Introduction
This introductory chapter provides an overview of the role of technology in people's relationship with time. Since the invention of the World Wide Web in 1990, digital technologies have revolutionized the relationship between individuals, their worlds, and their temporal horizons. The ever-tighter enmeshing of human worlds with digital media alters the very notion of experience. Indeed, the ontological difference between lived and virtual experience is diminishing as technology transmutes dispositions, habits, and perceptions. Because the information age promotes instant access, it also erodes the expectation of temporal processing. The new era of the “digital now” challenges not only established notions of delayed gratification but also the very idea of time as a multidimensional concept that integrates past, present, and future into human experience. This book therefore investigates temporal anxieties from a broad cultural-historical perspective that illuminates alternative temporal trajectories and experiences. It does this by analyzing how contemporary German literature, film, and photography stage, perform, and bring forth other kinds of time.