scholarly journals The Representation of Yemeni Culture in Early 20th Century British Travel Writings

2021 ◽  
Vol 119 ◽  
pp. 02001
Author(s):  
Bandar Mannaa ◽  
Naima Benlarabi

The present article seeks to analyze the representation of Yemeni culture in early 20th century British travel writings. It questions the British travel writings as merely stereotypical texts or regard them as vital historical documents. This article also tries to locate different themes that have been deploying by British writers in the respective period. The chosen works are by Harold Ingrams (1937) and Freya Stark (1948), which have shown different features about the relationship between Yemeni culture and the British attitude. I used the postcolonial theory and Orientalism as approaches to analyze the works under examination. In the analysis, I argued that a writer’s choice for language and content entails a lot of differences, which reflects the location of Yemeni culture in the eyes of the Western encounters, particularly British travelers’ accounts. Finally, I revealed how two writers have portrayed Yemeni culture, its land, people, and presented diverse images of Yemen to emphasize my assumption that British travel writings on Yemen are both diverse and complex in their representation.

2021 ◽  
Vol 20 (1) ◽  
pp. 8-31
Author(s):  
Alexandre Yu. Bendin

The Russian governments three principal institutions to regulate the empires diverse religions from the 18th to the early 20th century are examined. Its author describes the evolution of these bodies, their features and purpose, as well as defining the concept of religious security by analyzing its specific historical content. The author also discusses the relationship between the institutions of the official Russian Church, religious tolerance for foreign confessions, and discrimination against the Old Believers through the prism of friend - alien - foe relations. This approach helps us understand the hierarchical nature of the relations and contradictions that existed between the institutions, whose activities regulated the religious life of the Russian Empires subjects until 1905. The article goes on to analyze the relationship between the official legal status of the Russian Church, imperial tolerance, and religious discrimination. It concludes that the formation of the three state-religious institutions that began in the 18th century ended during the reign of Emperor Nicholas I. That time saw the beginning of the gradual evolution of friend - alien - foe inter-institutional relations, which peaked under Emperor Nicholas in 1904-1906. The author also considers the changes in the governments policy towards the Russian schism of the 17th century, which ultimately removed the friend-or-foe opposition in the relations between the Russian state, the Russian Church and the schismatic Old Believers. In accordance with the modernized legislation on religious tolerance, lawful Old Believers and sectarians moved from the category of religious and political foes to that of aliens, to which foreign confessions traditionally belonged. Under the new legal and political conditions, intolerance and religious discrimination against the schism ceased to be an instrument of state policy.


2021 ◽  

Djalkiri are “footprints" – ancestral imprints on the landscape that provide the Yolŋu people of eastern Arnhem Land with their philosophical foundations. This book describes how Yolŋu artists and communities keep these foundations strong, and how they have worked with museums to develop a collaborative, community-led approach to the collection and display of their artwork. It includes contributions from Yolŋu elders and artists as well as Indigenous and non-Indigenous historians and curators. Together they explore how the relationship between communities and museums has changed over time. From the early 20th century, anthropologists and other collectors acquired artworks and objects and took photographs in Arnhem Land that became part of collections at the University of Sydney. Later generations of Yolŋu have sought out these materials and, with museum curators, proposed a new type of relationship, based on a deeper respect for Yolŋu intellectual frameworks and a commitment to their central role in curation. This book tells some of their stories.


