Conclusion

2020 ◽  
pp. 379-388
Author(s):  
Alejandro Vera

The Conclusion summarizes the main contents and ideas of the book. Some of these are that Santiago was musically and culturally related to other cities of the Spanish empire (particularly Lima) and that its relatively scarce resources did not hinder it from giving rise to a complex—and dual—musical life. Duality, indeed, was present in the manner of understanding music as a double-edged sword, the distance between the artistic and social prestige of musicians, the blurred limits between sacred and secular music, and even the practice of composing. The Conclusion ends by explaining in detail the most relevant continuities and changes in musical practice that took place over time.

Author(s):  
Kiril Tomoff

Why did the Stalin era, a period characterized by bureaucratic control and the reign of Socialist Realism in the arts, witness such an extraordinary upsurge of musical creativity and the prominence of musicians in the cultural elite? This is one of the questions that this book seeks to answer. The book shows how the Union of Soviet Composers established control over the music profession and negotiated the relationship between composers and the Communist Party leadership. Central to the book's argument is the institutional authority and prestige that the musical profession accrued and deployed within Soviet society, enabling musicians to withstand the postwar disciplinary campaigns that were so crippling in other artistic and literary spheres. Most accounts of Soviet musical life focus on famous individuals or the campaign against Shostakovich's ‘Lady Macbeth’ and Zhdanov's postwar attack on musical formalism. This book's approach, while not downplaying these notorious events, shows that the Union was able to develop and direct a musical profession that enjoyed enormous social prestige. The Union's leadership was able to use its expertise to determine the criteria of musical value with a degree of independence. The book reveals the complex and mutable interaction of creative intelligentsia and political elite in a period hitherto characterized as one of totalitarian control.


Author(s):  
Yanna Yannakakis

“Power of Attorney in Oaxaca, Mexico: Native People, Legal Culture, and Social Networks” is an ongoing digital research project that constructs a geography of indigenous legal culture through digital maps and visualizations. The Power of Attorney website analyzes relationships among people, places, and courts that were created by the granting of power attorney, a notarial procedure common across the Spanish empire. The primary actors in this story are indigenous individuals, communities, and coalitions of communities in the diocese of Oaxaca, Mexico, and the legal agents who represented them, some of whom were untitled indigenous scribes, and others, titled lawyers and legal agents of Spanish descent. The relationship between indigenous litigants and their legal agents created social networks and flows of knowledge and power at a variety of scales, some local and some transatlantic, whose dimensions changed over time. The pilot for the project focuses on the district of Villa Alta, Oaxaca, during the 18th century. “Power of Attorney in Oaxaca, Mexico: Native People, Legal Culture, and Social Networks” is an ongoing digital research project that constructs a geography of indigenous legal culture through digital maps and visualizations. The Power of Attorney (https://www.powerofattorneynative.com/) website analyzes relationships among people, places, and courts that were created by the granting of power attorney, a notarial procedure common across the Spanish empire. The primary actors in this story are indigenous individuals, communities, and coalitions of communities in the diocese of Oaxaca, Mexico, and the legal agents who represented them, some of whom were untitled indigenous scribes, and others, titled lawyers and legal agents of Spanish descent. The relationship between indigenous litigants and their legal agents created social networks and flows of knowledge and power at a variety of scales, some local and some transatlantic, whose dimensions changed over time. The pilot for the project focuses on the district of Villa Alta, Oaxaca, during the 18th century. The multiscalar narrative of the Power of Attorney project speaks to multiple audiences, and the digital multimedia format allows visitors to further tailor their interactions with information. The site operates on many levels. It provides maps and visualizations based on original research, data culled from primary sources that can be used as a research tool, historical and geographical background information, information about how to read letters of attorney, and microhistorical narratives of power of attorney relationships. For undergraduates learning about the relationship between Spanish administration and pueblos de indios, the maps and visualizations provide an at-a-glance overview of the spatial and social connections among Indian towns, ecclesiastical and viceregal courts, and the court of the king in Madrid from the perspective of an indigenous region rather than a top-down perspective. Graduate students and scholars interested in the production of notarial records in native jurisdictions, social history and ethnohistorical methodology and the relationship between local and transatlantic processes can explore the maps, visualizations, and data in greater detail. An educated general audience interested in the history of Oaxaca’s native peoples can find a general introduction to the region, its history and geography, and the long-standing relationship between Mexico’s native people and the law.


