South African English as a late 19th-century extraterritorial variety

2012 ◽  
Vol 33 (2) ◽  
pp. 127-146 ◽  
Author(s):  
Ian Bekker
Keyword(s):  
South African ◽  
19Th Century ◽  
Late 19Th Century ◽  
Standard Position ◽  
History Of ◽  
Last Stage ◽  
Characteristic Features

This article argues that the external history of South African English (SAfE) points towards the merits of conceptualizing SAfE as the product of a three-stage koinéization process, the last stage of which takes place contemporaneously with the establishment of Johannesburg. This is at odds with the standard position, which views SAfE as an early-to-mid 19th-century variety with its characteristic features having been fixed during the earlier colonization of the Cape and Natal. This reconceptualization is, in turn, usefully employed to solve Trudgill’s (2004) so-called “South African puzzle’’: in essence, the postulation of SAfE as a late 19th-century English explains why START-Backing has occurred in SAfE but not in the closely related Australasian varieties.

scholarly journals The Image of the Snow Maiden in the Sketches of Costumes for the Russian Theater of the Late 19th Century: Paths of Evolution

2021 ◽  
pp. 54-66
Author(s):  
С.К. Зауст
Keyword(s):  
19Th Century ◽  
Late 19Th Century ◽  
Historical Method ◽  
Biographical Research ◽  
Russian North ◽  
Accurate Expression ◽  
History Of ◽  
Characteristic Features ◽  
Peasant Women ◽  
The 19Th Century

В исследовании на основе эскизов костюмов для постановок пьесы «Снегурочка» А. Н. Островского выявляются основные тенденции эволюции образа главной героини на протяжении последней четверти XIX в. Художественное изучение эскизов русских художников-станковистов этого периода и обращение к результатам исследований в области истории народного и сценического костюма, этнографии, биографическим изысканиям позволило рассмотреть изменение облика костюма Снегурочки от первых постановок пьесы (1873) до врубелевского воплощения (1890). Анализируемый образ развивался путем отказа от «художественного подхода», присущего русскому академизму (М. Клодий), последующего обращения к интерпретации В. М. Васнецова, в которой Снегурочка оказалась наиболее точным выражением идеала русской красоты, а затем – к народной романтизации, проявившейся в эскизах Н. К. фон Бооля и М. А. Врубеля. Трактовка В. М. Васнецова установила новый «сказочный канон», сохраняемый в театральном и киноискусстве до сих пор. The aim of the study is to identify the ways and features of the transformation of the fairytale image of the Snow Maiden (the main heroine of the play of the same name by Alexander Ostrovsky) in the conditions of the Russian stage of the late 19th century. The work was carried out on the basis of sketches of stage costumes created by Russian easel painters of the late 19th century. Other important sources were studies in the field of the history of Russian painting and scenography, the history of folk and stage costumes, ethnography; biographical research on Viktor Vasnetsov; Ostrovsky’s diaries. The core of the research was an evolutionary approach, which eventually made it possible to achieve the aim of the study. A comparative historical method was used for discovering the similarity between the motives reflected in the images of the Snow Maiden in the analyzed sketches and Russian folk ornaments of the 19th century that decorated the traditional costumes of Russian peasant women. In the course of the study, the appearance of the Snow Maiden’s costume was analyzed. From how it was shown in the sketches for the first productions of Ostrovsky’s play in the Bolshoi and Maly Theaters (sketches by M. P. Klodt) to the image of the heroine captured in the relief drawing by Mikhail Vrubel. Particular attention was paid to Vasnetsov’s interpretation, in which the image was successfully correlated with the traditional motives that existed in the folk ornament and embroidery of the Russian North. The characteristic features of the image of later authors (Nikolay von Bool and Mikhail Vrubel) were revealed. The later incarnations of the image were studied (for example, in Soviet cinema at the end of the 20th century). It has been established that a sketch of a stage costume solves the problem of the structure of the embodied image, it is an illustration of the author’s artistic beliefs and (in the case of reaching a certain level of artistic perfection) is a guideline for determining the technology of creating a costume. It has been determined that sketches made by old masters of Russian theatrical costume have a special artistic value and expressiveness. The leader among the masters, according to the author, is Vasnetsov, the creator of the authentic, perfect graphics of the Russian folk costume. The image of the Snow Maiden on the Russian stage of the late 19th century developed from the “artistic approach” characteristic of Russian academism and implemented in the works of M. P. Klodt to the most accurate expression of the ideal of Russian beauty embodied by Vasnetsov and further towards popular romanticization (von Bool and Vrubel).