2020 ◽  
Vol 65 (2) ◽  
pp. 277-296
Author(s):  
Noémi Karácsony

"French composer and pianist Maurice Delage wrote several significant works inspired by his personal contact with the Orient. His travels to India inspired Delage to use innovative sound effects in his compositions, as well as to require his performers to adapt their vocal or instrumental technique to obtain the sound desired by the composer. His representation of the Orient is not a mere evocation of the Other, as is the case with most orientalist works, rather it reflects the composer’s desire to endow Western music with the purity, strength, and vivid colors which he discovered and admired in Indian music. The present paper presents the historical and artistic background which inspired and influenced Delage, the relationship between France and India in the early 20th century and reveals the composer’s idealistic point of view regarding India, its culture, and its music. The analysis focuses on the mélodie cycle Quatre poèmes hindous, composed between 1912 and 1913, striving to reveal the Indian influences in the work of Delage and the way orientalism is represented in French music from the first decades of the 20th century. Keywords: orientalism, France, India, 20th century, Maurice Delage"


2002 ◽  
Vol 712 ◽  
Author(s):  
Jennifer J. Hooper ◽  
Lori Graham ◽  
Tim Foecke ◽  
Timothy P. Weihs

ABSTRACTThe discovery of the RMS Titanic has led to a number of scientific studies, one of which addresses the role that the structural materials played in the sinking of the ship. Chemical, microstructural, and mechanical analysis of the hull steel suggests that it was state-of-the-art for 1912 with adequate fracture toughness for the application. However, the quality of the wrought iron rivets may have been an important factor in the opening of the steel plates during flooding. Preliminary studies of Titanic wrought iron rivets revealed an orthotropic, inhomogeneous composite material composed of glassy iron silicate (slag) particles embedded in a ferrite matrix. To date, very little is understood about the properties of wrought iron from that period. Therefore, in order to assess the quality of the Titanic material, contemporary wrought iron was obtained from additional late 19th/early 20th century buildings, bridges, and ships for comparison. Image analysis completed on the Titanic wrought iron microstructure showed a high slag content that is very coarse and unevenly distributed. To investigate how microstructure impacts the mechanical properties, and hence the quality of late 19th/early 20th century wrought iron, a detailed analysis of the relationship between the microstructural features and the mechanical behavior was completed. Here we present the first step in that process: the use of the Generalized Method of Cells (GMC) to predict the mechanical response of composites with variable microstructural properties. The GMC tool is used to generate the effective inelastic behavior of the composite from the individual constituent properties.


Author(s):  
Francesca Pasciolla

To confront two major writers and, indeed, thinkers of the Iberian Peninsula in the early 20th century is a challenge to be embraced, albeit with some circumspection. In the process, the tense relationship between the discourses of literary creation and philosophical musing will be broached. The evidence of any mutual awareness of their respective writings in the case of Miguel de Unamuno and Fernando Pessoa is scant. Whilst there is no recognition in the former of the latter, the Portuguese author certainly knew enough of the writings of the prolific Spaniard to have published several texts wherein he rejected the thinking of his near-contemporary. Close examination, however, reveals that the relationship between the writings of the two is complex enough to bear further scrutiny.


Finisterra ◽  
2012 ◽  
Vol 33 (65) ◽  
Author(s):  
Lia Osorio Machado

This paper looks at the circulation of modern geographical ideas in Brazil. The focus is on the relationship between geographical source models and the target model of domestic modernization. Three corresponding "mechanisms" provided the translation from one to the other: gradualism, adaptation and essentialism.