polemica ◽  
2018 ◽  
Vol 18 (4) ◽  
Author(s):  
Rafael Lima dos Santos ◽  
Luciana Fontes Pessôa

Resumo: O presente trabalho visa fomentar as discussões a respeito da comunicação humana, compreendida em sua riqueza de multiplicidade e diversidade que vai além do signo linguístico. Para tanto, tem por objetivo estabelecer paralelos entre as linguagens verbal e musical, analisando criticamente um pouco da natureza de ambas a partir de uma visão inovadora e original presente no Ensaio sobre a origem das línguas de Rousseau. Nessa obra, o autor se propõe repensar a compreensão evolutiva da humanidade tendo a linguagem como condutora de tal evolução – e não os tradicionais e datados marcos históricos. Rousseau defende ser a música o paradigma da perfeita expressão – expressão essa que, ao longo do tempo, foi perdida em detrimento da clareza e da objetividade comunicativas. Com as proposições teóricas elencadas no presente artigo, diferenças e similitudes entre verbal e musical são expostas para um maior entendimento das implicações de atuação da prática musical no que diz respeito às suas possibilidades e potencialidades tanto de atuação quanto de alcance.Palavras-chave: Linguagem. Música. Comunicação.Abstract: The present work aims to foment the discussions about human communication, understood in its wealth of multiplicity and diversity that goes beyond the linguistic sign. To do so, it aims to establish parallels between verbal and musical languages, analyzing critically some of the nature of both from an innovative and original vision present in the Essay on the origin of the languages of Rousseau. In this work, the author proposes to rethink the evolutionary understanding of humanity having language as the conduit of such evolution - and not the traditional and dated historical landmarks. Rousseau argues that music is the paradigm of perfect expression - an expression that, over time, has been lost to the detriment of communicative clarity and objectivity. With the theoretical propositions mentioned in this article, differences and similarities between verbal and musical are exposed to a greater understanding of the implications of the performance of musical practice with respect to its possibilities and potentialities both in performance and scope.Keywords: Language. Music. Communication.


Author(s):  
Charles Beatty-Medina

This chapter explores how Christianization became an indispensable tool for Afro-Amerindian rebels seeking political legitimacy and continued autonomy on the frontiers of the Spanish empire and within an African diasporic world. Focusing on the period 1577–1617, it considers how clerical intervention and the discourse of religious conversion shaped colonization over time by looking at the case of Esmeraldas maroons on the coast of early colonial Ecuador. By analyzing aspects of marronage and maroon societies in Spanish America, it elucidates how the colonial state resorted to Christian missionizing and conversion as part and parcel of its pacification campaign. It shows that the Esmeraldas maroons deftly navigated both religious intervention and the discourse of Christian conversion in order to situate themselves as the legitimate lords of Esmeraldas.


2019 ◽  
pp. 170-186 ◽  
Author(s):  
Mark Doffman

This chapter examines the idea of time consciousness in performance as constitutive of musical practice, and as itself being a form of practice. It introduces practical time consciousness, directed towards two forms of temporal engagement—timekeeping and timeliness, which correspond to the Greek understanding of chronos and kairos—that together underpin the collective coherence and the singular expressive qualities in music. With reference to practice theory, the chapter also explores the pre-reflective awareness of time in music and musicians’ focused attention to time, and how these might change in the moment of performance and in the development of players over time. Drawing on interviews, excerpts from recordings, and a semi-controlled study, this account examines these awarenesses as practices in themselves, occurring at distinct timescales and within different socio-cultural milieux. The chapter concludes with the idea that a practical time consciousness suggests a timeworld, an overarching horizon within which musical time is experienced and practised.


