accepted scientific expansions of real and reality, was mostly visible in the field of art rather than science. The aim of this article is to analyze the role of metaphysical philosophy in the emergence of metaphysical art in the context of the effects of social events, especially the destructions and disappointments caused by the world wars in the 20th century, on the artists and the reflections of the existential inquiries related to this. Furthermore this study includes definitions and processes of metaphysics. The works of Giorgio de Chirico and Carlo Carra have been interpreted in terms of form and content within the scope of metaphysics by considering the concepts of time-space. Keywords: Metaphysics, Space, Time, Metaphysical Art

Dostoevsky’s Christ and Nietzsche’s Jesus as “Conceptual Characters”

2021 ◽  
Vol 13 (2) ◽  
pp. 133-144
Author(s):  
Tamara S. Kuzubova ◽  
Keyword(s):  
Orthodox Christianity ◽  
Moral Ideal ◽  
Death Of God ◽  
Important Place ◽  
Life And Death ◽  
European Culture ◽  
The World ◽  
German Philosopher ◽  
Spiritual Attitude

In the present article, the author analyses the interpretation of the phenomenon of Christ by Dostoevsky and Nietzsche. The author uses comparative and hermeneutic methods of historical and philosophical research. Dostoevsky's Christ and Nietzsche's Jesus are interpreted as “conceptual characters” (G. Deleuze), occupying an important place in the philosophical constructions of both thinkers. Stating the epoch-making event of the “death of God” in European culture, they discover the origins of nihilism in Christianity itself and attempt (each in his own way) to recreate the original, pristine Christianity. Reconstruction of the original image of Christ makes it possible to comprehend not only the historical destiny of Christianity and the European portion of humanity, but also the prospects for overcoming the crisis of European and Russian (in the case of Dostoevsky) self-consciousness. It is argued that both interpretations, although far from orthodox Christianity, play the role of a central link in the development of the philosophic thinking of the Russian writer and German philosopher from the critical deposition of European humanism and metaphysics to new projects of human existence in the world. The conceptual images of Dostoevsky's Christ and Nietzsche's Jesus personally embody the spiritual attitudes and models of life that are timeless in nature, and at the same time serve as an expression of the “fundamental metaphysical positions” (M. Heidegger) of existential thinkers. The assertion of the absolute genuineness and beauty of the moral ideal of Christ allows Dostoevsky to return transcendence to the godless world – to substantiate the neo-Christian version of metaphysics, the religious-existential ontology. The “Glad Tidings” of Jesus, his life and death, appear in Nietzsche’s works as a practical elimination of transcendence, the Platonic dualism of the “true” and “visible” worlds. The spiritual attitude of Jesus reveals a direct affinity to Nietzsche's anti-metaphysical “philosophy of becoming”.

scholarly journals Education as Mediation Between Child and World: The Role of Wonder

2019 ◽  
Vol 39 (5) ◽  
pp. 479-492
Author(s):  
Anders Schinkel
Keyword(s):  
John Dewey ◽  
Hannah Arendt ◽  
Martin Buber ◽  
Educational Process ◽  
Mediating Role ◽  
The World ◽  
Adult World

Abstract Education as a deliberate activity and purposive process necessarily involves mediation, in the sense that the educator mediates between the child and the world. This can take different forms: the educator may function as a guide who initiates children into particular practices and domains and their modes of thinking and perceiving; or act as a filter, selecting what of the world the child encounters and how; or meet the child as representative of the adult world. I look at these types of mediation (or aspects of the mediating role of the educator) at the hand of the work of John Dewey, Martin Buber, Hannah Arendt, and Richard Peters. The purpose of this paper is to explore the bearing that the mediating role of the educator—as interpreted by these authors—has on the role wonder may play in the educational process. I suggest that initiation highlights the familiarizing function of wonder, and is most readily associated with inquisitive wonder; representation draws attention to the defamiliarizing role of (in particular contemplative) wonder, as well as to its world-affirming role; and selection (the educator as ‘filter’) foregrounds the distinction between momentary and dispositional wonder.

scholarly journals «ТРИ ОНТОЛОГІЧНІ ВИМІРИ ТІЛА» Ж.-П. САРТРА В КОНТЕКСТІ СОМАТИЧНОЇ ПРОБЛЕМАТИКИ СУЧАСНОГО ГУМАНІТАРНОГО ДИСКУРСУ

2019 ◽  
pp. 66-70
Author(s):  
Maryna Volodymyrivna Olkhovyk
Keyword(s):  
Information Society ◽  
Structural Changes ◽  
Scientific Discourse ◽  
Comprehensive Analysis ◽  
The Body ◽  
The Other ◽  
Target Setting ◽  
Self Reflection ◽  
The World

