Music and Dance

Author(s):  
Lawrence M. Zbikowski

This chapter provides an introduction to and analyses of relationships between music and dance in two dance practices from Western Europe: the first from early eighteenth-century France, the second from early nineteenth-century Vienna. The chapter introduces French dance notation and shows how it facilitates an analysis of the steps and music for a bourrée. The analysis offers insights into the musical grammar of the bourrée and the contribution that dance practice made to the construction of social relations in the court of Louis XIV. The second dance practice is that of the waltz, which had a prominent place in the social landscape of early nineteenth-century Vienna. Analyses of waltzes by Josef Lanner and Franz Schubert make clear the relationship between the music and steps of the waltz, as well as how composers adapted their music to the different social contexts within which the dance was performed.

Author(s):  
Michael Tanner

A complex set of questions is raised by an examination of the relationship between art and morality. First there is a set of empirical considerations about the effect that works of art have on us – one obviously contentious case is that of pornography. Many would argue that the artistic merits of a work are independent of any attitudes or actions it may lead us to adopt or perform. This claim does not survive scrutiny, however, though there is a distinction to be drawn between artistic value and the value of art as a whole. Though there are no coercive arguments to show that we have to take into account the moral qualities of works of art, it is in practice very difficult to ignore them, especially when the point of the work is insistently moral, or when the work is conspicuously depraved. There is a long tradition, dating back to Plato, of regarding art with suspicion for its power over our emotions, and much of Western aesthetic theorizing has been a response to Plato’s challenge. The longest-lasting defence justified art in terms of a combination of pleasure and instruction, though the two never hit it off as well as was hoped. In the early nineteenth century a new, more complex account of art was offered, notably by Hegel, in the form of a historicized view in which art is one of the modes by which we come to self-awareness; the emphasis altered from truth to an independently existing reality to truthfulness to our own natures, as we explore them by creating art. Taken into the social sphere, this became a doctrine of the importance of art as an agent of political consciousness, operating in subtle ways to undermine the view of reality imposed on us by the ideologies that hold us captive.


1984 ◽  
Vol 29 (2) ◽  
pp. 254-273 ◽  
Author(s):  
Karl H. Metz

The numerical determination of the relationship between the sanitary conditions in which people live, and the risks to health and life this may involve is a relatively new method of understanding infectious disease. It came to be known as “sanitary statistics” in the early nineteenth century, when this kind of investigation reached the climax of its social importance. But its roots go back to the late seventeenth century, when England was again visited by the plague, shattering a country that had hardly recovered from two decades of civil unrest. The two basic motives of sanitary statistics, which later made it so potent a reformist tool, were already present then in a first outline, namely the attempt to rationalize the frightful phenomenon of the epidemic and the conviction that its causes were somehow bound up with the social organization of urban life. As long as people had seen in the great epidemics God's punishing hand, the flagellants' reaction made sense. Man could only bow to Him; the arm of flesh might at most seek to avoid His punishment by punishing itself in advance. But when in 1854 the Presbytery of Edinburgh suggested to the Home Secretary, Lord Palmerston, to call for a national fast against cholera, they received the cold reply that “the weal or woe of mankind depends on the observance or neglect of those laws” which sanitary statistics had recently discovered. Divine reference was replaced by statistical reference, and the correlations thus revealed pointed to action by the “arm of flesh”.


2017 ◽  
Vol 10 (2) ◽  
pp. 197-216
Author(s):  
Sarah Irving-Stonebraker

Through an examination of the extensive papers, manuscripts and correspondence of American physician Benjamin Rush and his friends, this article argues that it is possible to map a network of Scottish-trained physicians in the late eighteenth and early nineteenth-century Atlantic world. These physicians, whose members included Benjamin Rush, John Redman, John Morgan, Adam Kuhn, and others, not only brought the Edinburgh model for medical pedagogy across the Atlantic, but also disseminated Scottish stadial theories of development, which they applied to their study of the natural history and medical practices of Native Americans and slaves. In doing so, these physicians developed theories about the relationship between civilization, historical progress and the practice of medicine. Exploring this network deepens our understanding of the transnational intellectual geography of the eighteenth and early nineteenth century British World. This article develops, in relation to Scotland, a current strand of scholarship that maps the colonial and global contexts of Enlightenment thought.


