scholarly journals ‘Honourable Men’: West German Industrialists and the Role of Honour and Honour Courts in the Adenauer Era

2013 ◽  
Vol 22 (2) ◽  
pp. 233-252 ◽  
Author(s):  
ARMIN GRÜNBACHER
Keyword(s):  
Price Policy ◽  
Social Practices ◽  
West Germany ◽  
Court Case ◽  
Heavy Industry ◽  
Unsuccessful Attempt ◽  
The Social ◽  
Economic Culture ◽  
Post War

AbstractThis article argues that traditional conceptions of honour and the social practices based on them were both persistent yet at the same time very fragile and changeable amongst post-war German steel industrialists. After a brief overview of how bourgeois honour developed up to the early 1950s, a study of the honour court case of one of the leading men of heavy industry, Hermann Reusch of Gutehoffnungshütte, which ran from 1947 to 1949, will be presented. This is followed by a description of the ultimately unsuccessful attempt by the Wirtschaftsvereinigung Eisen und Stahl to establish honour councils to enforce a price policy across the association. Both cases highlight the rapidly changing social and economic culture in West Germany in the early 1960s.

scholarly journals A Pattern-Oriented Approach to Fair Use

2017 ◽  
Author(s):  
Michael J Madison
Keyword(s):  
Social Practices ◽  
Copyright Law ◽  
Fair Use ◽  
Social Implications ◽  
Social Scientists ◽  
The Social ◽  
Case Application ◽  
Use Factors ◽  
Oriented Approach

More than 150 years into development of the doctrine of "fair use" in American copyright law, there is no end to legislative, judicial, and academic efforts to rationalize the doctrine. Its codification in the 1976 Copyright Act appears to have contributed to its fragmentation, rather than to its coherence. This Article suggests that fair use is neither badly conceived nor badly applied, but that it is too often badly understood. As did much of copyright law, fair use originated as a judicially-unacknowledged effort via the law to validate certain favored social practices and patterns. In the main, it has continued to be applied as such, though too often courts mask their implicit validation of these patterns in the now-conventional "case-by-case" application of the statutory fair use "factors" to the defendant's use of the copyrighted work in question. A more explicit acknowledgement of the role of these patterns in fair use analysis is consistent with fair use and copyright policy and tradition. Importantly, it helps to bridge the often-difficult conceptual gap between fair use claims asserted by individual defendants and the social implications of accepting or rejecting those claims. Finally, a pattern-oriented approach is normatively appropriate, when viewed in light of recent research by cognitive psychologists and other social scientists on patterns and creativity. In immediate terms, the approach should lead to a more consistent and predictable fair use jurisprudence. In the longer term, it should enhance the ability of copyright law to promote creative expression.

scholarly journals Arbeitslosigkeit und Einkommensverteilung.

1995 ◽  
Vol 25 (99) ◽  
pp. 205-219
Author(s):  
Heiner Ganßmann ◽  
Grover McArthur
Keyword(s):  
Significant Influence ◽  
Job Loss ◽  
West Germany ◽  
Conflict Behavior ◽  
Profit Distribution ◽  
Statistical Estimates ◽  
The Social ◽  
Social Structure Of Accumulation ◽  
Post War ◽  
The Cost

The development of the wage-profit-distribution in post-war Germany is analyzed, applying the»cost-of-job-loss«-concept which has been elaborated in the social-structure-of-accumulation framework by radical US-economists. Statistical estimates show that the costs of job loss (as adeterminant of work and conflict behavior of workers) exercise a significant influence on the development of income distribution in (West) Germany.

Moral Neighborhoods

2019 ◽  
pp. 101-126
Author(s):  
Karen Stohr
Keyword(s):  
Social Practices ◽  
Ideal Theory ◽  
Social Environments ◽  
Moral Formation ◽  
Moral Improvement ◽  
The Social

This chapter presents an argument that moral identities are cultivated within shared normative spaces called moral neighborhoods. Moral neighborhoods are constructed through networks of social practices and conventions that are situated in specific physical and social environments. The chapter draws on Confucian ideas about the role of ritual in moral formation, as well Jane Austen’s novels, to argue that these networks of social practices are important for moral improvement. Good moral neighborhoods enable participants to work out and enact shared moral aspirations in the form of jointly constructed narratives. The social practices of good moral neighborhoods create normative spaces in which we enact fictive moral selves. Because moral neighborhoods are constructed in non-ideal conditions, they must be responsive to the underlying social and physical landscape if they are to reflect shared moral aspirations. Creating a good moral neighborhood is thus a practical exercise in non-ideal theory.

