Lebanon

1990 ◽  
Vol 30 (S1) ◽  
pp. 83-84

Deteriorating relations between the different factions and widespread fighting displaced many families in 1990 and increased the social and economic disruption in the country. For some periods, Beirut came under daily shelling and civilians left the city and its suburbs en masse for safer areas, in particular southern Lebanon. The heavy loss of life and resources weakened the already fragile economic and social structures.

2009 ◽  
Vol 43 (11) ◽  
pp. 1029-1037
Author(s):  
John Price

Darwin's theory of sexual selection offers a challenge to psychology and psychiatry. We select each other, and have been doing so since social life first evolved. But who is selected and what happens to those who are not selected? What social structures have evolved to contain the unselected? What behaviours have evolved to manage the selection process? How do the selected relate to the unselected and what behaviours have evolved to manage this asymmetry in social relations? What mental states have evolved to characterize the selected and the unselected? These questions should be kept in mind when we observe and study the social structures, behaviours and mental states that we see displayed before us in all the variety of nature. It is suggested that a significant amount of current psychiatric disorder, especially depressive states and both social and generalized anxiety disorder, have evolved because they managed the processes of being unselected and de-selected, and maintained the unselected in that social role without loss of life or physical incapacity, and enabled the unselected to contribute to general social well-being.


2005 ◽  
Vol 2 (2) ◽  
pp. 155-158
Author(s):  
Michael C. Dawson ◽  
Lawrence D. Bobo

By the time you read this issue of the Du Bois Review, it will be nearly a year after the disaster caused by Hurricane Katrina swept the Gulf Coast and roiled the nation. While this issue does not concentrate on the disaster, (the next issue of the DBR will be devoted solely to research on the social, economic, and political ramifications of the Katrina disaster), the editors would be amiss if we did not comment on an event that once again exposed the deadly fault lines of the American racial order. The loss of the lives of nearly 1500 citizens, the many more tens of thousands whose lives were wrecked, and the destruction of a major American city as we know it, all had clear racial overtones as the story unfolded. Indeed, the racial story of the disaster does not end with the tragic loss of life, the disruption of hundred of thousands of lives, nor the physical, social, economic, and political collapse of an American urban jewel. The political map of the city of New Orleans, the state of Louisiana (and probably Texas), and the region is being rewritten as the large Black and overwhelmingly Democratic population of New Orleans was dispersed out of Louisiana, with states such as Texas becoming the perhaps permanent recipients of a large share of the evacuees.


RUA ◽  
2016 ◽  
Vol 22 (1) ◽  
pp. 5
Author(s):  
Tatiana Amendola Sanches ◽  
Tarcisio Torres Silva

AbstractThis paper intends to discuss the ways Street Art has been promoting new affective inscriptions in the urban landscape of São Paulo city. This practice is verified through works promoting “sensible shocks”, which occur using signs that sensibilize the passerby’s look. The discussion starts addressing local cultural art movements in order to show how Brazilian Street Art is linked to other forms of politicization in the cities. Then, it is shown how the articulation of structures of feeling can be observed in the city in events involving disagreements between graffiti artistis and the municipal government. Finally, it is argued that the affective inscriptions reveal the social structures of the city and contribute to highlight imbalances between expectation and reality.ResumoEste trabalho procura discutir as maneiras como a arte de rua vem promovendo novas inscrições afetivas na paisagem urbana da cidade de São Paulo. Verifica-se que esta prática é feita através de “choques de sentimento” que ocorrem através do uso de signos que sensibilizam o olhar do transeunte. A discussão começa com movimentos artísticos locais a fim de mostrar como a arte de rua brasileira está conectada a outras formas de politização nas cidades. Em seguida, é mostrado como a articulação de estruturas de sentido pode ser observada na cidade em eventos envolvendo conflitos entre grafiteiros e o poder municipal. Finalmente, argumenta-se que as inscrições afetivas revelam as estruturas sociais da cidade e contribuem para enaltecer desequilíbrios entre expectativa e realidade.Palavras-chave: Arte de Rua; Cultura; Estudos Culturais; Grafite; São Paulo.


1969 ◽  
Vol 11 (4) ◽  
pp. 616-637 ◽  
Author(s):  
Stuart B. Schwartz

In the Renaissance, colonization and exploitation followed soon after travel and discovery. Spaniards and Portuguese were the vanguard of this movement in the Atlantic world, and it is not surprising that the city was among the institutions brought by them as part of their cultural heritage. What makes the story of the urban conquest of Latin America particularly interesting are the specific configurations of society in the cities of empire and the conscious use of the city as a symbol of imperium.The objective of this paper is to analyze the functions and social organization of two of these cities, Mexico City and Salvador da Bahia, and to demonstrate that despite a variety of often striking differences, the social structures of both reflected similar solutions to the common problem of integrating newly-created groups into an already structured society.


1989 ◽  
Vol 79 ◽  
pp. 1-10 ◽  
Author(s):  
Bruno D'Agostino

There are no direct visual representations of the city in Etruscan art, any more than there are in Attic art. Indeed the civic aspect of the Etruscan world is in general particularly elusive; even in inscriptions, references to political and social structures are rare and brief. In the case of Athens, the study of the imagery of Attic vase-painting as a unified and structured system of representations has revealed hitherto unsuspected significations. It is true that the basic places and occasions of social, institutional, political and religious life are not themselves portrayed; yet the social categories and essential functions of the city are displayed, through the medium of a kind of anthropological description.


