scholarly journals Breaking the spell on the iconic work of Reza Negarestani “Cyclonopedia”

2021 ◽  
pp. 55-65
Author(s):  
Vadim Markovich Rozin
Keyword(s):  
The Other ◽  
The Novel ◽  
The Future ◽  
Open Relationships ◽  
External Events ◽  
The One

This article is dedicated to rational interpretation of the novel “Cyclonopedia” by the Iranian philosopher and writer Reza Negarestani, which particularly draws attention of the young audience. The author believes that it is impossible to grasp such works without interpretation and reconstruction of their themes and contents. Implementing the claimed approach, the author discusses the crucial topic of openness in the novel and peculiarities of the poetics of “Cyclonopedia”. There are two different understandings of openness described by R. Negarestani: one that is attributed to common forms of sociality, proclaiming freedom and open relationships in one or another way; and “epidemic openness”, which overtakes a person, even against his will, and destroys him. The author analyzes the concept of openness, suggesting that on the one hand, the external can be interpreted as listening to the trends of the “futureculture”, while on the other ‒ as criticism and objectification of concepts that claim to know and predict the future, but in fact cannot go beyond the traditional representations of modernism. Explaining why Negarestani compares openness to food, the author offers to consider the Tibetan archaic ritual “Chod” (severance), going through which the monks offer themselves to be devoured by demons. Based on this, the author formulates an assumption that in the course of creating “Cyclonopedia”, Negarestani was affected by the ancient and mystical concepts, and may even have read Davin-Neel’s research on the Tibetan ritual. The author also suggests that certain other themes of “Cyclonopedia” also need to be reconstructed. The article analyzes the reality of the novel: in addition to discussing the theory-fiction genre, the author believes that the reality of “Cyclonopedia” is attributed to phenomenological, which represents the peculiarities the consciousness of R. Negarestani, rather than the external events.

scholarly journals All the Exiles оf Irène Némirovsky

2020 ◽  
Vol 14 (4) ◽  
Author(s):  
Tamara Valčić Bulić
Keyword(s):  
Interwar Period ◽  
Public Interest ◽  
Theoretical Basis ◽  
Russian Revolution ◽  
The Other ◽  
The Novel ◽  
The Future ◽  
The One

The success of the novel Suite francaise has again sparked interest for the opus of Irène Némirovsky, an author who wrote during the interwar period and produced around twenty novels and several collections of novellas. The life of Irène Némirovsky (Ирма Ирина Леонидовна Немировская, 1903-1942), a Russian Jew who lived as a stateless immigrant since the Russian Revolution until her tragic death in Auschwitz, has also attracted a lot of public interest. In this paper, our focus is first on the circumstances in which Nemirovska lived and wrote, as they had an essential impact on her fate and the themes that underlie much of her work. After that overview of the work of Irène Némirovsky, the analysis in this paper focuses on the novels in which the themes of exile, nostalgia and lack of belonging  are evident, such as David Golder (David Golder, 1929), Snow in Autumn (Les Mouches d’automne, 1931), The Wine of Solitude (Le Vin de solitude, 1935) and The Dogs and the Wolves (Les Chiens et les Loups, 1940).The theoretical basis for our analysis is found in the study The Future of Nostalgia by Svetlana Boym. In this study, Boym distinguishes between the two main subtypes of nostalgia: restorative and reflective and she identifies their characteristics.  The analysis of the main characters’ actions and feelings in the afore mentioned Nemirovska’s novels show that reflective nostalgia is predominant in them; the characters show contradictory tendencies: on the one hand to fit in and integrate into the society, while on the other they are dominated by anxiety, sorrow and feelings of displacement and lack of belonging.