‘Built-in variety’: David and Mary Medd and the Child-Centred Primary School, 1944-80

2012 ◽  
Vol 55 ◽  
pp. 321-367 ◽  
Author(s):  
Geraint Franklin
Keyword(s):  
Teaching And Learning ◽  
School Design ◽  
Social Aspect ◽  
Ministry Of Education ◽  
Creative Collaboration ◽  
The Social ◽  
Post War ◽  
Architectural Modernism ◽  
The Welfare State

Children are the basis of school design.(Ministry of Education Building Bulletin 1,1949, David and Mary Medd)Connections between ideas of ‘child-centred’ primary education and the design of schools were arguably closer in post-war Britain than any period before or since. These relationships provide a commentary on the role of public architecture within a British post-war social democracy that combined the social objectives of architectural Modernism with an awareness of, and continuity with, preceding reformist movements for the advancement of public health and education. The ‘social’ aspect of the post-war school-building programme stemmed not so much from the application of labour or technology to processes of building, nor even the equitable distribution of common resources, but rather from the ability of the designer to shape and articulate processes of teaching and learning within the locus of the welfare state. Social and pedagogical ends were often pursued to the almost total exclusion of architectural self-expression. If this ‘humane functionalism’ was rooted in an understanding of the activities and experiences of learning, it was dependent on a multi-disciplinary, investigative and creative collaboration between architect and educational ‘client’.

An Unexpected Path to Modernisation: The Case of German Artisans during the Second World War

1996 ◽  
Vol 5 (3) ◽  
pp. 401-426 ◽  
Author(s):  
Frederick L. Mckitrick
Keyword(s):  
Second World War ◽  
Point Of View ◽  
West Germany ◽  
Class Relations ◽  
World War ◽  
New Era ◽  
The Social ◽  
History Of ◽  
Post War ◽  
Second World

On 10 July 1950, at the celebrations marking the fiftieth anniversary of the founding of the Wiesbaden Chamber of Artisans (Handwerkskammer), its president Karl Schöppler announced: ‘Today industry is in no way the enemy of Handwerk. Handwerk is not the enemy of industry.…’ These words, which accurately reflected the predominant point of view of the post-war chamber membership, and certainly of its politically influential leadership, marked a new era in the social, economic and political history of German artisans and, it is not too much to say, in the history of class relations in (West) Germany in general. Schöppler's immediate frame of reference was the long-standing and extremely consequential antipathy on the part of artisans towards industrial capitalism, an antipathy of which his listeners were well aware.

scholarly journals TV- Show: From the Audience Habits To Principles of Dramaturgy

2014 ◽  
Vol 6 (4) ◽  
pp. 126-136
Author(s):  
Irina Nikolaevna Kemarskaya
Keyword(s):  
Social Practices ◽  
Tv Viewing ◽  
Social Tv ◽  
The Social ◽  
Single Moment ◽  
Tv Shows ◽  
Set Up ◽  
Tv Watching ◽  
Tv Show

The article is devoted to the scriptwriting of TV shows and the role of the social practices of TV-viewing in the creation of script plot of periodical programs. Script construction of contemporary TV shows differs greatly from the classical film screenwriting due to its primarily focusing on predicted audience reactions in every single moment of broadcasting. The show creators are directed by the intention of giving the viewer the opportunities to feel the emotions he/she anticipates watching every new issue of the program. In order to attract the audience to the screen, hold it, to ensure its return to the favorite show the TV creators are obliged to imagine the established rituals and social practices of screen viewing. The paper covers the historical aspects of the social TV viewing practices, their formation and dynamics, from the Soviet "collective viewing" in a communal apartments with a sole TV-set up to a contemporary tendency of individual binge-watching of full ser seasons through internet services. The author specially emphasizes gender, generational, socio-demographic differences in TV watching and their influence on different creative techniques and discoveries. As to the gender habits of audiovisual information perception, the author pays attention to the so called "female" way of TV watching, characteristic of empathy, emotional involvement in the perception of the show, against the "male" choice of action, spectacle dynamics and often simultaneous viewing of different channels. Changes in common practices of TV watching cause the script decisions, adapted to the habitual behavior of different audience groups (shortening of audiovisual elements within programs, clip cutting, priority of emotion over logic-screen narration, etc.). Resume: rapid changes of screen watching social practices challenge the well-known creative technologies, turning the familiar TV shows into the part of the hypertext with different logic of reading and understanding.

