The Natural Attitude and the “Natural Concept of the World”

2016 ◽  
Vol 46 (2) ◽  
pp. 277-295
Author(s):  
Andrea Staiti

In this paper I argue that in Husserl’sIdeas I(1913) there is a seeming contradiction between the characterization of pure consciousness as theresidueof the performance of the phenomenological reduction and the claim that in the natural attitude consciousness is taken to be an entity is the world. This creates a puzzle regarding the positional status of consciousness in the natural attitude. After reviewing some possible options to solve this puzzle in the existing literature, I claim that the positional status of conscious experiences in the natural attitude is best characterized asunsettled. The act thatsettlesthe positional status of conscious experiences (i.e. our manifoldErlebnisse) is reflection. In reflection, experiences are posited as beings, either in a psychological or in a phenomenological key. I conclude by arguing that the problem of positing is of paramount importance to understand correctly Husserl’s claim that phenomenology isvoraussetzungslos.


Thesis Eleven ◽  
2021 ◽  
pp. 072551362110643
Author(s):  
Christopher Houston

Pierre Bourdieu famously dismissed phenomenology as offering anything useful to a critical science of society – even as he drew heavily upon its themes in his own work. This paper makes a case for why Bourdieu’s judgement should not be the last word on phenomenology. To do so it first reanimates phenomenology’s evocative language and concepts to illustrate their continuing centrality to social scientists’ ambitions to apprehend human engagement with the world. Part II shows how two crucial insights of phenomenology, its discovery of both the natural attitude and of the phenomenological epoche, allow an account of perception properly responsive to its intertwined personal and collective aspects. Contra Bourdieu, the paper’s third section asserts that phenomenology’s substantive socio-cultural analysis simultaneously entails methodological consequences for the social scientist, reversing their suspension of disbelief vis-à-vis the life-worlds of interlocutors and inaugurating the suspension of belief vis-à-vis their own natural attitudes.


Author(s):  
Giovanni Stanghellini

This chapter argues that another kind of teleology at play in human emotional experience is the desire for recognition. I long for the Other to appreciate me as I am rather than how I should be. Recognition entails five basic steps. First, I must acknowledge that the life-world of the other person is not like my own. Second, I need to grant the meaningfulness of the other person’s actions as embedded in the other person’s life-world. Third, I must learn to neutralize my natural attitude that would make me evaluate the other’s experience as if it took place in a world like my own. Fourth, I must try to reconstruct the existential structures of the world the other lives in. Fifth, I can finally attempt to understand the other’s experience as meaningfully situated in a world that is indelibly marked by the other person’s particular existence.


2017 ◽  
Vol 21 (1-2) ◽  
pp. 150-175
Author(s):  
David Seamon

In this article, I draw on Gurdjieff’s philosophy to initiate a phenomenology of aesthetic experience, which I define as any intense emotional engagement that one feels in encountering or creating an artistic work, whether a painting, poem, song, dance, sculpture, or something else. To consider how aesthetic experience might be understood in a Gurdjieffian framework, I begin with an overview of phenomenology, emphasizing the phenomenological concepts of lifeworld and natural attitude, about which Gurdjieff said much, though not using phenomenological language. I then discuss Gurdjieff’s “psychology of human beings” as it might be interpreted phenomenologically, emphasizing three major claims: first, that, human beings are “asleep”; second, that they are “machines”; and, third, that they are “three-centered beings.” I draw on the last claim—human “three-centeredness”—to highlight how aesthetic experiences might be interpreted via Gurdjieff’s philosophy. Drawing on accounts from British philosopher and Gurdjieff associate J. G. Bennett, I end by considering how a Gurdjieffian perspective understands the role of the artistic work in contributing to aesthetic experience.


Phainomenon ◽  
2017 ◽  
Vol 26 (1) ◽  
pp. 217-232
Author(s):  
Guilherme Riscali

Abstract This paper discusses Gilbert Ryle’s image of philosophy as cartography in an attempt to explore the idea of a cartography of the phenomenon, confronting it with the sense it takes in Edmund Husserl’s transcendental phenomenology. Ryle tries to grasp the particularity of philosophical tasks as being about specific sorts of problems, not about specific sorts of objects. What is required both of a cartographer and of a philosopher is, according to him, to look at familiar spaces in wholly unusual terms. Husserlian phenomenology then, with its rediscovery of consciousness as an absolute, unbounded field, meets quite well this demand. The uncovered field of the phenomena is not a new region, opposing that of the objects as faced in the natural attitude. It is rather a completely different attitude, just as a map is not a share of the world, but a distinct orientation towards it. The phenomenon, therefore, would not be something that is there to be cartographed as much as a kind of cartography itself. A phenomenological cartography, however, is one that has its specific marks, different from those of the Rylean conception.


