Fragments d’un discours iconographique : Poétique de l’image dans L’Empire des signes de Roland Barthes

2015 ◽  
pp. 149-160
Author(s):  
Khalid Lyamlahy

Roland Barthes was not only a literary theorist, a critic or a semiotician. Above all, he was concerned with signs, symbols and representations which shape the everyday life and nourish both identities of the individual subject and the social group. As the world celebrates in 2015 the centenary of his birth, the question of his intellectual and literary legacies has never been more relevant. In the large scope of his works, L’Empire des signes, published in 1970 following several trips to Japan, is rather a particular piece which hinges on a specific combination of text and images. By looking at the structure of Barthes’s work and the relationship between the author’s discourse and the meanings released through the images, this paper aims to highlight the poetics of the image as a founding element in L’Empire des signes. The study of three categories of images used in the volume and their confrontation with the author’s developments shed new light on the contribution of the iconographic element towards a valuable understanding of signs and significations.

ILUMINURAS ◽  
2021 ◽  
Vol 22 (57) ◽  
Author(s):  
Vitória Mendes Alves ◽  
Israel Martins Araujo

Este ensaio visual trata do mundo da vida cotidiana de camponeses agroextrativistas no Pará, especificamente no baixo Tocantins, região das ilhas do município de Mocajuba. Segue o método da etnografia sensorial, discute a relação entre corpo, ambiente e formas de aprendizagem técnica com a virtuosidade dos indicadores socioambientais e argumenta que tais técnicas não são transmitidas, mas ensinadas e aprendidas por meio de um complexo engajamento sensorial com o ambiente.Palavras-chave: Camponeses agroextrativistas. Cotidiano. Trabalho. Etnografia Sensorial. Corpo. Ambiente.  Glueing fragments of the world of life: cuttings from the daily life of peasants from downtown Tocantins paraense Abstract: This visual essay deals with the respect of the everyday life world of agro-extractivist peasants in Pará, specifically in the lower Tocantins, region of the islands of the municipality of Mocajuba. It follows the method of sensory ethnography, discusses the relationship between body, environment and forms of technical learning with the virtuosity of socio-environmental indicators and argues that such techniques are not transmitted, but taught and learned through a complex sensory engagement with the environmentKeywords: Agroextractive peasants. Daily. Work. Sensory Ethnography. Body. Environment.


2021 ◽  
pp. 59-78
Author(s):  
Francesca Emiliani

What do we talk about when we talk about everyday life? This chapter considers everyday life as a “metasystem” in Moscovici’s terms, a normative system that checks and organizes knowledge and thought. Looking at social representations theory, the chapter considers the structuring power of this metasystem, referring to two kinds of research where the absence (for deprived children) or suspension (in the first COVID-19 lockdown in Italy) of everyday life causes delays in children’s development and dismay in adults. The suspension of ordinary life highlights the social representation of “normality.” The structure of the “everyday life” metasystem is largely taken for granted, and this calls into question the relationship between the taken-for-granted and the knowledge that constructs social representations or, in other words, between stability and change in common knowledge.


2021 ◽  
Vol 277 ◽  
pp. 06008
Author(s):  
Mykola Popovych ◽  
Vasyl Levkulych ◽  
Yuriy Khodanych ◽  
Tereziia Popovych

Humanism as a principle for sustainable development of society, a model for the management of education and public education, is recognized as a fundamental principle by proponents of various schools of thought, social science, management and philosophy, and pedagogy. In their view, the philosophy of education and upbringing should clearly delineate the range of humanistic and moral values, define the social institutions designed to form an orientation towards these values, justify the relationship between the individual and the social qualities of the individual that could contribute to the “spirit of democracy” in society. However, addressing these important issues requires an exploration of morality identifying its nature, its functions in cognizing the world, and how it differs from other forms of cognition. According to the proponents of this socially-oriented direction of the management and educational philosophy, an important aim of education and upbringing is to develop the individual’s ability to reflect on moral topics; and this, they argue, is achieved mainly through the “language of morality” logic.