Elementy poetyki ludowej w powieści Rzeczy uprzyjemniające. Utopia T. Bołdak-Janowskiej

2020 ◽  
pp. 182-197
Author(s):  
Agnieszka Goral
Keyword(s):  
Fairy Tales ◽  
Text Analysis ◽  
Literary Text ◽  
Source Material ◽  
Human Existence ◽  
The Other ◽  
The Novel ◽  
Literary Works ◽  
The One ◽  
Cultural Features

The aim of the article is to analyse the elements of folk poetics in the novel Pleasant things. Utopia by T. Bołdak-Janowska. The category of folklore is understood in a rather narrow way, and at the same time it is most often used in critical and literary works as meaning a set of cultural features (customs and rituals, beliefs and rituals, symbols, beliefs and stereotypes) whose carrier is the rural folk. The analysis covers such elements of the work as place, plot, heroes, folk system of values, folk rituals, customs, and symbols. The description is conducted based on the analysis of source material as well as selected works in the field of literary text analysis and ethnolinguistics. The analysis shows that folk poetics was creatively associated with the elements of fairy tales and fantasy in the studied work, and its role consists of – on the one hand – presenting the folk world represented and – on the other – presenting a message about the meaning of human existence.

The Futurists. Experts in World Futures

2018 ◽  
Author(s):  
Jenny Andersson
Keyword(s):  
Cold War ◽  
Status Quo ◽  
The Other ◽  
Futures Studies ◽  
The Future ◽  
The Status ◽  
The One ◽  
The Cold War ◽  
Images Of The Future ◽  
The Way

Alvin Toffler’s writings encapsulated many of the tensions of futurism: the way that futurology and futures studies oscillated between forms of utopianism and technocracy with global ambitions, and between new forms of activism, on the one hand, and emerging forms of consultancy and paid advice on the other. Paradoxically, in their desire to create new images of the future capable of providing exits from the status quo of the Cold War world, futurists reinvented the technologies of prediction that they had initially rejected, and put them at the basis of a new activity of futures advice. Consultancy was central to the field of futures studies from its inception. For futurists, consultancy was a form of militancy—a potentially world altering expertise that could bypass politics and also escaped the boring halls of academia.

Dombey and Son

2008 ◽  
Author(s):  
Charles Dickens ◽  
Dennis Walder
Keyword(s):  
Family Relationships ◽  
The Sun ◽  
The Novel ◽  
The Earth ◽  
The Future ◽  
Original Illustrations ◽  
The One

Dombey and Son ... Those three words conveyed the one idea of Mr. Dombey's life. The earth was made for Dombey and Son to trade in, and the sun and moon were made to give them light.' The hopes of Mr Dombey for the future of his shipping firm are centred on his delicate son Paul, and Florence, his devoted daughter, is unloved and neglected. When the firm faces ruin, and Dombey's second marriage ends in disaster, only Florence has the strength and humanity to save her father from desolate solitude. This new edition contains Dickens's prefaces, his working plans, and all the original illustrations by ‘Phiz’. The text is that of the definitive Clarendon edition. It has been supplemented by a wide-ranging Introduction, highlighting Dickens's engagement with his times, and the touching exploration of family relationships which give the novel added depth and relevance.

Monotheism in Isaiah

2020 ◽  
pp. 218-248
Author(s):  
Matthias Albani
Keyword(s):  
Historical Context ◽  
The Other ◽  
Divine Power ◽  
Crisis Situation ◽  
Catalytic Function ◽  
Other Hand ◽  
The Future ◽  
The One ◽  
Religious Crisis

The monotheistic confession in Isa 40–48 is best understood against the historical context of Israel’s political and religious crisis situation in the final years of Neo-Babylonian rule. According to Deutero-Isaiah, Yhwh is unique and incomparable because he alone truly predicts the “future” (Isa 41:22–29)—currently the triumph of Cyrus—which will lead to Israel’s liberation from Babylonian captivity (Isa 45). This prediction is directed against the Babylonian deities’ claim to possess the power of destiny and the future, predominantly against Bel-Marduk, to whom both Nabonidus and his opponents appeal in their various political assertions regarding Cyrus. According to the Babylonian conviction, Bel-Marduk has the universal divine power, who, on the one hand, directs the course of the stars and thus determines the astral omens and, on the other hand, directs the course of history (cf. Cyrus Cylinder). As an antithesis, however, Deutero-Isaiah proclaims Yhwh as the sovereign divine creator and leader of the courses of the stars in heaven as well as the course of history on earth (Isa 45:12–13). Moreover, the conflict between Nabonidus and the Marduk priesthood over the question of the highest divine power (Sîn versus Marduk) may have had a kind of “catalytic” function in Deutero-Isaiah’s formulation of the monotheistic confession.