Phainomenon ◽  
2003 ◽  
Vol 7 (1) ◽  
pp. 23-52
Author(s):  
Roberto J. Walton

Abstract This article is an attempt to clarify the role of pregivenness by drawing on the accounts afforded by Eugen Fink both in the Sixth Cartesian Meditation and in the complementary writings to this study. Pregivenness is first situated, along with givenness and non-givenness, within the framework of the system of transcendental phenomenology. As a second step, an examination is undertaken of the dimensions of pregivenness in the natural attitude. Next, nonpregivenness in the transcendental sphere is examined with a focus upon the way in which indeterminateness does not undermine the possibility of a transcendental foreknowledge in the natural attitude, and on the other hand implies the productive character of phenomenological knowledge. After showing how, with the reduction, the pregivennes of the world turns into the pregivenness of world-constitution, the paper addresses the problems raised by the nonpregivenness both of the depth-levels and the reach of transcendental life. By unfolding these lines of inquiry, transcendental phenomenology surmounts the provisional analysis of constitution at the surface level as well as the limitation of transcendental life to the egological sphere. Finally, it is contended that Fink’s account of pregivenness overstates apperceptive or secondary pregivenenness because is does not deal with the pregivenness that precedes acts and is the condition of possibility for primary passivity. Reasons for the omission of impressional or primary pregivenness are suggested.


2019 ◽  
Vol 36 (1) ◽  
pp. 69-85 ◽  
Author(s):  
Christoph Durt

Abstract While it seems obvious that the embodied self is both a subject of experience and an object in the world, it is not clear how, or even whether, both of these senses of self can refer to the same self. According to Husserl, the relation between these two senses of self is beset by the “paradox of human subjectivity.” Following Husserl’s lead, scholars have attempted to resolve the paradox of subjectivity. This paper categorizes the different formulations of the paradox according to the dimension each pertains to and considers the prospects of each proposed resolution. It will be shown that, contrary to the claims of the respective authors, their attempted resolutions do not really resolve the paradox, but instead rephrase it or push it to the next dimension. This suggests that there is something deeper at work than a mere misunderstanding. This paper does not aim to resolve the paradox but instead initiates a new approach to it. Instead of seeing the paradox as a misapprehension that needs to be removed, I dig deeper to reveal its roots in ordinary consciousness. Investigating the proposed resolutions will reveal the fundamental role of the natural attitude, and I will argue that already the general thesis of the natural attitude makes the decisive cut that leads to what Sartre calls a “fissure” in pre-reflective self-awareness. The phenomenological reduction deepens the cut into what Husserl calls the “split of the self,” which in turn engenders the paradox of subjectivity. The paradox’s roots in the structure of ordinary consciousness not only constitute a reason for its persistence, but also suggest a new way to further investigate the embodied self.


2021 ◽  
Vol 4 ◽  
pp. 107-119
Author(s):  
Elena Pogorelskaya ◽  
◽  
Leonid Chernov ◽  

The work is devoted to the philosophy of mastery presented in the tales of the Ural writer Pavel Petrovich Bazhov. The basis of the phenomenon of mastery is the classical philosophy of Plato in its Socratic version. The authors of the article see it as their goal to prove the close relationship between the practical handicraft Ural art, represented in the mythology and literature of P.P. Bazhov, and the classical metaphysical attitudes of European philosophy. The personality of the master becomes a cementing link between the natural world and the world of culture. Mastery in its philosophical and practical form acts as a support for the natural attitude towards nature, art, and towards man in general. The authors decipher the phenomenon of mastery in the tales of P.P. Bazhov, analyze his modes and the specifics of manifestation. Ural tales of P.P. Bazhov in describing the phenomena of mastery and genuine creative attitude to nature repeat the structure of the classical attitude to the world and logically correspond to the structure of the creative attitude of the master poet to the object he creates. The specificity of the Ural artcraftsmanship lies in the fact that the personality of the master is embodied not in an ideologist, not in a religious preacher, not in an intellectual, but in a master who interacts with the elements of nature as concretely and closely as possible. The work immerses P.P. Bazhov’s legends, written during the Soviet period of Russian history, in the global context of research into the nature of genuine living creativity, and also emphasizes the regional and very special specific aspect in the Ural mastery.


