Hearing Words Written

2016 ◽  
Vol 21 (3) ◽  
pp. 233-241
Author(s):  
Yannis Kyriakides
Keyword(s):  
Focal Point ◽  
Point Of View ◽  
Narrative Voice ◽  
The Past ◽  
Inner Voice ◽  
Multimedia Art ◽  
The Voice ◽  
As If ◽  
The Way

Over the past few years, I have developed a form of composition – which I callmusic–text–film –in which I explore the dynamics between sound, words and visuals. In this article I will attempt to explain how meaning is constructed in the interplay between these layers of media. Taking as an example three of my works,Subliminal: The Lucretian Picnic,Dreams of the BlindandThe Arrest, I analyse and discuss aspects of narrative, point of view, metaphor and cross-modal perception, as a way of understanding how multimedia art, specifically in the audiovisual domain, is experienced. One of the issues that arose out of these pieces was the question of location of the ‘voice’. It is as if a state of limbo is created between the narrative voice of the text and the implied voice of the music, due to the absence of a conventional focal point to pin it on – an actor or a singer. I would like to suggest that because of this vacancy and the way the projected word takes the place of the sung or spoken voice, the inner voice of the audience becomes activated. This then becomes a vital immersive dimension in the performance, as the inner voice of the audience finds its place within the space of the composition.

scholarly journals Memoria e storia nelle narrazioni postcoloniali di Regina di fiori e di perle di Gabriella Ghermandi e Memorie di una principessa etiope di Martha Nasibù

2020 ◽  
Vol 17 ◽  
pp. 30-42
Author(s):  
Barbara Kornacka
Keyword(s):  
Narrative Voice ◽  
Historical Discourse ◽  
The Voice ◽  
The Way

The aim of thise paper is to show how the setting out of the narrative voice determines the historical discourse. The analysis of the narrative voice leads to some considerations about memory and to the examination of recollection in these two novels. That, in turn, allows an exploration of the way in which the historical discourse is constructed. In those cases where the voice in the historical discourse is given to subaltern subjects, they contribute to a more plural history.

scholarly journals MEMORIZING PROPAGANDA OF EQUALITY IN NGULANDARA AND KIRTI NDJOENJOENG DRADJAT, NOVELS OF BALAI POESTAKA (Mengingat Kembali Propaganda Kesetaraan dalam Novel-Novel Balai Poestaka, Ngulandara dan Kirti Ndjoenjoeng Dradjat)

Kandai ◽  
2020 ◽  
Vol 16 (1) ◽  
pp. 96
Author(s):  
Yohanes Adhi Satiyoko
Keyword(s):  
Lower Class ◽  
Point Of View ◽  
Literary Works ◽  
Colonial Era ◽  
Sociological Approach ◽  
Independence Era ◽  
Colonial Government ◽  
The Voice ◽  
Dutch Colonial ◽  
The Way

