Emergency Medicine: The State of the Art

1986 ◽  
Vol 2 (1-4) ◽  
pp. 112-115 ◽  
Author(s):  
William H. Rutherford

Coming from the city in the world which has made the least political progress in the past decade, I hope you will excuse me for starting with a distinction often made in Northern Ireland, and for all I know in other places in relation to the sphere of political activity. We say that such and such a matter is politics with a small p, and such and such is politics with a large P. Let me give you two examples. If I were to say that the contribution of nurses to disaster medicine is ten times as important as the contribution of paramedics, this would not only demonstrate that my death wish is alive and well, it would also be an example of politics with a small p. On the other hand if I were to say that Maggie Thatcher is destroying the National Health Service and somehow we must persuade all non Conservative parties to form a single coalition to get rid of her, that would be an example of politics with a very big P. If you wish to understand the entire scope of political activity, then it is very important that you recognize both politics with a small p and politics with a large P. Politics with a large P is really a subset of politics with a small p, which in its broadest sense embraces the totality of the subject.

Over the past two days of this symposium I have been impressed by the interest and enthusiasm shown for the subject of the nitrogen cycle. The programme has been diverse, with agriculturalists, environmentalists, those interested in forestry, aquatic environments, plant physiology and medicine all contributing. Dr Lake has rounded off the general discussion admirably: he has emphasized that there are many questions still to be answered and various speakers and contributors have pointedly emphasized that while we know much about the various reactions of the nitrogen cycle, at least in gross terms, good solid quantitative data on various processes are scarce. Even for N 2 fixation about which, as Professor Postgate rightly said, more is probably known than about any other process of the nitrogen cycle, there is still uncertainty about how much N is fixed in the oceans of the world, despite the fact that these cover the bulk of the Earth’s surface. Professor Fogg has mentioned the difficulties of obtaining such data in so vast an area. But it is not only in the sea that there are problems. As yet we have few good quantitative data on losses by denitrification: how much is lost as N 2 and how much as N 2 O. The studies of Dr Dowdell and his colleagues are an important step in the right direction. Detailed quantitative studies are required on the various processes of the nitrogen cycle. That is where progress will have to be made in the future. I believe that too much time has been spent in the past on mass balance studies and not enough time on getting accurate measurements of the various processes by experimentation.


2020 ◽  
Vol 25 (2) ◽  
pp. 435-442
Author(s):  
Anne-Marie Le Baillif

Paris, “The Centre of All Centres”. Is It Still the Case? In La République Mondiale des Lettres published in 1999 and 2008, Ms. Casanova wrote: “Paris is the Greenwich meridian for literature” for the 19th and 20th centuries. Writers and artists have come to the city in the past because it was extremely attractive for creative and economic reasons. But at the beginning of the 21st century, with the rise of the New Media for writing, publishing and diffusing, is it correct to say that Paris is still supreme? Is location more important than the time devoted to writing and reading? The claims on which Ms. Casanova builds her assertions are not supported by the facts of recent history and geography. She refers to “La belle santé économique et la liberté” in Paris but she forgot to mention why artists came from central Europe. It was just because the life was cheaper in Paris than in Berlin, as Walter Benjamin observed in 1926. She notes that Paris was the world centre for high fashion and that writers came together there to be inspired by the place and each other. But these things are no longer true: Paris is one of the most unaffordable cities in the world. Fashion in clothes is determined in many centres, with fashion weeks held in New York, Milan and China; aesthetics no longer depend on a single country. Literary creativity has spread across many continents and the internet and social media provide access to millions of people around the globe. Globalisation has unified the world, note Jean-Philippe Toussaint and Sylvain Tesson, and brought the standardization of cultures. There is also the matter of the dominant language today. The French language has not changed since Ms. Casanova was doing her research, but French writers now dream of being translated into English to reach the largest audience around the world. Publishers also favour English to make the most profit because literature and art are now worldwide commodities. Writers and researchers use the Internet, which connects them with documents, libraries and people all over the world. Newspapers such as Le Monde and Le Figaro in France provide literary reviews from around the world; for example, Histoire de la Traduction Littéraire en Europe Médiane, compiled by Antoine Chalvin, Marie Vrinat-Nikolov, Jean-Léon Muller and Katre Talviste, was written up in Cahiers Littéraires du Monde. What about the readership? If publishing and merchandizing are accelerating and globalizing because of how the Internet changes time and distance, the writer still has to follow the rhythm of the subject.


2021 ◽  
Vol 11 (4) ◽  
pp. 674-695
Author(s):  
Irina A. Steklova ◽  
◽  
Galina N. Veslopolova ◽  
Alexander M. Steklov ◽  
◽  
...  

