‘The People who Run the World…’

Author(s):  
Lori G. Beaman

This chapter considers the relationship between deep equality and law, recognizing that for many people equality is a domain of discussion that is located primarily in law. Though this book is in part about displacing law’s dominance over equality discourse and reinscribing it in the domain of the everyday, the author maintains that deep equality and law’s version of equality are not completely unrelated and it is worth considering law’s role in the working up of a particular way of framing equality that has come to dominate the discussion of religious diversity and its ‘management’. Drawing on earlier chapters in this book whose working assumption has been that law is not at the centre of everyday life and that it does not guide the negotiation of difference, the book turns to the necessary task of recognizing law’s place in the conceptualization of diversity and its contribution to the peace of living together. The author excavates law through the examination of a case study for evidence of the values and practices that belong to deep equality, seeking those moments when law evidences respect, neighbourliness, caring, and perhaps even love.

ILUMINURAS ◽  
2021 ◽  
Vol 22 (57) ◽  
Author(s):  
Vitória Mendes Alves ◽  
Israel Martins Araujo

Este ensaio visual trata do mundo da vida cotidiana de camponeses agroextrativistas no Pará, especificamente no baixo Tocantins, região das ilhas do município de Mocajuba. Segue o método da etnografia sensorial, discute a relação entre corpo, ambiente e formas de aprendizagem técnica com a virtuosidade dos indicadores socioambientais e argumenta que tais técnicas não são transmitidas, mas ensinadas e aprendidas por meio de um complexo engajamento sensorial com o ambiente.Palavras-chave: Camponeses agroextrativistas. Cotidiano. Trabalho. Etnografia Sensorial. Corpo. Ambiente.  Glueing fragments of the world of life: cuttings from the daily life of peasants from downtown Tocantins paraense Abstract: This visual essay deals with the respect of the everyday life world of agro-extractivist peasants in Pará, specifically in the lower Tocantins, region of the islands of the municipality of Mocajuba. It follows the method of sensory ethnography, discusses the relationship between body, environment and forms of technical learning with the virtuosity of socio-environmental indicators and argues that such techniques are not transmitted, but taught and learned through a complex sensory engagement with the environmentKeywords: Agroextractive peasants. Daily. Work. Sensory Ethnography. Body. Environment.


2020 ◽  
Vol 32 (2) ◽  
pp. 22-41
Author(s):  
Oszkár Gorcsa

The World War can be justifiably called the great seminal catastrophe of the 20th century, because the war that should have ended every further war, just disseminated the seeds of another cataclysm. From this point of view it is comprehensible why lots of historians deal with the named period. Numerous monographies and articles that deal with the destructing and stimulating eff ect of the Great War have seen the light of day. However, the mentioned works usually have serious defi cenceis, as most of them deal only with the battlefi elds, and a small proportion deals with the question of everyday life and hinterland, and the ordeals of the POWs are superfi cially described. In case of Hungary, the more serious researches related to POWs only started at the time of the centenary. This is why we can still read in some Serbian literatures about the people annihilating endeavors of the „huns” of Austria–Hungary. My choice of subject was therefore justified by the reasons outlined above. In my presentation I expound on briefly introducing the situations in the austro–hungarian POW camps. Furthermore, the presentation depicts in detail the everyday life, the medical and general treatment, clothing supply, the question of the minimal wages and working time of the prisoner labour forces. Lastly, I am depicting the problem of escapes and issues dealing POWs marriage and citizenship requests.


2019 ◽  
Vol 58 (1) ◽  
pp. 79-108
Author(s):  
Jane Hamlett

AbstractDuring the nineteenth century, British public schools became increasingly important, turning out thousands of elite young men. Historians have long recognized the centrality of these institutions to modern British history and to understandings of masculinity in this era. While studies of universities and clubs have revealed how fundamental the rituals and everyday life of institutions were to the creation of masculinity, public schools have not been subjected to the same scrutiny. Approaches to date have emphasized the schools’ roles in distancing boys from the world of the home, domesticity, femininity, and women. Focusing on three case-study schools, Winchester College, Charterhouse, and Lancing College, this article offers a reassessment of the relationship between home and school in the Victorian and Edwardian period and contributes to the growing literature on forms of masculine domesticity in the second half of the nineteenth century. In the reformed public schools, the ideal of the patriarchal household was often essential, and in producing it, the presence of significant women—the wives of headmasters and housemasters—could be vital. The schools also worked to create a specifically masculine form of domesticity through boys’ performance of mundane domestic tasks in the “fagging” system, which was often imagined in terms of the chivalric service ideal. Letters from the period show how the everyday worlds of school and home remained enmeshed, revealing the distinctive nature of family relationships forged by the routine of presence and absence that public schools created.


