scholarly journals VIKTOR SESTOPAL IN THE ART OF KIRGIZ SCULPTURE IN THE CONTEXT OF FIGURATIVE EXPRESSION

2020 ◽  
Vol 8 (51) ◽  
Keyword(s):  
Fine Arts ◽  
Real Data ◽  
Dynamic Structure ◽  
Capital City ◽  
Small Scale ◽  
Graphic Arts ◽  
Plastic Arts ◽  
Education Centre ◽  
The 1960S ◽  
Almost All

Kyrgyzstan has a contemporary and dynamic structure with the help of its legends, mythology, colourful folklore and culture dating back to ancient times. By the unique combination of these elements fine arts are inspire itself. Throughout the country and in almost all of the society cultural and artistic activities are watched with their interest, and art is present itself at every moment of daily life. At the beginning of the century, in the field of plastic arts while painting and graphic arts were accepted more widely than sculpture, also since the 1960s, a serious development process of sculpture was initiated in this area as well so practices in the field of sculpture became widespread. The indicator of the development in the field of sculpture are public spaces that give the impression of as an open air museum. The capital city of Kyrgyzstan Bishkek has hosted countless sculptors and Bishkek has been as the centre of important artistic developments of the country. Bishkek keeps the memories of the near and distant history with the help of countless sculptures and monuments which are suitable for the spirit of the era and imitate the figure. These sculptures and monuments are carried out by the sculptors who were educated in cities that the important art and education centre of the Soviet era such as Moscow and Leningrad. One of the important artists who is eighty-four years old and experienced the development and change of the Kyrgyz sculpture art is Viktor Arnoldovich Shestopal. Shestopal inspired by the real data of the history and culture of Kyrgyz. And by his numerous monuments and small-scale sculptures Shestopal enriched the heritage of the fine arts in Kyrgyzstan. Also he contributed to the development of plastic arts with the young people that he teaches educated in the state institutions. In this article, the biography of Viktor Arnoldovic Shestopal, who is a living representative of Kyrgyz sculpture was examined. And his works were evaluated in terms of aesthetics and plastic, and a situation assessment was made in terms of Kyrgyz sculpture art. Keywords: Kyrgyzstan, sculpture art, monument, Viktor Shestopal

Justifying the data analytical choice in single case research in relation to the expected data pattern

2019 ◽  
Author(s):  
Rumen Manolov
Keyword(s):  
Data Analysis ◽  
Visual Analysis ◽  
Multilevel Models ◽  
Single Case ◽  
Analytical Techniques ◽  
Real Data ◽  
Small Scale ◽  
Data User ◽  
Single Case Research ◽  
User Friendly

The lack of consensus regarding the most appropriate analytical techniques for single-case experimental designs data requires justifying the choice of any specific analytical option. The current text mentions some of the arguments, provided by methodologists and statisticians, in favor of several analytical techniques. Additionally, a small-scale literature review is performed in order to explore if and how applied researchers justify the analytical choices that they make. The review suggests that certain practices are not sufficiently explained. In order to improve the reporting regarding the data analytical decisions, it is proposed to choose and justify the data analytical approach prior to gathering the data. As a possible justification for data analysis plan, we propose using as a basis the expected the data pattern (specifically, the expectation about an improving baseline trend and about the immediate or progressive nature of the intervention effect). Although there are multiple alternatives for single-case data analysis, the current text focuses on visual analysis and multilevel models and illustrates an application of these analytical options with real data. User-friendly software is also developed.