2018 ◽  
Vol 5 ◽  
pp. 43-61
Author(s):  
Barbara Ksit

mieście Swarzędz. Funkcję tę pełnił społecznie przez dziewięć miesięcy. Ponownie wybrany burmistrzem w 1929 r., pełnił tę funkcję do 1939 r. Dotychczasowe opracowania omawiają działalność Tadeusza Staniewskiego w Swarzędzu, począwszy od listopada 1918 r. Niniejszy artykuł ma być próbą poszerzenia wiadomości na jego temat we wcześniejszym okresie. Syn nauczyciela, ukończył Gimnazjum Fryderyka Wilhelma w Poznaniu. Na początku XX w. osiadł w Swarzędzu, gdzie zyskał uznanie jako kupiec i społecznik. W odniesieniu do lat 1900–1918, kiedy Tadeusz Staniewski stawiał pierwsze kroki w działalności publicznej, najlepszym źródłem jest prasa wielkopolska, zwłaszcza „Postęp” i „Orędownik” – czasopisma reprezentujące interesy drobnomieszczaństwa. Działalność Tadeusza Staniewskiego była omawiana na ich łamach szczególnie w kontekście dwóch wydarzeń istotnych dla Polaków w Swarzędzu – wyborów do Rady Miejskiej w 1909 r. i sprawy budowy Domu Katolickiego. Public activity of Tadeusz Staniewski in Swarzędz until the year 1918 In 1919, Tadeusz Staniewski was the first Pole to become mayor of Swarzędz, a town just outside of Poznań. He held this position for 9 months with no remuneration. He was re-elected in 1929 and remained the mayor of Swarzędz until 1939. Previous articles on the activity of Tadeusz Staniewski in Swarzędz discuss his life from November 1918. The present article aims at expanding this timespan and includes information about him in earlier periods. Son of a teacher, he graduated from Frederick William College in Poznań. In the early 20th century he settled down in Swarzędz, where he gained recognition as a tradesman and social activist. Regarding the years 1900–1918, when Tadeusz Staniewski entered the public sphere, the best sources are press articles published in Greater Poland journals, especially “Postęp” and “Orędownik” which represented the interests of the lower middle class. The activity of Tadeusz Staniewski was discussed there particularly with regard to two events of major importance for Poles in Swarzędz: the 1909 City Council elections and the construction of the Catholic House.


Zootaxa ◽  
2021 ◽  
Vol 5081 (3) ◽  
pp. 333-352
Author(s):  
BJÖRN BERNING ◽  
MARY E. SPENCER JONES ◽  
LEANDRO M. VIEIRA

Four Atlantic species of the flustrid genus Hincksina Norman, 1903, which were introduced during the 19th and early 20th century, are redescribed and imaged: Hincksina flustroides (Hincks, 1877) from Great Britain, Hincksina sceletos (Busk, 1858) from Madeira as well as Hincksina neptuni (Jullien in Jullien & Calvet, 1903) n. comb. and Hincksina alice (Jullien in Jullien & Calvet, 1903) n. comb. from the Azores, the latter two of which were hitherto placed in the cribrilinid genus Membraniporella Smitt, 1873. Lectotypes are designated for all species. A new species, Hincksina synchysia n. sp., is introduced for the Mediterranean taxon previously referred to as Hincksina flustroides f. crassispinata Gautier, 1962. In contrast to species from the continental shelf, which have simple cylindrical or flattened spines, some of the species from the oceanic islands of Madeira and the Azores are particularly characterised by falciform and variably formed palmicorn spines. Moreover, whilst most Hincksina species have avicularia with a relatively short, (sub)rounded rostrum and mandible, the two Azorean species have elongated, curved and pointed avicularia. The relationship between Gregarinidra Barroso, 1949, which also has pointed avicularia, and Hincksina is commented upon. Based on several shared diagnostic characters, the genus Cribralaria Silén, 1941 is here transferred from the Cribrilinidae Hincks, 1879 to the Flustridae Fleming, 1828.  


Transilvania ◽  
2020 ◽  
pp. 53-64 ◽  
Author(s):  
Andrei Terian ◽  
Daiana Gârdan ◽  
Emanuel Modoc ◽  
Cosmin Borza ◽  
Dragoș Varga ◽  
...  

Combining the instruments of quantitative analysis with those of genre theory, the present article studies the ratio, characteristics, and tendencies underpinning the most important subgenres of the Romanian novel between 1901 and 1932. Among these subgenres, we lay special emphasis on those of popular fiction, on the social, historical, sentimental, psychological, and philosophical novel, as well as on the so-called “event novel”. The conclusions of our inquiry illustrate the ever-growing divide between artistic literature and popular fiction, the recasting of the Romanian novelistic subgenres during the early 20th century, and the gradual relocation of the novelists’ focus from the unmediated depiction of events towards the world and the individual self.


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