2021 ◽  
Author(s):  
Ján Višňovský ◽  
Alexandra Mathiasová ◽  
Juliána Mináriková

COVID-19 pandemic, and its several waves with different intensity, and also stronger or weaker restrictions, has influenced the everyday life of people all around the world. Pandemic hitted media indeed. People needed the newest information about the evolution of the SARS-CoV-2 virus, which is the virus that causes COVID-19. Organisations, events and businesses were stopped or closed, so media content was directed to outbreak info. And if organisations, events and businesses were stopped, creators, event managers and business makers didn‘t even need advertising or other propagation of their activities. It wasn‘t happening on a global scale only, but also in the local. So the local and regional media, financially dependent on advertising, was hardly hitted by the outage of this type of income. This paper explores how COVID-19 pandemic impacted the functioning of smaller local and regional media. The paper looks at the content of regional media, impacted by the pandemic, at the amount of advertising and covers the other changes, which the coronavirus outbreak made


2019 ◽  
Vol 31 (6) ◽  
pp. 1791-1795
Author(s):  
Todorka Malcheva

Playing Bulgarian folk dances- horoes, is a fascinating, emblematic and centuries’ years old tradition. The folk dance is an important part both from different holidays and from the everyday life of Bulgarians. This is one of the most significant and fascinating folklore activities, making Bulgaria famous all over the world. We can define Bulgarian national dance as an exceptionally beautiful art. This is a skill that makes people happy and energetic. Folk dances reveal the temper of our nation. At the same time, in the rhythm of the dance lives the collective spirit, which attributes to feeling joy, delight and rest when dancing with other people.That is why Bulgarian folk dance is not only a way to feel happy. It gathers, gives strength, teaches, expresses and above all- gathers the people of Bulgaria. It is also a way to be closer to nature. That is why Bulgarian folk dance is strength for the spirit. It is a magic for the soul- chases away tiredness and bad mood by generating positive energy and releasing the discomfort and stress. The following text presents classification of the Bulgarian folk dances- horoes according to different and various criteria. They are divided into groups according to: the performers, the type of dancing chain, metrorhythm, customs, folklore regions, tempo and others. The following resume confirms the variety and wealth of Bulgarian folk dance. The text also defines the dance as a magic that preserved our spirit and our nation throughout our history. It is not only a magic that is still alive, but a magic that is actively represented by different dancing formations nowadays. Bright costumes, thrilling music and energetic horoes – they always provoke emotions and loud applause among native and foreign public. The charming nature of Bulgarian dances is the reason why they are still alive and have been passed from one generation to the other. In this way, this centuries’ years old tradition will be preserved for the future generations and the Bulgarian shall never be forgotten.


2015 ◽  
pp. 149-160
Author(s):  
Khalid Lyamlahy

Roland Barthes was not only a literary theorist, a critic or a semiotician. Above all, he was concerned with signs, symbols and representations which shape the everyday life and nourish both identities of the individual subject and the social group. As the world celebrates in 2015 the centenary of his birth, the question of his intellectual and literary legacies has never been more relevant. In the large scope of his works, L’Empire des signes, published in 1970 following several trips to Japan, is rather a particular piece which hinges on a specific combination of text and images. By looking at the structure of Barthes’s work and the relationship between the author’s discourse and the meanings released through the images, this paper aims to highlight the poetics of the image as a founding element in L’Empire des signes. The study of three categories of images used in the volume and their confrontation with the author’s developments shed new light on the contribution of the iconographic element towards a valuable understanding of signs and significations.