Битвазапрошлое:храмсвятогоГеоргия вИзраавэпицентре церковно-политическойборьбыконцаXIXв.

2019 ◽  
pp. 256-281
Author(s):  
E.M. Kopot`
Keyword(s):  
Middle East ◽  
Ottoman Empire ◽  
19Th Century ◽  
Russian Empire ◽  
Foreign Affairs ◽  
Late 19Th Century ◽  
History Of ◽  
The Russian Empire ◽  
First Time ◽  
The Church

The article brings up an obscure episode in the rivalry of the Orthodox and Melkite communities in Syria in the late 19th century. In order to strengthen their superiority over the Orthodox, the Uniates attempted to seize the church of St. George in Izraa, one of the oldest Christian temples in the region. To the Orthodox community it presented a threat coming from a wealthier enemy backed up by the See of Rome and the French embassy. The only ally the Antioch Patriarchate could lean on for support in the fight for its identity was the Russian Empire, a traditional protector of the Orthodox Arabs in the Middle East. The documents from the Foreign Affairs Archive of the Russian Empire, introduced to the scientific usage for the first time, present a unique opportunity to delve into the history of this conflict involving the higher officials of the Ottoman Empire as well as the Russian embassy in ConstantinopleВ статье рассматривается малоизвестный эпизод соперничества православной и Мелкитской общин в Сирии в конце XIX века. Чтобы укрепить свое превосходство над православными, униаты предприняли попытку захватить церковь Святого Георгия в Израа, один из старейших христианских храмов в регионе. Для православной общины он представлял угрозу, исходящую от более богатого врага, поддерживаемого Римским престолом и французским посольством. Единственным союзником, на которого Антиохийский патриархат мог опереться в борьбе за свою идентичность, была Российская Империя, традиционный защитник православных арабов на Ближнем Востоке. Документы из архива иностранных дел Российской Империи, введены в научный оборот впервые, уникальная возможность углубиться в историю этого конфликта с участием высших должностных лиц в Османской империи, а также российского посольства в Константинополе.

scholarly journals Austrian-Italian Encounters: Notes on Some Films Produced Between Rome and Vienna in the 1930s

2019 ◽  
Vol 5 (1) ◽  
pp. 55
Author(s):  
Francesco Bono
Keyword(s):  
19Th Century ◽  
The Political ◽  
Late 19Th Century ◽  
Cultural Traditions ◽  
European Cinema ◽  
History Of ◽  
Italian Film ◽  
Stylistic Influences ◽  
Corporate State ◽  
Shed Light

This essay deals with a number of Italian and Austrian films produced around the mid-1930s as a result of the cinematic cooperation that developed between Rome and Vienna at the time. The essay’s goal is to investigate a complex chapter in the history of Italian and Austrian film which has yet received little attention. The Austro-Italian cooperation in the field of film, which developed against the backdrop of the political alliance between Fascist Italy and Austria’s so-called Corporate State, involved some of the biggest names in Italian and Austrian cinema of the time, including Italian directors Carmine Gallone, Augusto Genina and Goffredo Alessandrini, Viennese screenwriter Walter Reisch, and Italian novelist Corrado Alvaro. In particular, the essay will consider the Italian film Casta Diva (1935) and its debt to one of the most famous Austrian productions of the 1930s, Willi Forst’s film Leise flehen meine Lieder (1933). Further films to be discussed include Tagebuch der Geliebten (1935), Una donna tra due mondi (1936), Opernring (1936), and Blumen aus Nizza (1936). Tagebuch der Geliebten was based on the diary of Russian painter Marie Bashkirtseff, who lived in Paris in the late 19th century. Una donna tra due mondi starred Italian diva Isa Miranda, Opernring Polish tenor Jan Kiepura, Blumen aus Nizza German singer Erna Sack.These films should be truly regarded as transnational productions, in which various cultural traditions and stylistic influences coalesced. By investigating them, this essay aims to shed light on a crucial period in the history of European cinema.