Author(s):  
Miha Colner

The article analyzes the artistic process of the Berlin-based photographer Vanja Bučan, who always manages to maintain at least some recognizable expression despite her varied approaches. Her works are visually rich, carrying complex meanings and associations. She chooses not to directly reflect the collective and the individual everyday life but depicts universal existentialist motifs where the social perspective is usually shown through metaphors and allegories. The centerpiece of her work is the relationship between culture and nature and between humans and their environment, as well as the ontology of image in mass media circulation. Her photography requires a considerable degree of cerebral activity and intuition in order to sense some of the fundamental questions of humankind in the Anthropocene. Keywords: Anthropocene, art photography, photographic mise-en-scene, representation of nature


2019 ◽  
Vol 23 (4) ◽  
pp. 598-611
Author(s):  
Kengo Nawata

Previous research has shown that honor culture and honor ideology enhance interpersonal and intergroup aggressiveness at the individual level. This study aimed to examine collective-level relationships among honor culture, social rewards for warriors, and intergroup conflict. To demonstrate these relationships, I used the Standard Cross-Cultural Sample, which contains data on 186 mainly preindustrial societies from all over the world. The analysis demonstrated that honor culture, which values males’ toughness and aggression, has a positive relationship with frequency of intergroup conflicts. In addition, social rewards (praise, prestige, and status) for warriors mediated the relationship between honor culture and frequency of intergroup conflict. These results imply that the collective-level processes of honor culture enhance intergroup conflicts through the social reputations of warriors who participate in war.


Author(s):  
G. Sh. Fayzullina ◽  
E. I. Kubasheva

The aim of the research presented in the article is to study the directions and mechanisms of action of museums in innovative practice. The modern museum as a cultural center is more focused on the individual, takes on the functions of organizing the leisure of citizens, responding to the social order, lifestyle. The study of the experience of museums in this context is focused on considering innovation at the local level - the museums of the city of Florence (center of Tuscany), which are a vivid example of the communicative model of the museum. This model of the museum is especially in demand today against the background of the problem of attracting (and retaining) visitors existing in museums around the world and in Kazakhstan. The study of valuable experience and innovative approaches in the communication activities of the best museums in the world can give impetus to the development of museums in Kazakhstan. The situation with the COVID–19 Pandemic has made its own adjustments in the relationship between visitors and museums. Both Florentine and Kazakhstani museums reacted to the situation with interesting projects. It is concluded that the introduction and development of information systems in museums in Italy made it possible to significantly optimize their work, and this, in turn, allowed them to reach a qualitatively new level of presentation of their services and collections. There are ample opportunities for the world museum community to access the Italian heritage.A great help in this study was the master's thesis by Irene di Pietro, which was written in the city of Bologna in 2017. An important source was the personal observations of E.I. Kubasheva in direct acquaintance with the museums of Florence. The research was carried out using narrative and historical-genetic methods.


Author(s):  
Lori G. Beaman

This chapter considers the relationship between deep equality and law, recognizing that for many people equality is a domain of discussion that is located primarily in law. Though this book is in part about displacing law’s dominance over equality discourse and reinscribing it in the domain of the everyday, the author maintains that deep equality and law’s version of equality are not completely unrelated and it is worth considering law’s role in the working up of a particular way of framing equality that has come to dominate the discussion of religious diversity and its ‘management’. Drawing on earlier chapters in this book whose working assumption has been that law is not at the centre of everyday life and that it does not guide the negotiation of difference, the book turns to the necessary task of recognizing law’s place in the conceptualization of diversity and its contribution to the peace of living together. The author excavates law through the examination of a case study for evidence of the values and practices that belong to deep equality, seeking those moments when law evidences respect, neighbourliness, caring, and perhaps even love.