Unit-Wise Ranking of Inventory Control Techniques Used in Small Scale Cement Enterprises: A Small Scale Entrepreneurial Perspective

2015 ◽  
Vol 3 (2) ◽  
Author(s):  
Vipul Chalotra
Keyword(s):  
Inventory Control ◽  
Economic Order Quantity ◽  
Economic Order ◽  
Small Scale ◽  
Just In Time ◽  
Order Quantity ◽  
Control Techniques ◽  
Material Requirement Planning ◽  
Material Requirement ◽  
Almost All

The present research divulges the different inventory control techniques used small scale cements enterprises operated by small scale entrepreneurs through the assistance of primary data collected from eight small scale cement enterprises operating in SIDCO & SICOP, under DIC (District Industries Center) in District Udhampur of Jammu & Kashmir State. The various inventory control techniques identified and quested for in the research were: Always Better Control (ABC), Economic Order Quantity (EOQ), Material Requirement Planning (MRP), and Just-in-Time (JIT). The results of the ranking table quoted that Economic Order Quantity (EOQ) was awarded first rank by almost all the units representing overall mean score of 1.71, Always Better Control (ABC) was denoted by rank two repressing overall mean value as 2.00, Material Requirement Planning (MRP) was quoted rank three as depicted by its mean ranking (2.25), and Just-in-time (JIT) was accorded rank four (3.71) by almost all the small scale cements entrepreneurs/owners.

Tools of Transformation: Appropriate Technology in U.S. Countercultural Literature

2012 ◽  
Vol 44 (2) ◽  
pp. 75-93
Author(s):  
Peter Mortensen
Keyword(s):  
Low Cost ◽  
Appropriate Technology ◽  
Small Scale ◽  
Environmental Transformation ◽  
Buckminster Fuller ◽  
1960S And 1970S ◽  
The 1960S ◽  
Environmentally Sound ◽  
User Friendly ◽  
Second Wave

This essay takes its cue from second-wave ecocriticism and from recent scholarly interest in the “appropriate technology” movement that evolved during the 1960s and 1970s in California and elsewhere. “Appropriate technology” (or AT) refers to a loosely-knit group of writers, engineers and designers active in the years around 1970, and more generally to the counterculture’s promotion, development and application of technologies that were small-scale, low-cost, user-friendly, human-empowering and environmentally sound. Focusing on two roughly contemporary but now largely forgotten American texts Sidney Goldfarb’s lyric poem “Solar-Heated-Rhombic-Dodecahedron” (1969) and Gurney Norman’s novel Divine Right’s Trip (1971)—I consider how “hip” literary writers contributed to eco-technological discourse and argue for the 1960s counterculture’s relevance to present-day ecological concerns. Goldfarb’s and Norman’s texts interest me because they conceptualize iconic 1960s technologies—especially the Buckminster Fuller-inspired geodesic dome and the Volkswagen van—not as inherently alienating machines but as tools of profound individual, social and environmental transformation. Synthesizing antimodernist back-to-nature desires with modernist enthusiasm for (certain kinds of) machinery, these texts adumbrate a humanity- and modernity-centered post-wilderness model of environmentalism that resonates with the dilemmas that we face in our increasingly resource-impoverished, rapidly warming and densely populated world.

Boutiques and Prêt-à-porter in Santiago de Chile: A Formula for Women’s Modernity (1967–1973)

2020 ◽  
Author(s):  
Josefina Vidal M ◽  
Macarena García O ◽  
Pedro Álvarez C
Keyword(s):  
Capital City ◽  
Military Dictatorship ◽  
Haute Couture ◽  
Collective Work ◽  
Santiago De Chile ◽  
Salvador Allende ◽  
Consumer Segment ◽  
The Government ◽  
The 1960S ◽  
New Formula

Abstract In the second half of the 1960s, prêt-à-porter (ready-to-wear) fashion was established in Chile. As an alternative to haute couture (high fashion), prêt-à-porter brought an eagerness for modernisation that was reflected in the setting up of a network of women-led boutiques, which developed strongly between 1967 and 1973. This article first examines the precedents that allowed for the creation of a ‘local fashion system’ that promoted collective work around trades such as knitting and dressmaking. It also analyses the arrangement of a circuit of boutiques in the comuna of Providencia, a strategic sector of Santiago de Chile (the capital city) that fostered the dynamics of social gathering. Later, the article describes the profile of the designer-entrepreneurs whose work was attuned to a female consumer segment that aimed to access a new formula of the modernising bourgeoisie. It also reassesses the rise of a movement called Moda Autóctona, which distanced itself from European fashion and was supported by the government during the socialist regime of Salvador Allende. Lastly, it tackles the eventual dismantling of this network of women’s fashion stores as a result of the installation of a military dictatorship in Chile.