The article is devoted to the problem of the city new imagery, the steady convergence of real architecture and virtual architecture. Although the connection between these phenomena has been the subject of reflection by specialists from various science branches for the past decades, it has not been sufficiently manifested. Another attempt at manifestation is made in this article, within the fundamental problems of art theory and history. Its novelty consists in activating the classical category “image of the city” in the virtual space centre of video games as the most active link between artistic and empirical images of the city. On the example of real architectural objects in the cities of the last quarter of the 20th — 21st centuries and architectural objects, existing only in the popular video games locations of the last generation, the interaction mechanisms of artistic images and their transition into the empirical images sphere with a gradual blurring of the transition boundaries are studied. The contemporary architecture trend is seen as the purposeful programming of sophisticated associative games through the production of images of the city that make you doubt the reality of the world, the difference between authenticity and imaginary. In turn, cities in video games simulate the same dubiously humane worlds, only in addition they can be managed, tested for viability online. The exacerbation of gaming in architecture is seen as a postmodern provocation to critically, ironic deconstruct reality in the fullness of its contradictions, and the videogame set of cities as an ideal platform to work on the deconstruction experience and, perhaps, to reset personal relationships with the world. It shows how the artistry of video games turns into the everyday background of life, changing the perception of the urban environment and the world as a whole.


2020 ◽  
Vol 12 (4) ◽  
pp. 1064-1079
Author(s):  
Nathália Körössy ◽  
◽  
Rute Gabriela dos Santos Paes ◽  

Film tourism is a segment whose main motivation is to visit places linked to audiovisual production, mainly films produced for cinema and television series. It is an expanding segment all over the world that gains attention from the localities due to its possibilities of spreading the image of the city and improve economic benefits. Thus, both the creation of new tourism products related to the audiovisual productions that had the locality as scenery for the filming, as well as the implementation of strategies to capture new productions capable of attracting more visitors. In spite of the worldwide trend of growth of the sector, in Brazil there is still an institutional and scientific gap on the subject, which leads to a low utilization of the potential of cinematographic tourism in the national scenario. Based on the above considerations, this research seeks to understand the state of the art of film tourism in Brazil, based on the analysis of the national scientific production.


1967 ◽  
Vol 71 (677) ◽  
pp. 344-348
Author(s):  
J. V. Connolly

During the past two years, there has been a sharp acceleration to the interest which industry has displayed in the subject of management education. This can be attributed to these factors: —(a) A more widespread realisation of the gap developing between the UK and a number of foreign economies, as manifested by diverging rates of the major economic indicators.(b) The attainment of top-management responsibilities by a younger generation of managers, many of whom had been given some earlier training and who were more conscious of its value than the incumbents of the job from earlier generations.(c) The publication of the Franks, Robbins and (in the aerospace industry) the Plowden reports.(d) The impact of the Industrial Training Boards making it manifest, in terms of serious levies, that training was an economic necessity and therefore must be investigated thoroughly.Notwithstanding the widespread awakening of interest, it is very belated and sets numerous problems. The problems are in two areas—scale and quality.


2019 ◽  
Vol 8 (1) ◽  
pp. 494
Author(s):  
Indah Rusmaidi ◽  
Desriyeni Desriyeni

AbstractThis paper discusses the Making of a Dance Studio Directory in the City of Padang. The purpose of this paper is (a) to describe the making of a directory of dance studios in the city of Padang; (B) describing the transition in creating a directory of dance studios in Padang City; (c) describe the business in making a directory of dance studios in the city of Padang. This research was conducted using descriptive methods by describing the subject or object based on visible facts. Data collected through observation, interviews, and literature study. Based on the research that has been done, it can be concluded, first, the steps in the process of making dance studios in the city of Padang are (a) data collection that collects all information relating to which is not in doubt to be made in the directory; (B) collect all data obtained; (c) Focus on a vision that has been created; (d) making books so that they are easier to produce and making books more directed; (e) determine the subject, the subject used in making the directory is the name of the street, location of each studio; (f) classification or grouping, grouping data that has been collected and adjusted to the subjects that have been determined; (g) directory design that is by making cover designs, and compiling information from directories. Second, the challenges involved in making a dance studio directory in Padang City are as follows: (a) when collecting data the writer had difficulty in finding the dance studio to be addressed. This is because there are some studios that do not have banners or name bars installed. Discusses some problems in finding the studio; (B) some studios that the author visits the owner often go to the studio or the owner is out of town because they have to accompany their students in the race; (c) difficulties in contacting the studio owner. Third, the non-related ones involved in making directories include; (a) the name of the studio; (b) the name of the owner; (c) year of establishment; (d) number of students; (e) hours of practice; (f) address; (g) telephone number; (h) location plan; and (i) studio photos.Keywords: Manufacture, Directory, Dance Studio