Camus's Absurd and the World of Melville's Confidence-Man

PMLA ◽  
1967 ◽  
Vol 82 (1) ◽  
pp. 14-27
Author(s):  
Leon F. Seltzer
Keyword(s):  
Careful Analysis ◽  
The Other ◽  
The Novel ◽  
The Past ◽  
The World ◽  
Critical Attention ◽  
Confidence Man ◽  
Ugly Duckling ◽  
History Of ◽  
The One

In recent years, The Confidence-Man: His Masquerade, a difficult work and for long an unjustly neglected one, has begun to command increasingly greater critical attention and esteem. As more than one contemporary writer has noted, the verdict of the late Richard Chase in 1949, that the novel represents Melville's “second best achievement,” has served to prompt many to undertake a second reading (or at least a first) of the book. Before this time, the novel had traditionally been the one Melville readers have shied away from—as overly discursive, too rambling altogether, on the one hand, or as an unfortunate outgrowth of the author's morbidity on the other. Elizabeth Foster, in the admirably comprehensive introduction to her valuable edition of The Confidence-Man (1954), systematically traces the history of the book's reputation and observes that even with the Melville renaissance of the twenties, the work stands as the last piece of the author's fiction to be redeemed. Only lately, she comments, has it ceased to be regarded as “the ugly duckling” of Melville's creations. But recognition does not imply agreement, and it should not be thought that in the past fifteen years critics have reached any sort of unanimity on the novel's content. Since Mr. Chase's study, which approached the puzzling work as a satire on the American spirit—or, more specifically, as an attack on the liberalism of the day—and which speculated upon the novel's controlling folk and mythic figures, other critics, by now ready to assume that the book repaid careful analysis, have read the work in a variety of ways. It has been treated, among other things, as a religious allegory, as a philosophic satire on optimism, and as a Shandian comedy. One critic has conveniently summarized the prevailing situation by remarking that “the literary, philosophical, and cultural materials in this book are fused in so enigmatic a fashion that its interpreters have differed as to what the book is really about.”

The metalanguage of localization

Target ◽  
2007 ◽  
Vol 19 (2) ◽  
pp. 337-357 ◽  
Author(s):  
Iwona Mazur
Keyword(s):  
Translation Studies ◽  
The Other ◽  
Present Discussion ◽  
Translation Practice ◽  
The Future ◽  
Basic Concepts ◽  
The One

In recent years localization has become a popular concept in both translation practice and theory. It has developed a language of its own, which, however, still seems to be little known among translation scholars. What is more, being primarily an industry-based discourse, the terms related to localization are very fluid, which makes theorizing about it difficult. Therefore, the aim of this article is, first of all, to explain the basic terms of the metalanguage of localization, as they are used by both localization practitioners and scholars, and, secondly, to make this metalanguage more consistent by proposing some general definitions that cover the basic concepts in localization. This, in turn, should, on the one hand, facilitate scholar-to-practitioner communication and vice versa and, on the other, should result in concept standardization for training purposes. In the conclusions I link the present discussion of the metalanguage of localization to a more general debate on metalanguage(s) in Translation Studies and propose that in the future we might witness the emergence of a new discipline called Localization Studies.