Characteristics and attitudes of family planners in Khartoum, Sudan

1982 ◽  
Vol 14 (1) ◽  
pp. 7-16 ◽  
Author(s):  
M. A. Khalifa
Keyword(s):  
Family Planning ◽  
Birth Control ◽  
Early Stage ◽  
Significant Proportion ◽  
Large Family ◽  
Capital City ◽  
Age Group ◽  
African Countries ◽  
The Mean ◽  
Almost All

SummaryIn a survey of 1475 urban Moslem wives in the age group 15–49 living in the capital city of the Sudan, knowledge of birth control was reported by almost all respondents while a significant proportion had used contraception at least once. The mean age of the users was 32·8 years, their duration of marriage was 15·1 years and their mean number of surviving children was 4·6. Those who had never used contraception had a higher mean age, a longer duration of marriage and more surviving children. Most of the users had an urban residential background and belonged to the high socioeconomic class. They held favourable attitudes to family planning. Although they thought that having a large family (more than five children) was not desirable, their mean preferred family size was no different from that of the never users.The results indicate that contraception is used for the purpose of spacing births rather than limiting their ultimate number. At this early stage of contraceptive adoption in Sudan, the characteristics of the pioneer acceptors are similar to those observed in other African countries.

Growth and Decline in South Africa's Churches, 1960-911

2000 ◽  
Vol 30 (3) ◽  
pp. 344-369
Author(s):  
David Goodhew
Keyword(s):  
Roman Catholic ◽  
The Political ◽  
Global Trends ◽  
Political Situation ◽  
Christian Churches ◽  
Protestant Churches ◽  
1960S And 1970S ◽  
The 1960S ◽  
Expanding Population ◽  
Almost All

AbstractSouth Africa's churches grew or declined so quickly in the years after 1960 that by 1991 the country's religious map had been redrawn. This article charts and offers explanations for such developments. Almost all Christian churches grew substantially in the first half of the twentieth century but mainline churches were dominant. They continued to grow numerically into the 1960s and 1970s, but were beginning to shrink as a proportion of the expanding population. By contrast, Roman Catholic, African Independent and smaller independent denominations were growing quickly. By the 1990s, mainline Protestant churches were suffering considerable decline and Roman Catholicism's growth had stalled. African Independent and other churches continued to grow rapidly. A matrix of forces help to explain this phenomenon-including the political situation, socio-economic pressures, secularisation and particular religious factors. A comparative perspective shows South Africa's churches to have much in common with African and global trends.

ON THE METHODS OF O. N. LOSHAKOV IN TEACHING EASEL PAINTING From his experience at the Vladivostok Art School in 1960–1962

2021 ◽  
Vol 1 (3) ◽  
pp. 16-21
Author(s):  
A. V. Khairulina ◽  
Keyword(s):  
Fine Arts ◽  
Far East ◽  
Positive Influence ◽  
Educational Process ◽  
The Far East ◽  
Shikotan Island ◽  
History Of ◽  
The 1960S ◽  
Moscow School ◽  
Art School

The article explores the first pedagogical experience of Academician of the Russian Academy of Arts, Honored Artist of the Russian Federation, Professor Oleg Nikolaevich Loshakov in Vladivostok. The work provides a brief overview on the history of the formation of professional arts education in the Far East. Positive influence of Oleg Loshakov — graduate of the Moscow State Academic Art Institute named after V. I. Surikov on improving the quality of the educational process at the Vladivostok Art School is noted. He contributed greatly to the development of fine arts in Primorsky Krai as a teacher and representative of the Moscow School of Painting. Further creative activity of O. N. Loshakov who painted landscapes on Shikotan Island together with a group of young artists that were his first graduates is described. The materials of the article expand the range of ideas about the artist's work in the Far East, and reveal new aspects of his landscape paintings of the 1960s. Special consideration is given to the monumental landscape in the master's work. The relevance of the topic is determined by the lack of materials devoted to the period of O. N. Loshakov's formation as a teacher and artist.