scholarly journals "Vexatious and an Abuse of the Process of the Court": The Assets Company v Mere Roihi Cases

2004 ◽  
Vol 35 (1) ◽  
pp. 145
Author(s):  
Bryan Gilling
Keyword(s):  
19Th Century ◽  
Land Acquisition ◽  
Court System ◽  
Legal Certainty ◽  
Privy Council ◽  
Late 19Th Century ◽  
Native Land ◽  
Land Registration ◽  
History Of

The history of the Assets Co v Mere Roihi decision, a well-known early Privy Council authority on indefeasibility of title under the Torrens system of land registration, illustrates the vulnerability of Maori to irregular land acquisition methods during the late 19th century. It also highlights the inadequacies of the Native Land Court system at the time. The author argues that the policy demands for legal certainty created a hidden and undue cost on the Maori participants: as a result of the case, Maori lost their main opportunity to gain redress for effectively or actually fraudulent dealings in their lands, and for mistakes made by the Land Court.

scholarly journals Research of the History of Inter-Religious Relations in Ukraine in the Kyiv Theological Academy (Second Half of the 19th – Beginning of the 20th Century)

2021 ◽  
Vol 8 ◽  
pp. 60-79
Author(s):  
Luidmila Pastushenko
Keyword(s):  
20Th Century ◽  
19Th Century ◽  
Legal Aspects ◽  
Systematic Analysis ◽  
Literary Traditions ◽  
The Social ◽  
Academic Researchers ◽  
History Of ◽  
Characteristic Features ◽  
The 19Th Century

The article presents the first attempt of a complete and systematic analysis of historic and theological publications of teachers and pupils of the Kyiv Theological Academy in the second half of the 19th – beginning of 20th century in the field of studying the history of relations of Catholicism and Protestantism with Orthodox on the Ukrainian lands. The specifics of Kyiv academic historians studies was determined by the social and-political circumstances in the middle of the 19th century and denoted by an attempt to comprehend this issue in the perspective of the history of interconfessional relations of two Western Christian traditions with the eastern tradition of Orthodoxy in the historical gap of the 16th – 17th centuries – the period of the largest confrontation in confessional relations in Ukraine. The author clarifies the characteristic features of researching the question of inter-confessional interaction in the 15th – 17th centuries, which are expressed in attempts to describe the coexistence of three denominations as multidimensional and provoking а variety of different interpretations. Historical studies present the attempt to show confessional interaction in the political and legal aspects and to provide historical interpretations to the ground of philosophy of history. The article proves the tendency of Kyiv academic researchers to move away from the established Russian historiography of the 19th century view at confessional relations in Ukraine through the prism of hard confrontation and outline in religious life Ukraine conditions and circumstances of inter-confessional dialogue. Also, historians in their studies repeatedly note the significant educational and outlook influence of Western Christian denominations on the formation of educational, cultural, theological, literary traditions in Ukraine.

The Archive as a “Collective Project”

2017 ◽  
Vol 49 (3) ◽  
pp. 529-533
Author(s):  
Nilay Özok-Gündoğan
Keyword(s):  
19Th Century ◽  
State Government ◽  
State Power ◽  
The State ◽  
Modern State ◽  
Late 19Th Century ◽  
Governmental Body ◽  
National Memory ◽  
History Of ◽  
A Site

The history of the archive is the history of the state. Or so say conventional approaches to the archives. Until recently, the archive has been seen solely as a site, or rather a repository, of modern state power and governmentality, and a crucial medium for the making and preservation of national memory in the late 19th century. There is a truth to this state-centric perspective: the archive was conceived as a place where governments keep their records; they usually contain a term such as “state,” “government,” or “national” in their names; and they are often funded by and connected to a governmental body.