Equality of men is a great issue to maintain every country all the time. Indonesia is one of them which should struggle to maintain it so far. Fictional work is one of the aesthetical means to support it. The way of struggle can be memorized through the time of independence era in fictional works of Balai Poestaka publisher. Javanese language novels, Ngulandara and Kirti NdjoendjoengDradjat are two literary works published by BalaiPoestaka that were written in the dominance times of Balai Poestaka activities as commission for people’s reading in Dutch colonial era in Indonesia (Dutch Indies). Kepriyayian (nobility) was the theme of Ngulandara (1936) and Kirti NdjoendjoengDradjat(1924) novels. As seen from propaganda point of view, ideologically the portrayal of priyayi (nobleman) was analogy symbol of Dutch colonial government that ruled social system. Ngulandara and Kirti Njunjung Drajat showed a “struggle” through literary works as portrayed in wong cilik (Javanese: lower class people) who struggled against the existence of the authorities. The struggle emerged in the way of wong cilik behaved intellectually, morally, even mannerly better than the nobles (priyayi). This research used the theory of literature and propaganda using a sociological approach. Those oppositional relationships between deconstruction nobles and the raise of wong cilik in the field of intellectual, moral, and manner show the propaganda of equality of men through the voice of Jasawidagdo and Margana Djajaatmadja.Kesetaraan manusia merupakan isu besar yang harus selalu dijaga di setiap negara. Indonesia adalah salah satu negara yang harus tetap berjuang menjaga isu tersebut. Karya fiksi berfungsi sebagai salah satu peranti estetis untuk mendukung isu tersebut. Cara memperjuangkan isu tersebut ialah dengan mengingat kembali masa kemerdekaan melalui penerbit Balai Poestaka. Novel-novel berbahasa Jawa, Ngulandara dan Kirti Ndjoendjoeng Dradjat ialah dua karya sastra yang diterbitkan oleh Balai Poestaka yang ditulis pada waktu dominasi Balai Poestaka sebagai komisi bacaan rakyat di era kolonial Belanda di Indonesia (Hindia Belanda). Kepriyayian merupakan tema novel Ngulandara (1936) dan Kirti Njoendjoeng Dradjat (1924). Dilihat dari sudut pandang propaganda, penggambaran priyayi merupakan analogi simbol pemerintah kolonial Belanda yang berkuasa mengatur sistem sosial kemasyarakatan. Ngulandara dan Kirti Ndjoendjoeng Dradjat menunjukkan sebuah “perjuangan” melalui karya sastra seperti digambarkan melalui wong cilik yang berjuang melawan kemapanan penguasa. Perjuangan tersebut muncul dengan cara wong cilik tersebut bertindak secara intelektual, bermoral, bahkan bersikap lebih terhormat daripada para priyayi. Penelitian ini menggunakan teori sastra dan propaganda dengan pendekatan sosiologi. Relasi oposisional antara dekonstruksi priyayi dan bangkitnya wong cilik dalam ranah intelektual, moral, dan sikap menunjukkan propaganda kesetaraan manusia melalui suara Jasawidagdo dan Margana Djajaatmadja.  

Michael Haneke: Glaciation, Legitimacy and Transgression

2018 ◽  
pp. 139-162
Author(s):  
Simon Hobbs
Keyword(s):  
Focal Point ◽  
Point Of View ◽  
Art Cinema ◽  
The Way

This chapter examines the extreme cinema of Michael Haneke. Whilst increasingly well covered in scholarly accounts of extreme art cinema, Haneke’s work is most often approached from an aesthetic and thematic point of view, wherein the text becomes the focal point. While these studies are key to understanding Haneke’s films, and the metaphorical significance he places on scenes of brutalism and sex, it has left certain areas underexplored. This chapter addresses this by undertaking detailed paratextual analysis of Haneke’s key extreme films. Firstly, the chapter focuses upon Funny Games, the most critically disliked Haneke film. Looking first at Tartan Video’s release before discussing Artificial Eye’s remediation, the chapter highlights the important role time can play in defining the commercial validity of extremity. Showing how the growing status of Haneke’s auteur brand challenged the use extreme iconography, the chapter alludes to the ways highbrow commercial symbols compete with lowbrow traits. Thereafter, the chapter undertakes an assessment of Artificial Eye’s ‘Michael Haneke Trilogy’. This example – due the centralisation of a dead pig on the cover – exposes the way paratexts can oppose critical and cultural canonisation.

scholarly journals “In Harmony with Reason”: John Duns Scotus’s Theo-aesth/ethics

Open Theology ◽  
2014 ◽  
Vol 1 (1) ◽  
Author(s):  
Oleg Bychkov
Keyword(s):  
Natural Law ◽  
Point Of View ◽  
Divine Command ◽  
Moral Norms ◽  
God's Will ◽  
Accurate Model ◽  
The Past ◽  
Freedom Of The Will ◽  
The Will ◽  
The Way

AbstractOver the past two decades, the debate has intensified over the nature of John Duns Scotus’s (meta) ethics: is it a purely voluntarist “divine command” ethics or is it still based on rational principles? The former side is exemplified by Thomas Williams and the latter by Allan Wolter. Scotus claims that even the divine commandments that are not based on natural law are still somehow “in harmony with reason.” But what does this mean? Richard Cross in a recent study claims that God’s reasons for establishing certain moral norms are “aesthetic.” However, he fails to show clearly what is “aesthetic” about these reasons or why God’s will would follow “aesthetic” principles in legislating moral norms. This article clarifies both points, first, by painting an up-to-date picture of what constitutes “aesthetic” principles, and second, by providing a more accurate model of the way the human volitional faculty operates and addressing the problem of the “freedom of the will” from a present-day point of view.