The City of Oslo in Jan Erik Vold’s Poems

2021 ◽  
Vol 66 (1) ◽  
pp. 219-230
Author(s):  
Raluca-Daniela Duinea
Keyword(s):  
Cultural Identity ◽  
Urban Areas ◽  
Social Criticism ◽  
Capital City ◽  
Urban Landscapes ◽  
Reading Technique ◽  
Social Critical ◽  
The 1960S ◽  
The City ◽  
Selection Of

"The City of Oslo in Jan Erik Vold’s Poems. The aim of this paper is to examine, from a cultural and social perspective, the Norwegian urban areas and everyday situations in Jan Erik Vold’s (b. 1939) poems. Our close-reading technique reveals important social aspects, different places and streets, located in the capital city of Norway, Oslo. These urban poems written by the contemporary Norwegian poet Jan Erik Vold contribute to the reconstruction of a new Norwegian cultural identity as it is reflected in a selection of poems taken from Mor Godhjertas glade versjon. Ja (Mother Goodhearted’s Happy Version. Yes, 1968), followed by the poet’s wanderings in the city of Oslo in En som het Abel Ek (One Named Abel Ek, 1988), and concluding with his bitter social criticism in Elg (Moose, 1989) and IKKE. Skillingstrykk fra nittitallet (Not: Broadsides from the Nineties, 1993). Vold’s urban poems emphasise the transition from nyenkle (new simple), friendly and descriptive poems which present closely the city of Oslo on foot, to short, political and social critical poems from the 90s. Thus, it is of great importance to traverse various urban ‘landscapes’ in different periods of time, beginning with the 1960s, followed by the 80s and the 90s. Keywords: Jan Erik Vold, urban poems, social criticism, Norwegian urban areas, the city of Oslo "

and the Tradition of 1960's New Realism: Between Theatre and Art

2010 ◽  
Vol 22 (1) ◽  
pp. 423-433
Author(s):  
Dror Harari
Keyword(s):  
Art World ◽  
New Realism ◽  
Centre Of Gravity ◽  
Plastic Arts ◽  
The 1960S

While Beckett's minimalism seems to draw his theatre further into its centre of gravity, it also pushes it in a counter move to its medial boundaries. This article examines Beckett's most compact piece, (1969), in the context of the major changes in the art world of the 1960s – particularly, the emergence of “new realist” sensibility in France – and suggests its consideration as a manifestation of “new theatre,” which blurs the line between theatre and the plastic arts.

Music in Turkey

Tempo ◽  
1951 ◽  
pp. 29-30
Author(s):  
George Weldon
Keyword(s):  
Fine Arts ◽  
Piano Concerto ◽  
Symphony Orchestras ◽  
Music Festivals ◽  
British Council ◽  
Almost All ◽  
Vaughan Williams

Turkey has now had four Anglo-Turkish Music Festivals in Ankara, organised by the British Council and the Turkish Ministry of Fine Arts. The first of these (1948) and the fourth (1951) I had the pleasure of conducting.Perhaps because of her distance from England, it is frequently not realised to what extent Turkey has advanced musically during the relatively brief space of time that she has been developing on Western musical lines. There are only two Symphony Orchestras in Turkey, at Ankara and at Istanbul, and both these are composed almost entirely of Turkish musicians. The Presidential Philharmonic Orchestra at Ankara is over seventy strong, and also provides the nucleus for the Radio Orchestra and the Opera Orchestra. For the Festival, seven rehearsals were allowed for each concert, and these were of course necessary to assimilate what were almost all new works to the repertory of the Orchestra, including Vaughan Williams' Job, Richard Arnell's Piano Concerto and Alan Rawsthorne's Symphonic Studies, quite apart from new Turkish works, which I will refer to later. The quality of orchestral playing is reasonably high, by any standard; there is a very pleasant warm string tone, and the principal woodwind players are truly excellent, the brass section is quite reliable, and I was particularly struck by the playing of the first horn.

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