Author(s):  
Dagfinn Follesdal

Through his creation of phenomenology, Edmund Husserl was one of the most influential philosophers of our century. He was decisive for most of contemporary continental philosophy, and he anticipated many issues and views in the recent philosophy of mind and cognitive science. However, his works were not reader- friendly, and he is more talked about than read. Husserl was born in Moravia, received a Ph.D. in mathematics while working with Weierstraß, and then turned to philosophy under the influence of Franz Brentano. He was particularly engaged by Brentano’s view on intentionality and developed it further into what was to become phenomenology. His first phenomenological work was Logische Untersuchungen (Logical Investigations) (1900–1). It was followed by Ideen (Ideas) (1913), which is the first work to give a full and systematic presentation of phenomenology. Husserl’s later works, notably Vorlesungen zur Phänomenologie des inneren Zeitbewusstseins (On the Phenomenology of the Consciousness of Internal Time) (1928), Formale und transzendentale Logik (Formal and Transcendental Logic) (1929), Cartesianische Meditationen (Cartesian Meditations) (1931) and Die Krisis der europäischen Wissenschaften und die transzendentale Phänomenologie (Crisis of the European Sciences) (partly published in 1936), remain largely within the framework of the Ideas. They take up topics that Husserl only dealt with briefly or were not even mentioned in the Ideas, such as the status of the subject, intersubjectivity, time and the lifeworld. Brentano had characterized intentionality as a special kind of directedness upon an object. This leads to difficulties in cases of hallucination and serious misperception, where there is no object. Also, it leaves open the question of what the directedness of consciousness consists in. Husserl therefore endeavours to give a detailed analysis of those features of consciousness that make it as if of an object. The collection of all these features Husserl calls the act’s ‘noema’. The noema unifies the consciousness we have at a certain time into an act that is seemingly directed towards an object. The noema is hence not the object that the act is directed towards, but is the structure that makes our consciousness be as if of such an object. The noemata are akin to Frege’s ‘third world’ objects, that is, the meanings of linguistic expressions. According to Husserl, ‘the noema is nothing but a generalization of the notion of meaning [Bedeutung] to the field of all acts’ ([1913] 1950: 3, 89). Just as distinguishing between an expression’s meaning and its reference enables one to account for the meaningful use of expressions that fail to refer, so, according to Husserl, can the distinction between an act’s noema and its object help us overcome Brentano’s problem of acts without an object. In an act of perception the noema we can have is restricted by what goes on at our sensory surfaces, but this constraint does not narrow our possibilities down to just one. Thus in a given situation I may perceive a man, but later come to see that it was a mannequin, with a corresponding shift of noema. Such a shift of noema is always possible, corresponding to the fact that perception is always fallible. These boundary conditions, which constrain the noemata we can have, Husserl calls ‘hyle’. The hyle are not objects experienced by us, but are experiences of a kind which we typically have when our sense organs are affected, but also can have in other cases, for example under the influence of fever or drugs. In our natural attitude we are absorbed in physical objects and events and in their general features, such as their colour and shape. These general features, which can be shared by several objects, Husserl calls essences, or ‘eidos’ (Wesen). Essences are studied in the eidetic sciences, of which mathematics is the most highly developed. We get to them by turning our attention away from the concrete individuals and focusing on what they have in common. This change of attention Husserl calls ‘the eidetic reduction’, since it leads us to the eidos. However, we may also more radically leave the natural attitude altogether, put the objects we were concerned with there in brackets and instead reflect on our own consciousness and its structures. This reflection Husserl calls ‘the transcendental reduction’, or ‘epoché’. Husserl uses the label ‘the phenomenological reduction’ for a combination of the eidetic and the transcendental reduction. This leads us to the phenomena studied in phenomenology, that is, primarily, the noemata. The noemata are rich objects, with an inexhaustible pattern of components. The noema of an act contains constituents corresponding to all the features, perceived and unperceived, that we attribute to the object, and moreover constituents corresponding to features that we rarely think about and are normally not aware of, features that are often due to our culture. All these latter features Husserl calls the ‘horizon’ of the act. The noema is influenced by our living together with other subjects where we mutually adapt to one another and come to conceive the world as a common world in which we all live, but experience from different perspectives. This adaptation, through empathy (Einfühlung), was extensively studied by Husserl. Husserl emphasizes that our perspectives and anticipations are not predominantly factual: ‘this world is there for me not only as a world of mere things, but also with the same immediacy as a world of values, a world of goods, a practical world’ ([1913] 1950: 3, 1, 58). Further, the anticipations are not merely beliefs – about factual properties, value properties and functional features – but they also involve our bodily habits and skills. The world in which we find ourselves living, with its open horizon of objects, values, and other features, Husserl calls the ‘lifeworld’. It was the main theme of his last major work, The Crisis of the European Sciences, of which a part was published in 1936. The lifeworld plays an important role in his view on justification, which anticipates ideas of Goodman and Rawls.


Author(s):  
Alicia María De Mingo Rodríguez

Aunque inicialmente la propuesta de A. Schütz resulta esclarecedora y sugerente, sin embargo, al proponer hablar de ámbitos finitos de sentido en lugar de realidades múltiples (W. James), se puede encubrir una posibilidad de mala interpretación del proyecto trascendental de la fenomenología. Ello estaría en función de la gran importancia que detenta en Schütz no sólo la actitud natural, sino el mundo de la “realidad práctica”. Me propongo plantear esta problemática a la luz del proyecto husserliano de fenomenología trascendental presentado en Ideen I.Although initially the proposal of A. Schütz is enlightening and suggestive, nevertheless, on having proposed to speak about finite provinces of meaning instead of multiple realities (W. James), it is possible to conceal a possibility of bad interpretation of the transcendental project of Phenomenology. It would be depending on the great importance that holds in Schütz not only the natural attitude, but the world of the “practical reality”. I intend to raise this issue in the light of Husserls transcendental phenomenology project presented in Ideen I.


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