1970 ◽  
pp. 36-47
Author(s):  
Fadwa Al-Labadi

The concept of citizenship was introduced to the Arab and Islamic region duringthe colonial period. The law of citizenship, like all other laws and regulations inthe Middle East, was influenced by the colonial legacy that impacted the tribal and paternalistic systems in all aspects of life. In addition to the colonial legacy, most constitutions in the Middle East draw on the Islamic shari’a (law) as a major source of legislation, which in turn enhances the paternalistic system in the social sector in all its dimensions, as manifested in many individual laws and the legislative processes with respect to family status issues. Family is considered the nucleus of society in most Middle Eastern countries, and this is specifically reflected in the personal status codes. In the name of this legal principle, women’s submission is being entrenched, along with censorship over her body, control of her reproductive role, sexual life, and fertility.


2019 ◽  
Vol 10 (5) ◽  
pp. 456-469
Author(s):  
Habiba Abou Hafs ◽  
◽  
Fadila Boutora ◽  

The question of project manager competencies and especially in social projects is a key issue for social organizations seeking to progress and achieve success. If the manager has an important role to play with regard to the social organization, he’s however dependent on his behavioral, professional and personal capacities. The purpose of this paper is to show, on the basis of a quantitative study carried out among 120 managers of social projects in cooperatives located in the city of Agadir (Morocco), that the success of projects is conditioned by the leadership skills. Consequently, factors related to behavioral skills such as Solidarity; Involvement; Patience; Creativity; Empathy; Motivation; Trust; Commitment; Self-esteem; Transparency; Self-control; Discipline and other factors related to professional characteristics and personal characteristics of project managers prove a positive and significant relationship with the criterion of success studied.


2012 ◽  
Vol 5 (2) ◽  
pp. 109
Author(s):  
Besin Gaspar

This research deals with the development of  self concept of Hiroko as the main character in Namaku Hiroko by Nh. Dini and tries to identify how Hiroko is portrayed in the story, how she interacts with other characters and whether she is portrayed as a character dominated by ”I” element or  ”Me”  element seen  from sociological and cultural point of view. As a qualitative research in nature, the source of data in this research is the novel Namaku Hiroko (1967) and the data ara analyzed and presented deductively. The result of this analysis shows that in the novel, Hiroko as a fictional character is  portrayed as a girl whose personality  develops and changes drastically from ”Me”  to ”I”. When she was still in the village  l iving with her parents, she was portrayed as a obedient girl who was loyal to the parents, polite and acted in accordance with the social customs. In short, her personality was dominated by ”Me”  self concept. On the other hand, when she moved to the city (Kyoto), she was portrayed as a wild girl  no longer controlled by the social customs. She was  firm and determined totake decisions of  her won  for her future without considering what other people would say about her. She did not want to be treated as object. To put it in another way, her personality is more dominated by the ”I” self concept.


Author(s):  
Oleksii Chepov ◽  

The qualitative and clear definition of the legal regime of the capital of Ukraine, the hero city of Kyiv, is influenced by its legislative enshrinement, however, it should be noted that discussions are ongoing and one of the reasons for the unclear legal status of the capital is the ambiguity of current legislation in this area. Separation of the functions of the city of Kyiv, which are carried out to ensure the rights of citizens of Ukraine and the functions that guarantee the rights of the territorial community of the city of Kyiv. In the modern world, in legal doctrine and practice, the capital is understood as the capital of the country, which at the legislative level received this status and, accordingly, is the administrative and political center of the state, which houses the main state bodies and diplomatic missions of other states. It is the identification of the boundaries of the relationship between the competencies of state administrations and local self-government, in practice, often raises questions about their delimitation and ways of regulatory solution. Peculiarities of local self-government in Kyiv city districts are defined in the provisions of the Law on the Capital, which reveal the norms of the Constitution in these legal relations, according to which the issue of organizing district management in cities belongs to city councils. Likewise, it is unregulated by law to lose the particularity of the legal status of the territory of the city. It should be emphasized that the subject of administrative-legal relations is not a certain administrative-territorial entity, but the social group is designated - the territorial community of the city of Kiev, kiyani. Thus, the provisions on the city of Kyiv partially ignore the potential of the territorial community.


2020 ◽  
Author(s):  
William Abbiss

This article offers a ‘post-heritage’ reading of both iterations of Upstairs Downstairs: the LondonWeekend Television (LWT) series (1971–5) and its shortlived BBC revival (2010–12). Identifying elements of subversion and subjectivity allows scholarship on the LWT series to be reassessed, recognising occasions where it challenges rather than supports the social structures of the depicted Edwardian past. The BBC series also incorporates the post-heritage element of self-consciousness, acknowledging the parallel between its narrative and the production’s attempts to recreate the success of its 1970s predecessor. The article’s first section assesses the critical history of the LWT series, identifying areas that are open to further study or revised readings. The second section analyses the serialised war narrative of the fourth series of LWT’s Upstairs, Downstairs (1974), revealing its exploration of female identity across multiple episodes and challenging the notion that the series became more male and upstairs dominated as it progressed. The third section considers the BBC series’ revised concept, identifying the shifts in its main characters’ positions in society that allow the series’ narrative to question the past it evokes. This will be briefly contrasted with the heritage stability of Downton Abbey (ITV, 2010–15). The final section considers the household of 165 Eaton Place’s function as a studio space, which the BBC series self-consciously adopts in order to evoke the aesthetics of prior period dramas. The article concludes by suggesting that the barriers to recreating the past established in the BBC series’ narrative also contributed to its failure to match the success of its earlier iteration.


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