Author(s):  
M. D. Chertykova

The article provides a semantic-cognitive analysis of the ethnocultural components of the common Turkic zoolex-eme ат ‘horse’, as a unit of the proverbial picture of the world. The proverbial picture of the world is a fragment of the linguistic picture of the world, which is a linguoculturological and cognitive model of various thematic proverbial groups. The structure of Khakassian proverbs and sayings has phonostylistic features: the obligatory presence of rhyme, assessment of various characteristics of a person and other phenomena of everyday life, figuratively associative com-parison of any properties of a person with objects of nature, including the endowment of animals with traits of a per-son’s character. Thus, the structure of all the proverbs and sayings we analyze is different in using the method of com-parative parallelism, for example, a child and a foal, a man and a horse. In the Khakass worldview philosophy, en-shrined in paremias, ат ‘horse’ is perceived as a true friend, ally and assistant of a person, in particular a man. The proverbs and sayings emphasize the relationship between man and horse, draw a figurative parallel of the positive and negative qualities of their characters, the careful and respectful attitude of man to the horse. In the Khakass national worldview, the horse is also a symbol of prosperity, well-being, therefore, it can also appear in traditional well-wishes, in reflections on the themes of eternity, time, life and death, for example, Ат öлзе, изері халар (Mudroe, 2014, p. 6) ‘Nothing disappears without a trace (lit. if a horse dies, a saddle remains)’. This proverb implies the idea that even if a person leaves this world, his good deeds will remain. The study showed the interconnection of the language and worldview culture of the Khakass ethnic group, which takes a basis in the everyday life of a nomadic society and mani-fests itself in fixed sayings, where the acting character is one of the main symbols of the Turkic world – ат ‘horse’. As far as we know, such signs are broadcast in the proverbial picture of the world and other Turkic peoples, thereby we can note the universality of the peculiarities of updating the ат ‘horse’ concept.


2020 ◽  
pp. 002198942097099
Author(s):  
Kit Dobson

This article considers ways in which solidarity across social locations might play a role in fostering resistance to vulnerability. My case study consists of the interplay between writer George Ryga’s 1967 play The Ecstasy of Rita Joe, and Okanagan Syilx writer and scholar Jeannette Armstrong’s 1985 novel Slash. While these important and compelling texts have received considerable critical attention, the relationship between them is less known. I am interested in the ways in which these works both hail and offer critique to one another. In the contemporary moment, in which questions of appropriation of voice have gained renewed urgency within Indigenous literary circles in Canada and beyond, the relationship between these texts speaks to a historical instance of appropriation, but also of complicated processes of alliance-building. These texts demonstrate how agency resides across multiple locations. I read Ryga’s Ecstasy in the context of Jeannette Armstrong’s engagement with the play within her novel Slash in order to witness the ways in which Ryga’s text, in the first instance, appropriates Indigenous voices into an anti-capitalist critique. In the second instance, I read these works in order to witness how they might simultaneously provide a compelling analysis of the vulnerability of the people who are the subject of both works. I compare the interplay between Armstrong and Ryga’s texts to contemporary debates around appropriation in order to argue for the historical and ongoing importance of these two works as precursors to the crucial interventions made by contemporary Indigenous critics and writers.


2018 ◽  
Vol 16 (2) ◽  
pp. 13-27
Author(s):  
Eka Permanasari ◽  
◽  
Thomas Lientino ◽  

Kalijodo has a long history in terms of gambling, prostitution, human trafficking and other illicit activities. Although it is a green belt area, the location had always being filled with semipermanent buildings. The area was changed its meaning in 2016 when the late Governor of Ahok with the help of the police and army, eradicated these housing and transformed this place as the community center (RPTRA-Ruang Publik Terpadu Ramah Anak). Together with Yori Antar, Basuki changed Kalijodo into a new center for Jakarta with its mural and skatepark. Former illicit users have been pushed out from the site. Some built a temporary shelter under the highway bridge while others went to their villages. After the fall of Basuki due to the blasphemy crime, the image of RPTRA Kalijodo was contested. Within a day, the area was filled with illegal parking and prostitution returned in different forms taking place under the highway bridge. Layers of meaning and use of Kalijodo transforms rapidly and in results changes the image of the city. Through observation, interviews and archival research, this paper analyses the contestation of the city image by investigating the relationship between the top-down approach and the everyday life uses of space.


Author(s):  
Iwona Chrzanowska

In the text, an attempt was made to analyse selected issues related to gerontology in the relationship to people with disabilities. The context of analyses is the tendency of social ageing tendencies, observed in Poland and in the world, especially in European countries. Selected areas of reflection are combined with the conviction that there is a need for research which would fill in the gap in the field of research carried out so far, focused on the issue of the broadly defined life situation of the people with disabilities in the senior years, which is in the scientific merit of Polish special needs education (pedagogics). There is a justified fear that these individuals are more likely to experience marginalisation and exclusion in many areas of life than people of similar age in the general population.


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