Gender Inequality in the Home: The Role of Relative Income, Support for Traditional Gender Roles, and Perceived Entitlement

Gender Issues ◽  
2014 ◽  
Vol 31 (3-4) ◽  
pp. 219-237 ◽  
Author(s):  
Janell C. Fetterolf ◽  
Laurie A. Rudman
2015 ◽  
Vol 43 (2) ◽  
pp. 192-195
Author(s):  
John A. Robertson

The role of stigma in limiting reproductive rights has long hovered in the air. Paula Abrams has sorted through the concept and shown how it operates in two major areas of procreative liberty — having a child through surrogacy and avoiding childbirth by abortion. Her paper is especially useful for showing how legal change initially dilutes stigma but may reinstall it with post-legalization regulation.Abrams argues that both abortion and surrogacy are stigmatized because they deviate from traditional gender roles and social expectations about pregnancy and maternity. Past restrictions have rested on a common legal and cultural paradigm of the good mother: a woman who conceives, carries her child to term, and then rears the child. Indeed, as she later argues, evidence of stigma surrounding a practice is “relevant to determining whether laws regulating abortion or surrogacy are based on impermissible stereotyping.”


Author(s):  
Anne Pollok

This chapter examines the various strategies of intellectual self-formation by female intellectuals. While Henriette Herz created the public persona of the nurturing muse in her salon and established the idea of mutual exchange between the sexes, Rahel Varnhagen took the idea of self-reflection in the eyes of others one step further and, together with her husband, created a monument of remembrance with her collection of letters, fashioning the modern persona as fundamentally constituted through her exchange with others. Bettina von Arnim, finally, had no qualms using the most prominent poet, Goethe, as a prop in her writings, exercising the subversive power of remembrance to establish herself. Even though all these strategies build on the (male) other, they showcase the potential to subvert traditional gender roles.


2019 ◽  
Vol 11 (11) ◽  
pp. 3058 ◽  
Author(s):  
Claudia Gil Arroyo ◽  
Carla Barbieri ◽  
Sandra Sotomayor ◽  
Whitney Knollenberg

Tourism has the potential to empower women, particularly in rural areas. However, little is known about whether it can have the same effect in Andean communities, mainly because the traditional social and cultural structures of those communities have limited women’s ability to empower themselves through traditional economic activities. Through interviews with residents participating in agritourism development in seven communities across the Cusco and Puno regions (Peru, South America), this study examined the role of agritourism development in the empowerment of women in those communities as well as the ways in which it has changed traditional gender roles. Study findings revealed that agritourism contributes to four areas of empowerment for women: psychological, social, political, and economic. However, the culture of the Andean communities still has considerable influence on gender dynamics and may prevent women from garnering all the benefits of tourism development. Agritourism development in those communities should incorporate gender-related cultural considerations to navigate and overcome barriers, thereby allowing the maximization of empowerment benefits for women.


2007 ◽  
Vol 39 (S1) ◽  
pp. 219-224
Author(s):  
Jamie Lynn Webster

This paper explores performance choices made by choreographer Zoltán Zsuráfsky for the ethnic music and dance production, Csárdás! Tango of the East for American tours in 2000 and 2005. Unlike older socialist models that elevated nationalism through homogenized choreography, Zsuráfsky's Csárdás! celebrates interethnic traditions, alternatives to traditional gender roles, and individual expression. These choices elevate regional traditions and maintain stylistic specificity and performer creativity but subdue elements of nationalism, gender inequality, and top-down ensemble hierarchy.