2021 ◽  
Vol 13 (16) ◽  
pp. 3264 ◽  
Author(s):  
Shuang Li ◽  
Zhongqiu Sun ◽  
Yafei Wang ◽  
Yuxia Wang

Studying urban expansion from a longer-term perspective is of great significance to obtain an in-depth understanding of the process of urbanization. Remote sensing data are mostly selected to investigate the long-term expansion of cities. In this study, we selected the world-class urban agglomeration of Beijing-Tianjin-Hebei (BTH) as the study area, and then discussed how to make full use of multi-source, multi-category, and multi-temporal spatial data (old maps and remote sensing images) to study long-term urbanization. Through this study, we addressed three questions: (1) How much has the urban area in BTH expanded in the past 100 years? (2) How did the urban area expand in the past century? (3) What factors or important historical events have changed the development of cities with different functions? By comprehensively using urban spatial data, such as old maps and remote sensing images, geo-referencing them, and extracting built-up area information, a long-term series of urban built-up areas in the BTH region can be obtained. Results show the following: (1) There was clear evidence of dramatic urban expansion in this area, and the total built-up area had increased by 55.585 times, from 126.181 km2 to 7013.832 km2. (2) Continuous outward expansion has always been the main trend, while the compactness of the built-up land within the city is constantly decreasing and the complexity of the city boundary is increasing. (3) Cities in BTH were mostly formed through the construction of city walls during the Ming and Qing dynasties, and the expansion process was mostly highly related to important political events, traffic development, and other factors. In summary, the BTH area, similarly to China and most regions of the world, has experienced rapid urbanization and the history of such ancient cities should be further preserved with the combined use of old maps.


2020 ◽  
Vol 8 (3) ◽  
pp. 5-39
Author(s):  
Dagmara Chylińska ◽  
Łukasz Musiaka

Museums are a constantly developing segment of cultural tourism. Poland is in line with current trends in museums, expanding its offer and adapting it to the requirements of the world of contemporary image culture and multisensory experiences, which is increasingly dominated by technology. The authors of the paper undertook to recognise the specificity of military museums, by conducting a survey of approximately a third of all such institutions in Poland. Due to the subject-matter of their exhibitions, military museums create a broad field of research both in terms of aesthetics and museum practice, as well as the issues of shaping and maintaining collective memory and the identity of the nation. They form a special mirror in which the country’s ideas and aspirations are reflected more often than any real characteristics. In reference to contemporary trends in museums, the article aims to place Polish military museums between locality and universality, education and entertainment, stability and dynamism, knowledge and experience. The results obtained allowed the authors to distinguish three groups of military museums in Poland, as well as indicate conditions conducive to the further development of such attractions in the country.


2020 ◽  
Vol 13 (33) ◽  
pp. 197-227
Author(s):  
Dominique Santos

Despite modern writers noticing the importance of Premodern historiographical phenomena for a deeper comprehension of both Theory of History and History of Historiography, the Irish contribution to the subject is often left aside. Topics such as the Seanchas Tradition and Medieval Irish Classicism are not well integrated into such historiographical narrative. The Seanchaidh, the Irish Artifex of the Past, for example, is broadly mentioned as not a historian, but a chronicler, antiquary, genealogist, hagiographer or pedigree systematizer. This article addresses these issues and, more specifically, we focus on two Irish narratives produced in 7th century by Muirchú and Tírechán. Since they belong to the world of orality and bilingual literacy of Early Christian Ireland, perhaps their works could be understood as bounded by the Seanchas Tradition and Medieval Irish Classicism, hence, both could be considered as great examples of the producers of History and Historiography at the time.


2021 ◽  
Author(s):  
Alan Barnard

In the past twenty years, there have been exciting new developments in the field of anthropology. This second edition of Barnard's classic textbook on the history and theory of anthropology has been revised and expanded to include up-to-date coverage on all the most important topics in the field. Its coverage ranges from traditional topics like the beginnings of the subject, evolutionism, functionalism, structuralism, and Marxism, to ideas about globalization, post-colonialism, and notions of 'race' and of being 'indigenous'. There are several new chapters, along with an extensive glossary, index, dates of birth and death, and award-winning diagrams. Although anthropology is often dominated by trends in Europe and North America, this edition makes plain the contributions of trendsetters in the rest of the world too. With its comprehensive yet clear coverage of concepts, this is essential reading for a new generation of anthropology students.


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