scholarly journals TOUCHINESS AND CRITICISM. ON THE ROLE OF PHILOSOPHICAL CRITICISM IN CULTURE AND EDUCATION

2020 ◽  
Vol 56 (S1) ◽  
pp. 207-228
Author(s):  
Robert Piłat
Keyword(s):  
Social Practices ◽  
Social Phenomenon ◽  
Dense Network ◽  
Practical Application ◽  
Philosophical Inquiry ◽  
Structural Problems ◽  
The Social ◽  
Differences Of Opinion ◽  
Philosophical Criticism

In this article, I am discussing the social phenomenon of touchiness (excessive sensitivity to differences of opinion and lifestyle) as a result of the polarization of discourse in contemporary Western culture. This polarization and the resulting touchiness are partly an effect of media, but the later also reflects structural problems of cultures and social practices. The problems arise from the dense network of potentially conflicting values. I am discussing some diagnoses of this phenomenon and some purported philosophical remedies including departure from the language of values and abandoning the idea of a strong subject of action and beliefs. I am criticizing these solutions and I am proposing the idea of radical criticism instead. I am presenting the idea about established theories of philosophical criticism, including those by Horkheimer, Spaemann, Habermas. I am also presenting a practical application of the idea of radical criticism in education: promoting philosophical inquiry in the classroom.

Service Providers as Digital Media Infrastructure

2017 ◽  
Author(s):  
Sarah Harris
Keyword(s):  
Digital Media ◽  
Service Providers ◽  
Critical Role ◽  
Social Practices ◽  
Internet Infrastructure ◽  
Ethnographic Approach ◽  
The Social ◽  
Media Systems

This chapter documents the critical role of service providers in the development of today's digital media systems. It illustrates how an ethnographic approach to media infrastructures helps to connect hard infrastructural forms, such as wires, transmissions towers, and buildings, with soft infrastructural forms, including institutions, protocols, and social practices. It then focuses on circumvention practices in Turkey. The work of Turkey's cybercafé operators forms a key component of Internet infrastructure, critically shaping the social topography of media in the country. The cafés and their operators coordinate disparate technologies and communities and are sites where different protocols are negotiated. At the same time, in these locations, state infrastructural control, surveillance, and censorship can be undermined.

Building Calculated Uncertainty: Cedric Price’s Interaction Centre

2021 ◽  
pp. 1-17
Author(s):  
Marcela Aragüez
Keyword(s):  
Built Environment ◽  
Social Role ◽  
Personal View ◽  
Social Critic ◽  
Social Agenda ◽  
Short Lifespan ◽  
The Social ◽  
Potteries Thinkbelt ◽  
Post War

As his friend Niall Hobhouse claimed, Cedric Price ‘wasn’t really an architect, but a social critic to the left of the Left who stumbled on the post-war ruins of modernism’.1 The role of Price’s unbuilt legacy for Western architectural culture has been praised extensively, with a special emphasis on the unorthodox nature of both his practice and academic contributions.2 Succeeding generations have found inspiration in Price’s personal view of the architectural profession, his work being positioned often within radical and utopian approaches yet involving a committed social agenda. The social role of architecture was for Price tightly linked to the capacity of the built environment to be adapted by its users. Buildings should be understood as temporary commodities, malleable objects with a short lifespan dictated by their usefulness for the community. Conceived as infrastructures, unbuilt projects such as the famous Fun Palace, Potteries Thinkbelt, or Magnet were formulated as productive objects with a profound commitment for socially regenerating the contexts into which they were to be inserted.

Intransigent archaeology. An interview with Evžen Neustupný on his life in archaeology

2012 ◽  
Vol 19 (1) ◽  
pp. 3-28
Author(s):  
Martin Kuna
Keyword(s):  
Communist Regime ◽  
History Of Archaeology ◽  
Iron Curtain ◽  
Global Trends ◽  
Culture History ◽  
The Social ◽  
History Of ◽  
Human World ◽  
Post War

AbstractAn interview with Evžen Neustupný opens up a range of issues regarding the theory and history of archaeology and its development in Central Europe. His view of the discipline differs in many ways from that of current global trends. His ‘artefact archaeology’ inverts the concept of adaptation and highlights the role of artefacts in the creation of the human world. The interview also shows that post-war archaeology even to the east of the Iron Curtain followed the trajectory from culture-history paradigm to processualism and onwards. It also testifies to the situation in the social sciences under the Communist regime and the ambiguous role of Marxist philosophy.

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