2020 ◽  
Vol 8 (1) ◽  
pp. 1 ◽  
Author(s):  
Mujad Didien Afandi

The unfair gender roles under patriarchal system are constructed to preserve gender inequality between men and women. Gender role practices extend gradually to maintain the male hegemony to make women powerless because female traditional gender roles (femininities) create dependency to men. Men are assigned to masculinities equipped with power, whereas women are ascribed to femininities to set boundaries that limit their movement. Yet, the increase of female awareness of gender equality has changed this situation. Gender roles are gradually shifting from traditional to modern as the opportunities to receive education and job open widely to develop women's roles that enable them to give financial contribution to the family. This study was purposed to analyze the shift in gender roles in 'The Joy Luck Club' and 'The Kite Runner'. This study used qualitative design in which Chinese traditional gender roles were described using Confucian perspective, whereas Afghan traditional gender roles were exposed in Islamic perspective. Moreover, Karl Marx's conflict theory was used to analyze the shift in gender roles in both novels. The results of study found that the construction of traditional gender roles in both China and Afghanistan was influenced mostly by patriarchy which perceives men as more superior than women. However, the dynamic changes of gender roles, especially femininities, supported by the increase of female education and occupation provide women with more power to achieve development. Further studies are encouraged to analyze other gender roles which have not discussed in this study.


2020 ◽  
Vol 1 (1) ◽  
pp. 35-38
Author(s):  
Golman Gurung

This article argues that the notion of gender is not a fixed category and doesn’t have any given essence to it. The male and female characters in William Wycherley’s play The Plain Dealer perform roles that tend to challenge our traditional conception of gender roles. Gender identities are complex things and it is not possible to reduce them to simple and unproblematic essences. The Character Manly falls into the trap of a woman’s machinations and succumbs to her power. His lack of manliness and the Widow’s knowledge and alacrity prove that traditional gender roles are open to challenge and can be reversed by different characters in different situations. This article analyses the role of the characters in the light of Foucauldian discourse and Judith Butler’s theory of gender as performance.


wisdom ◽  
2016 ◽  
Vol 1 (6) ◽  
pp. 118
Author(s):  
Mane Khachibabyan

This article demonstrates the place and role of the image of women in modernist art and literature, mainly focusing on Impressionism and Post-impressionism. It discusses the unique works of modernist painters and writers (Marie Cassatt, Edgar Degas, Edouard Manet, Pablo Picasso and Virginia Woolf) to explore how modernist art and literature both defined, reflected and shaped gender roles. The article discourses on the representations of feminist views and gender inequality in the works of some modernist artists.


Author(s):  
Elizabeth S. Manley

Chapter 3 looks at women’s resistance activities on the island and in exile during the Trujillato, as well as the rhetoric that surrounded mothers and wives within the movement and argues that it was precisely the increasingly intimate violations of women and traditional gender roles that ultimately doomed the regime. The chapter advocates for not only a physical inclusion of women in the narrative of anti-dictatorial politics, but also a consideration of the role of traditional familial and feminine “protections” in the upending of a thirty-year regime. Women pointed out—to both domestic and international audiences—the failure of the regime to protect femininity and national morality and, as a result, led the way to the regime’s demise.


Author(s):  
Raquel Serrano González ◽  
Laura Martínez-García

Despite the shifting ideologies of gender of the seventeenth century, the arrival of the first actresses caused deep social anxiety: theatre gave women a voice to air grievances and to contest, through their own bodies, traditional gender roles. This paper studies two of the best-known actresses, Nell Gwyn and Anne Bracegirdle, and the different public personae they created to negotiate their presence in this all—male world. In spite of their differing strategies, both women gained fame and profit in the male—dominated theatrical marketplace, confirming them as the ultimate “gender benders,” who appropriated the male role of family’s supporter and bread-winner.


Hawwa ◽  
2017 ◽  
Vol 15 (1-2) ◽  
pp. 193-218 ◽  
Author(s):  
Ayman Shabana

Abstract This paper examines the role of biomedical technology in reconstructing traditional gender roles in the Muslim world. It questions the neutrality of this technology and explores the extent to which various applications of genetic and reproductive technologies can be used either to enhance or diminish gender equality. It concentrates on Islamic normative discussions surrounding pre-marital genetic testing and sex selection and emphasizes the role of these discussions for the proper accommodation of these technologies within the Muslim context.


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