Holocene and latest Pleistocene fluctuations of Stutfield Glacier, Canadian Rockies

2001 ◽  
Vol 38 (8) ◽  
pp. 1141-1155 ◽  
Author(s):  
G D Osborn ◽  
B J Robinson ◽  
B H Luckman
Keyword(s):  
19Th Century ◽  
18Th Century ◽  
Late Glacial ◽  
Ice Age ◽  
Late 19Th Century ◽  
Canadian Rockies ◽  
The Holocene ◽  
The North ◽  
History Of ◽  
Glacier Advance

The Holocene and late glacial history of fluctuations of Stutfield Glacier are reconstructed using moraine stratigraphy, tephrochronology, and dendroglaciology. Stratigraphic sections in the lateral moraines contain tills from at least three glacier advances separated by volcanic tephras and paleosols. The oldest, pre-Mazama till is correlated with the Crowfoot Advance (dated elsewhere to be Younger Dryas equivalent). A Neoglacial till is found between the Mazama tephra and a paleosol developed on the Bridge River tephra. A log dating 2400 BP from the upper part of this till indicates that this glacier advance, correlated with the Peyto Advance, culminated shortly before deposition of the Bridge River tephra. Radiocarbon and tree-ring dates from overridden trees exposed in moraine sections indicate that the initial Cavell (Little Ice Age (LIA)) Advance overrode this paleosol and trees after A.D. 1271. Three subsequent phases of the Cavell Advance were dated by dendrochronology. The maximum glacier extent occurred in the mid-18th century, predating 1743 on the southern lateral, although ice still occupied and tilted a tree on the north lateral in 1758. Subsequent glacier advances occurred ca. 1800–1816 and in the late 19th century. The relative extent of the LIA advances at Stutfield differs from that of other major eastward flowing outlets of the Columbia Icefield, which have maxima in the mid–late 19th century. This is the first study from the Canadian Rockies to demonstrate that the large, morphologically simple, lateral moraines defining the LIA glacier limits are actually composite features, built up progressively (but discontinuously) over the Holocene and contain evidence of multiple Holocene- and Crowfoot-age glacier advances.

Illustrating a revolution: an unrecognized contribution to the ‘golden era’ of cerebral localization

1998 ◽  
Vol 52 (2) ◽  
pp. 283-305 ◽  
Author(s):  
D. Millett
Keyword(s):  
Experimental Data ◽  
19Th Century ◽  
Early Years ◽  
Clinical Neurology ◽  
Late 19Th Century ◽  
Growth Of Knowledge ◽  
History Of ◽  
Cerebral Localization ◽  
Cerebral Physiology ◽  
The Brain