The urgency of the research resulted from the need for a comprehensive analysis of all dimensions of personal somatic existence, its structural changes and variability, possible transformations and functioning within the information society, and, consequently, determining the role of body in the latest social tendencies. Target setting. The paper reveals the main aspects of somatic issues and the "theory of the body for the Other" suggested by J. P. Sartre in one of his main works "Being and Nothingness". To achieve this goal the theoretical and methodological foundations of somatic issues in the scientific discourse of the 20th - early 21st centuries have been studied. Actual scientific researches and issues analysis. E. Husserl, J. Lacan, M. Merleau-Ponty, J. P. Sartre, Z. Freud, representatives of surrealism (J. Bataille, A. Arto), French poststructuralism (R. Barth, J. Deleuze, F. Guattari, J. Baudrillard, M. Foucault) and studies by M. Bakhtin, Y. Lotman, A. Losev had a significant influence on the understanding of the body as a cultural universal. Uninvestigated parts of general matters defining. Examining the originality of Sartre's ideas about the body and "body-for-the-Other", the peculiarities of the existential understanding of a man, especially his body characteristics, have been determined. The analysis of the work "Being and Nothingness" makes it possible to study the theory of "body-for-the-Other," its components, to clarify three ontological dimensions of the body and the relations with others as basic in Sartre's philosophy. The research objective. To reveal the main aspects of the somatic problems of J.P. Sartre's “theory of the body for the Other”, suggested by him in one of the major works “Being and Nothingness” and explore the further transformation of the concept of the Other in its bodily aspects in the context of the problem of identity. The statement of basic materials. The category of the Other is peculiar because with its help Sartre explains the existence of a man. The existence of the Other must be recognized as an inviolable fact. And this is what allows a person to discover their own existence. As a result, a person finds themselves not as a subject who knows, but as a certain state (shame, pride, fear, nausea), as actual existence. And it is impossible to find this existence in oneself only by means of the Other. By alienating a person's abilities and capabilities, the other makes self-reflection possible - the person (I) finds these states and tries to objectify them again. Objectification, the appropriation of a person's own capabilities and abilities is empirically carried out by the relation of bodies. The body of the other, allowing the man to open his body, organizes the world in a certain order. Therefore, Sartre's body, both mine and the body of the other, is the value of meaning. Conclusions. These studies laid the foundation for the tradition of analyzing the phenomenon of the Other, which has become central to the postmodern tradition. The paper reveals the features of the influence of the above ideas on the socio-cultural space, in particular on the example of the problem of identity and the theory of the Other.

scholarly journals Exile Poetry Collection Benamiai: Ideological Links

Lituanistica ◽  
2019 ◽  
Vol 64 (4) ◽  
Author(s):  
Inga Stepukonienė
Keyword(s):  
Collective Identity ◽  
Self Awareness ◽  
Life And Death ◽  
The Public ◽  
The World ◽  
Binary Oppositions ◽  
The Common ◽  
Characteristic Features ◽  
Post War ◽  
Visual Light

During the war and the post-war years, a crisis of humanism opened up in the world – both in the public and in the literary life – and formed the self-awareness of an individual at a turning point in history. In the literature of Siberian exiles, it raised the sensations of horror, despair, and the end of the world. This feeling and poetical thinking actualizing reflections on marginal experiences and losses clearly opposed the literature of the Independence period, one of the characteristic features of which was a harmonious, bright, and hopeful perception of life. Marked by the longing for the native land and home, and by the apotheosis of the former meaningful life of the nation, the work of exiles most widely and deeply entailed this crisis of humanism in the twentieth century, the path of humanity’s self-annihilation that were reflected in poetry by the binary oppositions of life and death, reflections of depressive reality and apocalyptic stagnation, and vivid visual light and dark contrasts. In 1955, Vaclovas Gudaitis, himself a prisoner at the Inta camp of exiles, brought writing deportees together and compiled a manuscript collection of lyrical poetry from their contributions, Benamiai (The Homeless). This anthology comprised poems by seventeen authors. In 1989, the collection was edited and published by Professor Leonas Gudaitis. The poetry of Benamiai reflects violations of personal and collective identity. It reflects the coercive path of exiles that took them from their native homes to Inta. The identification of this region is associated with the chthonic world: it is aptly characterized by the iron cold, the deep freeze of the ground, Vorkuta’s snowstorms, the wastelands of Karaganda. It is an alien and forbidding space of complete external stagnation, lifeless and threatening death, in which the only sound is human lament. The common reality of an individual’s life suddenly turns into everything that is terrible: unbearable cold, hunger, screeching prison doors, torture, cruel violence, bullying, and servile labour. The symbols of the chthonic world – the black night of pain – become a metaphor for collective suffering. Finally, the human as such, debilitated by torture and hardship, not only loses one’s uniqueness and spiritual individuality, but also vital power, and eventually resembles a horrible chthonic creature – an attribute of currently inhabited space. Thus, in the poetic consciousness of the deportees, Siberia appears as a chthonic space of darkness in which the human and the nation are depreciated.

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