2018 ◽  
Vol 28 (1) ◽  
pp. 265-272
Author(s):  
Venelin Terziev ◽  
Preslava Dimitrova

The social policy of a country is a set of specific activities aimed at regulating the social relations between different in their social status subjects. This approach to clarifying social policy is also called functional and essentially addresses social policy as an activity to regulate the relationship of equality or inequality in society. It provides an opportunity to look for inequalities in the economic positions of individuals in relation to ownership, labor and working conditions, distribution of income and consumption, social security and health, to look for the sources of these inequalities and their social justification or undue application.The modern state takes on social functions that seek to regulate imbalances, to protect weak social positions and prevent the disintegration of the social system. It regulates the processes in society by harmonizing interests and opposing marginalization. Every modern country develops social activities that reflect the specifics of a particular society, correspond to its economic, political and cultural status. They are the result of political decisions aimed at directing and regulating the process of adaptation of the national society to the transformations of the market environment. Social policy is at the heart of the development and governance of each country. Despite the fact that too many factors and problems affect it, it largely determines the physical and mental state of the population as well as the relationships and interrelationships between people. On the other hand, social policy allows for a more global study and solving of vital social problems of civil society. On the basis of the programs and actions of political parties and state bodies, the guidelines for the development of society are outlined. Social policy should be seen as an activity to regulate the relationship of equality or inequality between different individuals and social groups in society. Its importance is determined by the possibility of establishing on the basis of the complex approach: the economic positions of the different social groups and individuals, by determining the differences between them in terms of income, consumption, working conditions, health, etc .; to explain the causes of inequality; to look for concrete and specific measures to overcome the emerging social disparities.


Author(s):  
Ritchie Robertson

Ritchie Robertson situates Lessing’s text within debates over the proper depiction of extreme suffering in art, focusing on Goethe’s essay on the Laocoon group (1798), as well as other late eighteenth- and early nineteenth-century works on the representation of pain. The issue of suffering in art was of utmost significance to Goethe’s ideology of the classical, Robertson explains; more than that, the themes introduced in Lessing’s essay—above all, its concerns with how suffering can be depicted in words and images—proved pivotal within Goethe’s prescriptions about the relationship between idealism and individuality (or ‘the characteristic’) in art. As part of a larger campaign against what he called ‘naturalism’ in art, Goethe argued that the ancients did not share the false notion that art must imitate nature. For Goethe, responding to Lessing, the power of the Laocoon group lay precisely in its depiction of bodily suffering as something not just beautiful, but also anmutig (‘sensuously pleasing’).


Südosteuropa ◽  
2020 ◽  
Vol 68 (3) ◽  
pp. 386-407
Author(s):  
Mladen Lazić ◽  
Jelena Pešić

AbstractBased on research data from 2003, 2012, and 2018, the authors examine the extent to which capitalist social relations in Serbia have determined liberal value orientations. The change of the social order in Serbia after 1990 brought about a radical change of the basis upon which values are constituted. To interpret the relationship between structural and value changes, the authors employ the theory of normative-value dissonance. Special attention in the analysis is paid to the interpretation of value changes based on the distinction between intra- and inter-systemic normative-value dissonance. In the first part of their study, the authors examine changes in the acceptance of liberal values over the period of consolidation of capitalism in Serbia, while in the second part they focus on the 2018 data and specific predictors of political and economic liberalism.


2019 ◽  
Vol 43 (3) ◽  
pp. 581-597 ◽  
Author(s):  
James A. Jaffe

With relatively few exceptions, personal petitions from individuals have received much less attention from historians than those from groups in the public political sphere. In one sense, personal petitions adopted many of the same rhetorical strategies as those delivered by a group. However, they also offer unique insights into the quotidian relationship between the people and their rulers. This article examines surviving personal petitions to various administrators at different levels of government in western India during the decades surrounding the East India Company’s conquests. The analysis of these petitions helps to refine our understanding of the place of the new judicial system in the social world of early-nineteenth-century India, especially by illuminating the discourse of justice that petitioners brought to the presentation of their cases to their new governors. The conclusion of this article seeks to place the rhetoric of personal petitioning within the larger context of mass political petitioning in India during the early nineteenth century.


2010 ◽  
Vol 34 (3) ◽  
pp. 301-335 ◽  
Author(s):  
Craig Calhoun

In this article I ask (1) whether the ways in which the early bourgeois public sphere was structured—precisely by exclusion—are instructive for considering its later development, (2) how a consideration of the social foundations of public life calls into question abstract formulations of it as an escape from social determination into a realm of discursive reason, (3) to what extent “counterpublics” may offer useful accommodations to failures of larger public spheres without necessarily becoming completely attractive alternatives, and (4) to what extent considering the organization of the public sphere as a field might prove helpful in analyzing differentiated publics, rather than thinking of them simply as parallel but each based on discrete conditions. These considerations are informed by an account of the way that the public sphere developed as a concrete ideal and an object of struggle in late-eighteenth- and early-nineteenth-century Britain.


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