2012 ◽  
Vol 46 (2) ◽  
pp. 425-451 ◽  
Author(s):  
EVELYN HU-DEHART

AbstractThis paper explores two dynamic places and spaces in the Americas, destination of several Asian diasporas—the Chinese, Japanese, and South Asian—as contact and exchange zones. One would be the ethnic enclaves commonly called ‘Chinatowns’, which stretch over time from the early sixteenth century to the present, and over space from Manila in the Spanish empire across the Pacific to all over the Americas. These Chinatowns, imagined and real and riddled with stereotypes, are well-known tropes on the American landscapes, and need no further preliminary introduction; they are also firmly located within fixed national (or colonial) entities.The second space has not been historically associated with Asian diasporas in the Americas, although well known for different reasons. Here I refer to ‘borderlands’, the overlapping space between, over, and above two political national boundaries or borders, in particular the US-Mexican and US-Canadian borderlands, both, coincidentally, clearly marked and delineated by the mid-nineteenth century (1848 and 1846 respectively). Furthermore, as these two transnational/transborder regions are also trans-Pacific, their recognition as an integral part of Asian diasporas is belated and overdue. To make the case further, the study of Asians in the Americas has revealed that Asian migrants, labour, and capital have been historically drawn to these borderlands because they represent dynamic zones of economic development, first in the heyday of maturing American capitalism at the turn of the twentieth century, and again in the glaring eye of current late-capitalist globalization. In other words, Asians have amassed on both sides of these borders for over 100 years, where they have become adept at multiple border crossings, both trans-Pacific and transnational.


1999 ◽  
Vol 175 (6) ◽  
pp. 528-536 ◽  
Author(s):  
Jeremy Coid ◽  
Nadji Kahtan ◽  
Simon Gault ◽  
Brian Jarman

BackgroundTreatment of patients with personality disorder remains controversial and severe mental illness is prioritised in secure forensic psychiatry services.AimsTo compare patients with personality disorder and mental illness according to demography, referral, criminality, previous institutionalisation and diagnostic comorbidity.MethodA record survey of 511 patients with personality disorder and 2575 with mental illness admitted to secure forensic psychiatry services between 1 January 1988 and 31 December 1994 from half of England and Wales.ResultsPersonality disorder admissions declined over time; more were female, White, younger and extensively criminal (specifically, sexual and arson offences). Personality disorder was highly comorbid; antisocial, borderline, paranoid and dependent personality disorder were most prevalent.ConclusionsPatients with personality disorder were highly selected and previously known to psychiatric services. Referrer, diagnostic comorbidity and behavioural presentation determined their pathways into care. Future research must determine whether their continuing admission represents effective use of scarce resources and whether new services are required.


2017 ◽  
Author(s):  
Valerio Capraro ◽  
Glorianna Jagfeld ◽  
Rana Klein ◽  
Mathijs Mul ◽  
Iris van de Pol

The conflict between pro-self and pro-social behaviour is at the core of many key problems of our time, as, for example, the reduction of air pollution and the redistribution of scarce resources. For the well-being of our societies, it is thus crucial to find mechanisms to promote pro-social choices over egoistic ones. Particularly important, because cheap and easy to implement, are those mechanisms that can change people’s behaviour without forbidding any options or significantly changing their economic incentives, the so-called “nudges”. Previous research has found that moral nudges (e.g., making social norms salient) can promote pro-social behaviour. However, little is known about whether their effect persists over time and spills across context. This question is key in light of research showing that prosocial actions are often followed by selfish actions, thus suggesting that some moral manipulations may backfire. Here we present a class of simple moral nudges that have a great positive impact on pro-sociality. In Studies 1-4, we use economic games to demonstrate that asking subjects to tell “what they think is the morally right thing to do” does not only increase pro-sociality in the choice immediately after, but also in subsequent choices, and even when the social context changes. In Study 5, we demonstrate that moral nudges increase charity donations by about 44 percent.


1983 ◽  
Vol 4 (5) ◽  
pp. 381-390
Author(s):  
Donald C. Aucamp
Keyword(s):  

2020 ◽  
pp. 157-229
Author(s):  
Alejandro Vera

This chapter studies the musical life of private houses in the city. Informed by historical documents (namely wills, dowries, inventories, and customs records), music scores, and treatises from the colonial period, it begins by documenting the instruments and books of music that prevailed in the domestic space and its context. Subsequently, it supplies new information about the music trade among individuals from Cádiz, Lima, and Santiago, showing how the elite took advantage of their commercial networks to foster their musical practice. It also revises the role performed by women and the familiar entourage in private musical life, as well as the prevailing genres and styles, highlighting the different ways of performing dances and songs. One of the chapter’s conclusions, indeed, is that the performance—more than the instruments and genres in themselves—acquired increasing importance in social terms during the 18th century, as the enlightened ideas gained more influence in the city.


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