The late 19th century witnessed a remarkable growth of knowledge concerning the functions of the brain. The excitability of the cerebral cortex was first reported by Gustav Fritsch (1838–1927) and Eduard Hitzig (1838–1907) in 1870, followed by the classical investigation of cerebral localization by David Ferrier (1843–1928). Ferrier's identification of cerebral motor 'centres' based on a series of cortical stimulations and ablations was central to the physiological and clinical achievements of cerebral localization in the late 19th century. Cerebral illustrations were an important component of Ferrier's physiological research, synthesizing a great deal of experimental data and suggesting precise locations and boundaries of sensory and motor areas. Surprisingly, little attention has been paid to the construction of cerebral maps and their role in establishing the utility and veracity of the doctrine of cerebral localization. Two illustrations of the macaque brain based on Ferrier's experimental work were particularly influential. These and other important illustrations accompanied Ferrier's manuscript, 'The localisation of functions in the brain', submitted to the Royal Society in early 1874, but were not produced by Ferrier himself. Rather, they were sketched by E. A. Waterlow (1850–1919), a young painter and acquaintance of Ferrier's who—undoubtedly under Ferrier's guidance—synthesized the experimental data of more than a dozen experiments in these diagrams. Unfortunately, during the contentious review, abstraction and fragmentation of Ferrier's manuscript, Waterlow's monogrammed insignia was omitted from reproductions of his sketches and Ferrier's acknowledgement to him was not published in subsequent works. While circumstantial evidence suggests that Waterlow may have requested that these identifiers be withheld, and while Waterlow has never been recognized for his illustrations of cerebral localization, both the artist and his sketches soon achieved prominence. Waterlow's diagrams were reproduced in Ferrier's widely influential monograph, The Functions of the Brain (1876), where the cerebral centres of Waterlow's macaque brain were directly transposed onto Ecker's diagram of the human brain. These diagrams were reprinted during the late 1870s and 1880s in many textbooks and reviews of cerebral physiology, and provided an important guide to the localization of brain lesions during the early years of neurosurgery. This paper recounts Waterlow's contribution to the history of clinical neurology and physiology, and his independent success as a landscape painter.

POLICING THE COUNTRYSIDE: GENDARMES OF THE LATE 19TH-CENTURY OTTOMAN EMPIRE (1876–1908)

2008 ◽  
Vol 40 (1) ◽  
pp. 47-67 ◽  
Author(s):  
Nadir Özbek
Keyword(s):  
Ottoman Empire ◽  
19Th Century ◽  
Working Conditions ◽  
Ad Hoc ◽  
18Th Century ◽  
Late 19Th Century ◽  
Administrative Practices ◽  
Internal Security ◽  
Late 18Th Century ◽  
History Of

This article lays groundwork for a more systematic history of the Ottoman gendarmerie (jandarma), here with special emphasis on the men in the corps and their working conditions. The gendarmerie, which before 1879 reform the Ottomans called asakir-i zabtiye, was a provincial paramilitary police organization established by bureaucrats of the Tanzimat state during the 1840s on an ad hoc basis. This force later acquired a more uniform and centralized character, becoming the empire's principal internal security organization. Through this paramilitary police institution, 19th-century Ottoman bureaucrats aimed to extend their authority into the provinces, which at that time could be described as only marginally under Ottoman sovereignty according to contemporary definitions of the term. From the late 18th century on, extending state sovereignty to recognized territorial boundaries emerged as a vital need for most European states as well as the Ottoman Empire. Along with other modern military and civil institutions and modern administrative practices, introducing various types of paramilitary provincial police forces enabled governments in Europe to enhance and extend their authority over territories in which it had been limited. The gendarmerie thus emerged in both Europe and in the Ottoman Empire as integral to modern state formation and its technologies of government. Although acknowledging the Pan-European context of the gendarmerie's emergence and its theoretical ramifications, the present article is concerned more with the Ottoman context within which this police corps was established, evolved, and took on a uniquely Ottoman form.

scholarly journals CONFRONTING A CHRISTIAN NEIGHBOR: SUDANESE REPRESENTATIONS OF ETHIOPIA IN THE EARLY MAHDIST PERIOD, 1885–89

2009 ◽  
Vol 41 (2) ◽  
pp. 247-267
Author(s):  
Iris Seri-Hersch
Keyword(s):  
19Th Century ◽  
Red Sea ◽  
Nile Valley ◽  
Late 19Th Century ◽  
Local Setting ◽  
History Of

This is how Ismaʿil bin ʿAbd al-Qadir, a Mahdist chronicler of late 19th-century Sudan, gave a broad Islamic significance to the defeat of Ethiopian armies by Mahdist forces at al-Qallabat in March 1889. Culminating in the death of Emperor Yohannes IV, the four-year confrontation between Mahdist Sudan and Christian Ethiopia (1885–89) had repercussions that transcended the local setting, reaching far into the intertwined history of Sudan, Ethiopia, and European imperialism in the Nile Valley and Red Sea regions.

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