Sleeping with Elephants

2013 ◽  
Vol 25 (4-5) ◽  
pp. 319-324 ◽  
Author(s):  
Aaron W. Hughes
Keyword(s):  
Annual Meeting ◽  
The Other ◽  
Scientific Analysis ◽  
The Future ◽  
The One ◽  
Exclusive Group

Abstract NAASR faces an existential dilemma. It is currently caught between the desire for greater numbers and panels that take place at the Annual Meeting of the AAR on the one hand, and the idea of a more exclusive group that focuses solely on historical and scientific analysis on the other. This paper argues that the future of NAASR resides in the latter option as opposed to the former. It even goes a step further and argues that NAASR should—intellectually, if not logistically—split from the AAR because as things currently stand the AAR defines the parameters of the conversation: NAASR, by default, becomes that which the AAR is not. However, in so doing, NAASR still defines itself using the discourses and categories of the AAR. NAASR’s physical departure from the AAR would provide it with the intellectual space necessary for further growth and reflection on things theoretical and methodological.

Concept of Rivalry in D.H. Lawrence’s Sons and Lovers

2020 ◽  
Vol 12 (4) ◽  
pp. 443-454
Keyword(s):  
Twentieth Century ◽  
Attachment Theory ◽  
Sibling Rivalry ◽  
Oedipus Complex ◽  
The Other ◽  
The Novel ◽  
Men And Women ◽  
Qualitative Pattern ◽  
The One ◽  
Theory Competition

Sons and Lovers (1913) is one of D.H. Lawrence’s most prominent novels in terms of psychological complexities characteristic of most, if not all, of his other novels. Many studies have been conducted on the Oedipus complex theory and psychological relationship between men and women in Lawrence’s novels reflecting the early twentieth century norms of life. This paper reexamines Sons and Lovers from the perspective of rivalry based on Alfred Adler’s psychological studies. The discussion tackles the sibling rivalry between the members of the Morels and extends to reexamining the rivalry between other characters. This concept is discussed in terms of two levels of relationships. First, between Paul and William as brothers on the one hand, and Paul and father and mother, on the other. Second, the rivalry triangle of Louisa, Miriam and Mrs. Morel. The qualitative pattern of the paper focuses on the textual analysis of the novel to show that Sons and Lovers can be approached through the concept of rivalry and sibling Rivalry. Keywords: Attachment theory, Competition, Concept of Rivalry, Favoritism, Sibling rivalry.

“An Indigenous Sovereignty of the Imagination”: Reenvisioning the Great Australian Novel in Alexis Wright's Carpenteria

Genre ◽  
2021 ◽  
Vol 54 (2) ◽  
pp. 195-219
Author(s):  
Liz Shek-Noble
Keyword(s):  
Third Space ◽  
Indigenous Communities ◽  
The Other ◽  
Mutual Understanding ◽  
The Novel ◽  
Two Cultures ◽  
Women Novelists ◽  
Homi Bhabha ◽  
White Settler ◽  
The One

Alexis Wright's second novel, Carpentaria, received critical acclaim upon its publication by Giramondo in 2006. As the recipient of the Miles Franklin Literary Award in 2007, Carpentaria cemented Wright's position as the country's foremost Indigenous novelist. This article places Carpentaria within contemporary discussions of “big, ambitious novels” by contemporary women novelists by examining the ways the novel simultaneously invites and resists its inclusion into an established canon of “great Australian novels” (GANs). While critics have been quick to celebrate the formal innovations of Carpentaria as what makes it worthy of GAN status, the novel nevertheless opposes the integrationist and homogenizing myths that accompany canonization. Therefore, the article finds that Wright's vision of a future Australia involves moments of antagonism and mutual understanding between white settler and Indigenous communities. This article uses the work of Homi Bhabha to argue that Carpentaria demonstrates the emergence of a third space wherein negotiation between these two cultures produces knowledge that is “new, neither the one nor the other.” In so doing, Wright shows the resilience of Indigenous knowledge even as it is subject to transformation upon contact with contradictory ideological and epistemological frameworks.

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