5TH ANNIVERSARY OF THE PATRIOTIC WAR OF 1812. PRACTICES OF COMMEMORATION

2020 ◽  
pp. 76-88
Author(s):  
Philipp I. Ulanov ◽  
Keyword(s):  
Collective Memory ◽  
Focal Point ◽  
Historical Memory ◽  
Historical Analysis ◽  
Memory Formation ◽  
Point Of View ◽  
War Of 1812 ◽  
The Past ◽  
Starting Point ◽  
The Press

This article examines the commemoration practices in marking 5th anniversary of the Patriotic war of 1812. Those celebrations became actually the first commemorative event dedicated to that war. A historical analysis is based on the material of mass media and memoirs of contemporaries. The focal point of the article is the collective memory formation process: what ceremonies were carried out and what goals were pursued by the state, what were the narratives of historical memory that existed in the press. The study of historical memory and its formation means, and specifically with regard to the anniversaries of the Patriotic war of 1812, has become widely prevalent in modern Russian historiography. However, historians rarely focus their attention on the 5th jubilee of the war. The study of that event from the point of view of the memorial history problematic will reveal not only the emerging of the narratives of historical memory, but also will be the starting point in the further study of their evolution and changes. The study of that dynamics is extremely important, because using the memory of the Patriotic war of 1812 has contributed to forming the national identity and self-consciousness of the Russian population over the past two centuries.

The Danaid Tetralogy of Aeschylus

1957 ◽  
Vol 77 (2) ◽  
pp. 220-229 ◽  
Author(s):  
A. Diamantopoulos
Keyword(s):  
Public Interest ◽  
Point Of View ◽  
The Political ◽  
Historical Criticism ◽  
Political Issues ◽  
The Past ◽  
Literary Source ◽  
The Subject ◽  
The Spectator ◽  
The Way

The humour of the passage in the Frogs (1419 ff.), in which the tragic poets reply with riddles on burning political issues, is explicable: research on the Eumenides shows that in this play Aeschylus projected political notions in much the way that he is presented by Aristophanes speaking in the Frogs: concentrating the attention of the spectator on the past of the Areopagus and on the circumstance of its foundation, he touches directly on the question which arose in 462–1 through the abolition of the political competence of this body, but he replies to it through a parable which is enigmatic for us. It is obviously such an expression as this that Aristophanes had in mind. It rests with philological and historical criticism to show whether in surviving tragedies other than Eumenides themes of an immediate public interest are put forward under the cover of myth, themes which, through ignorance of the date or of the exact conditions of the composition of the plays, have so far not been revealed. This essay examines from this point of view the Danaid tetralogy of Aeschylus.The subject of the Danaid tetralogy is taken from the story of Danaos and his daughters. For this, Aeschylus could draw on both a literary source, the Danais, and probably also on Argive traditions.Very little is known about the Danais. It did, however, include an account of the events which took place in Egypt between the houses of Danaos and Aigyptos, and it is likely, therefore, that it traced the course of this quarrel from the beginning.

scholarly journals Skrifbeskouing en Skrifhantering: Marcus Borg en die Hervormde Kerk – ʼn Vergelykende studie

2017 ◽  
Vol 73 (1) ◽  
Author(s):  
Ernest Van Eck
Keyword(s):  
New Testament ◽  
Point Of View ◽  
The Past ◽  
Reformed Church ◽  
The Bible ◽  
The Status ◽  
Points Of View ◽  
And Function ◽  
The Way

Marcus Borg, one of the most prominent New Testament scholars in the past four decades, is considered by many in the Netherdutch Reformed Church of Africa as a liberal scholar. His understanding of the origin of the Bible, the way he interprets the Bible, and what he sees as the status and function of the Bible, should therefore be dismissed. A comparison of Borg’s point of view on these topics with that of the points of view of the Netherdutch Reformed Church of Africa, however, indicates that Borg’s understanding of these matters differs not even marginally from that of the Netherdutch Reformed Church of Africa. In a certain sense, Borg could therefore be described as a theologian who fits the mould of what is understood in the Netherdutch Reformed Church of Africa as a responsible approach to and interpretation of the Bible.