2016 ◽  
Vol 19 ◽  
pp. 139
Author(s):  
Paula Contreras

<p style="margin-bottom: 0cm;" align="JUSTIFY"><span style="font-family: Times New Roman,serif;"><span style="font-size: medium;">Los relatos culturales dan sentido a la vida cotidiana, a nuestras experiencias y a la forma de entender y explicarnos el mundo en que vivimos. El presente artículo aborda los principales elementos que conforman hoy en día el relato cultural denominado </span></span><span style="font-family: Times New Roman,serif;"><span style="font-size: medium;"><em>Autoritarismo Dictatorial/Mejor Callar</em></span></span><span style="font-family: Times New Roman,serif;"><span style="font-size: medium;">, así como sus implicancias en la configuración de los miedos sociales del Chile actual.</span></span></p><p style="margin-bottom: 0cm;" align="JUSTIFY"><span style="font-family: Times New Roman,serif;"><span style="font-size: medium;">Palabras Clave: miedos sociales, relatos culturales, autoritarismo dictatorial</span></span></p><p style="margin-bottom: 0cm;" align="JUSTIFY"><span style="font-family: Times New Roman,serif;"><span style="font-size: medium;"><br /></span></span></p><p style="margin-bottom: 0cm;" align="JUSTIFY"><span style="font-family: Times New Roman,serif;"><span style="font-size: medium;"><br /></span></span></p><p style="margin-bottom: 0cm;" align="JUSTIFY"><span style="font-family: Times New Roman,serif;"><span style="font-size: medium;"><br /><em>The dictatorial authoritarianism as a cultural narrative. An approach to social fears in the Chile current</em></span></span></p><p style="margin-bottom: 0cm;" align="JUSTIFY"><em><span style="font-family: Times New Roman,serif;"><span style="font-size: medium;">The cultural narratives give meanings to the everyday life, to our experiences and to the ways of understanding the world we live in. This paper will focus on the main elements that shape the current cultural narrative that we call Dictatorship Authoritarianism / Better Keep Quiet (Hush), and also their<br />implications/effects on the social fears configuration of contemporary Chile.<br /></span></span></em></p><p style="margin-bottom: 0cm;" align="JUSTIFY"><em><span style="font-family: Times New Roman,serif;"><span style="font-size: medium;">Keywords: social fears, cultural narratives, dictatorial authoritarianism</span></span></em></p><p style="margin-bottom: 0cm;" align="JUSTIFY"><em> </em></p><p style="margin-bottom: 0cm;" align="JUSTIFY"> </p><p style="margin-bottom: 0cm;" align="JUSTIFY"> </p>


Author(s):  
M. D. Chertykova

The article provides a semantic-cognitive analysis of the ethnocultural components of the common Turkic zoolex-eme ат ‘horse’, as a unit of the proverbial picture of the world. The proverbial picture of the world is a fragment of the linguistic picture of the world, which is a linguoculturological and cognitive model of various thematic proverbial groups. The structure of Khakassian proverbs and sayings has phonostylistic features: the obligatory presence of rhyme, assessment of various characteristics of a person and other phenomena of everyday life, figuratively associative com-parison of any properties of a person with objects of nature, including the endowment of animals with traits of a per-son’s character. Thus, the structure of all the proverbs and sayings we analyze is different in using the method of com-parative parallelism, for example, a child and a foal, a man and a horse. In the Khakass worldview philosophy, en-shrined in paremias, ат ‘horse’ is perceived as a true friend, ally and assistant of a person, in particular a man. The proverbs and sayings emphasize the relationship between man and horse, draw a figurative parallel of the positive and negative qualities of their characters, the careful and respectful attitude of man to the horse. In the Khakass national worldview, the horse is also a symbol of prosperity, well-being, therefore, it can also appear in traditional well-wishes, in reflections on the themes of eternity, time, life and death, for example, Ат öлзе, изері халар (Mudroe, 2014, p. 6) ‘Nothing disappears without a trace (lit. if a horse dies, a saddle remains)’. This proverb implies the idea that even if a person leaves this world, his good deeds will remain. The study showed the interconnection of the language and worldview culture of the Khakass ethnic group, which takes a basis in the everyday life of a nomadic society and mani-fests itself in fixed sayings, where the acting character is one of the main symbols of the Turkic world – ат ‘horse’. As far as we know, such signs are broadcast in the proverbial picture of the world and other Turkic peoples, thereby we can note the universality of the peculiarities of updating the ат ‘horse’ concept.


Author(s):  
Emma Simone

Virginia Woolf and Being-in-the-world: A Heideggerian Study explores Woolf’s treatment of the relationship between self and world from a phenomenological-existential perspective. This study presents a timely and compelling interpretation of Virginia Woolf’s textual treatment of the relationship between self and world from the perspective of the philosophy of Martin Heidegger. Drawing on Woolf’s novels, essays, reviews, letters, diary entries, short stories, and memoirs, the book explores the political and the ontological, as the individual’s connection to the world comes to be defined by an involvement and engagement that is always already situated within a particular physical, societal, and historical context. Emma Simone argues that at the heart of what it means to be an individual making his or her way in the world, the perspectives of Woolf and Heidegger are founded upon certain shared concerns, including the sustained critique of Cartesian dualism, particularly the resultant binary oppositions of subject and object, and self and Other; the understanding that the individual is a temporal being; an emphasis upon intersubjective relations insofar as Being-in-the-world is defined by Being-with-Others; and a consistent emphasis upon average everydayness as both determinative and representative of the individual’s relationship to and with the world.


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