scholarly journals Categorization of Memes

2017 ◽  
Vol 4 (2) ◽  
Author(s):  
Laura Ambrus
Keyword(s):  
Cognitive Processes ◽  
Point Of View ◽  
Online Environment ◽  
Huge Amount ◽  
Conceptual Metaphors ◽  
Richard Dawkins ◽  
The Past ◽  
Cognitive Linguistic ◽  
The Way

Nowadays a huge amount of communication is performed in an online environment. This tendency facilitated the realization of certain digital elements specific to online interfaces. Generally speaking, it can be stated that a new genre appeared in the past few years – the memes, which are a combination of pictorial and textual elements, created and shared online. Richard Dawkins and Susan Blackmore, who provided the traditional meme definition, argue that a meme is what travels from brain to brain. Digital meme has a narrower interpretation, since it focuses on the textual-pictorial elements. According to the Cognitive Linguistic point of view, the conceptual metaphors, metonymies and blends are used in our everyday conceptualization processes (based on Lakoff and Johnson’s Metaphors We Live By, 1980 and Fauconnier–Turner’s The Way We Think, 2002). So it can be assumed that these digital elements also operate exploiting cognitive devices like metaphors and blends. Yet many questions arise: how can memes be categorized? Can a prototypical meme be identified? How do cognitive processes take place in the conceptualization? What is the source of humor? Based on the analysis performed, it can be concluded that there are prototypical memes, but different aspects have to be taken into account; and that the complexity of cognitive processes a meme operates with is strongly related to the viability of the topic that a particular meme is related to.

scholarly journals The time when the Mansi people kept the fire in a nāy sānyt ‘a box of fire’ (based on handwritten materials by P. E. Sheshkin)

2021 ◽  
Vol 11 (3) ◽  
pp. 556-562
Author(s):  
S. A. Popova ◽  
Keyword(s):  
Early Stage ◽  
Point Of View ◽  
Way Of Life ◽  
Historical Information ◽  
Ancient Time ◽  
The Past ◽  
A Value ◽  
The Family ◽  
Ethnic History ◽  
The Way

Introduction: the article is devoted to the study of religious ideas and events of one of the periods of the Mansi people’s life, which is designated by Sheshkin as nāy sānyt jis ‘the ancient time of fire [stored] in a box’. The article presents information about the family and public fire storage, construction of the box, the use of fire in different situations, its keepers. Ideas about fire are considered from the point of view of its personification (Fire-Mother, Fire-Woman); embodiment (it is alive, can talk, visit, revenge); mythologization (deity, special spirit of fire voytyl); object of veneration (holy mothers, dedication, sanctuaries). Folklore plots reflecting the ideas about «living» fire are revealed. Objective: to reconstruct the events and ideas of the northern Mansi group about fire in the era nāy sānyt jis. Research materials: handwritten texts of P. E. Sheshkin, published materials of the XIX–XXI centuries. Results and novelty of the research: the analysis reveals historical information on the way of life and organization of the Mansi during the period «the time when the Mansi kept fire in the nāy sānyt ‘box of fire’». The features of storing and using of family and collective fire are analyzed. The awareness of fire as a value is transmitted in the ideas of its supernatural essence, in the veneration of the Fire-Mother. The past fire, lost by people, is perceived as a super-fire (more powerful in brightness and heat, it lives together with a man and takes care of him). The attitude to fire as a shrine is reflected in the prohibitions, the dedication of it to animals (cat, frog), the construction of temples (sanctuaries). The novelty lies in the introduction into scientific circulation of the traditional ideas of the Mansi about the early stage of their ethnic history

From the Coin’s Point of View

2021 ◽  
pp. 19-34
Author(s):  
Frank L. Holt
Keyword(s):  
Life Cycle ◽  
Point Of View ◽  
Human Behaviors ◽  
Human Control ◽  
The Past ◽  
Active Life ◽  
Object Agency ◽  
As If

“Money talks” is an old adage in need of a fresh interpretation. Building upon the foundational narratives of modern novelists, numismatists may now use theories of memes and object agency to explain the behaviors of coins as if our money were independent of human control. This exercise allows the reader to think of coinage in an entirely new way, giving coins an active life cycle that is Darwinian in its struggles to survive and replicate. This explains in turn some odd human behaviors, such as deferring important decisions to flipped coins, manufacturing coins that cost far more than their face value, idling large amounts of change into “nuisance jars,” and making most coins round for the past 2,600 years.

Sign in / Sign up

Export Citation Format

Share Document